WEBVTT 00:00.120 --> 00:05.040 Welcome to the next lesson, where we will continue adding detail to the Ghostbuster trap, and in this 00:05.040 --> 00:10.500 lesson, we're going to add some bevels and add this kind of front panel here so we'll add more geometry 00:10.500 --> 00:11.760 to it and details. 00:12.450 --> 00:14.900 Let's focus on this Bevell for right now. 00:15.300 --> 00:20.250 So it looks like this is a pretty rounded edge, but that this edge maybe isn't as rounded as that one, 00:20.250 --> 00:25.560 but it is rounded there and this one is maybe a little sharper. 00:25.560 --> 00:34.440 So this could be because this is a homemade thing and it's not exactly, you know, exact machined as 00:34.440 --> 00:36.050 it would be if it were a real thing. 00:36.450 --> 00:40.560 So depending on if you want to divide these bevels up, you can do that and do them separately. 00:40.900 --> 00:45.750 I say we just do them all together so that it's, you know, a little quicker and you can add more detail 00:45.750 --> 00:49.140 or do the Bevell separately if you want, at a later time. 00:50.160 --> 00:55.290 The one thing I want to do before I do that as well is to finish out this kind of bottom section. 00:55.590 --> 01:02.250 You can see that this goes down to a kind of footprint that doesn't just go straight down to the floor. 01:02.580 --> 01:09.210 So there's this kind of inset area that we can do with the poly extrude tool and adding some loops and 01:09.210 --> 01:10.040 things that we've learned. 01:10.350 --> 01:14.790 So let's go to the insert actually tool and I'm going to go to the tool settings over here to make sure 01:14.790 --> 01:16.290 that we're back on relative distance. 01:16.620 --> 01:20.640 And I'm just going to choose one kind of area here and use that. 01:21.090 --> 01:27.390 And then I'm going to go to the face mode and select the all the faces. 01:28.890 --> 01:32.850 Oops, I'm still on the inside edge loop tool and I'm going to turn off the tool settings now. 01:33.510 --> 01:40.260 So let's go to the face mode or choose CU or whatever to select the faces and I'll have four to make 01:40.260 --> 01:42.540 sure those are all the ones selected. 01:42.820 --> 01:50.220 Go back to five and now I will choose the extrude tool and I'll just pull in a thickness a little bit. 01:51.290 --> 01:57.840 Well you can see we have keep faces together off, so let's turn that on and as this goes in, it'll 01:57.840 --> 01:58.850 all go together. 01:59.220 --> 02:04.520 The only thing with this is it's also going up. 02:06.000 --> 02:12.270 So that's the only issue there is the fact that this is going up if we go to the front view. 02:13.300 --> 02:18.670 Holding down spacebar, clicking and dragging from the middle, you can see it's going up so we can 02:18.670 --> 02:20.980 offset that later, let's just bring the thickness in. 02:24.070 --> 02:25.120 So it's not just. 02:27.450 --> 02:34.980 The same, so that looks about right, it looks like there's it's actually it goes in and maybe there's 02:34.980 --> 02:36.380 another layer here. 02:36.840 --> 02:38.660 So let's deal with that. 02:38.670 --> 02:45.810 Let's go to the front of you and I'm going to go to the verdict mode and I'm going to select all the 02:45.810 --> 02:46.830 bottom vertices. 02:46.950 --> 02:54.120 I'll click W and then I'm going to hit X now I'm gonna hold down X on my keyboard and that will snap 02:54.120 --> 02:58.870 to the grid because I want this on the floor so it'll snap to the grid. 02:59.530 --> 03:04.920 Now let's add another loop so we can kind of get this bottom section out, do the same thing we just 03:04.920 --> 03:05.250 did. 03:05.250 --> 03:08.880 Let's go to face mode, select all the faces. 03:09.820 --> 03:10.200 Oops. 03:10.380 --> 03:12.840 Again, I'm still in the loop mode. 03:12.840 --> 03:20.760 So like you to get off of that, select all of the faces, go to the extrude and let's just extrude 03:20.760 --> 03:21.450 this out. 03:24.220 --> 03:28.300 And we want to keep faces together on as we did before. 03:29.520 --> 03:34.840 Let's have that somewhere between kind of the front end and insert edge here. 03:35.430 --> 03:42.600 Now I'll go back to the vertices, select them and hold on X to drag them up to the floor again. 03:43.290 --> 03:53.130 So now that now we've created jobs and now we've created this kind of inset kind of footprint here and 03:53.130 --> 03:56.070 I to do that before we do the Bevell so that we can bevell all of these together. 03:56.460 --> 03:57.530 Let's go back to this. 03:57.990 --> 04:00.930 It looks like this is a fairly rounded at the bottom. 04:01.770 --> 04:03.660 So let's select the edges. 04:03.660 --> 04:05.130 We want to start beveling. 04:05.740 --> 04:06.900 We'll go to the edge mode. 04:08.580 --> 04:11.160 I'll select this edge and that edge. 04:12.540 --> 04:14.400 This edge and that edge. 04:17.750 --> 04:21.890 So we're just going through and holding down shift to select more than one edge. 04:23.340 --> 04:25.260 And let's see what we're going to do down here. 04:25.650 --> 04:32.760 Let's do these corners later, because it won't be as similar to these are kind of the same distance 04:33.150 --> 04:34.120 of an envelope. 04:34.520 --> 04:36.140 So let's just do these top ones. 04:36.510 --> 04:42.660 So let's go to edit Meche Bevell, I'm going to command shift, click it to add it to our shelf. 04:43.560 --> 04:47.070 And now we can see it's starting to Bevell the edges. 04:47.620 --> 04:50.670 Now, this one doesn't have a tool that pops up. 04:52.650 --> 04:58.050 So we can go over here to the Poly Bevell input and it'll pop it up for us here so we can change the 04:58.050 --> 05:00.150 fraction, which is how far it is. 05:00.150 --> 05:03.060 We can change the segments, which we will need many more. 05:03.070 --> 05:04.400 And if you can see I'm clicking and dragging. 05:04.400 --> 05:07.170 Not a lot's happening is because the pie chart here is too slow. 05:07.950 --> 05:10.620 Speed that up so that I can add more sections here. 05:12.180 --> 05:12.580 Cool. 05:13.140 --> 05:15.360 So we've rounded those two out. 05:17.750 --> 05:25.430 And the thing I want to do, actually, is to move these closer together, so when I go to the edge 05:26.090 --> 05:28.700 on a double click, this you can see because now. 05:30.090 --> 05:37.260 This so this is a triangle, so in my it only likes quads everything on this model so far as a quad, 05:37.260 --> 05:39.630 meaning four sides except for this. 05:39.660 --> 05:46.200 So when I double click it, that's why it doesn't select this edge, because it stops here on this triangle. 05:46.590 --> 05:52.530 So just be aware that Maya does not like triangles in that regard. 05:53.160 --> 05:56.730 So now that I have selected, I just want to move this a little bit closer. 05:59.040 --> 06:03.930 So it's a more of an extreme angle and select these edges again. 06:10.970 --> 06:18.470 Cool, let's head to Polly Bevell and click on the input over here and let's try to bring up the menu 06:19.850 --> 06:25.280 and let's add more segments to this, and that's looking pretty good. 06:26.540 --> 06:27.530 So we go back to this. 06:27.530 --> 06:30.800 We can see also along this edge, it's not perfectly. 06:32.060 --> 06:36.970 It's not perfectly flat, so we can actually add more Bevell to these edges as well. 06:37.640 --> 06:48.110 So let's go to the edge tool and we'll double click this and let's select all the edges to kind of outward 06:48.110 --> 06:50.600 facing edges here of the object. 06:53.190 --> 06:57.210 I'm just holding down shift in selecting them and. 06:58.260 --> 07:04.680 I'm going to do these bottom ones later, so let's deselect those calls all shifts, select this edge. 07:08.470 --> 07:12.830 Deselect by holding down control to deselect things. 07:12.850 --> 07:17.830 Sorry, I didn't mention that, so double click that can go in here. 07:19.380 --> 07:27.450 It's like these control click drag this like that, and let's bevell these edges as well, so we go 07:27.450 --> 07:37.590 back to the bell tool and that looks a lot better team to pull up the tool and we can change this fraction 07:37.590 --> 07:38.190 if we want. 07:39.280 --> 07:46.240 So I had maybe one more segment in there, and so the fractional stop, based on how much room it has, 07:46.690 --> 07:50.590 you can see it's running into this edge here. 07:50.890 --> 07:52.870 So it can't go any further than that. 07:53.470 --> 07:54.970 And I think that's OK for us. 07:54.970 --> 07:59.730 But just know that in your case, if you wanted to go further, it can't go further than that edge. 07:59.740 --> 08:05.830 So you'd have to move this edge before you beveled so I could go further than that. 08:07.990 --> 08:10.960 So now we have a much nicer edge here. 08:11.290 --> 08:13.030 If you look at these, because we didn't Bevell this one. 08:13.060 --> 08:16.990 This one looks very CG, very exact and hard. 08:17.260 --> 08:22.030 And this one is just a tiny bit softer and it adds a lot to the model. 08:22.900 --> 08:27.910 OK, so the other thing that we run into here are a normal situation. 08:28.870 --> 08:35.590 Normals are how Miah knows what direction a face is facing. 08:35.620 --> 08:44.980 So if we go to display and we go down to polygons, we can turn on face normal's it's going to pop this. 08:44.980 --> 08:46.920 Alex is going to turn them off here and again in a second. 08:47.260 --> 08:51.490 So let's clockface normal's and now you can see we get these green little arrows. 08:52.300 --> 08:55.300 So that tells you which direction the faces are pointing. 08:55.690 --> 08:58.060 And for the most part, they're all pointing in the right way. 08:58.480 --> 09:08.920 But I bring all this up because it will affect how my views and shade's the object in this kind of almost 09:08.920 --> 09:11.710 fake, like shaded mode that you can see in the viewport. 09:12.130 --> 09:16.600 So I bring this out because I'll turn that off just by clicking face. 09:16.600 --> 09:18.370 Normal's again, close this. 09:18.850 --> 09:20.680 You can see this is kind of shaded in a weird way. 09:20.680 --> 09:24.790 If you click off of here, it's kind of, you know, there's this gray area here. 09:24.790 --> 09:25.660 It's wide. 09:25.660 --> 09:26.820 It's like what's happening here. 09:26.830 --> 09:28.000 This is this looks weird. 09:28.600 --> 09:31.060 So there's a couple of different things we can do. 09:32.740 --> 09:37.990 And first off, we can clean up the geometry a little bit if we wanted. 09:38.740 --> 09:47.920 You can see here we have an issue that this has a face. 09:49.810 --> 09:57.640 Well, so you have to zoom in on it and zooming out, you know, this has a face, it's not connecting 09:57.640 --> 09:57.760 here. 09:57.760 --> 09:58.830 It should connect here. 09:59.170 --> 10:00.190 So there's no edge here. 10:00.200 --> 10:04.360 So it's like it's trying to drag this face over this thing without an edge. 10:04.810 --> 10:10.300 And so that's why this one is shaded where you can see it has like a dark area on the top here. 10:11.470 --> 10:13.450 And then it's it's lighter here. 10:13.450 --> 10:14.920 But this one doesn't look the same way. 10:14.920 --> 10:15.870 So we get this hard edge. 10:16.300 --> 10:24.190 So if we go to the multi cut tool, let's go to the mesh tools and we'll go down a multi cut and we'll 10:24.190 --> 10:25.830 command shift that at a two hour shelf. 10:26.440 --> 10:33.130 If I click that, I can select a vertices and select another one and it'll cut this in half if I hit 10:33.130 --> 10:33.450 enter. 10:34.090 --> 10:39.970 So now we have room for that to describe what's actually happening. 10:40.360 --> 10:43.270 If I select off of here, you can see it's still shaded in a weird way. 10:43.270 --> 10:44.260 We can fix that in a second. 10:44.260 --> 10:51.080 But before we do that, we need to add the geometry in here so it knows how to describe that area. 10:51.550 --> 10:52.870 So we're going to multicar tool. 10:53.200 --> 10:56.460 Let's do that to this side as well and hit enter. 10:57.740 --> 11:05.020 Now, if I go to mass display and let me zoom in here so you can see this change. 11:05.500 --> 11:10.920 If I got a mesh display and average, you can see it changes the whole model. 11:11.590 --> 11:19.720 If I go to mass display conform or set to face, I think is what we want now. 11:19.720 --> 11:20.720 It looks right. 11:21.430 --> 11:23.590 So that's just one way to fix that. 11:24.550 --> 11:29.500 Now that we've set the normals to be to the face, we can see that we're kind of getting these hard 11:29.500 --> 11:31.290 edges here on the curved areas. 11:31.720 --> 11:34.000 Well, my computer thinks I'm right. 11:34.000 --> 11:37.150 Clicking When I'm not, we get these hard edges here. 11:37.180 --> 11:42.490 You can kind of see this gradient from dark to to bright here on these steps kind of colors and get 11:42.490 --> 11:43.090 rid of that. 11:43.090 --> 11:45.970 Let's select the object and go to soften hard edges. 11:46.480 --> 11:50.980 And when we do that, it'll soften and harden the edges in the right areas. 11:51.280 --> 11:56.800 So now we do not have those weird kind of colored areas here that we were getting before. 11:57.280 --> 12:00.550 So that's a way to get around that and get these smooth areas to look smoother. 12:01.000 --> 12:04.000 So we've done quite a bit in this lesson with beveling edges. 12:04.450 --> 12:06.730 So I'm going to go ahead and and this one here. 12:06.970 --> 12:12.040 And the next lesson we'll start to add this detail of this panel to the object. 12:12.350 --> 12:12.970 Thanks for watching.