WEBVTT 00:00.180 --> 00:06.000 In this lesson, we're going to tackle the nose, so turn off that so I get a little more screen space 00:06.000 --> 00:14.100 here and I have my wireframe on shaded turned on here, and I turned down the transparency so we can 00:14.100 --> 00:15.000 see through a little bit. 00:15.400 --> 00:20.550 But basically what we're trying to do is create a triangle here where we have a lot of quads. 00:21.180 --> 00:26.850 And we are probably also going to need to build this out a little further as well. 00:27.180 --> 00:33.090 But first, let's try to get the line flow in here that will help support this type of a nose shape, 00:33.090 --> 00:37.260 because it looks like the indication here is the fact that this is going in and it's kind of a hole 00:37.260 --> 00:37.590 here. 00:37.830 --> 00:44.850 So let's grab the multicar tool and go to the front view just so we can kind of get a better view of 00:44.850 --> 00:45.450 what we're doing. 00:46.350 --> 00:52.860 And let's create a new edge loop here and go down this way. 00:52.860 --> 00:55.260 But if we went straight across would create a triangle. 00:55.270 --> 01:05.370 So let's put a point out here and then continue down and let's just keep going and do the same thing 01:05.370 --> 01:05.760 over here. 01:05.770 --> 01:09.350 We don't want to create a triangle by connecting this one to what a point there. 01:09.770 --> 01:11.580 Then just go straight across and hit enter. 01:12.060 --> 01:13.740 Now we need to solve this problem. 01:13.740 --> 01:15.650 We basically just need to connect these two things. 01:15.960 --> 01:20.250 So that creates two quads here and we'll do the same thing here. 01:21.660 --> 01:23.840 So we may need to add another loop. 01:23.850 --> 01:29.430 You can see that this kind of flow is kind of like a reverse C shape. 01:29.790 --> 01:34.070 And if we tried to create a new edge loop, it will reflect that. 01:34.380 --> 01:35.870 So it's going around like that. 01:35.880 --> 01:42.000 So let's put another one here and kind of go back to perspective mode, because we're going to need 01:42.000 --> 01:45.090 to pull this stuff out to help support the nose. 01:45.090 --> 01:54.320 So I'm going to go to Vertex and let's see, let's just pull this stuff out. 01:54.420 --> 02:02.460 I'm just going to scale this whole down r to get back to object mode, scale this stuff forward, pull 02:02.460 --> 02:03.180 it forward. 02:04.350 --> 02:13.410 And I think we'll probably also need some more geometry overall here because it's it's stretching so 02:13.410 --> 02:16.170 much to try to reach us. 02:17.730 --> 02:18.720 So we may do that. 02:18.720 --> 02:23.280 We also just pull these back instead of having those be the front ones. 02:23.280 --> 02:27.660 We can just use these as kind of the in betweens and pull this one back as well. 02:30.250 --> 02:35.280 So you can't constantly just kind of reevaluating, like what's what's the best way to do this? 02:35.280 --> 02:39.810 You know, nothing is set in stone when you're working like this. 02:40.200 --> 02:46.920 So you just kind of keep going forward and finding out where the problems are and trying to fix those 02:46.920 --> 02:47.460 problems. 02:47.940 --> 02:51.870 So we've got something like this so far. 02:52.560 --> 02:57.960 I think we may need an extra edge loop here because it's stretching so much. 02:59.960 --> 03:04.040 We could also put an envelope here and pull this over. 03:09.260 --> 03:11.620 So you're kind of squeezing this stuff down. 03:13.870 --> 03:23.620 And it's just kind of get this in the ballpark right now and try to work as quickly as we can and go 03:23.620 --> 03:24.650 back to the front of you. 03:26.090 --> 03:28.450 It looks like this stuff is down pretty low. 03:28.930 --> 03:34.960 So I'm going to turn back on the slide function here from the modeling menu and transform constrain 03:35.380 --> 03:44.620 when I go to surface slide since we're using vertices and let's see if we just slide this stuff around. 03:45.320 --> 03:47.380 Let's go back to perspective to make sure that's working. 03:47.980 --> 03:52.720 Yeah, it's going to stay on the surface, which is kind of what we want. 03:52.720 --> 03:55.150 We don't want to change the shape. 03:55.150 --> 04:00.400 Just yeah, we're trying to get these edges where we want them to be, so. 04:02.090 --> 04:08.660 Select all this and go back to perspective, because invariably will select things behind it and just 04:08.660 --> 04:09.950 kind of move all this stuff up. 04:11.350 --> 04:14.750 Um, same thing with these. 04:15.400 --> 04:17.330 I think all of these need to go up. 04:20.470 --> 04:25.960 And these are probably going to go out, let's see, we're kind of just switching back and forth between 04:25.960 --> 04:29.020 views to make sure we're kind of going in the right direction. 04:29.680 --> 04:39.850 And in general, when you're doing modeling like this, you mean anywhere that you put lines closer 04:39.850 --> 04:42.010 together are going to help define an edge. 04:42.010 --> 04:45.420 And that'll become more clear in a minute. 04:45.850 --> 04:51.150 But that's kind of the reason why these are closer, closer together than, say, the other one or, 04:51.190 --> 04:52.450 you know, something further away. 04:53.280 --> 05:04.450 So I'm just trying to move this stuff over to match the outline of the black area so we probably could 05:04.450 --> 05:05.950 use an extra edge loop here. 05:06.760 --> 05:13.990 When I try to hold off, I try to, like, delay adding geometry as much as I can because it does add 05:14.350 --> 05:15.760 to so much more complexity. 05:15.760 --> 05:20.110 And, you know, as we're pulling points like this, it's just that much more stuff that you have to 05:20.110 --> 05:20.740 deal with. 05:21.130 --> 05:26.420 So try to avoid it as much as possible until the last possible second and say, you know what? 05:26.440 --> 05:29.730 All right, I need an extra I need an extra pair. 05:31.990 --> 05:38.590 So just getting this stuff around, probably speed this up and I'll see in a second. 05:53.240 --> 05:59.840 OK, so now that I have that kind of matching the silhouette, now, I need to deal with this kind of 05:59.840 --> 06:00.250 a thing. 06:00.260 --> 06:05.750 So it looks like this stuff needs to be a straight line, right. 06:05.780 --> 06:11.630 So if we're looking at in the front of you, we can see from this vertices up to this, vertices should 06:11.630 --> 06:13.890 be kind of a straight line. 06:14.330 --> 06:17.330 So this is the furthest point out and this is back on the face. 06:17.630 --> 06:19.010 But we go into perspective mode. 06:19.010 --> 06:21.530 We can see that's not really the case. 06:24.380 --> 06:30.120 And again, you know, that's part of the difference of these two drawings. 06:31.760 --> 06:34.490 This point should really be over here somewhere, I think. 06:34.670 --> 06:37.370 But, you know, the drawings don't really reflect that. 06:37.370 --> 06:44.510 So we have to interpret for ourselves where do we really want this nose and how big of a nose should 06:44.510 --> 06:45.350 this actually be? 06:45.620 --> 06:48.490 I think the front one is a little too large. 06:49.010 --> 06:54.190 If we were to do this one here, it would just be a massive nose, right? 06:54.200 --> 06:58.340 Like, look, look at this and profile are like three quarters. 06:58.940 --> 07:01.490 The nose cavity would just be massive. 07:02.120 --> 07:05.240 So I think the side view is more accurate. 07:05.930 --> 07:07.250 And what I may do 07:09.920 --> 07:16.640 is cut this off sooner with the edge flow that we made instead of it going down so far. 07:17.930 --> 07:19.920 Let's just cut it off here instead. 07:20.540 --> 07:27.800 So I'm going to go back with the multi-tool here and make those adjustments. 07:28.040 --> 07:29.720 So let's see. 07:29.870 --> 07:35.300 We what we did was we added this line and we can see where you created this corner. 07:35.660 --> 07:40.790 We would just want to move that up to for this. 07:41.000 --> 07:43.010 Let's see for this line to be here. 07:43.340 --> 07:45.860 Let's imagine this is the right corner here. 07:45.860 --> 07:48.650 So this needs to be pulled over here to this corner. 07:49.100 --> 07:50.840 I mean, make that first. 07:51.740 --> 07:53.270 So let's say this is the. 07:55.500 --> 07:59.570 This is the corner kind of thing, it's going to hold it. 07:59.640 --> 08:07.740 So this is just kind of the problem solving you have to do when your modeling. 08:12.850 --> 08:17.650 So basically, we're rerouting this one down. 08:19.110 --> 08:24.090 To this corner, so this one would go well, but we want that, yeah, right. 08:24.090 --> 08:29.130 We we just need to get rid of these or no, we want to keep those. 08:29.930 --> 08:31.170 Gets confusing for me, too. 08:31.720 --> 08:33.600 Let's just delete this and see where we get. 08:35.230 --> 08:35.970 So don't when I right. 08:35.970 --> 08:37.920 Click it doesn't really enjoy that. 08:38.700 --> 08:42.660 OK, just delete this. 08:44.170 --> 08:45.190 Still eat this. 08:48.330 --> 08:55.530 OK, yeah, OK, so this we just need to add an edge loop here, basically, and call it a day. 08:56.010 --> 08:57.360 Yeah, let's bring it. 08:58.800 --> 09:00.440 Yeah, let's do it here. 09:01.140 --> 09:02.730 So we're just what we did earlier. 09:05.520 --> 09:07.620 We're bringing it up a level. 09:13.190 --> 09:18.350 So that now we can bring these vertices kind of more in line with this. 09:20.230 --> 09:30.250 This edge here, right, all these we go into our right view should be lining up, this should be the 09:30.250 --> 09:31.500 silhouette, right? 09:32.200 --> 09:37.180 Or in theory, you know, we might we might do this and see like design wise, that doesn't work. 09:37.180 --> 09:44.500 But I always like to start with following the reference as close as possible and then working back from 09:44.500 --> 09:44.770 there. 09:44.770 --> 09:50.650 If that's not you know, if it's not looking right, deviating from the reference after you give it 09:50.650 --> 09:51.130 a shot. 09:53.330 --> 10:00.350 So so we're in the neighborhood, right, like we're in the ballpark, so what we can do if I go to 10:00.350 --> 10:01.990 face right. 10:02.000 --> 10:11.090 Clicking and dragging, I think with the multiphase or something, I want to be selecting only faces 10:11.090 --> 10:11.440 here. 10:12.470 --> 10:18.620 So we basically now have these faces that will kind of create the nose cavity. 10:19.130 --> 10:29.270 So if I extrude this, go click on the extrusion tool kit faces together and said W.T. pulled the manipulator 10:29.270 --> 10:30.980 tool and just drag this back. 10:33.490 --> 10:41.740 Something like this, maybe I'll rotate it, scale it down, because we want this, this should kind 10:41.740 --> 10:44.440 of continue and shouldn't just cut off here. 10:44.440 --> 10:45.700 So I'm trying to rotate it. 10:47.150 --> 10:48.970 So it's kind of like this, right? 10:51.520 --> 10:53.720 That should be it should kind of be the opposite. 10:53.850 --> 10:58.390 There's an internal triangle here, this should continue back like that. 11:00.450 --> 11:02.190 That looks right to me. 11:03.540 --> 11:10.890 OK, so from extruding, we still have that kind of this face we can just get rid of because this is 11:10.890 --> 11:14.760 going to go straight through to the other side and this is going to be a hole there. 11:14.790 --> 11:15.960 I'm going to delete those. 11:17.710 --> 11:21.510 And we're definitely going to need more edge loops on the inside here. 11:22.900 --> 11:30.130 To support this, so let's to the edge and see what edge flow where that puts these envelopes. 11:32.010 --> 11:37.980 We need one so so let me just talk about this super quick, so if we hit three on our keyboard with 11:37.980 --> 11:46.650 this object selected, it's going to go into kind of this like fake smoothing so we can see it rounds 11:46.650 --> 11:47.790 off all these edges. 11:49.230 --> 11:54.600 The issue is if there's not enough geometry in an area, it's going to kind of collapse down. 11:55.530 --> 12:04.170 So if we add geometry here, grab the tool again, let's put one on the inside and we're going close 12:04.170 --> 12:04.630 to the front. 12:04.630 --> 12:10.050 We're close to the edge because we want it to support this front edge so that when we hit three again. 12:13.250 --> 12:18.340 Let me get all the tools it'll show it's it's much thicker here than before, right? 12:18.430 --> 12:25.600 And if we keep refining this and adding edge loops here to support that, you can see it starts to build 12:25.600 --> 12:27.680 out that front edge a lot more. 12:28.060 --> 12:33.190 Now you can see it's way thicker, right, than what we originally started with. 12:33.220 --> 12:38.860 So hitting three on the keyboard and smoothing might help kind of show where you're headed. 12:38.870 --> 12:39.850 In that sense. 12:40.130 --> 12:44.020 I don't like how thin it is, like the nose bone. 12:44.440 --> 12:46.870 So we need to address that some undue. 12:47.330 --> 12:51.670 I just want to show you the hitting three and what that means and why I'm cutting edge loops where I 12:51.670 --> 12:53.890 am and go back to one. 12:54.550 --> 12:58.320 I want to make all these changes before I add those edge loops and all that support. 12:58.990 --> 13:03.310 So I want to make this thicker, this face, these faces. 13:03.310 --> 13:14.800 Basically, I'm just going to scale them and you can change what you have selected by holding down command 13:14.800 --> 13:15.160 and right. 13:15.160 --> 13:18.310 Clicking and say two vertices. 13:19.330 --> 13:20.500 Let's go to vertices. 13:22.090 --> 13:31.210 And if I had W and hit control and a middle mouse drag, it will kind of scale these vertices away from 13:31.210 --> 13:31.690 each other. 13:32.530 --> 13:38.350 So that's one very, very, very, very, very handy modeling tooltip. 13:39.400 --> 13:40.330 It'll save you a ton of time. 13:40.330 --> 13:43.840 If I was trying to use the scale tool and do that, it would be a nightmare because they're all there's 13:43.840 --> 13:45.730 a curve right there, all going in different directions. 13:46.120 --> 13:52.000 And the scale tool is not going to follow each one of those directions independently. 13:52.000 --> 13:52.950 It's going to do it all together. 13:53.350 --> 13:59.800 So, again, that's middle mouse dragging with the move tool while holding down control. 13:59.800 --> 14:08.560 That is a huge it took me I didn't know that for many, many years and it has been incredibly helpful 14:08.560 --> 14:09.750 once I figured that one out. 14:10.510 --> 14:15.190 So yeah, we wanted this to be a lot thicker and we just need to work on the shape of this thing. 14:15.190 --> 14:16.540 But this is the idea, right? 14:16.900 --> 14:25.180 We now have this kind of nose cavity mapped out and we can start refining this. 14:25.630 --> 14:32.170 I'm going to clean this up a little bit, just kind of move these points around and probably try to 14:32.170 --> 14:39.460 have a bit more of this, follow this type of a silhouette, bring these points out. 14:40.060 --> 14:44.110 But for the most part, this is you know, this is the technique we just made the nose. 14:44.560 --> 14:51.700 And I think what we'll find, too, is this might be a little too much exaggerated, like too far out 14:53.140 --> 14:57.880 when you look at this from any other angle than the side kind of looks like a duckbill. 14:57.880 --> 14:59.620 But this is all part of modeling. 14:59.620 --> 15:03.630 And I'll see the next lesson where we will continue to refine this model a little bit. 15:03.700 --> 15:04.330 Thanks for watching.