WEBVTT 00:00.240 --> 00:06.660 In this lesson, we will continue to create detail on this Ghostbuster trap, so in the previous one, 00:06.660 --> 00:08.190 we did some beveling of the edges. 00:08.490 --> 00:09.780 Let's finish that up a first. 00:09.780 --> 00:14.630 I noticed that at some point my model got uncensored. 00:14.910 --> 00:16.730 You can see that it's not totally centered up here. 00:16.740 --> 00:22.260 So all I need to do that happens is hold down spacebar, click in the middle here, go to my right view 00:22.800 --> 00:25.110 and I can see that it is not lined up with the handle. 00:25.110 --> 00:31.490 So I can just hold down X and with the move tool selected, I can just snap it to the middle. 00:31.860 --> 00:35.430 So now that I can tell that it is set it up with everything and we're ready to continue. 00:35.760 --> 00:37.620 So if anything like that happens, it's no big deal. 00:37.650 --> 00:41.010 You know, just figure it out and snap it back to the center. 00:41.340 --> 00:44.280 You can, you know, change the pivot if you need to, all that kind of stuff. 00:44.280 --> 00:50.400 So don't feel like you're always stuck or, you know, you can't, you know, change something or whatever. 00:50.580 --> 00:54.800 You know, it's just a matter of getting comfortable with these tools and starting to use them. 00:55.170 --> 01:00.630 So one thing I want to do is add this type of a Bevell here to more areas quickly. 01:01.020 --> 01:03.870 So it looks like maybe that's what I did. 01:03.870 --> 01:09.450 I middle mouse dragged this while the well, I had the manipulator tool selected is probably how I got 01:09.450 --> 01:10.050 off centered. 01:10.560 --> 01:13.830 So just be careful about that and you can always fix that. 01:14.250 --> 01:16.050 So let's select the edges here. 01:16.050 --> 01:16.260 Right. 01:16.260 --> 01:26.160 Clicking Going up to edge and we will go through and shift select the edges that we would like to bevel 01:27.090 --> 01:28.240 and double clicking. 01:28.240 --> 01:31.770 It looks like I accidentally didn't have reshift held down. 01:31.770 --> 01:36.960 So hold on shift and just double clicking these in these corners. 01:37.380 --> 01:43.310 I'm going to do the bottom corner separate because I want those to have a different kind of Bevell Andsnes 01:43.320 --> 01:44.910 to this one as well. 01:46.380 --> 01:47.310 And this one. 01:50.100 --> 01:56.010 And these might not be super clean because we're doing them separate from the sides, ideally we do 01:56.010 --> 02:00.450 these together because their intersection might be kind of dirty. 02:00.460 --> 02:01.740 So we'll see if that works at all. 02:01.740 --> 02:03.660 If it doesn't, we can just skip that. 02:03.660 --> 02:09.620 And, you know, you can undo the belt from earlier and get back to that. 02:09.630 --> 02:10.980 So now we have that selected. 02:11.490 --> 02:14.820 We can go to Bevell and. 02:16.880 --> 02:21.560 Yeah, you can see on these corners, if we don't do this together, then they're kind of wonky a little 02:21.560 --> 02:21.760 bit. 02:21.770 --> 02:24.240 We can always fix that if we need to. 02:24.410 --> 02:26.990 And it looks like I missed one edge here as well. 02:28.190 --> 02:36.320 So let's go back to Bevell and then let's go to the Polly Bevell input here that we created. 02:36.330 --> 02:41.930 We can hit T to bring up the options here if we like, and resize this to make it more clear. 02:42.440 --> 02:51.290 And let's go to a higher fraction here and add at least one segment and it's going to object mode so 02:51.290 --> 02:54.140 we can see that and deselect it looks like it did a pretty good job. 02:54.650 --> 02:57.740 The only thing we need to fix down here is this kind of intersection. 02:58.130 --> 03:04.070 So if you know, you happen to do these Bevell separately and there's some wonky thing like this, you 03:04.070 --> 03:04.850 know, this is modeling. 03:04.850 --> 03:10.250 This is, you know, creating things on the fly, making different decisions and then fixing things 03:10.250 --> 03:11.200 when they're not working. 03:11.210 --> 03:19.190 So what we can do is just add a little multicultural here and we can add that edge and we can do that 03:19.190 --> 03:20.770 to the bottom here as well. 03:21.910 --> 03:25.060 And hit enter and if I go to the verb to see. 03:26.040 --> 03:33.420 Mode here and zoom in here just so I can hit, have to have something to focus in on, we're so close 03:33.420 --> 03:36.660 to it that it's kind of hard to see. 03:37.020 --> 03:43.740 Let's go to the edge mode and let's just delete these edges that we don't need. 03:46.150 --> 03:48.010 Actually, we need these. 03:49.700 --> 03:52.730 And the center, some control clicking and dragging those. 03:53.850 --> 03:57.390 So now I'm going to go shift right, click delete EDG. 03:58.610 --> 03:59.690 And now we have that. 04:01.440 --> 04:09.750 So let's go to the vertex mode and just drag this up, and if we want to make it precise, we can go 04:09.750 --> 04:18.450 to a camera view that's orthographic so we can see it in line with everything else and we can just drag 04:18.450 --> 04:18.630 it up. 04:18.630 --> 04:20.520 So it's in line with this line here. 04:21.150 --> 04:25.590 We could also vertex snap it, holding down V and now we know it's in line. 04:25.860 --> 04:27.990 We can see the ones down here also need to be fixed. 04:28.300 --> 04:31.950 I'm going to leave that for now and let you fix that if you'd like. 04:31.950 --> 04:35.700 But that's how you fix, you know, intersection like intersections like that. 04:36.000 --> 04:37.800 It looks like that one needs to be fixed as well. 04:37.800 --> 04:43.260 So I'm just holding on spacebar and clicking in the center to get to the right camera and holding down 04:43.260 --> 04:45.600 V to drag that to the right spot. 04:46.500 --> 04:51.230 And then going back to perspective with the holding down space bar dragging, clicking and dragging. 04:51.900 --> 04:53.910 So that's how we fix intersections like that. 04:53.910 --> 04:55.980 When that thing occur, when something like that occurs. 04:56.970 --> 05:03.540 And again, that's just part of modeling being flexible because you say you had a supervisor and now 05:03.540 --> 05:06.360 they want to add more bevels and you've already done all this beveling. 05:06.720 --> 05:10.050 You know, things don't happen perfectly from one step to another. 05:10.050 --> 05:14.790 So you need to be able to adapt to know the tools well enough to adjust the model as needed. 05:15.430 --> 05:17.610 And again, I'm going to leave that one now for time's sake. 05:17.610 --> 05:19.140 It looks like we need to do that on every corner. 05:19.140 --> 05:25.760 But for time's sake, let's just leave that and let's look at these edges here. 05:26.700 --> 05:34.680 I want to just select the corner pieces and I want to I want it to go all the way to the edge there 05:34.680 --> 05:35.640 on the inside. 05:36.450 --> 05:43.710 So let's control click these select areas that we don't need and double check that we have everything 05:43.710 --> 05:44.280 selected. 05:47.140 --> 05:55.840 Now, let's get the side as well, just double clicking and control clicking it to deselect oops, looks 05:55.840 --> 05:58.270 like I zoomed out in the wrong spot. 05:58.300 --> 06:00.820 So one thing I just did sorry, it's a habit. 06:00.820 --> 06:03.850 I'm used to using these tools, so I'll have to slow down here. 06:05.050 --> 06:06.630 I'm not entirely sure what just happened. 06:06.640 --> 06:07.620 The View just went away. 06:07.930 --> 06:12.280 So the first thing I did was hit the bracket button on the keyboard. 06:12.370 --> 06:15.030 And so that'll just go back to your previous camera view. 06:15.370 --> 06:17.590 And so we can toggle between wherever the camera went. 06:17.600 --> 06:24.640 I'm not entirely sure I might have hit a which is frame everything and you know, who knows why it went 06:24.640 --> 06:24.880 that way. 06:24.890 --> 06:27.160 That's just part of working in 3-D sometimes. 06:27.640 --> 06:32.870 But yeah, just hit bracket and you can get back to the previous camera view if you're ever, you know, 06:32.890 --> 06:34.900 missed where you went or something like that. 06:36.160 --> 06:37.690 Things go haywire sometimes. 06:37.690 --> 06:39.820 And yeah, you know the tools well enough. 06:39.820 --> 06:43.550 It's not that big a deal to just get back to where you were. 06:43.600 --> 06:44.890 OK, so we have those done. 06:45.280 --> 06:49.870 So I did those separately because I want to go back to Polly Bevell here at TI. 06:50.470 --> 06:51.970 We can also do it from this menu. 06:51.970 --> 06:56.380 But I just like it just looks better to me to use this one floating one. 06:57.910 --> 06:59.230 Let's increase the fraction. 06:59.230 --> 07:03.910 And I did this separately because I wanted to do these separately. 07:03.910 --> 07:10.360 And it looks like we're going to be prohibited by this interior piece here. 07:11.470 --> 07:13.570 So it's it's getting stuck right here. 07:13.570 --> 07:14.920 I can't go any wider than that. 07:15.430 --> 07:18.310 So let's undo this. 07:18.790 --> 07:19.870 And we have the selection. 07:19.900 --> 07:25.090 Instead of remaking the selection, let's create a quick select set. 07:25.510 --> 07:31.360 So that's just a way that we can get that selection back without having to redo that all over again. 07:31.360 --> 07:39.610 So we'll go to create go down to sets and quick select set and we'll just say level edges. 07:39.610 --> 07:43.870 We don't even have to name this because we'll probably just delete it here in a minute and we'll say, 07:43.870 --> 07:48.400 OK, so now we can select it and we can say that selection for later. 07:50.110 --> 07:53.470 So let's delete these kind of edges here 07:56.230 --> 08:00.760 so that we can have a greater range in the Bevell. 08:01.570 --> 08:06.940 And again, you know, this is may seem like tedious work, but this is just modeling. 08:06.940 --> 08:09.070 This is part of modeling if you want to get into modeling. 08:09.610 --> 08:10.690 Well, what's happening here? 08:12.250 --> 08:19.090 If you want to get into modeling, this is just part of modeling to, you know, like I was saying a 08:19.090 --> 08:24.010 minute ago, to kind of run into problems and then solve them. 08:25.030 --> 08:26.350 So we have all those selected. 08:26.350 --> 08:31.030 So hit shift, hold down shift and right click get to delete edge. 08:31.870 --> 08:35.350 So now when we go to the bevel edges. 08:38.320 --> 08:46.420 Let's just go to select quick, select sets of pledges now we had a selection, so we learned something 08:46.420 --> 08:48.020 in that process of problem solving. 08:48.880 --> 08:56.080 So now that we have that, we can go back to the Bevell tool and when we pull the fraction here. 08:57.740 --> 08:59.720 We should be able to go a lot further. 09:02.970 --> 09:11.850 Oh, no, we're stuck by those, so I think what we have to do here is because we're still stuck by 09:11.880 --> 09:13.860 this these interior pieces. 09:16.550 --> 09:20.080 We are going to have to create. 09:21.350 --> 09:30.710 Or sorry, we're going to have to deselect this line here, so let's just undo this and control drag 09:30.710 --> 09:31.160 that. 09:33.550 --> 09:39.340 So, again, you know, any time I'm modeling something in my head, I have an idea of how it should 09:39.340 --> 09:44.070 work, but, you know, it's not entirely certain that's going to be the case. 09:44.680 --> 09:47.890 So let's go to Polly Bevell now. 09:47.900 --> 09:48.440 Here we go. 09:49.210 --> 09:51.310 So let's zoom in and. 09:53.030 --> 09:55.700 Let's see if we can increase the segments here. 09:59.190 --> 09:59.940 And. 10:02.230 --> 10:04.090 Let's go to object mode and see how that looks. 10:05.080 --> 10:05.850 It's looking pretty good. 10:06.880 --> 10:09.280 So one thing you might notice is this kind of line here. 10:09.280 --> 10:13.730 And I think that's because we don't have the geometry here to support this area. 10:14.110 --> 10:19.360 So one thing we can do is go to the multicar tool and click here and go to the edge. 10:19.660 --> 10:20.260 It's missing. 10:20.810 --> 10:21.970 Do the same for this side. 10:23.200 --> 10:31.940 And now when we go to the object mode and click off, still there, I mean, not as bad. 10:32.950 --> 10:35.530 So now we have the corners beveled here. 10:37.340 --> 10:40.650 Let's move on to creating the panel on the right side. 10:42.460 --> 10:45.370 So let's go and create a new object. 10:45.520 --> 10:49.330 We'll go to poly modeling shelf, create a cube, bring it up. 10:50.140 --> 10:58.120 Most things that ever start to get modeled in Maya, start with a cube or sphere or something like something 10:58.120 --> 11:00.280 simple, and then you add complexity to it later. 11:00.820 --> 11:07.780 So I'm just using the scale tool to change the size and get it roughly in the right spot. 11:10.520 --> 11:14.600 So we can just actually we can do the same thing that we did before. 11:15.020 --> 11:22.280 So don't hold down D and V and Vertex, snap it to the edge, to its farthest edge, and then go back 11:22.280 --> 11:27.470 to the manipulator mode and then hold down V with just the normal move tool and it'll snap right to 11:27.470 --> 11:28.170 that face. 11:28.610 --> 11:32.270 And so now also, when we scale it, it should scale from that face. 11:32.270 --> 11:37.880 We don't have to worry about it, like going inside of the inside of the trap itself. 11:38.780 --> 11:43.940 And this is important to do to have a separate piece, because when we add materials later, we want 11:43.940 --> 11:46.970 to have a different object. 11:47.390 --> 11:51.730 You can see over here, it's called P Cube three, and we can start naming these things if we want to 11:52.700 --> 11:53.570 to clean this up. 11:53.570 --> 11:56.780 But basically, this is a separate object. 11:56.810 --> 11:58.520 We can see it in the outliner. 11:58.520 --> 11:59.600 So we know it's a separate object. 11:59.600 --> 12:04.700 So it can have a different material, because if we look at the reference, this is a kind of aluminum 12:04.700 --> 12:07.670 metal and this is like a painted black or something. 12:07.940 --> 12:10.160 So it's good to have those separated out. 12:10.880 --> 12:13.850 OK, so let's go to the edges here. 12:13.880 --> 12:16.070 Let's right click go to edge mode. 12:16.410 --> 12:19.250 I'll just select everything and Bevell everything together. 12:19.730 --> 12:23.300 And if we go back I can click it here, but I like to go back to the custom shelf. 12:23.300 --> 12:30.180 So she's everything a little organized and go to poly level and let's just increase the segments to 12:30.180 --> 12:30.530 two. 12:31.460 --> 12:37.910 And right click to go to object mode and clicking and dragging, of course, to the object mode option 12:37.910 --> 12:38.210 here. 12:39.270 --> 12:40.060 And let him go. 12:41.010 --> 12:42.090 So now we have that. 12:43.650 --> 12:55.260 Let's look at creating the the screws here, we have these kind of semicircular ends that go in and 12:55.260 --> 12:58.790 then this looks like a cylinder type of a screw. 12:59.250 --> 13:05.450 So let's create this and show you one other tool called a boolean. 13:05.940 --> 13:17.180 So let's go to the poly malling shelf, create a sphere, and let's just group all of this and some 13:17.370 --> 13:19.970 shifts, selecting everything in the outliner and hitting command. 13:20.790 --> 13:25.620 And that will group everything we can call this trap or Gbps trap. 13:29.180 --> 13:38.040 And hit enter and now I can with that selected, I can hit command H or sorry I can control age and 13:38.040 --> 13:38.670 then I'll hide it. 13:38.810 --> 13:41.420 So now I can focus on what I'm working on here. 13:41.660 --> 13:43.880 You can see kind of graded out here so we know it's hidden. 13:44.480 --> 13:46.880 And to get that back we can just hit shift H. 13:47.970 --> 13:54.140 OK, so with this fear, let's create its screw and set here. 13:54.470 --> 14:03.200 So let's scale this down, hitting our scale it down and I want to select all the faces on the outside 14:03.200 --> 14:03.400 here. 14:03.400 --> 14:05.720 So I'm going to click and drag and select all those faces. 14:06.170 --> 14:13.760 I'm going to go to the custom shelf and go to extrude and with faces together off, I'm going to increase 14:13.760 --> 14:19.850 the thickness and I'm going to hit the little pie chart here to make that go slower. 14:20.720 --> 14:25.520 And I can actually look at this from a top down view, holding down space, clicking and going to top 14:25.520 --> 14:25.880 view. 14:27.200 --> 14:33.530 And I can see how far out I want this to actually affect the screw head here. 14:34.700 --> 14:36.470 So something like that. 14:36.470 --> 14:40.760 I think I'm gonna go back to perspective and right. 14:40.760 --> 14:41.900 Click to Object Mode. 14:42.410 --> 14:52.550 Hit the R for scale and scale up and the Y here, drag this down and we want this to go in as far as 14:52.550 --> 14:55.190 we think we need the screw to go. 14:55.220 --> 14:57.890 So maybe pretty far, something like that. 14:58.100 --> 14:59.960 We can get a wireframe mode waiting for. 15:00.420 --> 15:02.270 I can see it doesn't go all the way to half. 15:02.270 --> 15:07.580 So, you know, because this is sticking out at least half, it's more pancake shape. 15:08.060 --> 15:10.400 We could actually just go ahead and do that with the sphere. 15:11.090 --> 15:15.590 Let's go into the right view and let's go to face mode. 15:15.950 --> 15:16.280 Right. 15:16.280 --> 15:19.850 Clicking on the sphere and going to face. 15:20.630 --> 15:23.240 And also, if that ever happens, we're actually going to move mode. 15:23.240 --> 15:24.410 And now you're in a whole new menu. 15:24.830 --> 15:29.870 You can just hover back over the one were in the little greyed out here and we'll go back to that menu. 15:29.870 --> 15:33.500 Or you can just let go of right click while you don't have anything selected. 15:33.500 --> 15:34.550 And I'll get you back to this. 15:35.150 --> 15:38.840 So let's go to the faces, click and drag all the faces below the half. 15:38.840 --> 15:42.140 Here we can see this is kind of our ground, plain or zero. 15:42.470 --> 15:44.930 So we can hit just delete on that four faces. 15:44.930 --> 15:46.070 You don't have to do anything special. 15:46.070 --> 15:48.740 You can just delete them with the delete button on the keyboard. 15:49.370 --> 15:55.040 So let's go back to object mode and then we can scale this down, hitting our scale this down to be 15:55.040 --> 15:56.420 more pancake shaped. 15:56.990 --> 15:59.750 Now we can move this down to be something like this. 15:59.750 --> 16:03.680 We don't want to go all the way through, so we want to leave a little gap here at the bottom. 16:04.250 --> 16:10.580 So let's go back to perspective, holding down space bar and then let's have five to go back to shaded 16:11.030 --> 16:21.500 and with the sphere selected here and then this one selected, we can go to mesh bullion and booleans 16:21.500 --> 16:26.480 are basically a way to subtract or add one object to another. 16:26.870 --> 16:28.760 So now that we have that done, we want a difference. 16:28.760 --> 16:33.470 So let's click that and boom, we have a difference and we have our screw. 16:33.680 --> 16:35.300 So that's super helpful. 16:35.570 --> 16:40.100 You don't have to model every little corner and it's like, you know what, these edges on a sphere, 16:40.100 --> 16:41.420 how do you actually even get that? 16:41.420 --> 16:44.390 So it's nice to have a boolean every once in a while. 16:44.690 --> 16:49.640 They can they can be kind of wonky and you do have to select things in the correct order. 16:49.970 --> 16:54.950 So if I didn't do it in that order, if I selected, let me queue to get back to my tool. 16:54.950 --> 17:01.100 And sometimes my mind has a little buggy thing where I need to shake the viewport a little bit or use 17:01.100 --> 17:03.500 the viewport and it'll let me start use tools again. 17:03.980 --> 17:06.200 So you might run into similar bugs when you're using it. 17:06.890 --> 17:09.830 So I'll shift select in a different way. 17:09.830 --> 17:15.620 Now you can see it does the reverse, so you want to make sure you're selecting it in the proper order 17:16.310 --> 17:18.020 and that you're using the right boolean. 17:18.020 --> 17:22.760 And that's why I tore off the menu here, because it's nice to have it case you screw up to, you know, 17:22.760 --> 17:26.300 just go ahead and use it again and again so we can close that out. 17:27.020 --> 17:31.550 We have this made and now let's bring our trap back. 17:31.550 --> 17:36.950 And also, now that we're looking at the Aulani, you can see it creates all this history when you do 17:36.950 --> 17:37.610 a boolean. 17:38.270 --> 17:41.870 You know, if we look at the input over here, we deleted the faces. 17:41.870 --> 17:43.370 So it says delete component. 17:43.370 --> 17:44.240 We extruded. 17:45.200 --> 17:49.820 You know, it's combining the inputs from the two pieces and then you have this boolean. 17:49.820 --> 17:57.410 So it gets really messy and then it creates these empty shapes and those are quite useless and can actually 17:57.410 --> 17:59.030 be harmful in the future. 17:59.300 --> 18:05.420 So when you do a boolean and you know you've you've done it and it's you know, you're done using it, 18:05.750 --> 18:09.200 it's good to go ahead and clean up that piece of geometry and delete the history. 18:09.320 --> 18:12.500 So go to edit, delete by type in history. 18:12.830 --> 18:16.040 You want to make sure you do not do delete all by type. 18:16.040 --> 18:20.180 When it says delete all, it means everything in your scene, not just what you have selected. 18:20.480 --> 18:22.430 So this is a very important distinction right now. 18:22.940 --> 18:24.470 These are not the same thing. 18:24.560 --> 18:26.980 OK, delete by type is what you have selected. 18:26.990 --> 18:28.010 Delete all by type. 18:28.090 --> 18:30.280 Is everything in your scene we just want to do it. 18:30.310 --> 18:35.680 We have selected so we're going to go to delete by type and go to history and you see all those inputs 18:35.680 --> 18:38.350 are gone and all those empty groups over here are gone. 18:38.740 --> 18:41.820 So it's much cleaner to do once you do a boolean like that. 18:42.250 --> 18:48.790 So let's click this and it shift to bring it back and hide it and click the sphere here and let's bring 18:48.790 --> 18:53.140 it over and rotate it 90 degrees by clicking. 18:53.140 --> 18:56.020 That's typing it in in the channel box. 18:56.830 --> 19:06.940 And let's vertex snap on the pivot holding down down to the bottom here so then we can vertex snap holding 19:06.940 --> 19:10.700 down B to the front face of the object. 19:10.730 --> 19:13.060 So now we can slide it around knowing it's on the front. 19:13.840 --> 19:19.260 And because we have aimbot inclusion on up here, we can see it kind of has a shadow effect around. 19:19.300 --> 19:22.240 So we know, you know, kind of where it is in space a little better. 19:23.680 --> 19:27.610 Most of it just going to say real quickly, because it's doing crazy things any time, Miles, doing 19:27.610 --> 19:28.210 crazy things. 19:28.210 --> 19:28.960 That's good to save. 19:29.560 --> 19:36.520 And of course, you can follow along with all these lessons in the according numbered scene. 19:36.850 --> 19:38.380 So we're a number four right now. 19:38.380 --> 19:44.020 So you can pick up where we left off there and use the same model in the same scene. 19:44.680 --> 19:48.940 So I'm just going to bring that up here somewhere and scale it down. 19:51.270 --> 19:53.010 And that works pretty good for me. 19:53.580 --> 20:01.650 So now we've started to add this panel and we can add a couple more details, like these cylinders are 20:01.650 --> 20:02.850 something super easy to do. 20:02.850 --> 20:07.230 Let's just create a cylinder and bring it over, rotate it down 90 degrees. 20:07.540 --> 20:09.180 So I like to do it here first. 20:09.180 --> 20:11.940 So it tells me which axis I'm doing it axes. 20:11.940 --> 20:12.820 I'm doing it over here. 20:13.230 --> 20:16.440 So then I know which one I need to type it into up there. 20:17.340 --> 20:21.180 The other thing I want to do is add more subdivisions to the caps. 20:21.480 --> 20:28.500 So I'm under on toggle down the input here for the cylinder and go to subdivision caps and just say, 20:28.950 --> 20:31.500 you know, let's just say three for fun. 20:32.250 --> 20:36.510 And the reason I'll show you here in a second, because we need to adjust the model a little bit and 20:36.540 --> 20:44.400 drag this out, scale it down, move it over, move it up, do all this fun stuff that's, you know, 20:44.400 --> 20:45.140 how to do now. 20:45.870 --> 20:52.080 And let's just scale it down and then drag it out and see how they're kind of far apart and maybe a 20:52.080 --> 20:52.770 little thicker. 20:53.400 --> 20:58.470 One really interesting thing is isolating where you're scaling from. 20:58.980 --> 21:00.190 This is something I use all the time. 21:00.190 --> 21:05.580 And I didn't know years later until I was using my ISO into using my I didn't know that. 21:05.590 --> 21:09.870 So so say I want to scale the radius of this thing. 21:10.650 --> 21:14.670 You know, I could do this and then I could do this and I could do this and do this. 21:14.670 --> 21:17.340 And I'm not entirely sure if it's keeping the right circle shape. 21:17.820 --> 21:23.130 So, you know, if I don't want to scale in this direction, but I want to scale and the other two directions 21:23.640 --> 21:27.540 I'll have to do is it control and click and use that. 21:27.540 --> 21:29.820 And now it's isolating those other two ones. 21:30.120 --> 21:33.210 You can see those the red and blue things are going up and down. 21:33.510 --> 21:41.130 But the one I'm clicking on isn't is a huge, huge, helpful little tip that took me a couple of years 21:41.130 --> 21:41.670 to figure out. 21:41.670 --> 21:45.270 And now, you know, in the first, you know, hour of learning mile. 21:45.780 --> 21:50.160 So this is the benefit of taking these kinds of classes. 21:50.700 --> 21:53.240 You can learn what took me quite some time to learn. 21:53.610 --> 21:56.840 So the next thing I want to do is going to edge mode. 21:56.850 --> 22:03.450 And the reason why we of these caps is I'm just shift and double clicking them to to get the edge loops 22:03.990 --> 22:09.390 is if you look here, you can see it kind of has this beveling that we can actually bevell it if we 22:09.390 --> 22:10.050 wanted to. 22:10.380 --> 22:15.540 But let's just have a little more control over it in our own way and scale. 22:15.570 --> 22:19.530 Lupe's scale, these to edge loops and a little bit. 22:20.540 --> 22:22.400 And it does pretty much the same thing. 22:28.070 --> 22:36.680 So now we've added that detail ourselves and we could even go further and beveled these two edges, 22:37.100 --> 22:43.490 now that we've done the kind of larger move, why don't we just select these shift clicking, double 22:43.490 --> 22:46.310 clicking and then if we go to Bevell. 22:49.450 --> 22:53.430 And I want to look super rounded out somewhere to reduce the fraction quite a bit. 22:56.620 --> 23:05.590 And right, click and go to object mode so I can kind of see it looks a lot better and I'm going to 23:05.590 --> 23:11.560 duplicate this by hitting Kamandi on the keyboard and the manipulator tool by hitting W and his drag, 23:11.570 --> 23:12.180 another one down. 23:12.850 --> 23:19.320 And now we have those two red things that are knows what they are, onsides Ghostbuster trap. 23:19.990 --> 23:22.780 So you can also see we have another screw down here in the bottom. 23:22.780 --> 23:23.020 Right. 23:23.030 --> 23:30.070 So let's just duplicate this command and we'll just drag this down and over here. 23:31.240 --> 23:38.320 And now we have that, so the next thing we're going to do is create the knob here that's in the centerpiece 23:38.740 --> 23:44.950 and you can see it has these kind of ribs around that is going to create a we're going to need a special 23:44.950 --> 23:50.620 type of technique to model that in a repeating pattern over a kind of curved surface. 23:50.830 --> 23:54.520 And so in the next lesson, we'll cover that and add more detail to this. 23:54.850 --> 23:57.670 Thanks for watching and hope you learned quite a bit in this lesson. 23:57.850 --> 23:58.320 All right. 23:58.330 --> 23:58.840 See you then.