WEBVTT 00:00.210 --> 00:08.310 So this is going to be a special bonus video, I'm basically going to do a demo of how I am going to 00:09.300 --> 00:18.090 animate this and it's going to be wrong because it's that animation for you and I don't entirely know 00:18.090 --> 00:18.570 what I'm doing. 00:18.570 --> 00:26.460 So this will be kind of like a real world example of what it's like to kind of start with an idea and 00:26.460 --> 00:29.850 just try to work as fast as I can and animate this thing. 00:30.180 --> 00:34.320 So I basically have my set on a reference layer so I can't select any of the geometry. 00:34.320 --> 00:40.200 I'm only going to select the nerves, curves and just to double check that, I'm going to undo those. 00:41.850 --> 00:42.980 I made speed this up. 00:43.530 --> 00:45.900 But but let's get going and take a look at this. 00:45.920 --> 00:54.540 So basically, I want the Skull Bones character here to pop out of a grave and do some kind of like 00:54.540 --> 00:56.150 a little gesture. 00:56.160 --> 01:14.070 And so I'm going to first set my scene to 1001 and set the end frame maybe for 200, something like 01:14.070 --> 01:18.410 that, as too much, maybe 150. 01:19.230 --> 01:25.950 And I'm setting it at 1001 because I know I'm going to be doing simulation on a lot of different things. 01:25.970 --> 01:36.930 And so I want to have enough run up time in positive frame numbers, meaning zero to 1000 and to run 01:37.170 --> 01:38.790 kind of the base simulations. 01:39.060 --> 01:49.320 And with that being said, I also want to save this tempo's because that is going to be how the character's 01:49.320 --> 01:55.290 going to get the cloth simulation started and then get into place. 01:55.680 --> 02:02.070 So I'm going to go to frame maybe, let's say 800. 02:03.080 --> 02:11.600 All right, let's say maybe like 500 and I'm going to hit a keyframe on everything by hitting us, and 02:11.600 --> 02:20.120 so I'm going to come back to this frame and actually I'm going to go to frame 500 for a minute. 02:20.750 --> 02:26.030 And basically what I'm trying to do is get him into the start pose. 02:26.240 --> 02:27.560 But we want to save this. 02:27.560 --> 02:29.000 We want the tempo's to start. 02:29.480 --> 02:34.430 And then somewhere in here, we want him to get into a pose where he's going to be underground. 02:34.940 --> 02:38.740 So I'm just going to yank this around and make that happen. 02:55.620 --> 02:58.850 And then I need to get his feet in the right spot. 03:01.720 --> 03:03.310 Scores of these town. 03:09.380 --> 03:10.980 Maybe somewhere in there. 03:13.770 --> 03:14.730 OK. 03:19.090 --> 03:23.590 So I get these behind him as Paul Vector's. 03:28.790 --> 03:36.950 And what I'm thinking about right now, too, is the vest basically that we're going to I think that's 03:36.950 --> 03:43.420 what I'm going to do at the moment, is do a cloth simulation, create a vest on that might change later. 03:43.970 --> 03:47.420 So ignore that if I had to change my mind and we don't learn that part. 03:47.420 --> 03:50.510 But this is kind of what I'm thinking right now. 03:54.150 --> 04:01.800 So I'm talking about the cost simulation, how how that's going to affect him going. 04:02.690 --> 04:07.800 And let me just make sure I play back right clicking here and play like speed real time. 04:10.700 --> 04:15.260 So it looks like that should work and. 04:17.290 --> 04:19.480 When I set a key on everything again here. 04:23.110 --> 04:26.640 I want to move all of this down because I don't think we'll need that much run up. 04:28.740 --> 04:29.870 We're going to start here. 04:29.980 --> 04:39.870 Let's say somewhere in here, say nine, 20, cool something, I go back to my start frame of animation 04:39.870 --> 04:48.720 and start animating some set of frame here, key here on everything, and then give this a few frames 04:48.720 --> 04:49.320 to run up. 04:50.910 --> 04:51.540 Maybe. 04:54.220 --> 04:55.480 Let's just to a second. 04:57.180 --> 05:02.720 I guess we'll have everything before one thousand one if we change our mind, let's just give it a second 05:03.810 --> 05:10.200 and I want to have him bust through his hand to your bust through to the ground, that is. 05:11.070 --> 05:14.790 So want to get his hand in place. 05:20.210 --> 05:22.250 So maybe move him down a little bit. 05:26.910 --> 05:34.520 And you know what, and I go ahead and change his hands to WorldSpace, want to break the connection 05:34.670 --> 05:40.860 or not break the connection and delete selected fabric connection, it might actually delete the center 05:40.880 --> 05:41.460 and innkeeper's. 05:41.480 --> 05:42.290 And I want to do that. 05:42.750 --> 05:52.070 I just want to delete, selected and choose world because I know he's probably going to. 05:59.860 --> 06:01.840 He's probably going to. 06:08.440 --> 06:14.560 Put his hands on the ground and so, yeah. 06:17.860 --> 06:20.470 I want I want his hands to be able to stick on the ground. 06:23.110 --> 06:24.160 So. 06:27.630 --> 06:30.480 Let's see where I want him to punch through, I want him to punch through here. 06:30.510 --> 06:32.240 Let's move him over a little bit. 06:34.660 --> 06:39.370 So we get a clean shot from this and. 06:46.770 --> 06:50.530 Make this into a fist and we're going to see any of this. 06:50.550 --> 06:53.610 I'm not worried about anything yet. 06:53.620 --> 06:58.640 I'm just kind of you be kind of messy down here when things are going to be off screen. 06:58.650 --> 07:01.350 Basically, you know, we're going to be we're going to see this up here. 07:01.710 --> 07:04.680 And then his hands are going to punch through and he's going to jump out. 07:05.220 --> 07:10.320 So I'm just kind of getting everything ready for that. 07:33.800 --> 07:39.830 Switch to my tablet pen clicking a lot with my finger, and that gets old. 07:46.970 --> 07:54.890 He said they like to have a nice little hand posed to start with and not be so symmetrical here. 08:08.560 --> 08:14.500 Season and then might need to animate him up, but. 08:17.750 --> 08:23.880 Also need to start thinking about the actual simulation itself. 08:25.450 --> 08:29.650 So let's say he's going to punch through there, his arm goes. 08:35.130 --> 08:35.570 Works. 08:44.360 --> 08:44.640 Cool. 08:45.930 --> 08:49.490 I go to world, so I know I'm going to go straight up with this hand. 08:52.660 --> 08:54.520 So I'm going to get a pretty close. 08:56.780 --> 09:03.290 And let's go for a punch through. 09:26.930 --> 09:28.520 Seriously, it's crashing right now, 09:32.660 --> 09:33.680 the joys of my. 09:39.640 --> 09:40.570 And we're back. 09:41.950 --> 09:46.870 I don't know why that would have crashed to save this. 09:48.500 --> 09:49.250 Now. 09:56.660 --> 09:57.170 OK. 09:59.030 --> 09:59.760 Boom. 10:01.250 --> 10:02.410 Maybe a little fast. 10:02.690 --> 10:03.710 Well, what's happening there? 10:06.630 --> 10:07.610 What's going on there? 10:08.940 --> 10:13.140 That's CUFI because it's in the world, um. 10:16.060 --> 10:19.210 To in the world, women might have to deal with that later, too. 10:20.230 --> 10:23.110 Let's go to frame five hundred because I switch that up. 10:26.410 --> 10:27.720 Think it's fun. 10:30.920 --> 10:33.710 I was down here, yeah. 10:39.100 --> 10:40.390 Not to worry about this. 10:55.710 --> 11:01.250 Oh, I'm thinking about is the vest on his chest so his arms aren't going to mess with that. 11:03.860 --> 11:05.360 And yeah, anyway. 11:11.010 --> 11:11.340 And. 11:27.380 --> 11:32.110 So let's see how Caparo. 11:43.160 --> 11:44.280 Kapow! 11:44.510 --> 11:48.070 I'll leave that up for a minute about. 11:52.120 --> 11:58.120 Now, all the dust is going to have to settle and then. 12:15.330 --> 12:16.860 Tricky thing is, I think. 12:18.360 --> 12:23.040 I don't know whether I don't know where the destruction is going to be, so I just have to make my best 12:23.040 --> 12:23.640 guess here. 12:29.080 --> 12:30.220 And. 12:33.630 --> 12:37.530 I think I want his hand to kind of. 12:41.360 --> 12:42.580 Rotate out. 12:51.470 --> 12:52.430 When he's done. 13:00.840 --> 13:02.820 Not to be perfectly straight. 13:24.480 --> 13:28.490 So could his thumb to go first. 13:39.730 --> 13:41.590 And take this a little bit. 13:44.810 --> 13:45.140 What's. 14:15.800 --> 14:19.970 This is going to be kind of the antique for. 14:23.440 --> 14:25.120 Him slapping the ground and. 14:26.500 --> 14:28.230 As a way to help himself up. 14:31.390 --> 14:33.790 See, punch pwn. 14:36.000 --> 14:41.730 Punch and make it clear what's happening. 14:44.380 --> 14:45.960 Bome. 14:48.020 --> 14:51.710 Bom, bom, bom, bom, Bom says. 14:53.410 --> 14:57.110 Pumbaa want that to keep going Bumba. 15:06.180 --> 15:13.350 Oh, I keep that going, keep it alive just a little bit. 15:36.850 --> 15:41.170 Scale all this slow down just a little bit, snap everything. 15:44.080 --> 15:44.380 Yeah. 15:50.040 --> 15:52.350 Hmm, well, uh. 16:19.280 --> 16:24.970 So I'm just kind of trying to figure out the timing and kind of the comedic timing nature of it. 16:26.400 --> 16:27.390 And. 16:30.780 --> 16:37.140 But, hmm, I think he needs to go up on all these more solid ground. 16:37.170 --> 16:45.900 The graph editor, and do this kind of globally, see, it should be translate why on everything. 16:47.250 --> 16:51.150 Tili, that one that's looks weird. 16:51.200 --> 16:52.680 Breaks up that curve. 16:53.760 --> 16:55.820 And what's. 16:59.050 --> 17:02.830 Yeah, so I'm asking all of up. 17:05.510 --> 17:06.500 And. 17:09.610 --> 17:10.280 Hmm. 17:13.060 --> 17:15.220 Brome Bloem. 17:18.090 --> 17:21.990 And let's keep everything here 17:25.110 --> 17:31.170 kind of a mile marker, I like to even though I have an animated thing down here, I like to have keys 17:31.170 --> 17:37.070 on the same frame that was kind of like, hey, something someone's about to happen here. 17:37.650 --> 17:47.270 I'm just going to double check the rotations to make sure the curves aren't super wonky, something 17:47.280 --> 17:47.990 like that. 17:52.600 --> 17:57.730 They can see they could maybe be relaxed, they're a little bit. 18:01.920 --> 18:02.540 I'm. 18:05.420 --> 18:05.920 Drew 18:08.270 --> 18:11.800 and slapped a hand on the ground. 18:14.120 --> 18:16.010 Something like this. 18:18.540 --> 18:24.590 Let's just get the pose and then I'll worry about everything else and later. 18:27.730 --> 18:29.260 I may have to. 18:32.540 --> 18:39.410 Tweak this animation based on the effects, I can just kind of do my best right now. 18:46.110 --> 18:49.790 And get him in position to jump out his feet under him. 18:56.670 --> 19:00.000 Where is Paul Vector's oh. 19:09.570 --> 19:11.800 Raise it up a little bit. 19:13.370 --> 19:17.450 I get this and ready to go. 19:19.650 --> 19:33.490 I think let's see if we can't figure out a way for this post to work out to rotate the arm up like that. 19:35.520 --> 19:39.320 And wireframe, yeah, that's something. 19:41.120 --> 19:43.010 Mean a little wonky, but. 19:44.720 --> 19:48.310 Let's get him there. 19:49.400 --> 19:59.950 He is a skeleton so he can do maybe some crazy things and keep his body rotated back. 20:01.540 --> 20:02.080 Maybe. 20:03.920 --> 20:04.390 Yeah. 20:06.260 --> 20:10.280 Yeah, I think we're going to need something like this and then boom. 20:12.220 --> 20:18.670 So let's give ourselves some room for that to actually happen, so meaning? 20:23.320 --> 20:31.960 What I'm saying is the idea is I want to see this elbow move before his whole body jumps out, so it's 20:32.860 --> 20:36.240 like an antique for his body jumping out. 20:39.860 --> 20:45.490 So, yeah, just getting everything kind of ready for that because with the effects. 20:51.340 --> 20:58.640 But the effects, everything that had to come through the center here. 20:58.660 --> 21:05.680 And so what I'm probably going to do once we get into that is just use like a ball or something, a 21:05.680 --> 21:06.400 simple shape. 21:06.400 --> 21:07.660 So I'm not having to. 21:13.060 --> 21:20.140 Sam, all of the all of these interactions and collisions, because that would be way too intensive 21:20.680 --> 21:26.680 for probably not a ton of rewards, I want him to kind of come out of this thing as one ball. 21:29.180 --> 21:35.810 Some may rotate in with that in mind, I mean, you try to get him ready to go like this. 21:36.800 --> 21:39.200 That's going to mess up the in between and make that harder. 21:48.440 --> 21:48.980 So. 21:50.630 --> 21:55.970 Yeah, that's a weird, super weird transition I have to work on, so. 21:59.660 --> 22:02.060 Get the pull of actor and a good spot. 22:03.500 --> 22:07.690 Make this more of an arc snap at a snap. 22:15.740 --> 22:22.280 Schlapp and I want this to be linear, some left clicking just so I don't have to open up the graph. 22:22.280 --> 22:32.140 Editor Slap slap goes the slap and I'm out of frame here, but the hand still up. 22:35.340 --> 22:39.150 So slap, slap. 22:41.010 --> 22:44.180 Two frames want that to be one or two. 22:46.120 --> 22:52.090 So, yeah, I'm just going off screen and left clicking on that key and selecting tangent linear. 22:53.950 --> 22:55.570 Yeah, this is a weird. 22:58.710 --> 23:00.930 It's popping here. 23:04.200 --> 23:12.790 I guess the armed extending the way I think I need to get this shoulder up sooner or just get involved 23:12.790 --> 23:13.330 here. 23:27.110 --> 23:31.430 So, yeah, that's like hitting a wall right there. 23:32.260 --> 23:33.560 Is that Paul Vector? 23:41.970 --> 23:42.680 SLAPP. 23:44.150 --> 23:45.970 I should immediately the shoulder should. 24:02.500 --> 24:04.000 Can I see this without. 24:04.900 --> 24:10.030 And this thing, I mean, she can hide it. 24:22.220 --> 24:23.900 And. 24:25.480 --> 24:25.870 No. 24:27.800 --> 24:30.840 Snag all of this curve's. 24:33.440 --> 24:35.540 Put that in a display layer. 24:41.610 --> 24:45.120 Yeah, that is the one thing about. 24:47.400 --> 24:54.520 Parenting things to hers is you get the geometry with it, you know what, it might be just the root. 24:54.700 --> 24:56.220 I mean, deselect the route. 24:58.000 --> 24:58.830 There we go. 25:00.220 --> 25:02.770 The town might be trouble. 25:05.870 --> 25:06.460 OK. 25:10.150 --> 25:16.590 That to spoil their turn off playback so I can actually see what is going on. 25:20.580 --> 25:24.960 Yeah, I mean, it's not bad, but slap. 25:25.550 --> 25:26.580 Slap. 25:27.660 --> 25:28.230 SLAPP. 25:30.330 --> 25:33.030 It's more for demonstration purposes. 25:33.240 --> 25:37.350 This isn't going to be the most polished animation in the world. 25:38.660 --> 25:43.410 It's mainly just as a demo for having an excuse to do some effects work. 25:45.410 --> 25:52.500 I think it's weird that all that moves over beforehand does, I think that's what's throwing me. 25:52.520 --> 25:54.620 Whoa, wrong shortcut. 25:58.590 --> 26:06.900 And I think we need an antique here not to snag all this stuff and move it over three frames one, two, 26:06.900 --> 26:11.180 three, and then one, two, three. 26:12.750 --> 26:13.970 So that's the same. 26:13.980 --> 26:16.350 So I just basically moved everything over three frames. 26:18.310 --> 26:22.240 Because I want I think I need like a final big Antec on this hand. 26:33.370 --> 26:33.790 Yeah. 26:35.790 --> 26:37.810 Yeah, that makes it read a lot better. 26:46.030 --> 26:53.650 POME slap just need to get the CELMO thing worked out, how it swings around here, not a good look 26:54.790 --> 26:57.700 and I think I can resolve that in the Antec maybe. 27:01.300 --> 27:04.000 Let's get this positioned a little better. 27:04.330 --> 27:04.860 There we go. 27:30.170 --> 27:32.660 And I don't want that to keep going in. 27:38.900 --> 27:40.640 It's like from here to here. 27:42.590 --> 27:45.210 Want that elbow piece to keep going up? 27:58.720 --> 27:59.080 Yeah. 28:05.740 --> 28:07.090 But I want this to go. 28:08.930 --> 28:11.750 This needs to be more hot of here. 28:13.820 --> 28:15.410 Trying to get that arc better. 28:19.880 --> 28:20.490 Mr.. 28:21.360 --> 28:25.860 Where's the Antec, here's the Antec needs to go straight up more. 28:27.640 --> 28:28.450 To start. 28:40.920 --> 28:42.820 It's like a wall here. 28:42.990 --> 28:44.840 I think this goes too far. 28:47.260 --> 28:47.620 Yeah. 28:52.760 --> 29:00.360 Slap it, ask them about it when he pops out, Pops. 29:00.530 --> 29:02.120 We saw King. 29:03.720 --> 29:04.560 SLAPP. 29:10.530 --> 29:10.840 Some. 29:16.350 --> 29:16.760 OK. 29:20.430 --> 29:21.320 OK. 29:23.320 --> 29:27.310 And then I think we need and I want to make this to be too long, though. 29:35.230 --> 29:41.110 I'm trying to think 20, if we make it two hundred and forty frames long, it's going to be ten seconds. 29:42.220 --> 29:47.290 So that's not a crazy pop slap bust out. 29:51.040 --> 29:52.330 Slap boom. 29:52.720 --> 29:57.550 I think I think I think this should have boom pretty, pretty immediately, I think they should just 29:57.550 --> 29:59.080 keep the action, should keep going. 29:59.080 --> 30:00.670 I don't want to slow everything down here. 30:01.510 --> 30:03.880 Slow this. 30:06.660 --> 30:10.880 Should it go, I think it should go up right. 30:10.950 --> 30:17.100 Maybe a mix that up on the once it's there, should go up here. 30:22.070 --> 30:23.340 Salaam. 30:25.820 --> 30:28.310 Hmmm, no, maybe this town. 30:30.140 --> 30:32.030 And this and then it goes up. 30:34.530 --> 30:35.430 Slough. 31:09.130 --> 31:12.590 Yeah, or boring. 31:14.460 --> 31:18.920 And and so they can do a little something, something while that's doing that. 31:21.610 --> 31:24.970 Stop the hand, come back a little bit. 31:28.570 --> 31:29.020 What 31:31.600 --> 31:33.070 started here? 31:43.000 --> 31:45.300 The thumb was wrong all the time. 31:47.380 --> 31:48.340 Mac. 33:03.220 --> 33:05.140 Just kind of cornered the ground a little bit. 33:05.160 --> 33:07.080 Sorry, I haven't I'm not talking much because. 33:08.760 --> 33:11.400 You know, amazing. 33:14.830 --> 33:24.580 Smack that needs more time, like not moving, it needs to just chill in the smack zone. 33:26.250 --> 33:26.810 I mean. 33:54.580 --> 33:55.920 And keep going. 33:57.440 --> 34:07.620 Is this not that geometry is not included, it appears in this layer to add it to that layer? 34:07.640 --> 34:11.420 So now I can't select it, I guess, and turn that. 34:11.430 --> 34:11.870 Oh, yeah. 34:11.870 --> 34:14.960 Because I was trying to select the the dirt. 34:15.860 --> 34:16.190 OK. 34:19.310 --> 34:23.020 Okay, delete. 34:26.140 --> 34:34.050 Save it a little mouse dragging to get that key, was that moving and just said, don't move? 34:34.330 --> 34:35.290 Oh, I guess I didn't. 34:41.810 --> 34:52.460 Same for you, buddy, and a drag these frames out, one, two, three, four, five, at least bomb. 34:59.380 --> 35:00.130 CMAC. 35:02.380 --> 35:02.650 It's. 35:08.130 --> 35:09.390 Too many friends. 35:38.810 --> 35:41.210 I guess I guess that is what I'm going to do. 35:42.020 --> 35:45.260 This is kind of straight ahead animation, by the way, because I don't know what I'm doing. 35:46.630 --> 35:49.210 And just kind of figuring it out on the fly. 36:11.570 --> 36:11.980 So. 36:14.850 --> 36:15.390 SLAPP. 36:18.870 --> 36:19.410 SLAPP. 36:20.570 --> 36:23.270 I think it comes up too high there. 36:25.290 --> 36:26.730 Mm hmm. 36:29.120 --> 36:35.360 This kind of thing probably would be better on Twitch or something, maybe, but you are getting it 36:35.360 --> 36:39.080 in this course because you don't have to watch this if you don't want to. 36:41.580 --> 36:47.710 I'd rather you have too much stuff to watch than not enough and want more. 36:48.170 --> 36:50.740 We like you know, I never saw him make that animation. 36:50.750 --> 36:51.550 How did he do it? 36:51.560 --> 36:55.100 And so now now you're going to know. 36:59.590 --> 37:03.520 Still wonky and a little bit, but I honestly. 37:05.980 --> 37:07.340 Yeah, I think that's better. 37:07.360 --> 37:13.570 It's just like a little it's just like a little thing like let me get my grip and then he's going to 37:13.570 --> 37:16.120 blast out of here, OK? 37:17.740 --> 37:18.250 So. 37:21.510 --> 37:25.260 Let's blast off what was that frame? 37:26.580 --> 37:33.360 It's him going down, so one, two, three, four, five. 37:38.690 --> 37:43.280 Turning now, I want his hand, I move these together. 37:43.620 --> 37:44.810 Oh, what's happening there? 37:45.200 --> 37:51.240 That should be world well crap that is not following the world. 37:51.260 --> 37:52.220 What is that about? 37:52.970 --> 37:55.250 Oh, boy, I was driven. 37:55.250 --> 37:57.720 Key problem here. 37:57.740 --> 38:03.140 Why is that not following the world have a real issue. 38:03.590 --> 38:06.380 I just discovered and. 38:12.370 --> 38:17.170 I need to uncover it here is real live troubleshooting. 38:20.470 --> 38:21.700 So world. 38:26.470 --> 38:27.350 So zero. 38:27.370 --> 38:32.690 So both of those are on zero and for this one, that one is not on zero. 38:32.740 --> 38:34.060 This is the problem right there. 38:35.830 --> 38:37.780 OK, let's save this good thing. 38:37.780 --> 38:40.590 I'm using a reference file because. 38:45.260 --> 38:51.050 I can adjust the rig and make updates and. 38:57.970 --> 39:05.460 Driver is a driver, and it is not going to hurt my information. 39:06.710 --> 39:07.600 So. 39:10.330 --> 39:15.490 I just think I just never said a key right or driven. 39:17.410 --> 39:20.320 No, dummy, I want the constraint. 39:23.100 --> 39:27.360 And this is on your shoulder, so if I go to world. 39:30.650 --> 39:31.190 Wait a minute. 39:31.220 --> 39:31.730 What the hell? 39:36.910 --> 39:37.680 Oh, no, it's on. 39:38.030 --> 39:39.130 Yeah, there you go. 39:40.720 --> 39:41.190 OK. 39:43.160 --> 39:45.320 OK, so. 39:49.060 --> 39:49.810 Now. 39:55.030 --> 39:58.090 You should follow correctly. 40:05.330 --> 40:08.660 No one in the world he dumdum. 40:12.590 --> 40:15.020 This one zero, that one is still one. 40:19.010 --> 40:20.630 What the what I said. 40:21.720 --> 40:25.800 What I said, zero, I mean, I have a record that I can play back for you. 40:27.450 --> 40:28.530 Sorry, that's off screen. 40:28.530 --> 40:29.670 You're not seeing what I'm clicking. 40:29.670 --> 40:31.380 I'm just going through the rig. 40:37.870 --> 40:38.760 What the hell? 40:40.270 --> 40:48.460 That is on world, that is on follow, this should be what the hell are the wrong -- thing? 40:50.210 --> 40:56.730 Jeez Louise, OK, this is this is the deal here. 40:58.340 --> 40:59.210 Now. 41:00.900 --> 41:04.050 This is one world, I think that's it. 41:04.090 --> 41:05.550 I wonder if that's what I did last time. 41:07.960 --> 41:10.030 Yeah, now it's working. 41:14.470 --> 41:17.950 Immediate problem solved. 41:20.950 --> 41:31.060 OK, and see, I didn't screw up anything else, save it now when I open up my animation. 41:33.970 --> 41:34.570 File. 41:37.140 --> 41:45.060 I heard you say that, but what I heard, boom, see, now that's an WorldSpace, OK? 41:45.330 --> 41:45.790 Yep. 41:45.840 --> 41:52.830 Okay, let's basically delete everything, I guess. 41:53.370 --> 42:01.410 Let's go to where we're going here and let's just delete all that, because that's on helping us. 42:02.440 --> 42:05.790 And these are rotations I'm looking for. 42:11.430 --> 42:12.070 You know what? 42:12.120 --> 42:12.780 Get down there. 42:13.260 --> 42:13.820 How about that? 42:19.170 --> 42:23.220 I don't want it to go through his chest for sake of the. 42:25.610 --> 42:26.330 Vist. 42:28.170 --> 42:28.590 OK. 42:32.620 --> 42:36.910 So now delete all that and. 42:39.050 --> 42:40.770 Make sure I don't know what those are. 42:40.790 --> 42:42.950 Then why is that our visibility? 42:46.340 --> 42:46.930 OK. 42:50.330 --> 42:57.470 So let's get a look at our graph editor, where we made that last big keyframe, where it's about to 42:57.470 --> 43:01.100 go down on that one. 43:01.130 --> 43:03.320 On this one. 43:03.560 --> 43:08.570 OK, so I want to get this in position. 43:17.950 --> 43:25.080 That one is going to be there, so, you know, just can position there, buddy, buddy. 43:26.690 --> 43:26.850 Oops. 43:30.840 --> 43:35.410 It's on the wrong frame there for a second. 43:35.640 --> 43:42.840 What's unhide the dirt so we can see where that kind of limits are here? 43:42.840 --> 43:46.680 I need to be and Haroche and. 43:49.450 --> 43:50.500 Elbow tie. 43:50.570 --> 43:55.370 Let's get this going, let's get this kind of over is. 43:58.030 --> 43:59.170 Thing here. 44:00.270 --> 44:01.970 That's right, that's 44:04.870 --> 44:05.330 OK. 44:07.290 --> 44:13.220 OK, I said get over there. 44:16.360 --> 44:17.560 Pete King. 44:19.940 --> 44:27.830 OK, I was going to be jumping through Skype, bam. 44:38.300 --> 44:40.540 It's got the shoulder marking. 44:54.230 --> 44:55.650 I'll probably screw it up. 44:55.680 --> 44:56.320 This is. 44:58.420 --> 44:59.280 Skin-tight. 45:05.280 --> 45:12.300 So keep it down here, just make sure it's not crashing into human bodies. 45:12.320 --> 45:13.820 The vast has room. 45:18.830 --> 45:21.120 Just kind of kick out of his face. 45:21.160 --> 45:23.790 You see his face when he's popping out. 45:25.830 --> 45:27.330 And. 45:36.080 --> 45:41.570 He's in position like he's jumping out of the bottom of his thing. 45:41.640 --> 45:43.880 My teacher has Cofan. 46:13.710 --> 46:18.370 So I'm just blocking in the major poses here on the job. 46:18.420 --> 46:22.440 I'm not super worried about much else. 46:25.280 --> 46:26.230 Um. 46:33.330 --> 46:36.420 And you can tell I'm just ignoring the Hans. 46:40.710 --> 46:53.430 And when I compress everything a little bit, so there's room to stretch it at the top, so I'm thinking 46:53.430 --> 46:55.080 ahead of. 46:58.090 --> 47:01.380 What the next pose is going to be, 47:04.390 --> 47:11.860 it is 3:00 in the morning here and I'm probably going to call this quits because I have work in the 47:11.860 --> 47:12.310 morning. 47:21.720 --> 47:28.310 This is part of trying to create courses while having a full time job working in the industry. 47:30.910 --> 47:38.560 I stay up until very late trying to make these courses or making them and not trying, I'm actually 47:38.560 --> 47:39.280 doing it, but. 47:45.740 --> 47:49.790 I don't want him to be higher than the. 47:51.920 --> 47:57.410 Flaw is, you know what I mean, and he needs to be coming forward some. 48:01.370 --> 48:08.790 Yeah, because he needs to, like, land in the front Skidelsky douche douche. 48:12.120 --> 48:18.750 Scrooge, this is going to be the hangtime, hangtime, hangtime, hangtime. 48:34.240 --> 48:35.770 Awarenesses, knees, oh. 48:43.260 --> 48:49.240 Make kind of a cool pose, you know, the one thing I'm not doing that is animating to a camera, which 48:49.240 --> 48:54.660 is kind of a no no, I should have already picked out a camera. 48:55.390 --> 49:01.170 So let's do that super quick and create a well, my eyes are really going to go to bed here. 49:01.990 --> 49:02.810 New camera. 49:02.830 --> 49:05.110 Let's name this render cam. 49:07.780 --> 49:20.380 And let's do something, not 35, that let's frame it up so we can see what we're doing, and I want 49:20.380 --> 49:25.840 him to land like in the camera layouts to paint side by side. 49:25.850 --> 49:28.060 Give me the perspective now. 49:28.060 --> 49:29.520 Turn all this junk off. 49:29.530 --> 49:33.830 Give me the texture, because I want to look pretty, OK? 49:37.860 --> 49:38.850 Skardu. 49:41.080 --> 49:45.070 Duche, skin, skin. 49:45.100 --> 49:47.800 Do I look like he's coming out of that side? 49:48.820 --> 49:50.820 I think he's coming out of the side too much. 49:50.830 --> 49:52.630 He needs to be more over. 49:56.630 --> 49:58.550 I guess that's fine, right? 49:58.790 --> 50:00.140 He's just gonna call us. 50:01.580 --> 50:02.920 What's going on over there? 50:04.330 --> 50:11.740 Pop in the middle now we need to get him back over, let's look at the graph better or just see what 50:11.740 --> 50:12.270 I'm changing. 50:12.280 --> 50:13.780 It should be probably X. 50:16.550 --> 50:16.910 Hip. 50:22.840 --> 50:25.960 OK, same for these 50:29.510 --> 50:35.350 to translate these centre. 50:40.480 --> 50:40.960 Say 50:43.670 --> 50:44.860 Skidoos. 50:47.600 --> 50:47.880 But. 50:49.800 --> 50:57.120 Oh, by all means, go higher, yes, feels good, his and. 50:59.460 --> 51:02.010 On World Briem straight up. 51:08.400 --> 51:10.080 He needs to keep floating. 51:19.480 --> 51:23.140 This is kind of maybe much or. 51:27.350 --> 51:28.850 He feels a little slow. 51:32.810 --> 51:34.940 What I should do as well as. 51:42.770 --> 51:46.490 Do an actual play by play blast so I can see the. 51:53.150 --> 51:54.920 Actual speed because. 51:56.220 --> 51:58.110 Playing it back in my ear can be deceiving. 52:05.940 --> 52:07.110 So let's see. 52:08.770 --> 52:12.850 It's still rotating up. 52:21.270 --> 52:23.170 I want this to be more. 52:27.360 --> 52:29.100 Just head on straight. 52:45.130 --> 52:46.420 Because he is. 52:49.820 --> 52:53.830 Pushing out with this hand, I want the spine to rotate that way. 53:05.850 --> 53:06.600 And then. 53:13.210 --> 53:14.020 Have his. 53:17.640 --> 53:20.850 Kog follow, let's have him rotate. 53:22.730 --> 53:38.290 Staffers rotate more this way, so he has more room schoolish and he gets to rotate and then rotate. 53:55.990 --> 53:58.300 You can tell that I'm not really touching his neck much. 54:06.130 --> 54:14.830 But that's kind of nice, this, I must say, that sometimes, and he's kind of more limited animation. 54:19.180 --> 54:25.810 Things, because then you have like an extra layer of control, if later you're like, you know, and 54:25.810 --> 54:28.330 I just want to tweak one little thing and. 54:32.240 --> 54:39.320 You don't want to mess with all that head animation you've done, you have the knack, but yeah, boom, 54:41.060 --> 54:43.970 boom, jump. 54:45.640 --> 54:46.030 So. 54:47.730 --> 54:48.120 So. 54:49.340 --> 54:51.270 So it feels like it's jumping. 54:52.310 --> 54:53.850 I think it's the camera maybe. 54:54.710 --> 54:59.750 I think we need to be like this just feels like there's so much like who's jumping? 54:59.780 --> 55:00.400 I don't know. 55:02.670 --> 55:04.890 I'm going to have to, like, animate the camera, I think. 55:10.770 --> 55:12.150 I want to see his hand. 55:18.990 --> 55:22.710 All this stuff needs to come over as annoying part. 55:29.100 --> 55:30.720 I want to look at this straight on. 55:35.480 --> 55:39.000 Back up annoying. 55:56.160 --> 56:04.320 OK, from jumping, jumping, he needs more air time. 56:04.340 --> 56:06.190 He's coming down too soon. 56:16.590 --> 56:17.910 One, two, three, four. 56:18.990 --> 56:19.650 I like that. 56:20.930 --> 56:21.800 And. 56:25.620 --> 56:26.970 All this stuff. 56:28.350 --> 56:28.710 Plus. 56:30.990 --> 56:31.940 Yeah, sure, whatever. 56:39.980 --> 56:40.840 Yeah, that's right. 56:42.560 --> 56:51.410 And then he should come down pretty quick, I think this is maybe too far out from school and then we'll 56:51.410 --> 56:52.160 get all of us. 57:05.540 --> 57:06.030 And. 57:07.890 --> 57:09.960 I think you should come down pretty quick, actually. 57:12.540 --> 57:23.760 Okay, let's see the forward momentum we've established here on Translate Z, you know, bad, you can't 57:23.760 --> 57:24.150 see that. 57:26.010 --> 57:35.210 Basically there's no reason why you should start to slow down in midair, um, going down. 57:37.770 --> 57:39.000 But yeah, OK. 57:45.870 --> 57:49.800 I want the feet on the ground, which means that. 57:51.440 --> 57:51.850 Uh. 57:54.390 --> 58:02.330 He's over too much, you can see that and see that that's way too much, but he should go home. 58:02.430 --> 58:06.430 Looks like the Ed is not. 58:06.540 --> 58:07.260 There we go. 58:07.530 --> 58:09.900 It's not updating the viewport. 59:29.690 --> 59:34.830 Some want a change of timing, a little bit skew. 59:37.930 --> 59:39.160 But in general. 59:45.570 --> 59:46.070 Champ. 59:49.040 --> 59:49.460 So. 1:00:03.390 --> 1:00:04.780 So it's been one hour. 1:00:05.340 --> 1:00:07.320 It is now 3:00 in the morning. 1:00:08.910 --> 1:00:09.900 I really got to go to bed. 1:00:11.650 --> 1:00:23.380 But I think if we make good progress, smash smack, smack looks weak now because we can't see the elbow. 1:00:25.270 --> 1:00:27.760 I think what I think when we can see the elbow, it'll look better. 1:00:30.220 --> 1:00:31.240 Yeah, that's kind to change. 1:00:31.580 --> 1:00:33.360 Yeah, we'll just have to figure that out. 1:00:35.470 --> 1:00:37.780 When we do the facts, because we got to see that Elbo. 1:00:44.310 --> 1:00:45.570 I mean, it's not terrible. 1:00:49.480 --> 1:00:51.130 I think the timing is weird. 1:00:52.620 --> 1:00:54.520 Let's fix that super quick. 1:00:54.850 --> 1:00:57.360 There's too much all this is too much time. 1:01:00.580 --> 1:01:05.860 See where we have keys that we can move around. 1:01:07.740 --> 1:01:12.410 What's what's the key here for delete the whole thing? 1:01:12.630 --> 1:01:15.240 Yeah, I mean, delete that. 1:01:19.120 --> 1:01:20.740 For one frame. 1:01:24.180 --> 1:01:28.420 I could delete a that goes far. 1:01:29.270 --> 1:01:34.750 So now I'm like looking at the spacing, let's take a frame out of there. 1:01:36.780 --> 1:01:40.320 Watching the hand come down smack, that's the wrong. 1:01:41.920 --> 1:01:46.390 It's like in here one of these one of these frames. 1:01:50.120 --> 1:01:51.470 Why is this being such a jerk? 1:01:57.500 --> 1:01:59.900 This is nothing what is this keyframe, even deleted? 1:02:08.140 --> 1:02:11.620 Yeah, it still feels kind of slow. 1:02:21.450 --> 1:02:22.080 This one. 1:02:23.540 --> 1:02:25.330 Why is that frame so weird? 1:02:30.370 --> 1:02:35.950 Because it's an in between with no where to go. 1:02:52.140 --> 1:02:52.990 Yeah, that's better. 1:03:02.130 --> 1:03:04.350 OK, that's that for tonight. 1:03:06.870 --> 1:03:10.560 I will pick this up again and see you in a little bit. 1:03:12.360 --> 1:03:21.040 Thanks for watching this and we will wrap this up in the next section in the next. 1:03:21.480 --> 1:03:23.460 Next time I start animating again, I can't even talk. 1:03:23.470 --> 1:03:24.040 I'm so tired. 1:03:24.690 --> 1:03:25.110 All right.