WEBVTT 00:00.150 --> 00:06.300 Welcome to this lesson where we will quickly work on getting some texturing done, so you may notice 00:06.300 --> 00:13.480 that I have already created a new tree here and basically created it with a couple lattices and cylindrical 00:13.480 --> 00:20.430 gloves and then combined the mesh to make one tree that I duplicated out, rotated around and put it 00:20.430 --> 00:21.030 throughout the scene. 00:21.420 --> 00:26.880 The other thing I noticed when we were doing the ground, the grass here is that we did not change the 00:27.270 --> 00:29.610 bump map to tangent space normals. 00:29.940 --> 00:35.550 So that was why the exposure had to get cranked up so much, because we left it on Bump and we didn't 00:35.550 --> 00:37.500 change it to tangent space normals. 00:37.920 --> 00:42.560 And that's what we need when we have a normal map, which is what we used for the map here for the texture. 00:43.230 --> 00:46.760 So we need to continue to create these textures here. 00:46.770 --> 00:50.880 So let's move on to the ground, the mud part here. 00:51.210 --> 00:58.650 So let's find that in the shards and then we can use our handy select high script that we've learned 00:59.550 --> 01:00.390 throughout the course. 01:00.390 --> 01:08.490 And then let's right click and say add new material and we'll choose a standard shader standard surface 01:08.500 --> 01:09.390 shader, as always. 01:13.600 --> 01:16.600 And so it is freaking out. 01:18.670 --> 01:19.620 This is fun. 01:19.950 --> 01:22.210 Thinks I have the menu selected or something? 01:22.210 --> 01:23.620 I guess so. 01:23.620 --> 01:24.440 That freaked out. 01:24.460 --> 01:27.160 Let's get the ground selected again. 01:27.160 --> 01:29.820 So now we can go over to the surface. 01:29.830 --> 01:30.820 We can call it mud. 01:33.580 --> 01:43.030 Now, let's go up to the color and map in the file I provided is a mud color so we can go up to mud 01:43.030 --> 01:45.570 and see mud to fuse. 01:45.580 --> 01:47.230 We want the color of it. 01:48.160 --> 01:51.360 So now all of that has a mud look to it. 01:51.370 --> 01:54.610 We can kind of zoom in here and see if it has the right. 01:55.970 --> 02:01.350 Looks like we could maybe scale do some more repetitions here on the tuti texture. 02:01.360 --> 02:08.680 Let's just two, maybe three in both directions and get that a little bit smaller. 02:08.680 --> 02:11.310 It looks like that is working somewhat. 02:11.320 --> 02:19.660 Let's maybe go one more to five and then let's go back to the shader, select on any of the pieces. 02:19.660 --> 02:21.160 And we have mud here. 02:21.160 --> 02:28.600 So let's go to the bump map and add the normal map into that or make sure we have tainted space normals. 02:28.600 --> 02:34.390 Go navigate to the file of the bump map and go to normal. 02:35.800 --> 02:42.310 OK, now they'll give some kind of texture to it. 02:42.310 --> 02:47.440 And the other thing we can do is go ahead and kill the secularity on it. 02:47.740 --> 02:53.620 And I think we need to do the same for the grass here. 02:54.040 --> 03:01.090 Just turn secularity all the way off and let's add that mud shader to this this little plane that we 03:01.090 --> 03:01.690 created. 03:03.570 --> 03:06.160 It looks like I'm having difficulty selecting it. 03:06.820 --> 03:09.520 So I'm just going to select something nearby, frame up on it. 03:09.520 --> 03:14.860 So now I can rotate around a little easier, select the ground and let's just bring that up a little 03:14.860 --> 03:15.070 bit. 03:15.080 --> 03:18.190 So it is definitely through the grass part. 03:18.670 --> 03:21.790 And let's see if we can assign existing material. 03:22.120 --> 03:24.370 Mud is there just off the screen. 03:25.000 --> 03:28.090 So now we have this mud look that comes through the ground. 03:28.360 --> 03:29.770 So we're not going to see grass there. 03:30.670 --> 03:33.700 And so let's keep moving. 03:33.850 --> 03:35.560 Let's do the core. 03:35.590 --> 03:38.590 Let's just add something kind of generic and assign the material. 03:38.920 --> 03:46.480 Let's do a standard surface and just apply some kind of preset like. 03:48.280 --> 03:55.500 Hmm, whatever you think would work, let's use rubber and then just turn down the secularity a bit. 03:58.490 --> 03:59.400 Or all the way. 03:59.420 --> 04:07.940 Yeah, so now let's do the flag banner part, I'm just going to do one of these and you can do the rest. 04:08.460 --> 04:11.430 I just want to show you, you know, some important things to consider. 04:11.840 --> 04:14.810 So when you do in cloth, it adds another shape. 04:14.810 --> 04:15.810 Note to the history here. 04:15.830 --> 04:20.480 So if we scan over, we see we have the banner shape. 04:20.480 --> 04:20.870 Right. 04:21.260 --> 04:24.290 And there's this opaque thing that we've learned about texturing that we want to turn off. 04:24.800 --> 04:32.240 But after and cloth is created, it actually creates a new shape called in cloth shape and get over 04:32.240 --> 04:32.690 to it. 04:37.660 --> 04:40.750 And I'd see it's in Klaw. 04:43.890 --> 04:50.670 Alpizar output cloth is what it is, so we have output cloth in better shape, so there's basically 04:50.670 --> 04:55.770 two the same thing here and that's because this is in cloth. 04:56.310 --> 05:00.300 So we can click the opaque thing here and it will override this one. 05:00.300 --> 05:01.050 This one doesn't matter. 05:01.380 --> 05:02.940 So now this can be transparent. 05:03.810 --> 05:06.500 Let's add a banner shader to it. 05:06.510 --> 05:08.580 So I'm just going down to assign new material. 05:08.910 --> 05:17.040 Let's go to a standard surface and let's choose a blue here. 05:18.920 --> 05:29.660 That's maybe more blue than purple, and what we can do is just use a texture under the opacity. 05:30.150 --> 05:31.750 So let's map something in there. 05:31.760 --> 05:37.700 We've got a file and then bring in these textures that I've created. 05:38.390 --> 05:41.060 So let's use the blue one open. 05:41.720 --> 05:43.370 So let's test this out. 05:43.380 --> 05:48.020 Let's get to a frame where we can actually see it by one of the first ones. 05:48.590 --> 05:53.840 And let's go to Arnold, reinterview and let's start to test this out and make sure that we can, in 05:53.840 --> 05:55.040 fact, see that. 05:55.040 --> 06:01.910 And the basically the idea is that that PMG is meant to cut cut out this shape. 06:02.340 --> 06:07.370 So it looks like it is working, although it's using the perspective camera, which is fine. 06:08.120 --> 06:14.210 And the other thing is it's looks like it's a little too opaque, like we can see all the way through 06:14.210 --> 06:14.420 it. 06:15.230 --> 06:18.230 So I'm not entirely sure why that is. 06:18.230 --> 06:20.060 I think I just need to trim the exposure. 06:20.330 --> 06:26.570 And so because we're using this as for opacity, it'll it'll crank up that alpha. 06:27.410 --> 06:32.210 So if we drink that up, it'll get rid of that problem where it's kind of semi transparent. 06:32.570 --> 06:37.900 The other thing I want to look at is this banner. 06:37.910 --> 06:38.960 Yeah, I guess it's on there. 06:39.470 --> 06:45.350 I'm looking at this, the black tubing here, you just call this rope. 06:45.860 --> 06:48.830 Let's make this something brown, maybe brighter that we actually see it. 06:49.490 --> 06:51.410 So I'm just going in here. 06:52.500 --> 06:53.600 Let's crank that up. 06:55.460 --> 06:57.800 So, yeah, it's looking good. 06:58.640 --> 07:03.830 So basically do that for each one of these and 07:06.230 --> 07:08.030 then let's move on to another piece. 07:08.030 --> 07:09.530 Let's do the tombstone next. 07:10.700 --> 07:15.410 I haven't created the UVs for this so we can do that. 07:15.410 --> 07:24.200 Now, let's go to the modeling and let's just use the automatic, uh, one. 07:24.200 --> 07:26.330 Let's let's open up the texture window first. 07:26.400 --> 07:29.240 You can see it's pretty random here. 07:29.720 --> 07:32.180 So let's go let's use this menu. 07:32.870 --> 07:39.950 You've just make sure we're using automatic to lay everything out all nice and then we can choose to 07:40.310 --> 07:45.620 cut and so pieces together if we want to with this little you've talked menu, which is sometimes docked 07:45.620 --> 07:47.180 here under the window itself. 07:48.080 --> 07:55.610 So what we can do is, of course, you know, this will depend on the texture. 07:55.610 --> 08:00.650 So let's just bring in the texture then we can we can line it up based on the texture, because these 08:00.650 --> 08:01.790 moves won't work right now. 08:02.120 --> 08:06.980 So let's right click and say a sign of material, of course, the standard surface. 08:07.580 --> 08:09.260 And let's call this tombstone. 08:12.080 --> 08:22.370 Bring in the diffuse, which again is located in the course files here, Tombstone diffuse, so you 08:22.370 --> 08:28.820 can see I tried to make something that, you know, resembles a tombstone and where the UVs are currently 08:28.820 --> 08:30.970 laid out doesn't line up with where we need them. 08:31.310 --> 08:38.600 So let's go to the movie shells and let's just select the front one and we can see it light up there 08:38.600 --> 08:39.050 red. 08:39.320 --> 08:40.760 So, you know, this is the correct one. 08:41.780 --> 08:43.730 While we're at it, let's just flip both of these around. 08:43.730 --> 08:47.810 So we going to transform, scroll down and then just rotate these. 08:49.190 --> 08:52.370 And it looks like it's taking everything because we have the you've selected. 08:52.890 --> 08:55.850 So it's this one scale it up. 08:56.630 --> 09:05.720 And I'm not too worried about the other UV panels right now because this is just super, super rough, 09:05.720 --> 09:07.300 kind of to be honest. 09:07.310 --> 09:15.110 Like I'm not super worried about how this is going to look, because, again, you know, if we've done 09:15.110 --> 09:21.290 our job right in animation, most of the attention should be on the character themselves and not these 09:21.290 --> 09:27.080 little details as long as it's not totally terrible, but it'll do the job. 09:27.980 --> 09:31.430 So that looks, you know, better than nothing. 09:32.570 --> 09:35.330 And let's add this this bottom piece. 09:35.660 --> 09:40.430 If you remember, if we press down, we can add the tombstone, even though it's the same material is 09:40.440 --> 09:44.540 to remind you pressing down, we could have added a different material. 09:44.960 --> 09:53.890 And let me just do an automatic thing there and then we can move these around as needed. 09:53.900 --> 09:55.430 Let's get to these shells. 09:55.930 --> 09:57.920 I just want to make sure this front piece. 10:00.120 --> 10:01.770 This is kind of cool. 10:02.790 --> 10:03.270 Well, that's. 10:04.740 --> 10:08.220 I wonder why it's selecting everything, it's going to UVs. 10:08.760 --> 10:11.980 And so because we have sophs selection on that's why. 10:12.510 --> 10:15.060 So just be on my keyboard to get rid of soft selection. 10:15.660 --> 10:16.920 But now I'm already in this mode. 10:16.920 --> 10:21.240 I'm just going to keep using the UVs component kind of mode there. 10:22.420 --> 10:25.030 So I think this is actually flipped around like the other one. 10:25.960 --> 10:26.950 Let's flip it around. 10:28.550 --> 10:35.620 And hope we had it right, because I can see the R.P. there in the in the image, so now we know it's 10:35.670 --> 10:36.350 right side up. 10:36.860 --> 10:40.700 Thing with this is, is it's kind of stretched weird. 10:40.910 --> 10:45.320 So it's going to stretch that back out and get it somewhere. 10:46.650 --> 10:48.180 That has some streaky moss on it. 10:48.210 --> 10:48.370 Right. 10:48.840 --> 10:56.790 So we got the tombstone done, we got the tree done, we've got the banners done and we've got the grass, 10:56.790 --> 10:57.600 we've got the mud. 10:58.210 --> 11:01.950 So let's bring in a background image, someone to create a plane. 11:02.220 --> 11:12.720 And I know my background image is 2000 by 12, 15, so I can just go and set that kind of proportional 11:12.720 --> 11:13.650 ratio there. 11:14.550 --> 11:22.280 So if I go 2012 15, we know that this is going to be the right size shot to send that into the background, 11:22.320 --> 11:23.850 rotate it 90 degrees. 11:24.450 --> 11:32.160 And then now and I because I've set this, I know it'll be the right scale if I scale everything uniformally 11:32.160 --> 11:32.670 like this. 11:33.210 --> 11:35.310 So that should work just fine. 11:36.310 --> 11:43.710 So now I can kind of get this oriented towards the camera and push push it back far enough in space 11:43.710 --> 11:47.940 that it'll kind of make sense with the camera moves. 11:47.940 --> 11:50.310 And of course, women are behind at least the first tree. 11:50.730 --> 11:58.800 So when we see the parallax of the camera will make sense when it moves around at least somewhat. 11:58.920 --> 12:04.050 So it won't be super accurate because for this to be accurate, I need to be as far away as the night 12:04.050 --> 12:05.940 sky is, which we aren't going to do that. 12:07.860 --> 12:13.340 But yeah, just getting it kind of in the background, there's going to go a long way. 12:13.890 --> 12:20.790 So let's open up the hypercharged real quick because we're going to use the same texture map to go into 12:20.790 --> 12:22.260 two different inputs. 12:22.620 --> 12:23.850 So I'm going to sign a new material. 12:25.660 --> 12:32.710 The standard surface and and the hyper shadowman to click this little button to map that out and under 12:32.710 --> 12:42.100 color, I want to map to this night sky file and providing you and then we can use that twice. 12:42.970 --> 12:45.360 So now we have it in the out color. 12:45.370 --> 12:53.410 Let's use it for emission color as well, because what you'll find is because we're because we're using 12:53.410 --> 12:54.100 this as 12:56.800 --> 13:03.180 a background image, it's going to be affected by the lighting, which we can turn off, you know, 13:03.190 --> 13:04.270 cast shadows, all that stuff. 13:04.270 --> 13:11.560 But and because of the night sky, I want to have control over kind of how bright it is from the shader. 13:11.560 --> 13:13.390 And that's going to be a mission. 13:13.690 --> 13:15.010 So let's go to the render cam. 13:15.430 --> 13:21.880 I'm going to go to frame I think it was 1026 is what I figured out is kind of like a nice well, I want 13:21.880 --> 13:27.460 the the moon to be kind of almost right behind us, had to kind of frame him up really nicely. 13:27.940 --> 13:30.340 So something like that. 13:30.970 --> 13:39.250 And then now we can go into the Arnold render view and render and see if we need to increase the emission, 13:39.250 --> 13:41.070 which I'm sure we will need to. 13:41.800 --> 13:45.610 So now you can see in the background, like I said, is really dark, which that's fine. 13:48.040 --> 13:53.440 Another thing that's probably distracting about the scene is just that the gems are kind of a little 13:53.440 --> 13:53.950 too bright. 13:53.950 --> 13:56.120 I think we could tone that down. 13:56.470 --> 14:02.590 The other thing I'm noticing is this firefly right here, because it's an Olympic cache. 14:02.590 --> 14:06.220 We can just delete those faces so I can select the geometry. 14:07.980 --> 14:09.300 Right, click and go to face. 14:11.690 --> 14:16.850 Let me just make sure I'm not selecting anything behind it by getting really close to it. 14:18.810 --> 14:24.450 Let's see what's going to be that one F over here, I can back up a little bit, so yeah, it's just 14:24.450 --> 14:27.780 really close to the camera, so let's just delete that. 14:29.370 --> 14:34.440 So we just leave the faces of that so that that's, you know, works. 14:34.810 --> 14:36.390 So let's get back to the background image. 14:36.730 --> 14:42.460 It's like that so we can get to the shader and we'll just call it BGI. 14:43.290 --> 14:47.360 And so now all we can do is to turn off specular. 14:47.760 --> 14:49.020 Let's go to the emission. 14:49.020 --> 14:52.710 And because you can see we already have the image mapped in here, we can just crank this up. 14:53.340 --> 14:59.010 And now you have control over the brightness of the background, which is pretty cool, pretty handy. 14:59.370 --> 15:02.340 Um, just to get something quickly in there. 15:02.970 --> 15:06.810 And the other thing I want to do is to add a shader for his vest. 15:06.810 --> 15:13.400 I've created a image for his vest as well, which will hopefully kind of make that pop a little bit. 15:13.410 --> 15:23.370 Let's go to assign the material and go to Arnold standard and then go to color where it's color for 15:23.370 --> 15:23.760 specular. 15:23.760 --> 15:33.150 We don't want that color for base and she's file and then just navigate to the vest, color file and 15:33.270 --> 15:33.760 open. 15:34.770 --> 15:40.590 So now we have the vest color, which is, you know, you can do your own if you've watched the texturing 15:41.100 --> 15:44.610 section on the course, you know already how to to paint. 15:44.610 --> 15:46.010 And Maya. 15:46.010 --> 15:47.910 So let's just turn down the specular for that. 15:48.600 --> 15:56.220 And the other thing I want to do and the render is turn on the cat Clark stuff. 15:56.370 --> 15:58.050 So it's subdivides. 15:58.290 --> 16:02.580 So let's go down here to Subdivision Cat Clark and let's just say like two. 16:02.970 --> 16:11.700 So it'll just kind of smooth out the hills there in the background and then the trees not looking super 16:11.700 --> 16:16.290 great, but I think it'll, you know, we'll get by with it. 16:16.920 --> 16:20.790 Let's figure out what's going on with the gems here, because it's just they're too bright. 16:20.790 --> 16:23.400 I think their ambition is maybe high. 16:24.270 --> 16:28.920 I can't remember how I did this shader. 16:28.920 --> 16:29.880 Let's go to gems. 16:29.880 --> 16:30.150 Yeah. 16:30.150 --> 16:31.530 Emission is kind of highlights. 16:32.100 --> 16:36.270 Crank that off and we can see they just kind of turn off their they're no longer blue. 16:36.810 --> 16:44.160 Let's just turn up just a little bit so we get just a little even that is maybe too much. 16:45.060 --> 16:46.530 So let's just dial that in. 16:46.530 --> 16:50.100 I'm going to grab the render area so it's a little quicker. 16:51.530 --> 16:53.040 Yeah, I mean, that's that's OK. 16:54.310 --> 16:55.820 See what we get lower. 16:56.390 --> 16:57.680 I just want, like, a hint of color there. 16:57.710 --> 17:00.680 I don't want that to, like, distract from the action here. 17:01.580 --> 17:03.170 So that's looking good. 17:04.160 --> 17:09.080 Let's move this towards the wall to make sure that textures working enough. 17:11.380 --> 17:15.740 Otherwise, I'll make you guys a new one, but looks like it's OK. 17:16.610 --> 17:20.170 The main thing I think we need to deal with is the lighting here. 17:22.180 --> 17:26.810 So we need to get these banners done and then let's deal with the lighting as well. 17:26.830 --> 17:34.720 I think what so I have four images for the banners so we can go like every fourth one will be blue, 17:34.720 --> 17:36.670 which means this one will be blue. 17:36.670 --> 17:38.050 So we can go ahead and add that one. 17:38.500 --> 17:45.280 I'm sure if we named that Shater here, we didn't call it Banner Blue. 17:47.390 --> 17:53.420 So we can find it a lot easier and blue might not even be the best color because of the background, 17:53.420 --> 17:53.720 now 17:56.960 --> 18:00.740 we can assign existing material banner blue. 18:02.360 --> 18:05.450 So we have three more that we can add in here. 18:05.450 --> 18:07.940 But so every fourth one will be repeating. 18:09.120 --> 18:14.840 Um, let's for now turn this yellow. 18:14.840 --> 18:16.880 What's nice about this is because we're using the alpha. 18:21.270 --> 18:29.040 Or using the Alpha as a cutout, basically, we can change the colour of the entire thing and it should 18:29.040 --> 18:33.410 work for some reason and take that turn that yellow. 18:33.420 --> 18:38.330 And so it looks like we need to turn on the opaque thing here. 18:39.390 --> 18:45.360 So let me just x out of that and go over to the output cloth and it's opaque. 18:45.360 --> 18:47.550 So now that should render transparent. 18:47.580 --> 18:49.590 So let's focus on the lighting super quick. 18:49.590 --> 18:54.210 Let's bring in a spotlight and. 18:55.700 --> 18:56.860 Let's crank this up. 18:59.090 --> 19:00.050 And. 19:02.280 --> 19:08.940 Let's see if we can't get this to kind of highlight our character a little better, so increase the 19:08.940 --> 19:15.580 intensity and the cone angle and crank up the penumbra angle, which means the kind of softness around 19:15.610 --> 19:17.270 you can kind of see an update here, a preview. 19:17.700 --> 19:22.310 So I want to get this into a place that will work for the whole scene. 19:23.190 --> 19:33.000 I could constrain it to the character, but let's see if we can get away with just setting it up correctly 19:33.000 --> 19:34.220 in the first place. 19:35.690 --> 19:37.650 What if we go over here? 19:39.960 --> 19:43.110 Drag it from this viewport and then. 19:47.750 --> 19:50.370 To this way and then let's make this. 19:52.440 --> 20:01.470 Not yellow, but let's make it some kind of a little bit of a color, and then for the directional light, 20:01.470 --> 20:05.130 we can turn this a little bit blue since it is at night. 20:07.970 --> 20:10.100 Now, let's go back into Arnold's interview. 20:12.360 --> 20:14.730 And play and see what we've got. 20:17.190 --> 20:20.900 So it looks like we're going to need to crank up the spotlight quite a bit. 20:23.170 --> 20:31.900 Sort of zero here, I think it's just the scale of this scene is so massive there, we we're starting 20:31.900 --> 20:32.530 to see it now. 20:33.140 --> 20:38.980 The scale of the scene is so massive that the values are pretty high here. 20:40.180 --> 20:45.650 So, um, yeah, that looks like it's working. 20:45.670 --> 20:51.970 OK, let's let's scroll through, maybe increase the directional light. 20:54.500 --> 21:03.800 Just to crank everything up, it really washes out the the trees here, not super stoked on how the 21:03.800 --> 21:04.630 trees are looking. 21:04.640 --> 21:10.160 So but I do want to I just want to make sure we see the ground here, which I'm not really picking up 21:10.160 --> 21:10.460 yet. 21:11.480 --> 21:21.870 So I think I might bring in another light specifically for this area to kind of spotlight this area. 21:22.880 --> 21:27.020 So let's bring in someone just why don't we just duplicate the spotlight? 21:27.020 --> 21:28.730 Because I kind of like the settings we already have. 21:29.510 --> 21:31.130 And now that is duplicator. 21:31.130 --> 21:32.060 I can move this one. 21:33.530 --> 21:37.850 And meanwhile, kind of look at this update. 21:40.380 --> 21:49.020 And let's focus in on something so we get to the light, how you can kind of see it here, really spotlighting 21:49.020 --> 21:52.740 the area, whereas before we couldn't see the ground. 21:53.140 --> 21:58.050 Just want to make sure we're you know, we're focusing the viewer's attention on what we want them to 21:58.050 --> 21:58.800 be looking at. 21:59.760 --> 22:04.640 And it could also be that the the mud texture itself is just too dark. 22:05.130 --> 22:07.800 So I've selected something of that. 22:07.800 --> 22:14.970 And I'm going to go to the file of the diffuse and increase the exposure here and likewise for the trees, 22:14.970 --> 22:18.660 I think going to decrease the exposure on those files. 22:18.690 --> 22:24.570 So this is like a quick way to adjust files that you're not super happy with. 22:26.980 --> 22:31.240 Instead of having to go back and forth between Photoshop. 22:32.500 --> 22:41.380 So I'm like in this file, but I want to make sure that I include all of the all of the broken pieces 22:41.380 --> 22:43.780 here and the view of the spotlight. 22:45.690 --> 22:46.530 So that's nice. 22:46.820 --> 22:51.210 It's really starting to pick up the smoke that we have here to. 22:53.180 --> 22:54.420 So that's nice. 22:54.440 --> 22:58.700 We can also go back into the shade of that thing and tweak that. 23:01.500 --> 23:03.390 Let's go over to. 23:05.400 --> 23:09.810 I think we need to select the Bifrost. 23:14.190 --> 23:17.910 You know what, we have a let's get the hypercharged open and we can find it pretty quickly. 23:19.740 --> 23:24.540 I mean, for the most part, I'm getting pretty happy with this, I mean, to, you know, spend 10, 23:24.540 --> 23:28.560 15 minutes and have an image like this is pretty cool. 23:29.310 --> 23:32.790 Um, I think I want to bring down the hat. 23:33.300 --> 23:38.120 Every time I look at it, I basically find something that I'm not liking. 23:38.970 --> 23:41.310 So it's a lot of. 23:44.890 --> 23:53.700 It's a lot of back and forth, and I'm also having to relearn how I created these shady networks. 23:53.740 --> 23:58.950 I'm going to felt image and I think I want to bring down the exposure of that hat. 23:58.960 --> 24:02.070 So trying to figure out how you can see this with me. 24:02.620 --> 24:04.840 So let's just bring down the exposure that felt. 24:05.590 --> 24:09.010 Yeah, that's way better because it's just too bright. 24:09.290 --> 24:12.040 I think the tombstone is too bright, too, so I can select that here. 24:12.400 --> 24:17.740 Click this little button, it'll map that and we can go to the exposure of that and just crank that 24:17.740 --> 24:18.280 down. 24:22.270 --> 24:23.380 And. 24:24.780 --> 24:27.460 Yeah, I think that's what we wanted that's working. 24:27.480 --> 24:34.020 Let's now find the Bifrost Arrow, which we can find in here. 24:35.490 --> 24:47.580 Let's select the Bifrost Meche here and yeah, that's the one we need to to affect the the density basically 24:47.580 --> 24:48.300 is what I'm looking at. 24:48.300 --> 24:49.800 I think it needs to be a little more dense. 24:53.350 --> 24:56.230 Yeah, because why didn't you catch this streak here? 24:59.470 --> 25:02.680 Which is a little weird, looks like it's coming out of his, but. 25:08.920 --> 25:09.340 Which. 25:11.620 --> 25:14.740 Yeah, which is kind of frustrating because it's definitely not it's just. 25:18.120 --> 25:25.980 That's just unfortunate, we could, you know, rehash this, but I think it's got another frame and 25:25.980 --> 25:29.980 see if it'll really mess with that. 25:32.040 --> 25:33.030 So this is good. 25:33.180 --> 25:33.780 Oh gosh. 25:33.780 --> 25:34.020 Yeah. 25:34.800 --> 25:38.850 So what just happened is I had the spotlight here as my cameraman. 25:38.850 --> 25:40.290 I was thinking I was moving around in. 25:43.500 --> 25:46.530 I was thinking I was moving around with perspective cameras, let me get out of that, I'm going to 25:48.180 --> 25:51.480 hold out Space Bar and then get back to my perspective cameras and I can move around. 25:52.910 --> 25:53.680 I mean, check this out. 25:53.690 --> 25:55.980 This is like a pretty cool image, really. 25:59.650 --> 26:01.030 Yeah, like, how is that not cool? 26:01.240 --> 26:04.330 I don't know, I really like this and. 26:05.740 --> 26:10.540 So should we have, like, the fire, this should all look pretty darn cool, I think once we get the 26:10.540 --> 26:15.940 banner images in here and let's get the grass going. 26:16.000 --> 26:22.070 Let me just stop this and turn back on the grass, which is the second massive network we created here, 26:22.080 --> 26:23.020 if I'm not mistaken. 26:23.640 --> 26:28.330 So it should spaz out for a second wheel spinning wheel and then we should get a bunch of grass here. 26:33.640 --> 26:34.270 Or not. 26:38.040 --> 26:44.160 Save us and I'm just going to turn my on and off because I'm not sure why it's not a thing we should 26:44.160 --> 26:47.610 have that mesh networks showing up one second.