WEBVTT 00:00.180 --> 00:05.460 Welcome to the second part of the series of Mind for Beginners, where we will discuss, look, development. 00:05.760 --> 00:11.880 And if you're a true beginner to admire, you may you might not even know what look development means. 00:12.240 --> 00:13.850 And that's what this video is about. 00:13.860 --> 00:18.570 So if you're familiar with, look, development and the concepts of development, you might want to 00:18.570 --> 00:19.290 skip this video. 00:19.290 --> 00:24.540 Otherwise, if you're a true beginner and you're not entirely sure even what that means, then follow 00:24.540 --> 00:29.760 along and I'll show you what we're going to be covering in this section and second part of this larger 00:29.760 --> 00:30.260 course. 00:30.810 --> 00:37.890 So, look, development is a concept in film that you can even find job postings for. 00:38.640 --> 00:40.560 They'll call it like a look development artist. 00:40.560 --> 00:46.260 And what they're responsible for is creating the look of character or maybe even an environment. 00:46.620 --> 00:49.010 But that involves a lot of different steps. 00:49.020 --> 00:53.160 It's not just one skill that you need to have as a look developer. 00:53.580 --> 01:01.530 And in general, if I had title this course texturing, it wouldn't have encompassed really what all 01:01.530 --> 01:06.870 is involved and it would have shortchanged you in understanding on a larger scale what really goes into 01:06.870 --> 01:11.610 making an image like the Hulk Buster, for example, which we will talk about in a second. 01:11.610 --> 01:19.110 In the first part of look development is we want to ensure that we have good UVs and UVs basically mean 01:19.230 --> 01:23.100 we are trying to place a 2D texture onto a 3D object. 01:23.340 --> 01:29.520 And that has a lot of implications because let's take, for example, this example of globes. 01:30.210 --> 01:35.730 You see these people making globes and they're not taking one sheet of paper to wrap around this 3D 01:35.730 --> 01:36.270 object. 01:36.780 --> 01:39.900 So they're taking a 2D texture and they're trying to put on the 3D object. 01:39.900 --> 01:43.530 And what they have to do is cut it into these very specific shapes. 01:43.800 --> 01:48.150 So that wraps around and each of the seams align to each other. 01:48.540 --> 01:53.940 And you've probably seen this in a map like this that tries to show that distortion. 01:54.210 --> 01:59.840 And there's even different ways to project a 2D texture onto a 3D object. 01:59.850 --> 02:01.920 So you're familiar with it. 02:01.920 --> 02:04.710 But it we can now apply this concept. 02:04.710 --> 02:13.980 You're familiar with two 3D objects because it's the exact same thing, so that SUVs and the next step 02:13.980 --> 02:21.390 is shading and shading as separate from textures because shading talks about the materials applied to 02:21.390 --> 02:21.990 an object. 02:22.140 --> 02:26.430 So an object that has rubber, glass or metal is going to have different properties. 02:26.730 --> 02:30.870 How an object refracts light is what materials are mostly about. 02:30.870 --> 02:37.410 So we can see here there's a lot of reflections and this is all metal material. 02:37.710 --> 02:44.550 But if we look at something like the Coco movie, we can see the material on their skull is not as reflective. 02:44.610 --> 02:48.120 There's not sharp, sharp reflections like we get on the blockbuster. 02:48.450 --> 02:53.820 You can see how hard these lines are and how sharp these reflections are in the metal, which you would 02:53.820 --> 02:54.390 expect. 02:54.840 --> 02:58.140 And on them, the reflections are a lot softer, more diffuse. 02:58.140 --> 03:04.650 And that's because the surface on the bone is much more rough. 03:05.080 --> 03:14.490 And when you have rough texture, the light rays bounce around and they do not reflect back as clear 03:14.490 --> 03:16.890 as something like metal that has a smoother surface. 03:17.310 --> 03:23.490 And so there's things like that in things like, you know, the transparency of windows and things like 03:23.490 --> 03:23.700 that. 03:23.700 --> 03:26.000 That's going to be all the material and shading. 03:26.490 --> 03:28.770 So that's that. 03:28.770 --> 03:33.720 And then the next one is going to be textures, which we've kind of been talking around. 03:33.990 --> 03:37.980 So if we go back to this example of the whole buster, we can see that. 03:37.980 --> 03:44.940 Yes, you know, of course he has materials because otherwise we wouldn't see any reflections and other 03:44.940 --> 03:45.830 properties there. 03:46.590 --> 03:47.910 But let's take a look down here. 03:48.240 --> 03:53.280 Look at this little kind of rough area where damage spot happened. 03:53.760 --> 03:58.980 Or if if we take a closer look at some of these reflections, they're not consistent. 03:59.160 --> 04:03.480 You know, they're a little dappled and there's some subtle differences all along. 04:03.480 --> 04:06.480 And then again, over here, we see little damage marks. 04:06.930 --> 04:08.100 Right, stuff like that. 04:08.100 --> 04:10.200 And same on cocoa. 04:10.200 --> 04:14.130 We can see, of course, they have a material, but they also have textures on their face. 04:14.490 --> 04:19.410 There's these designs around their eyes and cheeks and chin and even on their hats and clothes, like, 04:19.410 --> 04:22.140 for example, these lines on a shirt would be a texture. 04:22.530 --> 04:29.880 But the properties of the shirt reflecting light and other other types of physical properties of the 04:29.880 --> 04:31.440 material is shading. 04:31.710 --> 04:34.140 But the line itself is texturing. 04:34.440 --> 04:36.900 So that's the difference between shading and texturing. 04:37.140 --> 04:43.320 So we will use shading and texture in conjunction with that, with each other to try to achieve effects 04:43.320 --> 04:44.350 like this in the course. 04:44.940 --> 04:49.530 So the last thing that we're going to discuss is lighting, and it's not really the last thing because 04:49.530 --> 04:54.630 we're going to do it in conjunction with everything else, because for us to evaluate shading and texturing, 04:54.900 --> 04:59.790 we need to have some light in our scene so we can see what we're creating. 04:59.980 --> 05:05.140 So through this course, we're going to cover all of these topics so that we can make compelling images 05:05.380 --> 05:10.030 and understand each one of the steps of this process so that we can have confidence that we can make 05:10.030 --> 05:14.780 whatever that we imagine for ourselves using these new tools that we are about to learn. 05:15.280 --> 05:19.480 So I'll see in the next lesson where we'll begin learning all about oves. 05:19.480 --> 05:20.170 Thanks for watching.