WEBVTT 00:00.180 --> 00:06.000 Welcome back and let's finish up this kind of top door of the Ghostbuster trap, so we made our plan, 00:06.000 --> 00:12.840 our projections, but were these scenes are that we made between the two different kind of faces that 00:12.840 --> 00:14.100 face different axes. 00:14.400 --> 00:16.140 The checkerboards don't line up. 00:16.530 --> 00:20.520 So let's right click and go to edge and select the edge that they share. 00:20.520 --> 00:25.310 And we can see in the movie, Ed, that there are two lines that are selected as well. 00:25.800 --> 00:28.520 We could, you know, manipulate those around, but it's going to distort everything. 00:28.950 --> 00:34.920 But with that selector, we can see that they share these two border edges. 00:35.370 --> 00:42.180 So this face, if we go right click, go to face we know needs to get flipped around so we can or sorry, 00:42.180 --> 00:43.410 rotate it around rather. 00:43.710 --> 00:45.330 So let's go rotate it. 00:45.330 --> 00:47.090 But we can see it's attached to the bevels. 00:47.100 --> 00:48.260 See how this gets all distorted. 00:48.270 --> 00:50.700 That means there's UVs getting left behind. 00:51.300 --> 00:52.650 So we need to go grab those two. 00:53.280 --> 00:55.050 So those are these little end pieces. 00:55.830 --> 00:57.780 So it's like those and. 01:00.210 --> 01:05.880 Now, I've included those, so now we rotate, won't have that crazy stress test going on, so let's 01:05.880 --> 01:12.240 move this down towards the border that it shares with this face and we can see that's going to start 01:12.240 --> 01:13.560 to line up very quickly. 01:14.310 --> 01:16.820 Let's zoom in here and right. 01:16.830 --> 01:17.840 Click and go to edge. 01:18.510 --> 01:24.810 And if I choose Edge here, you can see that these two edges are kind of flashing and they're the same 01:24.810 --> 01:25.140 edge. 01:25.710 --> 01:33.240 So what I can do is go to cut and so menu, I'm just going to minimize all this, go to cut and so and 01:33.240 --> 01:35.580 you can say stitch together. 01:35.700 --> 01:43.050 So when I click that and you can see it moves immediately, move that edge and merged it with that. 01:43.350 --> 01:46.770 So far under that you can see, you know, they're not sharing the same space. 01:46.800 --> 01:48.190 This does everything that you want. 01:48.210 --> 01:48.830 Boom. 01:49.170 --> 01:49.730 There we go. 01:49.980 --> 01:55.050 So now we look at this edge, how it rolls over, and now you can see that these checkerboards line 01:55.050 --> 01:58.680 up and it's a seamless transition from this face to this face. 01:59.040 --> 02:04.620 You may also notice that now we no longer have that kind of stronger white line here, which you can 02:04.620 --> 02:05.160 see here. 02:05.400 --> 02:13.350 And that denotes where I cut edge is has been made and the UVs so we can identify in the 3D space and 02:13.350 --> 02:15.030 we can see it in the 2D space as well. 02:15.040 --> 02:17.070 See these kind of border edges here. 02:17.070 --> 02:18.870 And that's denoted with this little tool here. 02:18.900 --> 02:20.040 We can turn that on and off. 02:20.370 --> 02:23.490 So it might be a little distracting to have in the viewport so you can turn that on and off. 02:24.210 --> 02:24.590 Cool. 02:24.630 --> 02:29.400 So now you've made that kind of seamless transition because we know we're probably going to see the 02:29.400 --> 02:31.140 top a lot more than the bottom. 02:31.410 --> 02:35.970 So it might make sense to make these kind of seamless transitions on the surface that we're going to 02:35.970 --> 02:36.620 see the most. 02:37.140 --> 02:38.480 So let's do that for this side. 02:38.490 --> 02:41.940 So I'll leave that up to you to do that for the rest of the sides if you want. 02:41.940 --> 02:43.050 Or you could just leave it like this. 02:43.050 --> 02:43.880 It's totally fine. 02:44.220 --> 02:48.060 So let's take a look at another type of projection. 02:48.090 --> 02:49.800 Someone on isolates like this door. 02:50.580 --> 02:53.730 And so we've been doing planer projections. 02:53.730 --> 02:56.130 Let's do a cylindrical projection. 02:56.400 --> 02:57.960 So we click this, let's zoom out. 02:58.740 --> 03:01.070 We can see that there's a lot of distortion happening. 03:01.080 --> 03:02.340 So look at these end caps. 03:02.340 --> 03:04.650 They're tiny squares, they're squares at least. 03:05.040 --> 03:09.690 And then we have somewhat distorted checkerboard on the cylinder. 03:10.060 --> 03:11.460 There are two totally different scales. 03:12.240 --> 03:15.090 So let's make new IVs for this whole thing. 03:15.090 --> 03:18.510 With the object selected, I'm going to go to UV cylindrical. 03:18.510 --> 03:21.420 And with these options, you can see there isn't really any options here. 03:21.690 --> 03:24.660 We're going to be stuck with whatever we get with the cylindrical slits that apply. 03:25.290 --> 03:28.050 And let's take a look at the manipulator that has been created. 03:28.050 --> 03:34.050 Don't press any buttons like W or, you know, rotate button E or anything like that. 03:34.050 --> 03:39.840 We we do not want to hit shortcuts, otherwise we're going to lose this manipulator so we can see. 03:39.870 --> 03:43.770 Let me hit be to change the background so we can see this manipulator a little better. 03:44.400 --> 03:49.170 We can see that it's kind of this unique, kind of a weird shape and it's looks like it's going in the 03:49.170 --> 03:49.830 wrong direction. 03:49.830 --> 03:50.940 So how do we address this? 03:51.540 --> 03:56.550 If we look over here, there's this little red T for transformation. 03:56.550 --> 04:03.900 I would assume if we click that we can see that now we get a different option of the manipulator here 04:04.650 --> 04:06.330 so we can turn that on and off with this. 04:06.810 --> 04:08.040 But how are you rotate it. 04:08.040 --> 04:11.730 There's this one blue line that goes around and I can't really get to in any axes. 04:12.000 --> 04:17.340 So if I click the blue line without trying to move it, just click it one time. 04:18.180 --> 04:19.650 Now we get the axes. 04:19.980 --> 04:24.960 So what we're trying to do is get this to rotate in the direction that we want it to be. 04:25.410 --> 04:31.320 So we want it to go in this direction because it's a cylinder. 04:31.320 --> 04:33.960 And so we want this cylinder shape to match this one. 04:36.010 --> 04:40.990 So when we're doing this, we can see the UVs update dynamically and. 04:42.050 --> 04:47.130 We can try to get them as straight as we can, but there's a straightening tool that we can use later 04:47.480 --> 04:52.930 so, you know, do your best, but it's not that big of a deal if it's not exactly up and down. 04:52.940 --> 04:57.320 But, you know, if this was way off to the side, you'd be able to tell because it's distorting the 04:57.330 --> 04:58.790 UVs in a similar way. 04:58.790 --> 05:01.370 The moves are now kind of diagonally stretched. 05:01.880 --> 05:08.720 So let's get this vertical and we can see that the end caps are kind of getting squashed, because if 05:08.720 --> 05:14.630 you think about it, they're getting project is getting projected from, you know, around the cylinder 05:14.630 --> 05:15.380 manipulator. 05:15.830 --> 05:22.100 And if you're on the endcap here, you're just getting super stretched because it's like looking down 05:22.100 --> 05:27.680 at this like this and taking a, you know, movie projector and trying to project a movie on it. 05:28.550 --> 05:30.710 It's going to look terrible on this end, cap. 05:30.710 --> 05:31.040 Right. 05:31.040 --> 05:32.210 And that's why that looks terrible. 05:32.600 --> 05:33.760 But we're going to resolve that later. 05:34.250 --> 05:39.140 So the other issue we need to have resolved is the fact that this is only projecting on half of the 05:39.140 --> 05:39.530 thing. 05:39.860 --> 05:43.160 We want this cylinder projection to go all the way around the cylinder. 05:43.500 --> 05:49.670 You can see with these white lines where the border of the movie is, and it's in a place that's not 05:49.670 --> 05:55.850 super helpful because we might actually see this exactly in the wrong spot, actually. 05:55.850 --> 06:02.170 So we in general, you do not want to see you've seams if you can help it. 06:02.540 --> 06:06.680 So let's put this seam on the bottom by using this tool. 06:07.130 --> 06:09.500 So let's rotate this down. 06:10.580 --> 06:15.700 And you can see that white line move as we rotate the cylinder projection. 06:16.220 --> 06:19.640 So now it's on the bottom, which is where we may never see it, hopefully. 06:20.210 --> 06:22.820 So the other thing we can do is. 06:23.800 --> 06:29.230 Go back to this tea button and get out of the transformation mode, and now you get these little squares 06:29.230 --> 06:31.450 over here, see how they pop back here. 06:31.890 --> 06:36.580 That's what we want to drag this thing down and we get to wrap the whole cylinder around so you can 06:36.580 --> 06:43.030 see all of these squares start to get undistorted and then we can drag it long ways with the kind of 06:43.030 --> 06:45.620 green ACSI button up here. 06:46.240 --> 06:48.210 So now we can stretch the whole thing out. 06:49.510 --> 06:55.090 So it appears that we're kind of making a distorted image here, so what I'm gonna do is turn off that 06:55.090 --> 07:01.160 texture, I'm going to turn on the turn that one on and this one on. 07:01.180 --> 07:05.090 And so what this one shows us is where distortion is happening, right? 07:05.110 --> 07:07.290 You can see distortion, red and blue. 07:07.450 --> 07:08.390 Neither of them are good. 07:08.410 --> 07:09.300 We want to see white. 07:09.790 --> 07:11.680 So that's what this button right here does. 07:12.770 --> 07:17.510 It turns it on and off and I turn this one off because I don't because this is this is also showing 07:17.510 --> 07:22.520 blue and red, but we don't want to see if the shells are overlapped or not. 07:22.550 --> 07:23.840 Right now, we want to see if they're distorted. 07:23.840 --> 07:25.180 And that's what this third button does. 07:25.700 --> 07:30.830 So that selected and kind of visually see, where does this thing turn? 07:30.830 --> 07:33.830 White is like right in here somewhere. 07:34.670 --> 07:37.490 And I can double check that with the checker box here. 07:37.880 --> 07:42.650 If I turn that on, I can see that indeed these are pretty close to being squares. 07:42.660 --> 07:44.460 It looks like it's still squashed a little bit. 07:44.870 --> 07:47.030 So let me go back in this direction. 07:48.660 --> 07:52.950 It looks like in here and click the checker box again. 07:54.300 --> 08:00.060 And yeah, it looks like these are pretty much checker boxes, but of course the end caps are still 08:00.060 --> 08:02.130 screwed up, like in a really bad way. 08:03.210 --> 08:04.640 So let's resolve that. 08:04.650 --> 08:08.960 So now when we had any manipulator, I'll get rid of this sorry. 08:09.030 --> 08:13.110 Any manipulator shortcut like W now we lost something really quickly. 08:13.110 --> 08:21.090 I want to show you that you can actually get the manipulator back for the UVA cylinder projection. 08:21.420 --> 08:26.550 If we clicked the cylinder projection and we accidentally get off of it somehow and we click that, 08:26.910 --> 08:29.130 we can see that we don't have that manipulator anymore. 08:29.520 --> 08:37.290 But what we can do is go over here to the inputs under the channel box here and select the cylinder 08:37.290 --> 08:42.720 projection here, poly cylinder projection as we click that if we hit on our keyboard, we'll get the 08:42.720 --> 08:51.420 manipulator back when we have this selected, we can see I'm just sending F in the movie thing to frame 08:51.420 --> 08:51.720 it up. 08:51.990 --> 08:53.670 We can see that it's going outside. 08:54.030 --> 08:56.580 OK, I'm hitting Alby so we can actually see numbers again. 08:57.030 --> 08:59.520 We can see it's going outside of the zero to one space. 08:59.910 --> 09:03.390 So let's go to a movie and select all of them. 09:03.390 --> 09:09.810 And now we can go to a range and layout and just say layout, sort of snap it back down to that zero 09:09.810 --> 09:10.530 to one space. 09:10.830 --> 09:15.630 And even then, sometimes it gets a little too close to the border edge. 09:15.630 --> 09:20.970 And so I actually, with all the you've selected by going here and just clicking and dragging, everything 09:21.420 --> 09:22.500 actually scaled down. 09:22.500 --> 09:23.040 Just a touch. 09:23.040 --> 09:27.840 Now you can see that texture went away because it was no longer going into that kind of quadrant. 09:28.560 --> 09:34.050 So I'm going to leave up these in caps for you to do just with the planar projection that we learned 09:34.050 --> 09:35.040 in the last lesson. 09:35.610 --> 09:42.150 So in this lesson, we learned how to merge you've borders and how to unwrap a cylinder. 09:42.420 --> 09:45.840 So in the next lesson, let's look at these cylinders. 09:45.960 --> 09:51.840 Now we know how to unwrap a cylinder, but what a pain in the butt this would be if we had to unwrap 09:51.840 --> 09:53.790 each one of these things individually. 09:54.060 --> 09:59.010 So let's learn how to transfer UVs from one object to another in the next lesson to speed up. 09:59.340 --> 10:02.190 You've creation like something like this. 10:02.370 --> 10:03.000 Thanks for watching.