WEBVTT 00:02.120 --> 00:07.280 All right, so we're back and I'm going to try to finish this up in this session and take a look at 00:07.280 --> 00:12.590 where we're at and we basically have a jump and we just need to get the landing down and then kind of 00:12.590 --> 00:20.600 pick a final pose for him to to kind of have the kind of final reveal thing or the final kind of flourish 00:20.870 --> 00:22.090 to this little animation. 00:22.670 --> 00:27.260 So when I get this landing down, I'm going to go back through and figure out the arms. 00:27.830 --> 00:29.270 Not too worried about them right now. 00:30.240 --> 00:32.000 So let's figure out where the last keyframe was. 00:32.000 --> 00:32.870 It's here. 00:33.310 --> 00:37.120 I just toggle through to see kind of what's happening. 00:40.490 --> 00:40.970 OK. 00:42.660 --> 00:44.970 So I think we can get this like Strader. 00:53.250 --> 00:56.550 I can probably come up here on that later. 00:57.120 --> 01:01.920 I'm just looking at the fear right now, OK, schoolish. 01:08.920 --> 01:13.540 But this one further out in front of them, something like that. 01:45.940 --> 01:53.200 I'm looking at this line right here, trying to not make it so broken, so the longer that is, I think 01:53.200 --> 01:56.920 it'll make it feel more stretch, more of a stretch to pose. 02:00.300 --> 02:06.090 I have to figure that this in-between stuff, because that right arm is going wonky, let me fix this 02:06.090 --> 02:07.290 wrist while I'm looking at it. 02:15.480 --> 02:21.620 Turn off Arabs, Kurds over here, you know it all on that side of doing this thing. 02:21.970 --> 02:22.260 It's. 03:18.040 --> 03:23.190 So, yeah, just trying to get this stretch posed to be as stretched as possible. 03:26.590 --> 03:27.400 And later. 03:44.840 --> 03:46.090 It looks weird. 04:04.920 --> 04:06.060 Bring down both of these feet. 04:06.120 --> 04:10.200 They have more room to go up in this next pose. 04:13.990 --> 04:20.740 Yeah, because they need they need to go up more and the next post selves got to take them down a little 04:20.740 --> 04:24.330 bit here so they have more room to go up here. 04:30.880 --> 04:33.150 It's a little slow here, which is kind of weird. 04:38.570 --> 04:39.650 Let's bring. 04:42.050 --> 04:45.620 Mean, I think I need to take some keyframes out. 04:47.040 --> 04:49.150 I think it's kind of too slow in here. 04:49.540 --> 04:55.030 I want the slow part to be at the very top of the jump, not before I want it to all the slow stuff 04:55.030 --> 04:55.570 to be in there. 04:59.720 --> 05:01.520 I think he can come out quicker to. 05:08.600 --> 05:20.270 Yeah, so you can kind of see just what one frame we'll do, see, oh, it's going out of frame, so 05:20.270 --> 05:23.410 I have to probably intimate the camera, which is OK. 05:28.170 --> 05:29.720 Still want to get this figured out. 05:32.800 --> 05:37.600 Yeah, it just kind of hits a wall here, just going to do a go ahead and do it in between in here. 06:07.240 --> 06:10.520 I like I've fought as hard as getting up the top post. 06:10.550 --> 06:16.330 I think it's from the spine rotating and I'll look at that and the graph editor that should be Rotate 06:16.330 --> 06:17.710 Z, which it is. 06:17.720 --> 06:19.420 We can see this big spike right here. 06:20.110 --> 06:22.360 So I can just take this back. 06:26.210 --> 06:26.650 You know. 06:29.390 --> 06:31.280 Now that goes back there. 06:34.450 --> 06:34.680 That's. 06:36.310 --> 06:39.400 I think it's from the hips or the CSG. 06:43.460 --> 06:45.310 No rotating. 06:47.200 --> 06:49.090 Yeah, I get that back. 07:07.970 --> 07:10.550 These hands to do something different. 07:11.570 --> 07:12.260 Come on up here. 07:16.840 --> 07:23.500 The elbow to go in there yet to stay out here, it's too close, you can see where it's too close. 07:23.530 --> 07:25.000 I want to drag it further back. 07:31.920 --> 07:35.250 You know, I think I want this hand to lead. 07:35.400 --> 07:42.060 So when I get this pose started out here to want it to go that far in. 07:44.210 --> 07:47.870 It should go up one to to already be going up here, I think. 08:08.530 --> 08:14.380 Yeah, it's more gradual than the other one can kind of catch up, I still too fast, though. 08:14.770 --> 08:20.800 Anyway, I'll figure out some other way to offset these, but that needs to be going up already to. 08:29.160 --> 08:30.150 I'll deal with this later. 08:30.380 --> 08:32.850 I want to move quicker than I am right now, so. 08:36.320 --> 08:39.290 See how it just stays at the same level and here, I don't like that. 08:51.620 --> 08:52.250 One second. 09:21.020 --> 09:21.500 OK. 09:32.170 --> 09:33.550 All right, let's get into the next post. 09:35.590 --> 09:37.240 So everything is calm here. 09:38.310 --> 09:39.600 Let's get the landing pose. 09:39.610 --> 09:41.200 Let's get the squashed pose. 09:46.720 --> 09:52.540 Let's bring I grab my hands while I'm grabbing this, because I want that relationship to kind of stay 09:52.540 --> 10:00.760 the same, and I'd also like to look at I want to make sure the momentum's kind of still going down 10:00.760 --> 10:02.650 the same rate somewhat. 10:04.510 --> 10:06.310 So I'm just starting to slow down here. 10:07.990 --> 10:10.510 And let's get this foot more the front. 10:18.250 --> 10:22.260 Zero zero out all these rotations. 10:32.270 --> 10:35.970 Back and forth, that needs to go somewhere different. 10:41.580 --> 10:42.000 Yes. 10:42.030 --> 10:42.420 All right. 10:57.100 --> 10:59.260 You know, I think when you take some frames out of your. 11:05.780 --> 11:10.860 Yeah, did I grab everything still moving? 11:11.450 --> 11:17.450 Oh, you know, what happened is I have trancelike why I selected here, so I'm only selecting trancelike 11:17.450 --> 11:21.200 why I was going to be select everything. 11:24.290 --> 11:30.080 See here, there's one frame where they go off set to get everything together. 11:31.730 --> 11:34.160 No power, no. 11:40.090 --> 11:43.960 And I want to start I think I want this to be a part of the Antec into the next 11:46.840 --> 11:52.750 BULOS, so I start twisting him because I wanted what I'm doing is going to turn away from camera, 11:52.750 --> 11:55.740 then turn into camera like a ta da kind of moment. 11:56.590 --> 12:01.690 So I need to go ahead and start to have this on the squash pose of this. 12:02.020 --> 12:03.460 Start to Antec. 12:07.110 --> 12:10.140 That next move that I'm going to have. 12:14.490 --> 12:20.150 So I'm going to do this back and then he's going to squash more when the dog comes up. 12:32.940 --> 12:41.760 Bring this down, grab the pole, Victor, get this town, get this to start to be, because I'm going 12:41.760 --> 12:49.200 to want this arm to come all the way across his body and I need to start to get this pole vector and 12:49.200 --> 12:49.710 position. 12:54.000 --> 13:00.090 Schoolish Skewes Yeah, I'm going to keep moving fast and go back through this stuff later. 13:00.210 --> 13:02.140 Why is that one frame after that happening? 13:03.600 --> 13:04.310 Get over there. 13:07.230 --> 13:08.100 There's still. 13:10.830 --> 13:11.070 OK. 13:13.690 --> 13:22.860 So boom, boom, I think I'm going to need more down subtle stuff maybe in here, just keep going. 13:23.350 --> 13:27.280 And this is really kind of considered straight ahead animation. 13:28.630 --> 13:31.300 If I was doing pose the pose, I would have. 13:33.010 --> 13:42.490 Then less poses sooner, but because a kind of more comfortable animating just in general, that I have 13:42.490 --> 13:45.420 confidence that I can fix whatever problem comes up. 13:46.660 --> 13:53.350 So I just kind of like take this speed through this stuff sometimes and go pose the pose. 13:54.250 --> 13:54.710 I'm sorry. 13:54.730 --> 14:02.950 Go just go straight ahead like I'm doing right now instead of doing pose to pose, which is just a personal 14:02.950 --> 14:03.550 preference. 14:07.720 --> 14:09.820 So, again, just kind of. 14:12.670 --> 14:20.680 Thinking about next poses where everything needs to be. 14:25.810 --> 14:31.120 These things to this to come all the way across his body. 14:33.680 --> 14:43.670 And this kind of character is a little difficult to pose, I would say just because of the silhouette 14:43.670 --> 14:49.220 is not as clean as something that's not a skeleton, just because there's so much negative space inside 14:49.220 --> 14:52.760 of his body and the limbs are skinny and all that kind of stuff. 14:52.770 --> 15:03.400 So that's kind of a nice practice, really, to try to get good silhouettes with something bony. 15:04.400 --> 15:07.130 I'm not, you know, being too particular about that right now. 15:07.400 --> 15:14.420 I do want to just kind of speed through this to have because the whole point of this next section is 15:14.420 --> 15:19.220 not animation, it's about effects. 15:19.400 --> 15:24.470 So I want to make sure I'm focusing enough time and attention on that. 15:25.280 --> 15:30.800 Even though this is bonus content, just the time that I'm putting into the course, I don't want to 15:30.800 --> 15:35.990 get tired of from doing something not related to the next section. 15:35.990 --> 15:44.810 So that is just inside baseball, as we say in America, of what's going on in my head, trying to make 15:44.810 --> 15:50.510 sure that I'm making this course as valuable as I can to people. 15:54.480 --> 16:00.420 And I always try to think of myself when I was starting out, you know, what would I want to see? 16:00.570 --> 16:09.390 You know, the funny thing about when I was starting out on YouTube was just starting to be a thing. 16:09.600 --> 16:13.740 So, like, there was not a ton of online resources like I'm making. 16:14.490 --> 16:19.860 So I'm trying to put myself, you know, from ten years ago into today's shoes. 16:19.860 --> 16:21.390 And ten years isn't that long of a time. 16:21.390 --> 16:28.440 But in an age when we didn't have YouTube and then we had YouTube and every other kind of Internet thing. 16:32.450 --> 16:40.400 It 10 years can be a lot of technologically speaking, so I'm just trying to think of what I want to 16:40.400 --> 16:43.490 see when I was starting out, and that's what I'm trying to give you guys here. 16:44.150 --> 16:46.340 So I hope you're liking it. 16:49.850 --> 16:56.560 I mean, why drag that and more about this is going to come down, but. 16:59.020 --> 17:07.150 Try to figure out this, I want this hand to come across the lower, it's getting all wonky. 17:07.180 --> 17:08.470 Look how wonky that is. 17:09.040 --> 17:11.740 And the last thing I want to look at is the rotation here. 17:12.730 --> 17:18.610 If we go to or filter boom, that's going to fix that. 17:19.360 --> 17:22.470 So the hand should be rotating correctly now. 17:22.900 --> 17:27.580 But now I just need to fix all of this wonkiness because it's trying to go straight across the body 17:27.760 --> 17:30.130 and not rotate around like a real arm. 17:31.270 --> 17:32.790 So that's up to me to fix. 17:32.800 --> 17:37.420 As an animator, I have to figure all that stuff out. 17:37.690 --> 17:39.220 So I drag it out of here. 17:44.060 --> 17:48.830 And because I have all these selected, I'm not seeing those keyframes in the timeline just going to 17:48.830 --> 17:53.900 turn off seeing timeline display so I can see every keyframe no matter what I have selected in the appropriate 17:53.900 --> 17:54.560 ED. 17:56.900 --> 18:00.530 So not look on from the camera of you want this to come across. 18:03.090 --> 18:06.690 And I think that Albert needs to be fixed, too, as one of the main things here. 18:14.490 --> 18:16.110 And do you want to think about. 18:17.360 --> 18:26.960 If I was to draw this, this kind of goes back to more old school animation, but you should think about 18:26.960 --> 18:29.330 even in 3-D, that each one of these is a drawing. 18:29.690 --> 18:34.670 And if you don't have any traditional animation background, I think you probably just imagine and appreciate 18:34.670 --> 18:36.920 what what really that would entail. 18:36.920 --> 18:42.230 But, you know, these are these are each we're seeing even though we're animating in 3-D, this is 18:42.230 --> 18:45.580 a 2D view, right? 18:45.590 --> 18:47.450 We're not like in VR or whatever. 18:48.950 --> 18:51.380 So at the end of the day, we're going to have a finished 18:54.200 --> 18:56.600 to the image that people are going to watch. 19:00.570 --> 19:01.680 I don't want this. 19:02.010 --> 19:08.880 OK, I'm going to try something super quick, and you might want to skip through this next section because, 19:09.330 --> 19:12.930 OK, I use animation layers when I want to test something that's not going to screw up the animation 19:12.930 --> 19:13.860 I currently have. 19:14.310 --> 19:17.250 I'm going to do a whole course on this stuff is more intermediate. 19:17.250 --> 19:24.120 But basically, I want to test an idea, something I said a little while, markers here. 19:24.120 --> 19:25.770 I want to go in here and have. 19:27.700 --> 19:28.980 A different kind of powers. 19:44.930 --> 19:45.380 CUFI. 19:52.410 --> 19:54.610 Just like there should be maybe a 10 hour moment here. 19:54.630 --> 19:58.320 I think this isn't going to work, but I like experimenting. 20:33.770 --> 20:34.120 Does. 20:35.530 --> 20:37.490 Wow, yeah, that's super wonky. 20:37.510 --> 20:39.160 Everything is moving too slow. 20:41.090 --> 20:42.370 What I'm going to do. 20:45.280 --> 20:46.720 And Ms. 20:56.790 --> 20:59.430 Get this to happen quicker, but, 21:02.400 --> 21:10.200 yeah, I mean, I think it's an, you know, an interesting idea, but. 21:13.860 --> 21:14.400 I think. 21:28.890 --> 21:29.490 I don't know. 21:31.760 --> 21:37.160 That kind of adds like a nice little thing, I don't know what that is, but it kind of adds like a 21:37.160 --> 21:37.820 nice little. 21:45.570 --> 21:51.420 I kind of like that, I don't know now I know what I'm looking at, I kind of like that being just kind 21:51.420 --> 21:53.570 of adds like a little cartoony meaning. 21:55.350 --> 21:58.890 So I just need to fix some of this stuff now because I was moving keyframes around. 22:08.710 --> 22:09.580 What's happening there? 22:09.610 --> 22:10.200 Oh, there we go. 22:36.460 --> 22:37.330 Yeah, what the heck? 22:56.060 --> 22:57.230 It's kind of more interesting. 23:00.470 --> 23:07.280 So, you know, I'll start an animation like this and then I'm all about experimenting and, you know, 23:08.310 --> 23:14.000 just trying something new, something totally kind of wonky maybe. 23:25.260 --> 23:31.680 I think I think I think I'm buggin out about is if we watch his head. 23:33.660 --> 23:35.180 I think I want to head to. 23:44.680 --> 23:47.200 To do something, let's get it up here. 23:52.410 --> 23:53.970 And I wanted to lay that. 24:34.010 --> 24:34.640 I think. 24:39.930 --> 24:44.910 You know, when I said I wasn't going to needle this thing to that, I now I am a little bit. 24:45.180 --> 24:46.140 But am are you going to do. 25:22.090 --> 25:26.010 I don't know, that's a little weird, I think it's too bobbleheads. 25:27.250 --> 25:31.780 So I think it was going to go in here and scale all of this down, whatever the heck I'm doing out here. 25:46.240 --> 25:50.030 That fixed it's just kind of a little more subtle bing. 25:50.060 --> 25:50.900 Yeah, I think I like that. 25:50.900 --> 25:53.000 Better bring it's kind of warm. 25:55.630 --> 26:00.320 I can needs to get resolved because now his hand, his wrist is doing wonky stuff. 26:00.340 --> 26:02.340 Let's see if it's a cooler filter thing. 26:04.630 --> 26:06.490 It was OK. 26:08.050 --> 26:11.190 Oh, now it's all flipped around, though, huh? 26:11.200 --> 26:12.250 Weird, huh? 26:13.480 --> 26:13.880 OK. 26:20.330 --> 26:20.780 We heard. 26:28.340 --> 26:28.730 And. 26:31.770 --> 26:33.960 This is called Gemba Lock. 26:34.810 --> 26:35.880 That's very frustrating. 26:37.530 --> 26:38.030 Oh. 26:46.950 --> 26:52.020 It comes from yeah, look at this man, it's already like a gamble from like day one here. 26:53.290 --> 26:53.650 Mm. 26:55.160 --> 26:58.890 It's just kind of keep posing it out and see if the feels filter can't fix this somehow. 27:00.820 --> 27:02.480 OK, and now what's up? 27:02.530 --> 27:13.930 Yeah, this is animation, um, constantly going back over the same area and seeing new things and getting 27:13.930 --> 27:16.800 annoyed by it to the point that you want to do something about it. 27:21.820 --> 27:27.220 I don't understand why this is being such a jerk with the rotation's getting Inverloch. 27:28.520 --> 27:29.700 Oh, you know what? 27:29.710 --> 27:34.260 Yeah, it is from the, um, it's from the animation there. 27:34.270 --> 27:34.720 This is. 27:37.070 --> 27:37.610 Let's. 27:41.000 --> 27:42.190 Let's break this down. 28:03.960 --> 28:05.290 Sorry, I'm not talking. 28:05.700 --> 28:08.270 I was trying to move quickly. 28:09.030 --> 28:09.810 Um. 28:14.940 --> 28:22.380 OK, so I'm going to save a version now, save another one. 28:29.210 --> 28:31.400 And again, I'm not really. 28:36.770 --> 28:39.230 Taking time to explain stuff, because this is 28:43.890 --> 28:47.030 this is a bonus thing. 28:47.990 --> 28:50.060 Why would it merge to itself? 28:55.400 --> 28:59.480 Because this is a bonus thing, I'm trying to just go quick, because this would be like a. 29:01.040 --> 29:07.730 A 10 hour thing, if we if I tried to explain everything and I would never get this done. 29:09.160 --> 29:14.060 So now I think we'll have a better chance of solving these rotations than all of the information lawyers 29:14.060 --> 29:14.570 begged. 29:15.080 --> 29:17.500 And I have confidence in you guys. 29:17.510 --> 29:20.060 If he really wanted to figure this stuff out, you you'll figure it out. 29:20.960 --> 29:21.300 Uh. 29:26.760 --> 29:32.790 And like I said, I'm going to have an intermediate class that covers these things. 29:35.360 --> 29:39.080 Smash pose, strike a pose. 30:14.570 --> 30:16.190 Just fix this and. 30:18.750 --> 30:20.490 So, yeah, in general, I think. 30:23.630 --> 30:31.300 A little experimentation and adding this ad adds quite a bit, I think, to the animation. 30:36.210 --> 30:45.810 And some more personality, you know, this is more of a flamboyant, kind of gregarious, if you will, 30:46.880 --> 30:53.220 Skelton guy, so we should have a little more pizzazz on the on the. 30:55.790 --> 30:58.490 Jump parts here that are. 31:01.250 --> 31:02.500 Let's keep that going. 31:09.870 --> 31:11.240 Yeah, I think that works. 31:12.910 --> 31:18.910 Yeah, go spoon, little kick. 31:21.570 --> 31:24.820 I think that's cool, that's working. 31:25.370 --> 31:26.310 I so want. 31:29.930 --> 31:31.550 This to rotate up. 31:36.070 --> 31:39.190 Go higher and to fix this knee thing. 31:41.520 --> 31:44.750 Same thing with this one trying to fix their. 31:45.780 --> 31:46.100 Yeah. 31:49.650 --> 31:50.040 Yeah. 31:59.220 --> 32:09.120 I think I want to keep this rotate it up and get here so I'm not being super particular about where 32:09.120 --> 32:13.710 my keyframes are coming from, right. 32:13.710 --> 32:14.270 Just yet. 32:16.650 --> 32:17.700 So, like, for example, I'm. 32:19.230 --> 32:22.220 I'm kind of going rogue on this now, 32:26.100 --> 32:30.000 meaning I'm just putting keyframes wherever the hell I want. 32:30.150 --> 32:33.390 Sorry for the cussing, wherever I would like them to be. 32:33.540 --> 32:34.740 That's where I'm putting keyframes. 32:37.950 --> 32:44.150 See how that goes straight across like this needs to go come from down and it needs to Lupa. 32:46.630 --> 32:48.040 I need to come in more. 32:53.250 --> 32:55.020 Like, that house has like an antique. 33:09.840 --> 33:15.510 See, I'm like, I'm like, are you doing Polish stuff in this phase, which is probably not good. 33:17.070 --> 33:17.380 Um. 33:21.140 --> 33:26.120 It's kind of a bad habit to show me showing people like how I'm working, but this is kind of what it 33:26.120 --> 33:26.450 is. 33:28.700 --> 33:30.890 Boom, boom. 33:30.920 --> 33:36.770 I feel like we need to give that snappiest to this leg, too, because it's kind of want wall right 33:36.770 --> 33:37.030 now. 34:36.970 --> 34:41.070 If I was to spend more time with this, what I would do is make the hand be a little more snappy, too, 34:41.100 --> 34:45.180 because they're kind of slow compared to the like, offset them because they're kind of going at the 34:45.180 --> 34:45.800 same time. 34:47.750 --> 34:53.560 Like here, how they both are there at the same time, I'd probably offset that a little bit, but just 34:53.750 --> 34:56.030 keep moving on because we can do this all day. 34:56.060 --> 35:02.540 That's the thing with animation is you can never really be done with it. 35:02.540 --> 35:02.840 Right. 35:02.850 --> 35:04.520 Like, you could just go for forever. 35:04.670 --> 35:06.320 Why is there a keyframe all the way down here? 35:08.390 --> 35:10.430 Oh, from, I think, taking the. 35:12.740 --> 35:16.010 Back in the animation layers. 35:16.460 --> 35:22.070 OK, let's see how off balance is maybe a little bit, because he's favoring the side that he's already 35:22.070 --> 35:23.060 in front of. 35:23.060 --> 35:26.870 So distance to come over a little bit, all this stuff. 35:32.050 --> 35:33.340 I'll make sure these. 35:36.140 --> 35:41.720 The baking did some wacky stuff, added some keys and some weird places, we're just going to go with 35:41.720 --> 35:41.890 it. 35:47.820 --> 35:48.320 There we go. 36:23.750 --> 36:26.180 I'm looking at are these feet positions? 36:28.560 --> 36:31.290 I think this one needs to come forward more. 36:33.150 --> 36:34.530 And this one goes back. 36:38.770 --> 36:42.650 Because of how I'm setting up the intake here, Ms. 37:11.890 --> 37:14.580 OK, let's get this figured out. 37:47.250 --> 37:52.060 A leading old keys after I made that new pose that are stopping this from. 37:54.820 --> 37:59.290 He's come forward that are stopping him from. 38:04.250 --> 38:05.510 And between incorrectly. 38:12.420 --> 38:20.460 I want that foot to hit, you know, like a bouncing ball, it should get I should get down pretty quick. 38:21.360 --> 38:24.270 Still, it does actually just copy this frame here. 38:27.480 --> 38:33.940 Little mouse drag, of course, brings that down so that I can see how far off that is, I'm going to 38:33.940 --> 38:36.460 delete that and I can see it should be out here. 38:38.590 --> 38:40.720 Now, that's kind of nice because we can all set the. 38:43.910 --> 38:49.220 The FT hitting now. 39:12.070 --> 39:19.930 You we can't really see his feet, but I just want to make sure in case we change the camera, I'm kind 39:19.930 --> 39:20.950 of glad we added that kick. 39:20.950 --> 39:23.170 It adds like a little something. 39:23.170 --> 39:23.620 Something. 39:29.260 --> 39:31.300 OK, now. 39:38.530 --> 39:44.410 Let's move him over here, rotate, rotate, rotate, rotate, rotate, rotate. 39:59.310 --> 40:00.760 I think it touched the ground. 40:01.120 --> 40:04.560 No, we're not that well, maybe if we do this. 40:11.180 --> 40:14.650 Pretty close, I think that's okay. 40:14.670 --> 40:14.930 The. 40:18.630 --> 40:21.780 Just kind of suggest he's throwing it out there for balance. 40:26.010 --> 40:28.290 Yeah, let's get that and all the way across. 40:30.040 --> 40:31.660 To really twist it here. 40:47.910 --> 40:51.830 Has come down more, so he might actually feel the touch now, because I do want to bring him down more 40:53.390 --> 40:54.740 salvoes walky. 41:04.480 --> 41:11.060 I like to look at things from another from other angles and then look at the graph editor translate 41:11.060 --> 41:13.720 not to have someone to see the translator here. 41:13.800 --> 41:14.510 Well, it's kind of. 41:16.640 --> 41:24.260 Well, make sure it's all making sense from a physics standpoint that. 41:29.760 --> 41:30.360 And Al. 41:35.740 --> 41:38.620 I said sometimes it messes up 41:43.660 --> 41:45.940 Skidoos Skardu. 41:58.080 --> 42:04.820 I think all this had stuff like some Hanbali stuff happening here, I think we can see it here. 42:05.260 --> 42:07.860 What's up here? 42:08.310 --> 42:09.840 And let's get this. 42:12.190 --> 42:17.110 Baby, yeah, it's all this all of this happening here, all these. 42:19.740 --> 42:21.210 On these tangents are weird. 42:27.820 --> 42:35.450 There's something happening here, see how he stops going to the left of the screen here in midair and 42:35.490 --> 42:36.160 not like that. 42:40.390 --> 42:41.310 Why is that? 42:43.380 --> 42:44.790 Oh, yes. 42:53.190 --> 42:53.610 Yeah. 42:55.630 --> 42:56.020 So. 42:58.080 --> 43:05.400 Yeah, OK, I got rid of that problem, yeah, so, you know, you can tell, like I do, you know, 43:05.430 --> 43:12.870 do the best you can and then you can see where issues are coming up and you just go through and fix 43:12.870 --> 43:13.080 them. 43:14.850 --> 43:21.690 And I think it should still be coming down at the speed. 43:29.130 --> 43:30.810 Maybe take some frames away here. 43:44.400 --> 43:44.680 What? 44:14.750 --> 44:20.810 Josh, so annoying when maybe it's my tablet, I'm working on a tablet that the. 44:31.170 --> 44:34.020 Not it's not picking up the right click or whatever. 44:40.640 --> 44:45.950 Jane, out of adjusted everything now, the hand isn't working anymore, of course, it's going to go 44:45.950 --> 44:47.240 through here because the. 45:37.180 --> 45:44.000 So I'm looking at is, you know, the silhouette here also, I kind of want this to go down and up. 45:45.970 --> 45:47.170 This one's bugging me. 45:51.120 --> 45:51.560 OK. 46:00.590 --> 46:04.700 Now, I'm going to kind of do oppose the pose kind of a thing where I'm just going to get the final 46:04.700 --> 46:07.040 pose and I'm going to deal with everything else later. 46:08.190 --> 46:12.320 I'll just pick, you know, a couple of frames out here. 46:12.810 --> 46:14.630 Let's get this guy into his final pose. 46:15.230 --> 46:17.780 And that way we can kind of wrap this up here. 46:24.100 --> 46:28.900 It's going to be a lot of kind of getting everything back to the default to kind of see how far I can 46:28.900 --> 46:29.560 push it. 46:32.740 --> 46:33.910 And. 46:38.230 --> 46:44.290 It's going to make it doing this positive stuff is going to make it really obvious where to spend your 46:44.290 --> 46:45.850 time fixing stuff. 46:51.860 --> 46:57.850 Let's see, I'm trying to think in my head what I want to do is down and I want this hand to have to 46:57.860 --> 46:58.670 come back. 46:59.740 --> 47:06.230 So I think he's going to need to twist more, like keep everything keyframe, everything. 47:06.230 --> 47:07.730 I think he needs to twist more here. 47:07.730 --> 47:10.730 So he has more room in this next one. 47:19.160 --> 47:21.350 Maybe delay that turn. 47:42.400 --> 47:47.050 Yeah, OK, so I want I don't want to, like, miss his whole face here. 47:59.220 --> 48:05.310 And I want this to maybe go in this direction first. 48:12.990 --> 48:18.120 So what's happening is everything's moving at the same time here, so I'm going to copy this. 48:20.220 --> 48:31.680 What, 30, I copy this with this one back, grab the one before this one, copy it there and then I'm 48:31.680 --> 48:35.730 going to really have this. 48:37.670 --> 48:43.020 Yeah, and let's do that here. 48:56.870 --> 49:02.240 And OK, I think we'll fix everything else that's happening, kind of weird and in between. 49:02.930 --> 49:04.190 Let's get this final pose in. 49:05.970 --> 49:08.200 Probably need some more for him here. 49:11.100 --> 49:14.210 Let's get the fingers to zero. 49:16.780 --> 49:23.530 Let's get us forward on this twister and let's just zero everything out. 49:27.330 --> 49:33.630 I wanted to be the opposite of whatever it's doing before seems to come up here. 49:40.440 --> 49:40.860 Hmm. 49:43.480 --> 49:44.380 Well, whatever. 50:13.760 --> 50:19.440 I'm not you know, I'm a little concerned about where this is going, so I don't have a great idea. 50:19.450 --> 50:21.310 I'm kind of trying to find it in this post. 50:25.640 --> 50:30.680 So bear with me because I'm not entirely sure what I'm doing yet. 51:01.850 --> 51:06.620 I think maybe this one should be low and those should be high, maybe. 51:12.240 --> 51:12.930 Something like. 51:15.980 --> 51:17.140 So there are a lot of different. 51:19.220 --> 51:20.600 Let's get him straight up. 51:21.740 --> 51:27.590 Let's get this, but more not right under him, spin it out here. 51:28.080 --> 51:32.590 This over a bit over something like that. 51:39.700 --> 51:40.820 Routings, hopes. 51:42.250 --> 51:42.960 A little bit. 51:56.780 --> 52:01.480 OK, I think that's kind of we're getting somewhere. 52:03.550 --> 52:04.060 You know. 52:07.160 --> 52:16.010 I think and, you know, again, this character is not the easiest thing to pose, which makes it like 52:16.010 --> 52:26.900 really good practice with when you do get something that's maybe more appealing or has your silhouette 52:26.900 --> 52:28.200 to pose out. 52:29.210 --> 52:35.540 So something like this looking at the silhouette and the left of you here. 52:37.940 --> 52:38.600 And. 52:41.960 --> 52:43.520 Yeah, something like that. 52:50.270 --> 52:57.040 I was a Shalders kind of happy, like one like, you know, what would you expect? 52:57.050 --> 52:58.100 I'm a skeleton, dude. 53:00.950 --> 53:07.700 Of course, I'm going to be harder to pose because I don't have no muscle sorry, being, like, kind 53:07.700 --> 53:08.210 of silly. 53:10.250 --> 53:13.430 So this is kind of a cliche pose like the pose. 53:14.000 --> 53:16.360 So you just want to try to find a way to break it up. 53:16.370 --> 53:20.390 And it's referring to, like the letter W because you have like the Y thing. 53:20.390 --> 53:27.830 But if you have it offset and like one elbow is more obtuse and one's more acute, meaning the angle 53:27.830 --> 53:30.320 from the elbow, you kind of just break it up. 53:30.330 --> 53:35.300 So it's not super generic of a pose like that. 53:36.590 --> 53:37.430 Super helpful. 53:40.990 --> 53:46.030 And twist, twist, as always, your friend. 53:47.750 --> 53:50.740 Uh, yeah, too much. 54:04.680 --> 54:05.520 And. 54:09.230 --> 54:11.660 Oh, I think I put one and I do, I put it on. 54:15.600 --> 54:16.860 For this character. 54:22.190 --> 54:23.450 I don't I put his. 54:32.190 --> 54:35.220 Can't I put his Blende Shape's? 54:38.810 --> 54:39.860 You know what, I think a. 54:43.430 --> 54:47.000 This might be another big issue that I'm discovering right now. 54:54.960 --> 54:55.890 I don't know that I. 54:56.160 --> 54:56.950 Oh, here we go. 54:57.960 --> 55:04.550 I'm not home, so yeah, um. 55:05.070 --> 55:06.440 Um, my my. 55:07.260 --> 55:08.400 Oh, that was the extra one. 55:19.360 --> 55:20.840 I not mess with these for this one. 55:20.870 --> 55:22.540 Just leave the face stuff out of this. 55:22.550 --> 55:28.210 But yeah, anyway, so it's heading down here and if you follow the rigging part, you know, you could 55:28.210 --> 55:31.990 have done a sedative and key like add attributes and do a sedative and key right here. 55:32.000 --> 55:35.740 So all the face stuff is on that controller 55:39.340 --> 55:41.920 and it may take another pass of this rig. 55:44.850 --> 55:57.230 And have it be available on my website that has it like a little more polished, but no guarantees. 55:57.270 --> 56:05.940 I just, you know, I try to maximize the time I'm spending on where I'm spending the time on these. 56:07.590 --> 56:12.300 Like, what's going to get the most you what's me the most useful for the time I'm putting in? 56:13.320 --> 56:15.120 Because I do have a limited amount of time. 56:15.750 --> 56:22.350 So when I am using it, I want to make sure it's going I'm going to have the biggest return on investment 56:22.350 --> 56:27.020 in my time for you guys, not for myself, of course for you. 56:27.780 --> 56:30.450 So I may or may not update the rig. 56:33.400 --> 56:36.730 But I mean, I think this poses kind of working, I think. 56:40.670 --> 56:47.960 I'm looking at, you know, just getting that that neck to be a little more straight into the head here. 56:48.860 --> 56:49.610 Let's take a look. 56:50.510 --> 56:52.560 Oh, yeah, let's work on.