WEBVTT 00:00.500 --> 00:05.090 And this lesson we're going to learn about how to transfer UVs from one object to another before we 00:05.090 --> 00:10.400 do that, I just want to finish up on a topic that I didn't completely finish teaching in the last lesson. 00:10.640 --> 00:13.670 And it's not a straight moves or doing the cylinder projection. 00:13.970 --> 00:17.180 It's really hard to get the edges vertical. 00:17.540 --> 00:20.380 And if you want straight moves, I can show you how to do that. 00:20.750 --> 00:25.190 So I've already given this one perceives them an isolate selected. 00:25.580 --> 00:29.150 So now I can see it's using the same method from the previous lesson we have. 00:29.150 --> 00:31.220 This thing already has UVs. 00:31.610 --> 00:35.290 Problem is these the main piece, the main movie. 00:35.300 --> 00:36.290 Shall we go right click. 00:36.300 --> 00:39.430 You've you've shell the main piece here. 00:39.470 --> 00:41.360 I'm not entirely sure if it's vertical. 00:41.780 --> 00:50.920 So everything is context based in Miah as far as what tools you have available to you from shortcuts. 00:51.260 --> 00:57.200 So because we're in the official mode, if I hit shift and right click, I have a certain set of options 00:57.200 --> 01:02.750 here, but if I command and right click, I have a different set of options. 01:02.750 --> 01:06.020 And in this case I want to go from the Rechelle to UVs. 01:06.350 --> 01:09.470 So if I command right click, I can say to UVs. 01:09.470 --> 01:14.270 So we'll take the current selection and I'll convert my selection to another type of component, in 01:14.270 --> 01:16.790 this case, UVs, someone to select that. 01:17.480 --> 01:19.010 Now I have the IVs of the whole thing. 01:19.250 --> 01:22.880 I could move this around, I can rotate scale, whatever I want to do in here. 01:23.390 --> 01:25.610 The reason why I did that is because now I want to shift. 01:26.000 --> 01:28.360 This will be a different type of menu that I saw earlier. 01:28.370 --> 01:36.290 Now I can straighten UVs and hovering over this little grey icon again, of course, will give me different 01:36.290 --> 01:42.350 options here so I can straighten UVs and I'll let go over that and you'll see them go vertical here. 01:42.710 --> 01:44.780 And you do just want to kind of double checked. 01:44.780 --> 01:49.490 It did what it said I was going to do, because sometimes, depending on how far off they are from being 01:49.490 --> 01:51.890 straight, it might not exactly do what you want. 01:51.890 --> 01:53.390 But these look super straight now. 01:53.390 --> 01:55.510 So that's how you straighten moves. 01:55.640 --> 02:03.200 Now, let's talk about how we take these moves and put them on every other object similar to it, which 02:03.200 --> 02:04.040 is a lot of them. 02:04.400 --> 02:09.500 So it would be a real pain in the butt to have to do all of this. 02:09.680 --> 02:12.110 You've creation for each one of these little knobs. 02:12.290 --> 02:16.430 We already have the UVs done, and these are all identical pieces of geometry, so we might as well 02:16.430 --> 02:17.480 use that to our advantage. 02:17.870 --> 02:22.190 So let's go to the Marshman you and let's go down to transfer attributes. 02:22.550 --> 02:23.930 Let's hit this little option box. 02:24.440 --> 02:26.390 And this looks super complicated. 02:27.200 --> 02:29.420 There's a ton of options here, but let's walk through it. 02:30.200 --> 02:33.140 Do you know we know what Virt Vertex is? 02:33.140 --> 02:34.520 Well, let me let me just reset this. 02:34.520 --> 02:35.900 So it's at the default settings. 02:36.620 --> 02:39.440 So Vertex position attributes transfer. 02:39.440 --> 02:41.450 No, we do not want the vertex position. 02:41.690 --> 02:43.430 All we're interested right now are Ive's. 02:43.430 --> 02:44.480 So we know we don't want that. 02:44.480 --> 02:45.620 We know we don't want vertex. 02:45.620 --> 02:48.750 Normal's you've said yeah we want that color sets. 02:48.800 --> 02:49.670 Doesn't really matter. 02:49.700 --> 02:50.060 Yeah. 02:50.630 --> 02:52.820 OK, so the sample space is super important. 02:54.050 --> 03:02.420 What it's going to say, what this is saying is how am I, how's my I going to interpret how to transfer 03:02.420 --> 03:09.350 attributes based on the world space based on this kind of absolute space, based on you know, that 03:09.350 --> 03:16.040 grid is zero zero and then everywhere from there is, you know, where it is in this absolute world 03:16.040 --> 03:16.490 space. 03:16.850 --> 03:17.780 Is that local? 03:17.780 --> 03:21.800 Is it specific to the object or the UVs? 03:22.100 --> 03:27.020 So these would be like if the object was right on top of each other, you'd probably choose one of these 03:27.020 --> 03:27.290 two. 03:27.290 --> 03:33.770 But let's go with component, because these share the same components, meaning they have the same number 03:33.770 --> 03:35.690 of vertices, the same number of edges. 03:35.690 --> 03:37.010 It's the exact same object. 03:37.220 --> 03:41.030 So we want to match them based on their components. 03:41.750 --> 03:47.570 Now, that's pretty much all we need to do if we shift select this next one and it apply. 03:48.620 --> 03:49.350 Boom. 03:49.370 --> 03:55.160 You can see that a transfer the UVs, we don't have to do anything, it's such a relief when stuff like 03:55.160 --> 03:56.510 this works just that well. 03:56.720 --> 03:59.120 So we can't do them on multiple selection's. 03:59.120 --> 04:00.200 It doesn't understand that. 04:00.200 --> 04:03.140 So we will have to do it on an individual basis. 04:03.680 --> 04:07.070 But this is still a massive timesaver. 04:07.400 --> 04:10.310 So we can go through here and keep hitting appli. 04:10.310 --> 04:15.910 Or of course, if you remember the shortcut from the previous part one, we can hit G on the keyboard. 04:15.930 --> 04:21.650 It'll pull up the previous command, which in this case is transfer attributes and just keep hitting 04:22.160 --> 04:23.450 shift and selecting. 04:23.450 --> 04:26.840 And G I'm going to do this, finish this up. 04:26.840 --> 04:32.030 But before I leave, I wanted to talk about the fact that pretty much everything that we've learned 04:32.030 --> 04:35.450 by this point is really enough to unwrap this entire thing. 04:35.960 --> 04:44.270 You know, keep in mind, an object like this with kind of zany UVs, how would we approach this? 04:44.630 --> 04:48.710 We would approach it by considering the object in isolation. 04:48.840 --> 04:52.370 Let's take a look and think, you know, we're probably not going to see that inside all that much. 04:52.370 --> 04:55.160 I'm not going to worry about this stuff that's on the inside. 04:55.490 --> 04:56.900 You know, we're never going to see that. 04:56.900 --> 04:59.660 So let's only focus on unwrapping what we really need. 05:00.380 --> 05:05.060 And the way I would approach this, even though it looks kind of complicated, all it is, is a series 05:05.060 --> 05:05.750 of planes. 05:06.170 --> 05:11.840 And the only unique thing about this one is this diagonal face, because all the planer projections 05:11.840 --> 05:17.150 we've done up to this point have been in a very specific axes, but this is on a diagonal. 05:17.360 --> 05:19.790 So let me show you how to address that in the next lesson. 05:20.120 --> 05:23.750 And I'm going to finish doing this stuff. 05:24.110 --> 05:25.910 But yeah, thanks for following along. 05:25.910 --> 05:31.280 And I'll see the next lesson where we all kind of wrap up all the kind of love knowledge you need to 05:31.280 --> 05:33.650 have to be able to unwrap an object like this. 05:33.680 --> 05:34.310 Thanks for watching.