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Yes, it is that time of year again.

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Adobe InDesign has dropped all it's brand new 2021 features.

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My name is Daniel Walter Scott.

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I'm a designer and I'm an Adobe certified instructor.

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I'm going to take you through the new features plus

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the sneaky one that they dropped about three months ago that

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is probably my most favorite new feature

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that has come out in InDesign in a very long time.

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Let's cover the new ones first,

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and then we'll cover that sneaky one a little bit later in the video. Lets jump in.

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The first one, Content-Aware rep. Let's jump down to page 6.

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I'll throw in some shortcuts as we go around.

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It's the time to learn some shortcuts as well as new features,

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that's Command J or Control J on a PC,

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six, enter, it's good for long documents.

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Ours isn't that long. Let's bring in our images,

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Command D, Control D on a PC.

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I'm going to bring in these three, click "Open".

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Actually, another little shortcut,

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your left and right arrow means you can toggle through the ones you've had selected.

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In this case, I've accidentally put it on

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purpose to show you a little shortcut is this one I don't want,

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you can just hit "Escape" and it clears it, we're back down to two.

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So I want this one there and that one there,

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and let's do that content where I want the ticks to

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wrap around the outside of this man here.

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He's got a nice contrast between him and the background. Let's click it.

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You can't use this text wrap one at the moment,

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there's not enough detail in it.

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You've got to go to "Text Wrap",

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the actual panel under Window, click on that.

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Click the third one along this object,

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and then it's text wrapped and it's pushed everything kind of outside of its box.

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But you want to change it down here where it says "Type" to "Select Subject".

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You really, you steady, new feature time.

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It's good. Pen tool.

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It gets a bit way with around his head,

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but if you are like me,

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if you've used the Pen tool to do a text wrap,

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yours looks way worse than that,

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a couple of big giant circles, if you're like me anyway.

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You can play around with whether it's left side or right

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side or both sides or in this case,

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largest area seems to always work for me.

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We can play around with how far away the distance,

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watch this go up 1, 2, 3.

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If you hold Shift, you can go up in 10s, multiples of 10.

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That works for any up and down.

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You could use kerning or leading,

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so hold Shift when you get the arrows.

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That's going to be enough for me.

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Let's have a look now at another example because that one works really well.

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I found an example that works really well.

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Let's have a look at one that works okay,

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and I'll show you some extra bits for it.

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I'm going to go to File Place again,

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that's Command D on a Mac,

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Control D on a PC.

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Let's go to coffee,

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I'm going to open it up and I don't really have a place for it to go.

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I'm going to actually just drag it out.

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Let's kind of put it.

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How big do I want it to be? That's big.

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I'm going to send it to the back "Command Shift" square bracket.

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The first of them on a PC,

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it's "Control Shift" square bracket.

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I'm going to get it kind of in the middle there.

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I should really tidy up the edges because you're watching.

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I entirely would do this on my own.

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We've got our coffee mug, our coffee cup.

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I've got it selected. Same thing again. Click on it.

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It's good on here, "Select Subject",

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and you can see it's done a average job at the clipping mask.

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It's weird, Photoshop does it amazingly.

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They've got a new feature that does the path select.

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Hopefully InDesign gets it soon as well.

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You might be looking at it and it does a whole lot better job.

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But in this case,

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what you can do is you can see,

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I can kind of push this out.

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This is what I'm doing is I'm pushing it out.

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To be honest I'd probably leave it like that and probably go

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for largest area again and be happy enough with that.

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But say you do want to adjust it.

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You've got to kind of do it as the last part.

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Because look what changes over here in my tics rep panel.

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If I start grabbing any of these dots with my Y arrow or

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my direct selection tool and I go actually I want to push

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that one out. You see what happened?

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Now it's a user-defined path and I can't kind of do that automatic adjustment,

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you could do it manually. Let's zoom in.

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You can kind of just bend it around,

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so if you get close you can go through and do some adjustments.

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Probably for this coffee cup though.

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Let me just do a big giant circle,

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a big giant oval at the end here.

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But pretty nice, especially if you've got more complex things like this guy here,

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saved loads are time,

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this one here, maybe two circles would have worked.

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But it wasn't that hard to adjust.

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Last thing before we go.

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This came out a little while ago now slick on him,

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it just went in at full size.

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You can go to this last little option of here,

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Content Aware Fit and that tries to look at the image and tries

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to fit in best as he can within the frame.

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That was close enough. That's what I do.

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Dump image, click "Content Aware",

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and make my final adjustments.

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Next feature and new for 2021 is Locate Colors.

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Now this Locate Colors is basically the quick short version as if you go "Find Change",

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look, we've got "Color" at the end here now.

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Let me show you kind of some practical application.

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Let's dump something in the cover here,

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so Command D, Control D on a PC.

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It's my cover image in. Put it in there.

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Again. That's good for me.

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I'm going to grab a couple of colors using my eyedropper tool.

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With the I key, I'm going to grab one of these peachy colors hopefully.

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I'm going to add it to my swatches panel.

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I'm going to close down "Text Wrap",

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open up my "Swatches".

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I'm going to add that one to my Swatches.

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I'm going hit "Escape" when I go

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to my move tool and back to the eyedropper tool to kind of clear out the eyedropper.

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I want a slightly color from her shit.

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I'm trying to tie in some of these ticks colors with image. I want that one as well.

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I've got a slate in a peach,

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just double-click them and they with color value we use slate.

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This one here we'll use peach.

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There's a couple of things you just need to double-check if you

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haven't done a whole lot of finding and changing

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is let's go to "Edit". "Find Change".

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Make sure it's color at the end here.

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You have been able to do color for a little while,

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about for a long time,

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you could do it with objects and with ticks separately,

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but you now you can just do it as a general kind of let's just do color.

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Not worry about what we're defining lots of things within colors and objects.

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I'm going to find this green that I've being using.

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This is already in my Swatches. Look at that.

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You can do 10 ranges as well,

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but I want that RGB color.

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I want to change it to my new one,

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which is going to be this peach.

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The thing with it though is you've got to make sure if you have something selected,

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you'll have an option here that says selected and that won't work.

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So just say all of this document or if you've got lots of documents open,

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you can do it all at once,

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which might be super handy for you.

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You can decide on which kind of frames as well.

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I'm just going to let it do everything and I'm going to click "Change All".

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It's going to run through three instances.

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Hooray, a nice, simple adjustment and nice little addition for InDesign.

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Let's have a little look at a problem you might have is,

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say I want to change this gray,

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this gray is being used quite a bit through this document.

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Okay, down here, lots of places,

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but I don't have it as a swatch,

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so we can't do that color switch.

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You do need to convert it into a swatch first.

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So let's grab this color.

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Let's add it as swatch.

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I'm just grabbing the text.

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I'm going to say you are a new swatch and pulled it out.

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HSB, we'll discuss in a little seconds,

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it's a new thing for InDesign 2021 as well.

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Now it's in there.

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I can go and change it all.

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Sometimes it is nice and an

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excuse to show you a cool little shortcut is down the bottom here.

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There's a button that you've never clicked, click on that one.

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It's really nice that you can see this document plus you can start scrolling down.

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This is two views of the exact same thing,

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but now I can kind of start to see what else gets changed.

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I can see in here and over here.

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Let's go to "Edit".

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Change it from peach

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to the b-color that we created to the one that we want to switch it to,

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which is slate. Have a little look.

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Title, dev box, ticks various places.

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Let's go make sure it's on document.

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"Change All", look at that.

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Twelve and instances has changed.

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Thank you very much. That is Find and Change Color,

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super useful. Let's click "Done".

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Look at the next one, it's called HSB color and my accent,

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HSB is H for hue,

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S for saturation, B for brightness, HSB.

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To get to it, let's see this.

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I've got nothing selected, I got my foreground color,

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I'm going to double-click it and if you're using RGB and you're like,

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great, I like this color.

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Let's make it darker tone of it.

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You're like, what do I do? Where do I drag it?

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Do I drag it down this way?

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RGB is a weird color space.

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I don't know why, it's not even primary colors.

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What's green doing in there?

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I know, I know, it's something to do with light,

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but anyway, let's look at this HSB.

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I'm going to cancel that because I've destroyed my color.

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Go back in there, so instead of trying to mess with RGB or trying to do the

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old just add some k trick to seem like, hey, does anybody do that?

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I do it just work a bit of k in there and it gets darker.

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But now you can at least play with these new little sliders.

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So they're not new, they've been around.

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It's just a different way of controlling RGB.

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They're exactly the same, just you can do it by hue,

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saturation and brightness rather than red, green, and blue.

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Hue, obviously, up and down,

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hue slider working my colors.

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Saturation, I can make it more saturated,

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less saturated and brightness,

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the one I use quite a bit,

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just to darken things up.

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I'm going to cancel that because I've messed around with it.

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Double-click it to go back in and

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just go to brightness and go give me a darker version, please.

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I can add it to my Swatches, click "Okay".

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I don't often use this.

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I kind of use it on the [inaudible] show you,

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let's close down these double windows.

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Let's say this one here.

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Let's get a lighter version. Double-click it.

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If you're like me, use these little windows to change the colors you go to here,

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you go up to here, and now HSB,

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instead of switching to these ones.

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So HSB, and again,

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I probably like these slide is even better than the way it's displayed over this side.

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I can actually just give me a lighter version.

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Unsaturated, look at that.

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I'm going to add that to my Swatches as well, Swatches, plus.

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Now I've got my original color, my original peach,

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and I'm just dragging it up,

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I've got a lighter of vision and a darker vision.

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I guess it helps explain, you'll end up with these and forget.

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You're like, well, what is HSB being in here?

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It's just another way of displaying,

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it's the same color spaces as RGB,

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it's just a different way of working it.

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It doesn't matter if your using the RGB version of it or the HSB.

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Lab CMYK, completely different colors spaces, these are the same.

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Anyway, I wanted that one to be the darker one,

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I want it to be a nice big box in there.

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Command Shift square bracket, send it to the back.

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Actually it's on the wrong layer.

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Let's get over the right layer even, Background.

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There we go. I want this to be my new fill color.

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Anyway, it's actually pretty backed in.

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You can go to your Preflight panel and it's actually in there as well.

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So Window, it's got a Preflight which is hidden under, I remember Output.

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Let's go to Preflight.

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You can define it in here. Let's make a new one.

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Let's go to Define Profiles and you can see in here colors, there he is.

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But he's not color spaces that you might not be allowed.

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You might be deciding that you don't need RGB.

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Basic Copy, this is Dan's Preflight.

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This will give you a warning if you are using these wrong color spaces.

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I don't want RGB, but I also don't want HSB,

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because it's the same thing.

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So click "Okay." Let's actually define the profile.

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Checking, 30 errors because they use always HSB colors.

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So that is huge saturation brightness.

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If you are using Illustrator and InDesign use them in there as well,

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there basically implemented the same way.

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You might find them a little bit more helpful.

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Next new feature is something called Recovery as a Service. What is it?

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It is when your files go corrupt and your computer doesn't know what to do with it.

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You can actually send it to Adobe now or automatically send it to them and they

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can see whether they can fix it for you on your behalf.

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It's a bit of an automated process.

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Now, I can't make this happen.

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I can't break or corrupt the files.

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I have just got some screenshots of what is meant to happen.

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You have something, it opens up, it can't open it.

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It says "Would you like it to process it temporarily on their servers?''

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You say, ''Yes'' because it's broken and it does some stuff.

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It opens it up and recovers it.

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So up until recently,

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there was just an email you send it to.

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But to be honest this is a new feature.

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I guess, that fairly state.

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But for me, I don't know.

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InDesign for me is been super stable for so long now.

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I guess that's why we like InDesign.

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You might be different, you might be like finally,

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Recovery as a Service is going to be useful for you.

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I can't seem to break my files anymore.

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But anyway, that's a new service that's in there.

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If it discovers an openable document it will try and fix it automatically.

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Now, there's one more update for InDesign 2021.

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It's a small update to something that came out only a couple of months ago.

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I bet you there's lots of people out there who haven't seen, Share for Review.

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So there's a couple of updates to that,

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but I bet you there's lots of you who have

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never heard of it and I want to share with you.

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It's my absolute favoritest update for InDesign for a very long time.

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Share for Review. Easiest way,

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click this icon and you Share for Review.

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Whatever reason you don't have that one you can go to File and Share for Review.

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Either way you end up in the same place here.

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So I've got my name of my document.

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I'm going to create a Share for Review.

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Basically, this is web based,

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so this is going to go out to my client or my stake holder,

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whatever you want to call that person,

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and they don't have to have InDesign,

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which is amazing. They can do.

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So Invite Only.

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Let's just do a quick version of it.

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I'm going to, and I'll double back and show you the nuanced parts of it.

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But let's just got a Public,

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don't require a password for the moment to make this work.

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00:14:38,755 --> 00:14:41,575
Here's my little link here. I'm going to click it.

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It's going to open up on a page that's not on the screen.

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I'm going to drag it up here.

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Make a full screen, and look at that,

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I've got a width vision of it that I can share with anybody and they don't need InDesign.

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They don't even need Adobe ID.

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It's got the spreads.

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What's nice about it? I can just share that link. It's here.

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See there's a little copy thing.

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Copies it to clipboard.

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That's not that clear anyway.

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Then you can just e-mail it to them all or send it via

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social media but they get this web interface.

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This brings us to the new updates for 2021.

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So it's these three buttons weren't there before, really useful.

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Let's say that, contents page here.

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Let's say I highlight this,

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I click on the highlighter,

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00:15:28,510 --> 00:15:30,850
and it highlights it as you would imagine.

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I can say things like,

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00:15:32,590 --> 00:15:38,510
"Are we using American spelling here?"

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I can't spell American. It's not taking anybody's work, but I submit it.

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00:15:46,675 --> 00:15:48,465
Let's look at a couple of other ones and then I'll show you

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00:15:48,460 --> 00:15:51,270
how it looks on the InDesign side.

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You can see it's coming out with my name here because I

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happen to be logged into my Creative Cloud account.

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00:15:57,220 --> 00:15:59,980
But if this person doesn't have it they can login as

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a guest or sign up for a free Adobe ID.

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00:16:02,920 --> 00:16:06,570
You don't need a paid Creative Cloud license for this to work.

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Let's have a look at the other ones is not like you need to know what strikethrough does,

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00:16:13,680 --> 00:16:17,020
but it's on my list of things to show you.

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I've written down my outline for this video.

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00:16:19,945 --> 00:16:22,915
Anyway, let's look at the last one.

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00:16:22,915 --> 00:16:24,865
Oops, submit that one.

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00:16:24,865 --> 00:16:31,715
This one here, Replace Text, buddies, lowercase b.

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00:16:31,710 --> 00:16:35,320
So let's see what happens back in InDesign.

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I'm going to close the Share for Review.

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00:16:38,320 --> 00:16:41,550
Now this, let's close back in, get out of here.

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00:16:41,545 --> 00:16:45,465
This opens automatically, if you can't find it you need to go to Windows,

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00:16:45,460 --> 00:16:48,740
go to Comments and go to Review.

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00:16:48,870 --> 00:16:53,320
You can see, it's got those things in here.

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00:16:53,320 --> 00:16:55,440
But it's nice, it works well,

357
00:16:55,435 --> 00:16:59,035
I can click on them, it jumps to the bit that I need to replace.

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00:16:59,035 --> 00:17:02,215
Do we need this? Oh, look it even highlights it.

359
00:17:02,215 --> 00:17:04,665
Let's say I do delete it.

360
00:17:04,660 --> 00:17:09,330
Challenges. Can you see my comment is unmapped now.

361
00:17:09,325 --> 00:17:13,945
But I can go into here and say actually I have resolved that, it's done.

362
00:17:13,945 --> 00:17:16,975
Let's do design buddies.

363
00:17:17,250 --> 00:17:22,140
Let's make a lowercase b and it'll resolve that one as well.

364
00:17:22,135 --> 00:17:25,275
Now I'm just showing you how life works.

365
00:17:25,270 --> 00:17:26,860
Nothing's too exciting in here,

366
00:17:26,860 --> 00:17:29,890
but let's look at it a bit deeper into what you can do.

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00:17:29,890 --> 00:17:32,350
One of the options is you can hide annotations.

368
00:17:32,349 --> 00:17:35,609
Now, I've been on preview mode the whole time.

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00:17:35,605 --> 00:17:37,045
W key on the keyboard,

370
00:17:37,045 --> 00:17:38,925
you can see my working version.

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00:17:38,920 --> 00:17:41,650
You can see there's my little highlight.

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00:17:41,650 --> 00:17:45,850
You can hide them if you need to if it's messing up your flow.

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00:17:45,850 --> 00:17:48,040
You can't filter them as well it's pretty clever.

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00:17:48,040 --> 00:17:49,450
By the different reviewers,

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00:17:49,450 --> 00:17:51,640
times of days, status.

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00:17:51,640 --> 00:17:53,440
That'll make sense as well. A couple of

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00:17:53,440 --> 00:17:57,220
other interesting things before we finish up is under this,

378
00:17:57,220 --> 00:17:58,630
say due to this changes,

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00:17:58,630 --> 00:18:00,790
the web version doesn't update automatically.

380
00:18:00,790 --> 00:18:03,870
You've got to go Share for Review and you've got to go to Update Link,

381
00:18:03,865 --> 00:18:05,755
and then it will update.

382
00:18:05,755 --> 00:18:08,305
Surprised how fast that works.

383
00:18:08,305 --> 00:18:11,435
Other things you might do is you might require a password,

384
00:18:11,439 --> 00:18:14,949
you might go Invite Only and add specific people.

385
00:18:14,950 --> 00:18:16,270
You can add e-mail addresses,

386
00:18:16,270 --> 00:18:20,760
they don't need to be specifically Adobe IDs at this stage.

387
00:18:20,755 --> 00:18:24,885
Let's say I put in somebody I know that doesn't have an Adobe license.

388
00:18:24,880 --> 00:18:27,570
They will be required to create one.

389
00:18:27,565 --> 00:18:30,445
It's free to do, add comments and stuff.

390
00:18:30,445 --> 00:18:32,785
Otherwise, you're good to go public and use the password.

391
00:18:32,785 --> 00:18:35,275
It's up to you how smooth you want this to be.

392
00:18:35,275 --> 00:18:37,305
I know some clients they going to see that they need to create

393
00:18:37,300 --> 00:18:39,730
an Adobe ID even though it's free, they'll freak out.

394
00:18:39,730 --> 00:18:42,310
So I'm just going to send them a public link with a password.

395
00:18:42,310 --> 00:18:46,080
Another nice thing is for me on this side is I can,

396
00:18:46,075 --> 00:18:47,725
let's say I'm not replying to me.

397
00:18:47,725 --> 00:18:53,685
I can use this at and start looking at the different people that are included in this.

398
00:18:53,680 --> 00:18:57,850
You might have three or four different stake and you can see an at to them specifically.

399
00:18:57,850 --> 00:19:00,850
Can't see much of me because I'm probably blurred out down there,

400
00:19:00,850 --> 00:19:02,390
but you can add at symbols,

401
00:19:02,394 --> 00:19:05,954
and if you do want to jump out to the actual review itself,

402
00:19:05,950 --> 00:19:08,020
go back into the web version of it.

403
00:19:08,020 --> 00:19:11,050
You can go into here and say Manage Reviews on Web,

404
00:19:11,050 --> 00:19:13,420
and it will jump out to the webpage which is also opening

405
00:19:13,420 --> 00:19:16,800
up on the wrong screen. Here it is.

406
00:19:16,795 --> 00:19:20,725
It's showing me the different reviews I've got on the go.

407
00:19:20,725 --> 00:19:27,595
Go into it, I'm back into that same view that my commenter has.

408
00:19:27,595 --> 00:19:30,685
Let me switch out to the big camera.

409
00:19:30,685 --> 00:19:33,705
Those are the InDesign 2021 updates.

410
00:19:33,700 --> 00:19:35,640
What did you like the best?

411
00:19:35,635 --> 00:19:37,245
I'm interested to know,

412
00:19:37,240 --> 00:19:38,710
drop it in the comments what you thought

413
00:19:38,710 --> 00:19:41,050
your most favorite was, second-most favorite was.

414
00:19:41,050 --> 00:19:45,610
It really helps me work out what needs to be in the new course,

415
00:19:45,610 --> 00:19:46,690
what needs to be upgraded,

416
00:19:46,690 --> 00:19:49,140
what people actually like versus what I think they like.

417
00:19:49,135 --> 00:19:51,055
So drop that down there.

418
00:19:51,055 --> 00:19:56,305
That is it. Oh, also I've got updates for all the other Adobe products,

419
00:19:56,305 --> 00:19:58,885
Photoshop, Illustrator, After Effects, Premier Pro,

420
00:19:58,885 --> 00:20:01,765
Adobe XD, check those out as well.

421
00:20:01,765 --> 00:20:04,425
But that's it for another year of updates.

422
00:20:04,420 --> 00:20:08,030
I will see you in another video. Bye now.

