WEBVTT 00:01.400 --> 00:04.670 Now we just have to deal with all the in betweens smack. 00:06.630 --> 00:11.100 And I think I'll probably end up changing the timing of some of this takes a little too long, but I 00:11.100 --> 00:13.380 guess what they affect, that's why I love that much time. 00:15.540 --> 00:20.340 And I want to deal with this is not good, that that's annoying. 00:20.940 --> 00:27.450 So any time you're doing a walk or there's weight getting pushed off, you want to. 00:31.330 --> 00:35.560 You know, you want to let me do this whole I'm going to do a whole thing here. 00:39.100 --> 00:44.220 You want to stay kind of till the last possible second. 00:45.220 --> 00:47.760 And so what's happening here? 00:49.810 --> 00:51.250 I flatten this back out. 00:54.640 --> 01:00.970 As you know, in between, it's just coming up with the rest of the body, because we didn't do, you 01:00.970 --> 01:02.720 know, keyframes on every frame. 01:03.310 --> 01:08.860 So then I go back and make sure that's what's up. 01:10.060 --> 01:14.190 And we can see we want to make sure the contact is happening here. 01:20.590 --> 01:22.840 So everything is acting friendly. 01:25.280 --> 01:28.090 And then this pose needs to stay down. 01:31.480 --> 01:40.180 Can I do a really bad Arnold Schwarzenegger impersonation of get down the bridges out, but not subjected 01:40.180 --> 01:40.750 to that 01:43.490 --> 01:45.300 if you ever get a chance to teach classes? 01:45.310 --> 01:49.420 They're kind of interesting because you start to go kind of insane a little bit because I'm just talking 01:49.420 --> 01:50.050 to myself. 01:51.660 --> 01:55.500 Oh, let's see here. 01:55.630 --> 01:56.830 Why is that so far back? 02:01.920 --> 02:04.050 And I want this shoulder to stay down here. 02:14.780 --> 02:19.190 You know what, I think we ought to shoulder that we can do a copy frame deal. 02:21.810 --> 02:22.500 Almost. 02:43.210 --> 02:47.640 So it's this kind of thing that makes a lot of difference. 02:50.180 --> 02:53.590 And, you know, this is what I would be doing if. 02:57.720 --> 03:04.410 You know, I was trying to make this into like a real peace or, you know, I would eventually probably 03:04.410 --> 03:04.980 have. 03:06.720 --> 03:12.120 A keyframe not for every joint or every controller, but a keyframe on every 03:14.700 --> 03:22.380 on every single frame for at least one control, probably because I'd go through and make sure everything 03:22.380 --> 03:24.270 is doing exactly what I wanted to do. 03:28.030 --> 03:28.660 And. 03:39.550 --> 03:41.400 Make sure that is the case. 03:46.500 --> 03:48.720 I don't want that to slow down as much there. 03:51.010 --> 03:53.290 I think what's thrown me off is the elbow. 03:55.250 --> 03:56.530 It's kicked us out a little bit. 04:16.360 --> 04:17.550 I try something 04:20.850 --> 04:26.940 you I said I wanted to offset stuff and just try that by shifting keys over. 04:27.480 --> 04:32.880 It's kind of a no no, but it's a quick and dirty way to to get that offset. 04:36.090 --> 04:44.010 See how, like, his hands need to stay there for pound because they're not super reading. 04:44.250 --> 04:45.510 They're not reading super well. 04:47.070 --> 04:56.820 But this is the perfectionist to me starts I have to like tell to shut up because I'll never get this 04:56.820 --> 05:00.600 done if I just keep tweaking it till the end of time. 05:03.960 --> 05:06.750 But if you're into that kind of thing, that animation is probably for you. 05:09.590 --> 05:11.750 Because that's what it takes. 05:37.430 --> 05:37.680 Cool. 05:38.480 --> 05:38.800 OK. 05:46.110 --> 05:50.250 All right, so all that's happening, the fast ball of law, which affects this kind of thing, and 05:50.250 --> 05:51.360 then we all be done. 05:54.230 --> 06:05.060 Say, one, two, three, because I want to go one, two, three, and I want to keep this over here 06:05.090 --> 06:08.450 for as long as I can because. 06:14.290 --> 06:22.970 He's pushing off with the hand, so that needs to go down because I want that to kind of be the last 06:22.970 --> 06:23.330 thing. 06:27.470 --> 06:29.410 And his foot needs to stay down. 06:37.590 --> 06:39.900 Everything, yeah, OK. 06:44.290 --> 06:49.750 Someone needs to stay back and I might do a little football action on it. 06:50.080 --> 06:51.430 Let's see for all the. 07:05.130 --> 07:07.860 I want this by I want all this stuff to stay over. 07:11.410 --> 07:14.810 We'll see where his head hits a wall here, Bill, and then it starts already coming back. 07:14.830 --> 07:15.430 I don't want that. 07:15.430 --> 07:16.480 I want that to stay over. 07:16.990 --> 07:21.720 But I want I do want want this to be doing stuff soon. 07:21.730 --> 07:29.730 I want the cog to be doing stuff sooner, but I want this to stay over here. 07:30.250 --> 07:35.440 And honestly, he's kind of off balance a little bit, but that's what it is. 07:42.620 --> 07:46.610 I just hate how it just hits this wall, I think I need to dial this one back. 07:49.200 --> 07:53.560 To give this more room to do this, yeah, perfect. 07:54.450 --> 08:00.180 See how his -- is going up and heads still doing what it was going to be doing anyway, 08:03.540 --> 08:05.820 so I just bring that down more. 08:17.460 --> 08:19.670 That stretch of the stretch now. 08:46.930 --> 08:47.310 So. 08:49.790 --> 08:57.680 So I take this final frame, I'm going to duplicate it, and then I'm going to offset everything again 08:57.680 --> 09:03.840 over here to favor sort of minimal straggled maybe in here somewhere. 09:04.580 --> 09:06.590 And same thing with his head. 09:07.370 --> 09:08.950 Let's track that. 09:09.020 --> 09:10.580 Let's bring this over. 09:32.310 --> 09:34.140 Let's bring these up maybe. 09:38.690 --> 09:40.810 Let's bring this up. 09:43.340 --> 09:45.410 Or let's bring them down, maybe. 09:53.380 --> 09:54.990 Yeah, I just need more time. 10:16.450 --> 10:18.200 This should already be done, I think. 10:20.290 --> 10:22.730 I think it needs to wait a little longer. 10:25.900 --> 10:27.790 Increase the foot roll a little bit. 10:27.820 --> 10:29.160 Keep that going. 10:44.570 --> 10:53.800 Yeah, I'm trying to do OK, so I need to do the same thing I've been doing kind of offsetting things 10:53.800 --> 10:57.550 well and this is all this stuff is too slow. 11:23.830 --> 11:30.250 And I use the filter thing, it looks like the curves that's rotating weird, yeah. 11:30.700 --> 11:33.910 Is that beautiful? 11:36.800 --> 11:39.270 I need to make this a little better. 12:15.790 --> 12:16.600 Let's see. 12:21.900 --> 12:23.610 For some reason, there we go. 12:23.640 --> 12:24.030 My. 12:26.020 --> 12:29.050 That's like not updating Seper while. 12:35.840 --> 12:38.090 OK, I think this needs to stay up. 12:43.590 --> 12:47.660 Trouble is, we don't have much further to go, so we've got to bring this down. 13:00.990 --> 13:03.330 And this seems to come over more. 13:07.540 --> 13:09.250 Seems to go over more. 13:12.500 --> 13:13.260 I've see. 13:14.130 --> 13:25.690 But that's a little weird, but, uh, the happens, but it's slow, all that stuff is slow, slow and 13:25.710 --> 13:26.130 slow. 13:26.130 --> 13:27.480 Spine is rotating here. 13:27.990 --> 13:29.220 That all that. 13:29.230 --> 13:29.570 Yeah. 13:30.540 --> 13:35.640 Way too slow to, uh. 13:38.860 --> 13:45.430 Go to the dragon's head more here. 13:58.150 --> 13:59.300 Early on, I said to. 14:55.370 --> 14:57.980 So I'm basically going through and kind of 15:01.550 --> 15:05.360 getting everything to settle on what I really should be starting with is the Karg. 15:06.600 --> 15:08.060 I want this to bounce. 15:11.450 --> 15:14.870 Basically in the wild, let's get let's just deal with one thing at a time. 15:18.560 --> 15:22.150 Bo, bo, bo. 15:54.670 --> 15:55.450 That's too much. 15:59.040 --> 16:01.650 Yeah, OK, now we're getting somewhere. 16:02.670 --> 16:03.140 OK. 16:08.610 --> 16:11.310 And I'm not looking at his arms, they need a lot of work. 16:15.860 --> 16:20.300 And want to delay the foot to Speedy Gonzales here. 16:30.240 --> 16:31.800 Maybe even more. 16:43.790 --> 16:45.770 So he did the same thing with spine. 16:48.740 --> 16:51.470 Bell says he needs to. 16:57.820 --> 16:58.720 Keep going. 16:58.840 --> 17:01.150 Let me see it here. 17:03.230 --> 17:03.870 Let's see. 17:27.300 --> 17:28.240 This might be too much. 17:28.260 --> 17:29.220 Yeah, it's too much. 17:31.880 --> 17:38.000 And it's happening on the same frames, so it needs to happen like one frame after. 18:03.000 --> 18:04.450 I think that one's too big. 18:05.820 --> 18:06.350 Come on. 18:27.680 --> 18:29.180 What's going to help this is. 18:31.890 --> 18:33.330 Doing things in the opposite way. 19:27.300 --> 19:28.060 Already. 19:47.060 --> 19:49.400 And we just need to ease all this stuff. 20:02.920 --> 20:05.470 That probably upset these frayed nerves. 20:23.680 --> 20:28.030 Yeah, sounds kind of the sternum here is kind of doing a circle, 20:31.210 --> 20:32.850 this is what this is what I'm looking at. 20:33.830 --> 20:40.510 So, you know, there's like a little room, there's a little circle here, draws a little circle with 20:40.510 --> 20:44.110 the sternum or almost like it, just like one little curlicue thing. 20:45.010 --> 20:46.490 Well, let's see. 20:46.900 --> 20:48.350 Kind of get stuck here. 20:50.870 --> 20:52.880 I feel like it needs and wants to come back. 20:54.560 --> 20:55.610 Which way is this going? 20:55.640 --> 20:58.750 Yeah, that's a long line, I feel like it is it wants to come back this way. 21:01.250 --> 21:04.280 Very subtly not saying Brown. 21:08.490 --> 21:13.180 It sticks here, boom, boom, boom, boom, boom, boom, boom. 21:14.370 --> 21:15.800 And I think that's this. 21:16.170 --> 21:18.000 Yeah, like how flat that is. 21:21.660 --> 21:25.910 I think we need to keep that going and look at this angle. 22:13.830 --> 22:14.930 What is going on here? 22:26.060 --> 22:32.260 So knows what I'm just like, I don't know what to do because they exaggerate the crap out of something 22:32.270 --> 22:34.780 to be like, OK, for sure, don't do that, are for sure do it. 22:35.210 --> 22:38.390 So, yeah, that's what I needed to do. 22:39.000 --> 22:40.400 So sometimes it's good to 22:42.920 --> 22:44.270 exaggerate stuff like that. 22:44.270 --> 22:45.740 So I want to go through here. 23:06.290 --> 23:08.210 And kind of have it all flow. 23:34.800 --> 23:36.690 And despite all this stuff. 23:48.480 --> 23:50.110 All that stuff is super slow. 23:50.130 --> 23:55.160 I feel like I need to delete this track all this now. 23:57.090 --> 23:57.450 Yeah. 24:06.040 --> 24:12.430 And a lot of this just comes from practice and not being afraid to experiment. 24:17.100 --> 24:20.580 You know, when you're starting out, you want everything to be perfect and you don't want to make any 24:20.580 --> 24:25.110 mistakes to prove that you're good at it and blah, blah, blah, because you're kind of insecure, 24:25.110 --> 24:26.400 because you're learning something. 24:26.400 --> 24:29.790 And in reality, that can make you. 24:32.090 --> 24:39.640 Less willing to make mistakes or like try new things, which is kind of dangerous because you're not 24:39.640 --> 24:44.530 learning as much and as quickly as if you make mistakes, like that's a mistake. 24:44.710 --> 24:47.230 And I'm just trying to figure out what's the right thing to do here. 24:47.740 --> 24:52.530 And I'm OK with, like, not knowing the answer all the time. 25:00.320 --> 25:03.800 And sometimes it's super helps to. 25:06.750 --> 25:08.510 And look at things in 3D. 25:25.670 --> 25:32.360 It's getting wonkier and wonkier, as I say, all that and try to be all smart, like screwing up. 25:34.810 --> 25:39.030 So slow, I think this is slow is crap, that's what's up. 25:43.710 --> 25:51.600 Yeah, I mean, the shoulder itself, that moves pretty quick, we just need to stay up, we just need 25:51.600 --> 25:52.620 to stay up longer. 25:53.370 --> 25:54.270 I like all that stuff. 25:54.270 --> 25:55.550 We just need to keep this up. 26:03.540 --> 26:05.150 I think that's OK. 26:06.930 --> 26:13.280 And in reality, a lot of times people ignore the shoulders and they just want to focus on the hands 26:13.290 --> 26:19.920 and that's like super beginner move, which, you know, I did for the longest time because I'm just 26:19.920 --> 26:22.110 like, everyone's going to see the hands. 26:22.110 --> 26:24.180 I don't want I want to spend time on the shoulders. 26:24.940 --> 26:32.760 But the reality is they actually can carry a lot of emotion and really break up an upper body, which 26:33.990 --> 26:35.250 might not normally. 26:38.370 --> 26:39.050 Have. 26:42.510 --> 26:49.080 As much motion and especially character, like a rig like this, you want to use everything to your 26:49.080 --> 26:50.250 advantage that you have. 27:10.390 --> 27:13.450 Yeah, that's kind of good in this shoulder, settles 27:16.450 --> 27:17.620 a lot sooner. 27:44.460 --> 27:51.060 It's a little distracting sometimes, come on, the hands aren't doing stuff right, so I just follow 27:51.060 --> 27:59.010 this through and then figure out what is going wrong here and then I'll have to come back to the shoulders. 28:11.000 --> 28:13.850 And fix the rotation's. 29:23.410 --> 29:23.710 Ms. 29:26.600 --> 29:28.120 It's maybe a little too animation. 29:29.300 --> 29:33.370 It's not terrible, but like it kind of just calling calling attention to itself. 29:40.370 --> 29:44.030 I think maybe if I did this rest a little bit. 29:58.800 --> 30:00.830 Yeah, nothing making it worse. 30:04.290 --> 30:05.970 Some, uh. 30:27.510 --> 30:28.920 It's kind of it's too much. 30:28.950 --> 30:37.050 It's kind of annoying, but whatever I've had the air conditioning off in here so that you can hear 30:37.050 --> 30:38.910 me say my words. 30:40.850 --> 30:46.100 And it's getting super hot in here, so I'm trying to work as fast as I can so I can turn the air conditioning 30:46.100 --> 30:49.100 back on, I'm burning up right now. 31:50.320 --> 31:52.700 Yeah, it's too fast, clearly. 31:52.840 --> 31:56.290 Holy crap, what the world I don't know. 31:56.330 --> 32:01.200 Still, I think it wasn't updating or something like that's fine. 32:01.450 --> 32:04.180 And then what happened just went crazy. 32:04.180 --> 32:04.630 Crazy. 32:33.430 --> 32:39.490 Oh, my wallet, it's hard to hear what don't I like I don't like that wall. 32:41.610 --> 32:45.990 I think if I rotate the wrist in a better way, it'll be less. 32:51.040 --> 32:52.300 That takes forever. 32:52.330 --> 32:53.500 What in the world is going on there? 33:24.210 --> 33:25.230 This is bugging me. 33:28.390 --> 33:31.660 But in general, I hope this has been useful for you. 33:45.760 --> 33:46.050 This. 33:52.600 --> 33:53.530 This is the deal. 34:04.500 --> 34:05.640 That's fast. 34:09.900 --> 34:12.000 I should be like a fraction what it is. 34:34.610 --> 34:40.550 It really bugs me that it's this wall going vertical, step through this and see what's happening. 34:42.350 --> 34:43.700 It's a wall right there. 35:10.720 --> 35:13.930 OK, I think if until the rotation of this hand. 35:18.150 --> 35:18.420 Well. 35:21.550 --> 35:23.080 Solve the rest of these problems. 35:58.200 --> 36:00.780 There's this thing happening here. 36:06.240 --> 36:07.340 There were the. 36:19.550 --> 36:20.600 What's the. 36:25.880 --> 36:30.750 One frame less, one frame less, and let's have it go back down here. 36:35.700 --> 36:36.080 Yeah. 36:41.640 --> 36:44.100 I don't like I don't like this. 36:44.970 --> 36:45.570 This is about. 36:51.290 --> 36:52.040 Yeah, OK. 36:53.270 --> 36:53.780 All right. 36:56.410 --> 36:59.470 It's slow, it's so slow. 36:59.780 --> 37:06.180 Oh, yeah, yeah, bugging the crap out of me over here all that way too slow. 37:11.910 --> 37:12.660 Boom. 37:14.460 --> 37:16.930 Oh, yeah, it's all way too slow. 37:18.300 --> 37:18.870 Still. 37:29.750 --> 37:30.650 Yeah, that's way better. 37:36.690 --> 37:37.660 Let's take a look at the head. 37:42.370 --> 37:44.230 It's up. 37:46.660 --> 37:48.040 I think it needs to. 37:50.670 --> 37:53.460 Still, let me go and see here. 37:53.500 --> 37:53.970 Let's see. 37:57.850 --> 38:05.330 So you can tell what I did was I started from the root and I went I worked outwards from there because 38:06.670 --> 38:07.000 know 38:09.880 --> 38:10.510 that. 38:14.370 --> 38:20.670 It's going to affect the whole body, so if I was to do a head and then I did the Koji. 38:29.700 --> 38:31.520 I would just have to start over every time. 38:38.430 --> 38:39.350 See what's happening here. 39:00.140 --> 39:01.790 Yeah, just too hard. 39:07.590 --> 39:10.240 Schmahmann say. 39:12.080 --> 39:18.950 Hits like Boom, Boom, and it's Z, so we can take a look at the graph, editor of my tablet Will let 39:18.950 --> 39:22.200 me comes in too hard there. 39:22.240 --> 39:23.450 Let's just come down there. 39:25.510 --> 39:26.130 Why not? 39:26.180 --> 39:28.130 To give it an extra frame. 39:28.490 --> 39:28.790 Yeah. 39:28.800 --> 39:29.330 No, it's fine. 39:30.130 --> 39:30.350 OK. 39:32.290 --> 39:34.640 What no what no world just happened there. 39:35.770 --> 39:36.550 Oh, did I? 39:38.940 --> 39:40.570 Yeah, I think that's what the camera. 39:40.780 --> 39:41.550 I didn't realize it. 39:42.520 --> 39:42.900 Look. 39:45.660 --> 39:46.410 Yeah, that's pretty good. 39:48.820 --> 39:52.750 And so I think this will give us a good place to stop. 39:53.560 --> 40:03.880 I think we're done here and let's play the whole thing and let's let it run for like another second 40:03.880 --> 40:07.270 after it's done would be maybe five. 40:10.400 --> 40:14.360 OK, let's get big here. 40:14.690 --> 40:17.650 Let's turn on smoothie stuff. 40:17.810 --> 40:20.420 Let's turn on this, maybe so that. 40:26.840 --> 40:27.710 Yeah, so. 40:29.080 --> 40:32.860 Well, I'm going to do next is and with the camera. 40:37.190 --> 40:41.540 So sorry, I said we were done before we were done. 40:59.640 --> 41:04.740 And you always want the camera to, like, follow the action, you don't want it to lead. 41:05.640 --> 41:06.360 So. 41:09.170 --> 41:09.780 Um. 41:21.410 --> 41:23.080 Same thing like a follow through. 41:23.340 --> 41:31.570 He wanted to kind of continue after it's done here, take this keyframe, bring it back down. 41:37.640 --> 41:42.310 And it overshoot in the bottom here and then come back up. 41:52.490 --> 41:55.010 And the only other thing I might do is add some 41:59.150 --> 42:01.100 handheld looking motion here. 42:04.140 --> 42:06.560 So we'll start here. 42:10.200 --> 42:12.750 Just kind of go through and do like little. 42:17.380 --> 42:19.750 Little things this. 42:31.460 --> 42:32.950 To see where we're at with that. 42:36.440 --> 42:42.590 Yes, I feel bad, I mean, congratulations, its own thing, and you definitely want to spend time 42:42.590 --> 42:43.040 on that, 42:46.130 --> 42:49.490 but in general, like for handheld stuff, you know. 42:54.020 --> 43:03.320 That's too much moving, too fast and too much here, and this needs to go up, you start to get a sense 43:03.320 --> 43:03.640 of this. 43:03.650 --> 43:06.170 I could probably do a whole class, just like Henry Animation, which I might. 43:13.680 --> 43:25.440 But yeah, this takes practice, if you know, and that's considered kind of a layout artist job, so 43:26.250 --> 43:29.600 which it's kind of hard to find like really good layout artists. 43:29.610 --> 43:36.960 So that could be one way to kind of break in into the industry a little bit is to tell people you are 43:36.960 --> 43:39.630 excited to do layout and camera work. 43:43.920 --> 43:46.410 It's just going up swings over here. 43:46.650 --> 43:47.310 Just keep going. 43:47.790 --> 43:56.220 And so that's one way to kind of break in, because I feel like they're always looking for camera. 43:56.220 --> 43:58.050 People are layout artists. 43:58.050 --> 44:02.790 Like I know on the last movie I worked on, we were kind of having a hard time. 44:03.440 --> 44:05.790 I honestly didn't even really have a layout department. 44:08.490 --> 44:13.700 And it's like a huge part of a production. 44:13.710 --> 44:16.370 And yeah, we just didn't have that. 44:16.380 --> 44:25.680 So I know it might not pay as good as animation starting out, but it's like I've seen people go from 44:25.680 --> 44:27.120 layout to animation. 44:27.120 --> 44:29.760 So if you wanted to get an animation, you're having a hard time getting in. 44:32.560 --> 44:36.240 You could explore layout artist positions. 44:42.810 --> 44:46.430 So, OK, I swear to God, we're going to be done here in a second. 44:48.920 --> 44:52.580 I think I was down too fast, there was. 45:01.520 --> 45:05.820 That goes up too quick, yeah, it's just a lot of back and forth, right? 45:06.020 --> 45:06.450 Um. 45:08.730 --> 45:14.300 I actually did some camera work on Ready Player one, and it is it is its own thing for sure. 45:22.140 --> 45:22.950 Oh, my gosh. 45:23.550 --> 45:24.780 To the mail service things. 45:36.390 --> 45:39.230 So we just need like a couple more poses in here. 45:53.320 --> 45:53.950 That gets us. 46:01.960 --> 46:03.700 Yeah, I mean, that's not bad, really. 46:04.690 --> 46:11.310 Then I might honestly just take this stuff that I know is kind of OK and paste it in here. 46:14.450 --> 46:23.060 This is not going to work quick or, you know, what they say like or not harder but smarter, and I 46:23.060 --> 46:30.730 think we just need to flip this this we don't need to go that way with we need to go this way. 46:42.890 --> 46:44.120 And then I think we need to. 46:45.400 --> 46:49.330 Overshoot the stuff a little more in both directions. 46:51.670 --> 46:57.490 But still, there's still that key, bring it over here on that to go down more. 47:08.140 --> 47:09.600 Yeah, that just kind of sticks there. 47:09.790 --> 47:10.270 You need. 47:13.330 --> 47:13.660 Their. 47:30.400 --> 47:30.770 Joe. 47:36.320 --> 47:42.050 OK, I just need to fix this, whatever the heck is going on over here, just to let these. 47:46.660 --> 47:48.280 What happened before here? 48:03.540 --> 48:08.130 Yeah, OK, let's take a look at that now with some animated camera. 48:08.160 --> 48:13.470 OK, that's way too much motion, I think, here in the beginning, because I want more frantic stuff 48:15.300 --> 48:23.390 later that will mimic like the emotion of, oh, my God, there's a skeleton popping out of the grave. 48:24.690 --> 48:29.970 So if there's all camera motion before the action takes place, it's kind of takes away from when the 48:29.970 --> 48:32.150 action does actually take place. 48:32.160 --> 48:35.700 So let's just dial all that stuff back and delete that. 48:36.120 --> 48:36.920 Bring that up. 48:40.080 --> 48:43.460 Yeah, and he's probably not actually doing much anyway. 48:47.170 --> 48:47.920 So. 48:51.180 --> 48:52.230 Let's hear. 48:55.060 --> 48:55.740 It's now on. 49:01.840 --> 49:08.390 You need to go like this, the gravity of is one thing, at least in America. 49:09.010 --> 49:15.700 I don't want to be able to do it in a on a Linux or a PC because it's really fun thing where it. 49:20.170 --> 49:22.850 Refocuses everything when you don't want it to. 49:24.640 --> 49:32.600 OK, there was like we hit a wall right there, an X, no Y, yeah, OK. 49:36.420 --> 49:41.740 Sorry for the motorcycle noise, OK? 49:41.970 --> 49:42.440 OK. 49:45.430 --> 49:49.480 Now it's X, what is going on here, it's bouncing up, boom, boom. 49:51.780 --> 49:55.110 So all this stuff together, more frames. 49:58.790 --> 49:59.520 Bring it down. 50:06.730 --> 50:13.060 It doesn't need to come over, I don't know what's all this stuff, why is it rotating over this much 50:13.410 --> 50:13.780 annoying? 50:18.910 --> 50:20.970 Right in there, that's the stuff. 50:23.470 --> 50:24.700 Let's bring all this down. 50:31.400 --> 50:32.760 With us. 50:39.760 --> 50:40.900 And, you know. 50:43.320 --> 50:47.150 I kind of have a sense for what it's going to do, so I'm not actually even checking my work, I like 50:47.180 --> 50:48.960 do all these things on the curves and then. 50:51.380 --> 50:52.040 I'll check it. 50:55.590 --> 51:03.630 It's it's anticipating this move too much, this move, and then it starts too early, this is too much 51:04.440 --> 51:05.770 and it's too soon. 51:05.820 --> 51:08.030 All this stuff needs to go later. 51:08.880 --> 51:13.910 Let's do everything later by at least a frame, maybe take everything to friends. 51:14.610 --> 51:17.520 Um, bring that up. 51:36.150 --> 51:37.260 That's a little quick. 51:37.980 --> 51:39.270 Whatever is happening here. 51:44.350 --> 51:55.700 I just go wide, take everything, make sure I'm on the right one, just give it one more frame. 52:08.070 --> 52:09.360 The only thing I might do. 52:10.920 --> 52:11.230 Hmm. 52:16.640 --> 52:19.760 As back up the camera a little bit, because I want to see this moment more 52:22.600 --> 52:32.150 to delete all the keyframes on translation, just back this thing up or you know, what else I can do 52:32.150 --> 52:35.990 is just change the focal length, something a little wider. 52:57.160 --> 53:05.620 I don't want it to keep going up there as much, I think we've kind of overplayed that moment for the 53:05.620 --> 53:06.730 offset a little too much. 53:09.600 --> 53:10.550 Let's get it going down. 53:27.570 --> 53:31.890 I mean, I don't know, I think I'll probably look at this tomorrow and not be happy with it and make 53:31.890 --> 53:32.760 more changes, but. 53:35.670 --> 53:42.210 You can at least see kind of the process a little bit and yeah, this is all coming up too much. 53:45.280 --> 53:46.790 All this stuff should stay down. 53:46.810 --> 53:47.900 Let's focus on the guy. 53:47.920 --> 53:52.720 I mean, come on, that's we spent all this time animating and let's look at let's see, his full body 53:54.310 --> 53:55.060 thing going on. 54:12.620 --> 54:15.900 I think I might try is a focal length Zoome like. 54:19.770 --> 54:21.510 I'm going to just do that for fun right now. 54:30.530 --> 54:31.070 And. 55:12.240 --> 55:14.090 Was play it back for me. 55:20.570 --> 55:22.420 Oh, OK. 55:27.390 --> 55:30.060 I think this that works, actually, I might just keep this. 55:31.430 --> 55:33.930 There's a siren coming by and dogs are howling. 55:34.950 --> 55:41.580 Um, I forget what the good way is to reverse this type of animation. 55:42.000 --> 55:46.560 But let's just go let's let's just do this. 55:57.020 --> 56:08.070 I think in this move, I can maybe cheat the camera up, rotate it up and that motion a little bit. 56:09.330 --> 56:10.540 Yeah, let's do that. 56:20.230 --> 56:20.500 Cool. 56:20.770 --> 56:25.300 I think I just need to set, like, a overshoot, you know, all these all these animation concepts, 56:26.350 --> 56:31.270 and they don't just apply to a a bouncing ball. 56:31.270 --> 56:32.070 It's everything, right? 56:32.080 --> 56:33.810 It's the focal length on a camera. 56:33.850 --> 56:34.150 Right. 56:34.150 --> 56:34.630 I'm over. 56:34.630 --> 56:37.210 I'm going to overshoot it and bring it back. 56:39.880 --> 56:43.810 And that's why it's so important to learn principles, 56:47.980 --> 56:51.010 because you can apply to everything in animation. 56:55.060 --> 56:56.920 So let's see how that overshoot looks. 57:03.730 --> 57:04.040 Cool. 57:04.440 --> 57:04.730 OK. 57:04.960 --> 57:06.070 I think I'm happy with that. 57:07.570 --> 57:10.510 I think we are done now and I can finally turn on air conditioning again. 57:14.120 --> 57:15.050 I think the jump. 57:16.880 --> 57:21.770 It's a little fast, I think all this stuff is a little fast and may. 57:25.030 --> 57:32.530 Slow down, but I'm going to end this because this is like two hours now just in the session, so I 57:32.530 --> 57:33.550 think it's three hours total. 57:41.110 --> 57:45.360 Yeah, I'm going to do it for two weeks, maybe compose the camera down more a little bit here. 57:46.130 --> 57:48.430 Well, thank you for watching this kind of bonus content. 57:48.440 --> 57:52.030 I just want to make sure that you guys, you know, see every step of the way and don't think I'm, 57:52.030 --> 57:56.050 like, trying to do smoke and mirrors on you. 57:56.050 --> 58:01.330 And so they don't know exactly what I'm doing for every aspect of this course. 58:01.330 --> 58:07.480 If you have any questions, send me a message posted to the course so that other people can see your 58:07.480 --> 58:08.050 question. 58:08.050 --> 58:11.190 I can answer it because other people might want to see have the same question. 58:11.250 --> 58:11.920 See that answer? 58:13.450 --> 58:13.780 Yeah. 58:13.780 --> 58:16.150 Follow me wherever I'm at. 58:16.690 --> 58:22.330 You can, you know, Google my name and, um, to see of course, updates and all that kind of good 58:22.330 --> 58:22.870 stuff. 58:22.870 --> 58:29.080 But thanks for watching this bonus content and I hope you have an equally enjoyable time animating this 58:29.080 --> 58:34.960 little guy, doing something kind of crazy that we can apply some effects animation to you. 58:35.440 --> 58:38.770 But yeah, I'll see you in the course. 58:38.800 --> 58:39.100 All right. 58:39.100 --> 58:39.640 Thanks for watching.