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Hey there, this is a bonus video that I've made so I can share with you

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the latest updates that have come out in

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InDesign since the original recording of this course.

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Adobe are constantly updating the software,

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so I thought this would be a handy way to keep you super up to date.

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Now, I'll go through all of the features and put them

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in what I think is the most important,

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to the more obscure ones towards the end of this video.

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I'm going to stop talking and I'm going to start showing you the new features.

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First up, if you are playing along and you've downloaded the exercise files,

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open up the newsletter.

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It's the only file you can open.

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Let's talk about the very first feature, and it's unavoidable.

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It's this properties panel.

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It's the talk of the InDesign town.

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Either love it or you hate it.

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I'm in the love it.

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I'm going to try and convince you the same,

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but I'll show you how to turn it off.

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Basically, it's the same panel that's been in illustrator for a little while,

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and Photoshop just got at this version.

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It's contextually sensitive, which is quite cool so,

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I've got the background selected, nothing.

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Selected gives me options to change the height and the width and all that good stuff.

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But when I end up clicking on this image here,

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I've got image options,

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text wrap, frame fitting.

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All that stuff that you end up with a bunch of panels will

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open if you need to text wrap is this giant one, it's always in the way.

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The close of the roll-up and what they've done is this little dot, in the corner.

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There is more. You can click on that and it expands out to be a bit fuller.

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The one finding the most useful is things like

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paragraph styles and character styles are fine.

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It's that big group of panels that I have open always in the way.

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With this selected here you can see it's got paragraph styles,

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character styles got lovely little dropdown.

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You can apply and do stuff.

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I love it, but there's some things are going to be

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a bit weird, you going to have to get used to it.

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Like this image selected. You are like,

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"the links panel, it's gone."

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Instead of just going and opening it, which you can do,

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just go back to the old school way and just have

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a look at this quick actions and all these things they're quite good.

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If want to replace to file here and put file placement image.

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Super easy, super quick.

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You'll find 90 percent of everything you need just over here in the Properties panel.

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The one thing you might not be able to live with is,

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I'm not sure if you've noticed it yet, but the control bar is gone.

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There is the big bar on the top here.

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This is the one where I'm like,

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"I'm not sure I can live without this," missy ugly button on the top.

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It's too handy.

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I can see why they turned it off for people that are new, because man,

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it is daunting and you can get a lot of the options over here.

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But how about me and you just for this course,

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we'll try and live without the control panel and we'll see where it folds down.

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One little tip I just stumbled across was,

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some of these icons you can click whilst holding down

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the Option key on a Mac or the Alt key on a PC,

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and it gives you more options.

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Some of them don't work. If I hold the Option key down and my Mac,

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Alt key on PC and click font size does nothing.

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But I was working in here and I was, ooh.

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I don't know how I stumbled across this,

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but I was holding down the option key,

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I clicked drop caps and it opens up that panel.

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If you know that there's a panel that you can go into up here,

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it's likely to be connected to the icon next to the feature here.

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Does that makes? I had nothing selected.

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The other one I found was new page, "new page!"

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It's not what I wanted. I've undone.

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I want to hold down the option key and click it and you get given a bit more,

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you can pick master pages and numbers of pages, well, that stuff.

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Some of them can be clicked, some of them can't.

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If you're, "no, I am old school,

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I can't live in this properties rows."

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You can go up to essential and go back to essentials

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classic and go back to the way it was in the last version.

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Probably you've got your own layouts and things sit up anyway,

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so you can jump back to that.

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But for this class,

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we're going essentials, we can give it a try.

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Like I said, I've been using for a couple of weeks now,

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I'm somewhere in the properties panel.

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But like me, complain if there's things that are missing,

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like I can't believe they removed that.

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Adobe has few Google Adobe feature requests.

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It starts off at this site, this wish form,

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and you end up at this thing called user voice and that's

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how people vote on features and get into the top of the list.

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Some complaining, it's helpful criticism.

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Alright. Next feature. This feature is called adjust layouts.

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It's been over here, it's been staring at us and now brand

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new properties panel and this is really amazing.

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I do a lot of work across consonants.

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In New Zealand where I'm from an Island where I live. Everything is A4.

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A lot of work I do ends up being in the US and

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for some banana reason we like to use different size bits of paper.

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Let's say, I'm going to look at this top page up here.

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What I want to do is currently,

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you can see I've got nothing selected it's set to US letter.

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I need to get it ready for Europe.

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I need to go to A4 and you just end up with this.

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It's my job to show you how it works.

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You can see format issues,

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just nothing lines up anymore.

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Imagine if there was a button that you could click and say,

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"I'd like you to be A4? "

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We won't change anything else at the moment.

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Let's just click okay and be ready to be amazed.

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Cool, huh. Just went ahead and changed it.

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I love that so much. Undo, redo.

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Now, you might have noticed that this thing isn't working,

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so it's a little bit of prep work or at least some best practices if

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you work in a company where you know you

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have to go through all these different file sizes.

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We're doing a traditional print design.

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But this might be landscape,

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portrait designs for e-books or magazines,

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digital magazines will publish online,

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maybe banner ads [inaudible] formats.

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I want to undo that.

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Before I go and change my adjust layout,

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I need to do some preventative maintenance.

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This image selected, I'm going to say I would like you to

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auto fit and I want you to be fit frame proportionately.

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No, this one fit content proportionally.

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I always get mixed up with these if you do too, happens to everybody.

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Okay, so I'm telling it to auto fit and

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fit content proportionately and now if I go and change it,

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click on the background, just layout,

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change to A4, get ready, it looks good.

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Now, this is just a really simple page and you're, yes,

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what happens when you've got lots of columns and text and things?

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Let's have a look. I'm going to go back file rivet.

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File rivet, if you don't know,

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it goes back to the last time you hit save.

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Okay, just a handy way of jumping back a few steps.

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Let's look at this page more complex,

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there's columns, there's margins, there's things.

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Textboxes I do that all the time.

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It's habit, I make sure that the textbox fits the edge

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of the text and that's going to throw some problems.

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Let's try it now and then I'll show you how to fix it.

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Missing over set everything's wrong.

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I'm going to undo and all you need to do is you probably spotted in the app.

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But look at this, adjust font.

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You can set minimum and maximum adjustments.

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I haven't found that to be necessary at the moment for anything that I've worked on.

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I'm going to make it A4 and I'm going to say,

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okay, and look at that.

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Before, after.

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Just magic, the columns,

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the gutters, everything just adjusts.

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Now, what happened to the fonts?

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You'd be like, because what was it before?

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Let's have a look, undo.

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This is when it's US letter.

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Couple of things to look at.

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This one here is 40 points and this one here is 10 points.

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I'm going to turn it back, so now it's A4. Let's have a look.

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40 ended up going down to 38.6.

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Now, it really depends on brand guidelines and how specific you are.

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If you are, "man, I can't deal with bits of fonts sizes."

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You might have to go and adjust it now,

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but it gets you close.

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Let's look at the body copy here.

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You can see it's gone from 10.0 to 10.1.

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You might be horrified and you might be,

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"there's no way we can live with 10.1 fonts."

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I guess it depends. A lot of my smaller work,

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I'm not going to worry about 10.1.

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But if you're working with a larger business

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and there's just lots of documents and it's going to cause it to trouble.

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You could go and clear the overrides.

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Well, just not adjust the font when you're adjusting the layout.

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One last little thing is let's say you are not doing

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that whole US to metric to imperial thing,

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you're just doing design changes.

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Let's say just you personally,

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or the client comes back and says the margins are too tight.

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We need to push them out.

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There's just a lot of layout work you're going to have to do to fix that,

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right? Let's do that.

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Adjust lay out and then here,

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I'm not going to change the page size,

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I'm just going to play around with the margins.

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I'm going to use the inside and the outside.

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I'm going to bump it up some random measurement.

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Actually random 30 millimeters.

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You can just type in measurements if you're not sure how to do it and points.

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I'm going to click okay. Keep an eye on like things like this.

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This is one of the things I'm, "it's only a small thing" but watch.

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Shuffled in, all the column's changed.

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You can see here, man, just really good.

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Even if you're not using it for full document changes,

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super handy just for small like margin changes.

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One last thing, I believe can be changed as well.

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You come back and we need three milles for everything.

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That's a believe typically in my part of the world.

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I'm going to click okay and you'll see it just tucked it a little bit,

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but it adjusted the image.

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I need to do it a bit better.

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Let's go back to old school six mille.

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Keep an eye on this and the image down here.

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Click okay. Just got bigger and it drove out the image.

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The only thing you might have to check is luckily this image,

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I think it's big enough or already being set to auto.

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Remember when we did the auto up here,

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this guy needs to be auto fit and next second option in.

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Alright, let's auto adjust, that's my favorite.

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We did properties first because we couldn't really ignore it,

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but adjust layout was one of those life-changing features, in my opinion.

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Anyway, let's look at the next life-changing feature in InDesign.

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Quickly before we move on,

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if you are enjoying this video,

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hit the like button really helps me and my teaching thing.

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If you like my teaching style, hit subscribe.

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Also note that I've done reviews of all the new Adobe 2019 software.

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There will be links to them all in the description.

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If you want to hear more of my Kiwi accent and you want to say,

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get up to speed with InDesign properly,

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I have an InDesign essentials and InDesign advanced course.

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To search for my name,

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Daniel Scott, if you want to do one of those.

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Alright, back to the features and this one is a big one.

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Imagine if there was a way you could send your PDF to a client,

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they could add comments and that they come back into InDesign?

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Not only would they just indicate where the changes were they'd actually update the text.

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If that doesn't sound exciting view skip to the next feature.

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But for me and a lot of people out there,

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I know this is amazing.

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We used to go to word and it was a workaround for it.

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There's lots of plug-ins that try and do it.

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But pro and InDesign can't do it by itself until now,

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and the workflow is amazing.

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Let me show you how the workflow goes.

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I've done this for the client.

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I've got to send it to the clients.

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I'm going to go file, export.

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It has to be a PDF for this to work and print all interactive it doesn't matter.

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I'm just going to call it newsletter.

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I'm going to click save,

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and I'm going to leave everything set to the default.

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I'm going to I click export.

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It's obviously text. I know.

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Oops. Alright, so now you're pretending to be the client or your boss,

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or your studio manager or your account manager who does the mock-up on your work.

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What they need to do is they need to use

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Acrobat and they need to use these commenting option.

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Commenting opens along the top here,

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I'm using the latest version of Acrobat Pro and

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basically most of these features work. Let's have a little look.

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Let's just put in a little sticky note to say, "I hate this image."

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I can't spell image of this.

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Okay, so great feedback then.

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Let's have a look at some of the texts,

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where it gets really nice is when you've got like this,

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I'm going to highlight this text and explain that I believe this is over set.

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That's cool, you can underline stuff.

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It's probably loads of bad spelling in here.

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What I really like though,

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is when you start doing stuff like this,

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when you want to insert text and this is where it gets exciting.

00:12:09.850 --> 00:12:11.470
Maybe just exciting for me,

00:12:11.470 --> 00:12:13.240
maybe exciting for you too,

00:12:13.240 --> 00:12:18.350
is Rosemary grows best in full sunshine. I don't know what I'm editing.

00:12:20.850 --> 00:12:24.655
But inside there's a bit of texts that I've left out so my copyright,

00:12:24.655 --> 00:12:27.220
well maybe my editor is adding things.

00:12:27.220 --> 00:12:30.700
A mini version of InCopy if you've ever used that.

00:12:30.700 --> 00:12:31.975
Let's going to go in there.

00:12:31.975 --> 00:12:33.460
What else is handy?

00:12:33.460 --> 00:12:35.140
I can delete stuff so I can say,

00:12:35.140 --> 00:12:37.705
see this one here it says strike through text.

00:12:37.705 --> 00:12:39.775
I'm just going to remove this.

00:12:39.775 --> 00:12:43.960
It's obvious that needs to go.

00:12:43.960 --> 00:12:46.120
You can draw on things,

00:12:46.120 --> 00:12:48.700
you can pick a color. Maybe somebody we can draw on.

00:12:48.700 --> 00:12:54.310
A supper mature stamps.

00:12:54.310 --> 00:12:57.370
This last few don't come through to InDesign.

00:12:57.370 --> 00:12:59.290
The handy didn't know if you've never used the thing

00:12:59.290 --> 00:13:02.575
before so if you're working in a place where you need to do this,

00:13:02.575 --> 00:13:05.695
you need to say, "I am approved," then you can do that.

00:13:05.695 --> 00:13:07.465
There's loads of cool stamps in here.

00:13:07.465 --> 00:13:10.780
I won't show them all but lots of dynamic ones to say this

00:13:10.780 --> 00:13:14.140
has been approved by me at this time.

00:13:14.140 --> 00:13:17.815
You can see it's actually a date and time has my name from my login.

00:13:17.815 --> 00:13:21.235
But this stuff is good for PDS but doesn't come through to InDesign.

00:13:21.235 --> 00:13:23.680
During shapes does adding attachments doesn't.

00:13:23.680 --> 00:13:25.660
But enough of this, let's save it.

00:13:25.660 --> 00:13:28.885
Save file. Jump it into InDesign,

00:13:28.885 --> 00:13:30.610
and this is where the magic happens.

00:13:30.610 --> 00:13:32.785
What you need to do is under window,

00:13:32.785 --> 00:13:38.515
let's go to PDF commits and this little bar ends up and that's the little icon for it.

00:13:38.515 --> 00:13:44.605
I'm going to import the comments from my newsletter in my exercise files, usually to PDF.

00:13:44.605 --> 00:13:47.695
You ready for the magic? Look at that.

00:13:47.695 --> 00:13:52.060
One thing it won't do is when I was first testing this I was in preview mode.

00:13:52.060 --> 00:13:53.770
If you know Preview mode or a shortcut,

00:13:53.770 --> 00:13:57.130
hit the "W" key on your keyboard or down here, you can turn it off.

00:13:57.130 --> 00:14:00.340
To make sure you're not in preview.

00:14:00.340 --> 00:14:05.365
You got to be in normal otherwise they don't appear. Let's have a look.

00:14:05.365 --> 00:14:06.700
My very useful way,

00:14:06.700 --> 00:14:09.925
I hate this image so I'm going to go through and switch it out.

00:14:09.925 --> 00:14:13.465
File image placement, lovely.

00:14:13.465 --> 00:14:17.455
I'm going to auto fit it proportionately.

00:14:17.455 --> 00:14:20.530
I always get confused which one of these two to use.

00:14:20.530 --> 00:14:23.320
Don't worry we are we going to look at another fancy way in a second.

00:14:23.320 --> 00:14:28.015
That's done. I hate that image so I have done that one ticked it.

00:14:28.015 --> 00:14:29.605
You can tick it or delete it,

00:14:29.605 --> 00:14:31.540
click on it, it'll jump to it.

00:14:31.540 --> 00:14:34.240
My approved is there but the stamp doesn't come through,

00:14:34.240 --> 00:14:36.250
so I'm just going to get rid of that.

00:14:36.250 --> 00:14:38.050
Now the stamp get rid of that.

00:14:38.050 --> 00:14:39.640
Last we've got over see it.

00:14:39.640 --> 00:14:42.325
Remember the highlighting, the highlighting appears, it isn't in print.

00:14:42.325 --> 00:14:43.720
If I go back to preview.

00:14:43.720 --> 00:14:49.000
There it appears. Totally right on it's totally opposite. Now I've done that one.

00:14:49.000 --> 00:14:50.680
Now this is where it gets really cool.

00:14:50.680 --> 00:14:51.970
Marking it up is one thing,

00:14:51.970 --> 00:14:55.885
but actually adjusting ticks is where I find this thing super amazing.

00:14:55.885 --> 00:14:57.370
This is all being strike through.

00:14:57.370 --> 00:14:59.740
Remember, I continue to accept.

00:14:59.740 --> 00:15:03.805
That's the wrong one. Did strike through down here as well so search is gone.

00:15:03.805 --> 00:15:05.890
But look at this first paragraph really,

00:15:05.890 --> 00:15:07.345
I don't know where I am heading.

00:15:07.345 --> 00:15:09.340
Where's the one? Needs to go, here it is.

00:15:09.340 --> 00:15:12.280
Click, just deleted the paragraph.

00:15:12.280 --> 00:15:16.000
Lets return in there see if there might be some work flow you might have to work

00:15:16.000 --> 00:15:19.885
out with your commenter or your editor and this one here as well.

00:15:19.885 --> 00:15:22.630
We've done that one.

00:15:22.630 --> 00:15:26.260
There it is. Let's add this. Where was it?

00:15:26.260 --> 00:15:27.640
We might have to click it and see.

00:15:27.640 --> 00:15:29.350
Accept. There it is.

00:15:29.350 --> 00:15:31.840
I don't know what I'm adding there it is there.

00:15:31.840 --> 00:15:34.435
You can just say it just adds it in.

00:15:34.435 --> 00:15:36.235
If you're going to be like my editor,

00:15:36.235 --> 00:15:38.590
Margaret, she does all of the ticks editing for me.

00:15:38.590 --> 00:15:40.255
You might just delete this whole thing,

00:15:40.255 --> 00:15:43.300
put extract through for that and add her own big chunk.

00:15:43.300 --> 00:15:45.970
You'll need to work out a workflow that works right for you.

00:15:45.970 --> 00:15:47.725
Anything else that's in there?

00:15:47.725 --> 00:15:52.210
Yeah. Missing lines in their. Goodbye lines.

00:15:52.210 --> 00:15:55.480
A couple of things you can do is instead of going through them one by one,

00:15:55.480 --> 00:15:56.770
say you trust them completely,

00:15:56.770 --> 00:15:58.300
you can just go up to here and say actually,

00:15:58.300 --> 00:15:59.770
just apply all of them.

00:15:59.770 --> 00:16:01.555
I've already gone through and applied them separately.

00:16:01.555 --> 00:16:03.700
We can say delete them all, claps them all.

00:16:03.700 --> 00:16:07.490
Tag them all up so we're nice and clean as you can see them.

00:16:08.280 --> 00:16:12.580
This is the only other option is I'm going to undo.

00:16:12.580 --> 00:16:14.855
You can just turn them off so you can't see them.

00:16:14.855 --> 00:16:18.440
Just turn to hide comments on and off. Don't print.

00:16:18.440 --> 00:16:22.980
So you can't just leave them on. But I love the workflow is super handy.

00:16:22.980 --> 00:16:25.470
If not as good as if you liking then you're like, man,

00:16:25.470 --> 00:16:28.065
I wish there was a more complicated, not complicated.

00:16:28.065 --> 00:16:32.160
I wish it was more features to that then you might want it to look into InCopy.

00:16:32.160 --> 00:16:34.305
Goes hand in hand with InDesign often.

00:16:34.305 --> 00:16:37.920
What will happen is the designer will be using InDesign and

00:16:37.920 --> 00:16:41.730
whoever is in charge of the copy-writing will be using InCopy.

00:16:41.730 --> 00:16:43.200
Why do I have to separate ones?

00:16:43.200 --> 00:16:44.880
Because ones are really focused on

00:16:44.880 --> 00:16:47.460
ticks domains and you can do cool things where you lock

00:16:47.460 --> 00:16:52.475
things like images and layouts and fonts choices to just a few little options.

00:16:52.475 --> 00:16:54.940
The design gets to say you can do this much editor,

00:16:54.940 --> 00:16:59.710
but not more and the editor gets a really purpose-built ticks editing software.

00:16:59.710 --> 00:17:03.370
Onto the next feature it's called content aware fit.

00:17:03.370 --> 00:17:05.920
We're going to close this down. Where are we going to do it?

00:17:05.920 --> 00:17:07.420
We'll do it here.

00:17:07.420 --> 00:17:10.735
I am on page 3, and what I want to do is continue with fit.

00:17:10.735 --> 00:17:14.500
We've done auto fitting with images already remember this one up the top here.

00:17:14.500 --> 00:17:19.000
What I want to do is show you that very new feature for fitting and it's pretty clever.

00:17:19.000 --> 00:17:21.925
It's using some sort of Adobe Sensei,

00:17:21.925 --> 00:17:25.420
machine learning AI, it's probably one of those things.

00:17:25.420 --> 00:17:28.045
Let's bring in a bunch of images.

00:17:28.045 --> 00:17:34.195
File and then to place can't help that shortcuts command D that I use.

00:17:34.195 --> 00:17:35.710
Look, user properties panel.

00:17:35.710 --> 00:17:37.330
Come on. I'm going to bring in an image.

00:17:37.330 --> 00:17:39.100
I am going to bring in these three.

00:17:39.100 --> 00:17:42.940
So shift click the top one and then the last one and you select all three.

00:17:42.940 --> 00:17:45.280
Click "Open". I want all three of these images.

00:17:45.280 --> 00:17:48.430
You can see if I use my right arrow key on my keyboard,

00:17:48.430 --> 00:17:51.850
they were different, I picked images that had really different ratios and formats.

00:17:51.850 --> 00:17:56.035
It's like a square one and a long thin one and a portrait one.

00:17:56.035 --> 00:17:58.000
That's just my arrow keys on my keyboard.

00:17:58.000 --> 00:18:00.040
I want to put them all down at the same time.

00:18:00.040 --> 00:18:01.450
This is not the shortcuts by the way,

00:18:01.450 --> 00:18:02.920
this is not the feature, at least.

00:18:02.920 --> 00:18:04.270
This is just cool gratify,

00:18:04.270 --> 00:18:05.545
and a lot of people don't know it.

00:18:05.545 --> 00:18:07.660
If you hold down the command and shift key on

00:18:07.660 --> 00:18:10.525
a Mac or control shift on a PC and drag out,

00:18:10.525 --> 00:18:12.910
you can see get this grid of images.

00:18:12.910 --> 00:18:18.010
I'm holding down the command shift on a Mac or a control shift on a PC.

00:18:18.010 --> 00:18:20.470
The other little trick for this is you can use the arrow keys,

00:18:20.470 --> 00:18:21.835
you can let go of control shift,

00:18:21.835 --> 00:18:23.290
keep holding the mouse down.

00:18:23.290 --> 00:18:25.570
You can use up to add more,

00:18:25.570 --> 00:18:27.160
down to remove them.

00:18:27.160 --> 00:18:29.485
Left, right.

00:18:29.485 --> 00:18:31.630
Just to add.

00:18:31.630 --> 00:18:34.765
You can use page up and page down,

00:18:34.765 --> 00:18:36.535
will do the spaces in between them.

00:18:36.535 --> 00:18:37.780
Anyway, we need three images.

00:18:37.780 --> 00:18:39.505
I'm going to line them up here.

00:18:39.505 --> 00:18:42.325
I go about that size.

00:18:42.325 --> 00:18:44.050
Hey, that happens all the time.

00:18:44.050 --> 00:18:46.375
Because nobody ever gets the perfect ratio images.

00:18:46.375 --> 00:18:48.940
You end up doing things like this option you're like,

00:18:48.940 --> 00:18:51.370
"Yeah, but you see this person at the top.

00:18:51.370 --> 00:18:53.590
That one's not too bad". Lets have a look.

00:18:53.590 --> 00:18:55.915
I'm going to do a couple options. I'm going to duplicate it.

00:18:55.915 --> 00:18:59.815
Let's actually do it all over here, little bit of space.

00:18:59.815 --> 00:19:04.765
This option, and I'll do this option and we'll do a third option.

00:19:04.765 --> 00:19:07.900
That's how it came in. We're going to use

00:19:07.900 --> 00:19:11.710
this first option and you can see it fills the image inside the frame,

00:19:11.710 --> 00:19:13.360
which is cool, but it's done some weird stuff

00:19:13.360 --> 00:19:15.445
with the people and I've got to go and amend it.

00:19:15.445 --> 00:19:19.825
Imagine if there was a clever little button that looks like this,

00:19:19.825 --> 00:19:23.530
that somehow went off and worked out clever things like where people's faces

00:19:23.530 --> 00:19:27.760
where in compositions and 3-D takes a little while.

00:19:27.760 --> 00:19:30.745
But look at that. This first one's not a big deal.

00:19:30.745 --> 00:19:33.190
When I was practicing, it did make a big difference.

00:19:33.190 --> 00:19:35.230
So I will try and break it and see if I can make a way.

00:19:35.230 --> 00:19:36.610
But this one here is very clear.

00:19:36.610 --> 00:19:39.715
It's gone through impact the hidden shoulders.

00:19:39.715 --> 00:19:43.150
It's called Content Aware Fit and it's just very clever.

00:19:43.150 --> 00:19:45.010
Lets see if I can break this one again.

00:19:45.010 --> 00:19:46.720
Instead of using that ratio,

00:19:46.720 --> 00:19:49.150
let's use something else.

00:19:49.150 --> 00:19:51.910
Lets do a couple of options, different shapes.

00:19:51.910 --> 00:19:55.120
One of them I did and it really looked good I'm trying to

00:19:55.120 --> 00:19:58.375
prove to you that it works. Two options.

00:19:58.375 --> 00:20:00.850
This top one here we're going to use L fit to

00:20:00.850 --> 00:20:04.045
frame and then this one here we're going to go content aware.

00:20:04.045 --> 00:20:06.805
Give it a second and take a little bit longer, it's analyzing stuff.

00:20:06.805 --> 00:20:08.635
It's pretty high resolution images as well.

00:20:08.635 --> 00:20:11.875
Its hides in it, it's not clipped off that's what I made before.

00:20:11.875 --> 00:20:14.230
This one here is not too different a little bit,

00:20:14.230 --> 00:20:16.225
not as big a gap at the top there.

00:20:16.225 --> 00:20:18.115
Will this change my life forever?

00:20:18.115 --> 00:20:19.960
No. But it's quite handy.

00:20:19.960 --> 00:20:21.370
It's no adjust layout,

00:20:21.370 --> 00:20:24.400
but it's definitely one of the more sexy things that have gone into InDesign,

00:20:24.400 --> 00:20:27.205
AI, machine learning, Adobe Sensei.

00:20:27.205 --> 00:20:29.575
But if you are dealing with Cardventure,

00:20:29.575 --> 00:20:31.105
it's not going to do much.

00:20:31.105 --> 00:20:34.149
I played around with this for quite a while to try and find good examples.

00:20:34.149 --> 00:20:37.270
I tried to find maybe product shots what it did it well with.

00:20:37.270 --> 00:20:38.620
It does really well with people.

00:20:38.620 --> 00:20:42.175
It's major feature, anything else?

00:20:42.175 --> 00:20:45.295
It's not perfect. But this is the first version of it.

00:20:45.295 --> 00:20:47.680
I imagine if you're looking at this and it's a year from now,

00:20:47.680 --> 00:20:49.915
it's the end of 2018, by the way,

00:20:49.915 --> 00:20:52.900
you might be using it and it's just a phenomenally more better.

00:20:52.900 --> 00:20:54.925
Those aren't really words, but you know what I mean.

00:20:54.925 --> 00:20:56.170
It's going to get better and better.

00:20:56.170 --> 00:20:58.840
Now, that's the default, that's the way default.

00:20:58.840 --> 00:21:01.405
You can turn this on by default.

00:21:01.405 --> 00:21:05.365
On a Mac, go to InDesign preferences, and go to general.

00:21:05.365 --> 00:21:06.865
If you're on a PC, go to Edit,

00:21:06.865 --> 00:21:11.500
right down here somewhere we is preferences and go to general. Where is it?

00:21:11.500 --> 00:21:16.090
The bottom feature here make it the default. Now, I totally would.

00:21:16.090 --> 00:21:17.140
It takes a little bit longer,

00:21:17.140 --> 00:21:20.815
but it definitely gives you a better starting point than this original default.

00:21:20.815 --> 00:21:23.020
But I've got to turn mine off because I'm a teacher and I

00:21:23.020 --> 00:21:26.015
need mine to look like everyone else like this.

00:21:26.015 --> 00:21:29.775
But if I wasn't, I'd be tuning it on. Thank you very much.

00:21:29.775 --> 00:21:32.705
You go down here and let's get onto the next page up.

00:21:32.705 --> 00:21:35.680
Next feature is secretly my most favorite,

00:21:35.680 --> 00:21:38.860
but it's not very sexy and you can't really start a video with.

00:21:38.860 --> 00:21:42.505
Let's look at this thing that's really just basic but really helpful.

00:21:42.505 --> 00:21:43.720
That's number four on my list,

00:21:43.720 --> 00:21:46.615
but you probably going to love this as much as I do.

00:21:46.615 --> 00:21:48.955
Let's look at the problem it solves.

00:21:48.955 --> 00:21:53.695
So bullet points. I'm going to make it a bullet point using our properties panel.

00:21:53.695 --> 00:21:55.360
But I want the spacing between

00:21:55.360 --> 00:21:57.940
just these bullets because it's using this spacing from the body copy,

00:21:57.940 --> 00:22:02.245
I'm going to say actually, you guys can you just have a paragraph.

00:22:02.245 --> 00:22:05.650
I don't know why paragraph I use quite a bit,

00:22:05.650 --> 00:22:07.660
so I might have to have that panel open a bit because

00:22:07.660 --> 00:22:10.030
clicking these little dotted lines is a bit of a pain.

00:22:10.030 --> 00:22:12.280
But lets say I'm going to have it at say zero.

00:22:12.280 --> 00:22:14.335
I just want them stuck underneath each other.

00:22:14.335 --> 00:22:17.125
You see it a paragraph style for these bullets,

00:22:17.125 --> 00:22:19.960
great, but then I want something different for the bottom ones.

00:22:19.960 --> 00:22:23.050
So the last of the bullets needs another paragraph style that

00:22:23.050 --> 00:22:28.570
does some spacing back to 10, same as the rest of it.

00:22:28.570 --> 00:22:31.060
If you want some spacing above the bullet lists,

00:22:31.060 --> 00:22:34.645
you're going to have to put in another paragraph style that does this.

00:22:34.645 --> 00:22:38.725
You end up with three paragraphs styles to make a pretty simple bullet point list.

00:22:38.725 --> 00:22:42.230
But now I'm going to undo loads.

00:22:43.380 --> 00:22:47.785
The next feature with the new feature is the same thing, bullet points.

00:22:47.785 --> 00:22:49.900
You're going to have to open up your paragraph panel,

00:22:49.900 --> 00:22:51.655
and this is the new option.

00:22:51.655 --> 00:22:54.340
Doesn't have a very good name,

00:22:54.340 --> 00:22:59.485
space between paragraphs using same style and it's a little bit inception-y,

00:22:59.485 --> 00:23:01.000
is very hard to explain.

00:23:01.000 --> 00:23:03.370
Took me ages to get my head around it.

00:23:03.370 --> 00:23:05.980
I'm going to try my best to explain it nicely for you.

00:23:05.980 --> 00:23:07.690
But if you do find later on your own,

00:23:07.690 --> 00:23:09.055
it's worth working out though.

00:23:09.055 --> 00:23:12.475
What we're going to do is we're going to ignore this one.

00:23:12.475 --> 00:23:14.785
What we're going to say is this thing here,

00:23:14.785 --> 00:23:16.960
the space between paragraphs using the same style,

00:23:16.960 --> 00:23:20.240
I would like this to be zero.

00:23:20.240 --> 00:23:22.140
It's all stacked up nice to each other,

00:23:22.140 --> 00:23:24.045
but you can see we get the gaps at the side.

00:23:24.045 --> 00:23:25.605
What it's doing is it says,

00:23:25.605 --> 00:23:27.795
as long as the style repeats,

00:23:27.795 --> 00:23:29.370
so this one here,

00:23:29.370 --> 00:23:30.690
actually, let's make it a style.

00:23:30.690 --> 00:23:32.160
Doesn't actually have to be an official style,

00:23:32.160 --> 00:23:34.875
just has to be different from the one above it.

00:23:34.875 --> 00:23:36.660
I'm going to call this to make it clearer.

00:23:36.660 --> 00:23:39.810
I've got bullets. Then this one here you can see is body copy.

00:23:39.810 --> 00:23:44.405
What it's saying is, as long as bullets is followed by bullets,

00:23:44.405 --> 00:23:48.400
i will be zero. Where is it? Is this one here.

00:23:48.400 --> 00:23:50.395
This one here as well,

00:23:50.395 --> 00:23:53.890
bullets followed bullets, so i will be zero.

00:23:53.890 --> 00:23:57.295
This one here. Unless the style changes.

00:23:57.295 --> 00:24:00.085
Bullets becomes body copy,

00:24:00.085 --> 00:24:02.815
so what ends up happening is it uses this other option.

00:24:02.815 --> 00:24:04.495
If bullets follows bullets, it's zero,

00:24:04.495 --> 00:24:07.975
unless it's different and it's going to use this option.

00:24:07.975 --> 00:24:11.620
I could grab all this side and I can increase it.

00:24:11.620 --> 00:24:13.270
It doesn't have to be the same as body copy.

00:24:13.270 --> 00:24:16.450
This is just do this unless the style changes,

00:24:16.450 --> 00:24:18.115
then do this, do that help explain it?

00:24:18.115 --> 00:24:21.520
That becomes the main when you use between styles, it's the hard core one,

00:24:21.520 --> 00:24:25.360
and this is the option that only happens if the style changes.

00:24:25.360 --> 00:24:28.460
I'm going to go back to 10 because that's what I wanted.

00:24:29.160 --> 00:24:32.290
I rerecorded that a couple of times.

00:24:32.290 --> 00:24:34.045
It was my best one.

00:24:34.045 --> 00:24:37.645
I'm going to stop there because the next one might not be as clear.

00:24:37.645 --> 00:24:40.930
Play with it because it is amazing, I think so.

00:24:40.930 --> 00:24:43.720
Let's say this one here now, because I've spent the time doing this style.

00:24:43.720 --> 00:24:47.110
I watch this 3D, bullets.

00:24:47.110 --> 00:24:50.500
I'll get to that. One more thing I want to show you for good measure,

00:24:50.500 --> 00:24:52.870
and it's not in the Properties panel,

00:24:52.870 --> 00:24:54.700
this is like, "Okay,

00:24:54.700 --> 00:24:57.370
I'm going to have to go back to the Control Panel."

00:24:57.370 --> 00:24:59.920
I like it too much and I know where everything is.

00:24:59.920 --> 00:25:01.600
Keep the properties awesome.

00:25:01.600 --> 00:25:04.795
But I'm going to use the Control Panel if it ever opens.

00:25:04.795 --> 00:25:08.200
What I'm looking for, if you don't know this one, get ready to be amazed.

00:25:08.200 --> 00:25:10.585
This is not a new feature, it just happens to be awesome.

00:25:10.585 --> 00:25:15.010
Make sure you are on your paragraph and down here there's Split 2.

00:25:15.010 --> 00:25:19.090
Look at that. No crazy tabs panel,

00:25:19.090 --> 00:25:21.655
just you can split it by three or two.

00:25:21.655 --> 00:25:24.940
Mine doesn't fit. Three. It's too small.

00:25:24.940 --> 00:25:27.685
Big of the idea. Why would they have a good measure?

00:25:27.685 --> 00:25:30.010
You can say the same thing for this,

00:25:30.010 --> 00:25:31.660
instead of splitting it, you can span,

00:25:31.660 --> 00:25:33.505
I'm going to get it to span across all of them.

00:25:33.505 --> 00:25:35.935
That can be handy for stuff.

00:25:35.935 --> 00:25:37.120
Not really what I want here,

00:25:37.120 --> 00:25:38.515
but a little bonus.

00:25:38.515 --> 00:25:40.075
All right, next featured time.

00:25:40.075 --> 00:25:42.895
This one's not as good looking as the other ones,

00:25:42.895 --> 00:25:45.880
but for a few people this is going to be pretty useful.

00:25:45.880 --> 00:25:47.560
I'm going to delete this. What I want to do is get

00:25:47.560 --> 00:25:50.275
this table that I've got here into one column.

00:25:50.275 --> 00:25:53.245
I have footnotes. Not a very exciting topic,

00:25:53.245 --> 00:25:56.005
but fundamental to the Desktop Publishing game.

00:25:56.005 --> 00:25:58.570
Let's say I want to add a footnote to this text here.

00:25:58.570 --> 00:26:02.080
In earlier versions, 2018 and earlier,

00:26:02.080 --> 00:26:04.780
you couldn't go up to Type and Add,

00:26:04.780 --> 00:26:07.510
Insert footnote, this is just grayed out, wouldn't work in a table.

00:26:07.510 --> 00:26:11.095
We can use the new Properties panel, getting used to it.

00:26:11.095 --> 00:26:15.650
I can now insert footnotes into tables,

00:26:16.170 --> 00:26:19.855
paste it in, and I've already added a style to it.

00:26:19.855 --> 00:26:25.060
I'm going to add another one. Another one.

00:26:25.060 --> 00:26:26.695
That's all I really need to show you really,

00:26:26.695 --> 00:26:28.630
you just do footnotes in tables,

00:26:28.630 --> 00:26:33.280
but it does segue into the next new feature in InDesign 2019.

00:26:33.280 --> 00:26:36.355
Today I want to show you, let's add endnote.

00:26:36.355 --> 00:26:38.620
Footnotes are the bottom of the page,

00:26:38.620 --> 00:26:41.260
endnotes at the end of the document,

00:26:41.260 --> 00:26:42.655
or at least your textbooks.

00:26:42.655 --> 00:26:46.555
I'm going to insert one here, Endnote.

00:26:46.555 --> 00:26:50.785
You can see it's just jumped all the way to the end of my text frame.

00:26:50.785 --> 00:26:52.885
I'm going to add one more in there.

00:26:52.885 --> 00:26:54.730
A new feature, it's quite handy,

00:26:54.730 --> 00:26:56.830
is you can convert one to the other.

00:26:56.830 --> 00:26:58.975
What I'm going to do is, I've got my cursor flashing

00:26:58.975 --> 00:27:01.720
anywhere in the textbooks that you're working with,

00:27:01.720 --> 00:27:04.765
it's a long linked textbooks, I'm going to say Type.

00:27:04.765 --> 00:27:09.055
There's one here says convert footnotes to endnotes instead of them being up here.

00:27:09.055 --> 00:27:12.155
Where are they? Right there.

00:27:12.155 --> 00:27:16.120
I can say Type, convert to endnotes, please.

00:27:16.120 --> 00:27:18.070
You can say footnotes or endnotes.

00:27:18.070 --> 00:27:19.990
Scope, you can look through the whole document

00:27:19.990 --> 00:27:22.015
or just the selection that you have selected.

00:27:22.015 --> 00:27:25.075
I'm just going to do the whole document, found two of them.

00:27:25.075 --> 00:27:29.740
Let's check it up. I'm not sure why I've got have to returning that.

00:27:29.740 --> 00:27:31.480
You can go back the other way as well, which is cool,

00:27:31.480 --> 00:27:33.745
the weird thing is it's in the same place,

00:27:33.745 --> 00:27:37.090
so I wanted to end the endnotes back into footnotes,

00:27:37.090 --> 00:27:41.800
so Type and you can see here there's no endnote to footnote,

00:27:41.800 --> 00:27:43.600
there's lump them both together.

00:27:43.600 --> 00:27:46.600
Even though I wanted the opposite of what this is, it doesn't really matter.

00:27:46.600 --> 00:27:50.320
I can just switch it here. I go back to their home places.

00:27:50.320 --> 00:27:54.295
Done. Endnotes are gone and you have get rid of that text, but hopefully now.

00:27:54.295 --> 00:27:56.620
Here's my table. That one,

00:27:56.620 --> 00:27:58.930
that one, they're all there on the page with a return.

00:27:58.930 --> 00:28:01.940
Once I've finished this video I'll work out why.

00:28:03.780 --> 00:28:08.530
But for the moment, you can do footnotes inside tables, yay.

00:28:08.530 --> 00:28:11.620
You can convert endnotes to footnotes and footnotes to endnotes.

00:28:11.620 --> 00:28:14.740
Where I find this most useful is when you're bringing in stuff from Word

00:28:14.740 --> 00:28:17.980
and somebody's used endnotes in one document and footnotes in the other,

00:28:17.980 --> 00:28:20.380
and you've got have a style guide to follow.

00:28:20.380 --> 00:28:22.870
We need to switch them around, now you can.

00:28:22.870 --> 00:28:24.415
Let's go to the next feature.

00:28:24.415 --> 00:28:26.560
Now the next feature is not really a feature,

00:28:26.560 --> 00:28:29.680
it's a missing thing. This is a test.

00:28:29.680 --> 00:28:34.315
You need to tell me what is missing from what we're going to do now. Something's gone.

00:28:34.315 --> 00:28:35.545
It's as Scooby Doo mystery.

00:28:35.545 --> 00:28:38.905
You're part of it. I'm going to go and package my document.

00:28:38.905 --> 00:28:41.350
I need to send it to a client or the printer,

00:28:41.350 --> 00:28:42.595
we need to archive it.

00:28:42.595 --> 00:28:48.145
File package, I'm going to go and click Package and I'm going to save it.

00:28:48.145 --> 00:28:51.070
I'm going to put it onto my Desktop.

00:28:51.070 --> 00:28:52.705
I'm going to call it Newsletter folder,

00:28:52.705 --> 00:28:54.115
then I click Package.

00:28:54.115 --> 00:28:56.275
Missing fonts, sure thing.

00:28:56.275 --> 00:28:58.045
I got overset text.

00:28:58.045 --> 00:29:00.685
Sorry about that. Should fix it.

00:29:00.685 --> 00:29:03.220
Now something happened here.

00:29:03.220 --> 00:29:05.740
Well, something didn't happen here, do you guess what it was?

00:29:05.740 --> 00:29:08.020
It's that annoying printing instructions thing

00:29:08.020 --> 00:29:10.735
that it always asks you to fill out that you'd never do.

00:29:10.735 --> 00:29:13.270
It was just that we've moved it, you can turn it back on.

00:29:13.270 --> 00:29:16.645
If I go to Package, it's this thing here.

00:29:16.645 --> 00:29:17.890
We'll package and I'll show you.

00:29:17.890 --> 00:29:20.740
You know that thing you've never filled in,

00:29:20.740 --> 00:29:22.555
but it comes up every time?

00:29:22.555 --> 00:29:24.700
Now there might be people who do fill this in,

00:29:24.700 --> 00:29:25.975
I can see the point of it,

00:29:25.975 --> 00:29:28.210
but I know if I send this to any of my printers not

00:29:28.210 --> 00:29:30.865
one of them is going to open it to check it,

00:29:30.865 --> 00:29:33.460
might be in a different production line where this is quite.

00:29:33.460 --> 00:29:34.870
Good. You can turn it back on,

00:29:34.870 --> 00:29:36.250
or like me and let it go,

00:29:36.250 --> 00:29:39.385
and make sure it's off forever, never to come back.

00:29:39.385 --> 00:29:42.010
It's not really a feature, but it's worth mentioning.

00:29:42.010 --> 00:29:46.000
Next feature is a visual font browsing.

00:29:46.000 --> 00:29:48.385
I'm going to click on some text.

00:29:48.385 --> 00:29:50.800
In my Properties panel over here, the character,

00:29:50.800 --> 00:29:56.575
you'll notice that this pop-out got a whole lot different, it's a lot bigger.

00:29:56.575 --> 00:29:58.180
A couple of things have happened.

00:29:58.180 --> 00:30:01.240
Actually what I'm going to do is I'm going to make this bigger.

00:30:01.240 --> 00:30:03.880
I'm going to select the text first, you don't have to do this.

00:30:03.880 --> 00:30:06.280
But over here, the new features are,

00:30:06.280 --> 00:30:07.930
you can decide this dropdown.

00:30:07.930 --> 00:30:09.760
I think the default is Selected Text.

00:30:09.760 --> 00:30:12.820
You can see the little sample text,

00:30:12.820 --> 00:30:15.190
it's actually what I have selected over here, Cafe Growth.

00:30:15.190 --> 00:30:19.060
Because we all know we pick a font from here and it looks good in the preview,

00:30:19.060 --> 00:30:21.130
but without particular characters,

00:30:21.130 --> 00:30:23.350
it just doesn't look good so it's easy to do this.

00:30:23.350 --> 00:30:26.080
Often I like switching it to Typography for some reason.

00:30:26.080 --> 00:30:28.960
It just got a lot of the ascenders and descenders.

00:30:28.960 --> 00:30:30.280
It's a good kind of, I guess,

00:30:30.280 --> 00:30:31.675
generic look at a font.

00:30:31.675 --> 00:30:37.310
You can also go in here and pick a hungry, roger, hungry, ate.

00:30:37.980 --> 00:30:41.965
You can decide on these. I'm going to switch it back to Selected Text.

00:30:41.965 --> 00:30:43.540
There's one in there as well, upper.

00:30:43.540 --> 00:30:46.285
I find that sometimes quite useful in numbers.

00:30:46.285 --> 00:30:49.990
Back to Typography. You can also change the preview size.

00:30:49.990 --> 00:30:53.635
It's this little icon here, it's handy because we're just dealing with one word,

00:30:53.635 --> 00:30:55.000
only use the larger size.

00:30:55.000 --> 00:30:58.180
The other thing you might notice that you can see when I roll over it,

00:30:58.180 --> 00:31:00.205
you see updating the text over there.

00:31:00.205 --> 00:31:02.215
Over there, back over here.

00:31:02.215 --> 00:31:03.880
That never used to happen as well.

00:31:03.880 --> 00:31:05.665
A live text preview,

00:31:05.665 --> 00:31:07.660
it updates as you're working through it.

00:31:07.660 --> 00:31:10.180
The other big thing they've done with typography is they've

00:31:10.180 --> 00:31:13.660
actually removed the need to jump out to Typekit.

00:31:13.660 --> 00:31:15.640
If you've used Typekit before you go to the website,

00:31:15.640 --> 00:31:16.795
pick a font, download it.

00:31:16.795 --> 00:31:18.865
They've done it actually built in, which is cool.

00:31:18.865 --> 00:31:20.320
It's called find more.

00:31:20.320 --> 00:31:22.840
Not very exciting, but actually this,

00:31:22.840 --> 00:31:25.360
crazily, is fonts that aren't on your computer.

00:31:25.360 --> 00:31:27.115
They're actually just on Typekit.

00:31:27.115 --> 00:31:30.625
Here's just thousands and thousands of fonts so you can just start using.

00:31:30.625 --> 00:31:33.925
They've done away with the jumping in and jumping back out,

00:31:33.925 --> 00:31:36.325
you just do it by hitting Find More.

00:31:36.325 --> 00:31:39.490
The other thing that you'll know is that they've called it Adobe Fonts now.

00:31:39.490 --> 00:31:40.780
It used to be called Typekit.

00:31:40.780 --> 00:31:42.535
Adobe have done away with that name now,

00:31:42.535 --> 00:31:45.170
and now Typekit is just Adobe fonts.

00:31:45.170 --> 00:31:49.070
What's really cool about it is let's say, where's a font that we want?

00:31:49.070 --> 00:31:50.740
Let's say we're going to use filters.

00:31:50.740 --> 00:31:52.000
Filters have been around for a while,

00:31:52.000 --> 00:31:53.935
but people don't use them in a circle.

00:31:53.935 --> 00:31:58.405
I'm going to say I want a hand-written fonts.

00:31:58.405 --> 00:32:00.340
I'm now looking at Typekit,

00:32:00.340 --> 00:32:02.200
all the hand-written fonts,

00:32:02.200 --> 00:32:04.150
and you can see that hovers above it and I

00:32:04.150 --> 00:32:06.280
can actually just download this to my computer now.

00:32:06.280 --> 00:32:09.955
I'm going to activate it, this please, and it's downloading it.

00:32:09.955 --> 00:32:13.545
You can see it's synching there and I'll just have Adorn

00:32:13.545 --> 00:32:17.565
on my computer and as long as I continue with my Creative Cloud license,

00:32:17.565 --> 00:32:19.965
keep paying for that, you're going to keep the fonts.

00:32:19.965 --> 00:32:21.870
You see there, it's updated.

00:32:21.870 --> 00:32:23.655
Yes, pretty cool.

00:32:23.655 --> 00:32:27.710
Now we're jumping out to the font or 1001 free fonts.

00:32:27.710 --> 00:32:29.815
Unless you need a cactus shape font.

00:32:29.815 --> 00:32:31.690
Pretty sure it's the only place to get those.

00:32:31.690 --> 00:32:36.400
Just click on the Find More and use your filters to cut it down to stuff like,

00:32:36.400 --> 00:32:38.320
say the hand-written, you might be picking

00:32:38.320 --> 00:32:42.700
Slab Serif fonts or you can look at these ones at the different x heights.

00:32:42.700 --> 00:32:44.590
Maybe need to condense width,

00:32:44.590 --> 00:32:47.770
just super handy filters for finding fonts on Typekit.

00:32:47.770 --> 00:32:51.235
Super-quick, super easy, and then just downloaded them within the app.

00:32:51.235 --> 00:32:52.810
It'll be available in all apps,

00:32:52.810 --> 00:32:55.855
so it'll be available in Illustrator and Photoshop now,

00:32:55.855 --> 00:32:57.865
and hopefully now Adorn.

00:32:57.865 --> 00:33:00.685
There, nice on my computer. We did it well.

00:33:00.685 --> 00:33:07.405
The other thing to note with the change of Typekit to Adobe fonts is that,

00:33:07.405 --> 00:33:11.050
show their old version, so their old version if I went into fonts here,

00:33:11.050 --> 00:33:13.675
maybe this thing here, add from Typekit, so that's changed.

00:33:13.675 --> 00:33:16.075
Now it's just fine font and here,

00:33:16.075 --> 00:33:17.305
this one here, the Typekit.

00:33:17.305 --> 00:33:20.080
I still uses this quite a bit because I want to see all the Typekit fonts,

00:33:20.080 --> 00:33:22.645
they have changed that icon to look like this now,

00:33:22.645 --> 00:33:26.455
so if you want to see on your computer all of the Typekit fonts,

00:33:26.455 --> 00:33:27.640
well, the new Adobe fonts,

00:33:27.640 --> 00:33:30.250
just click on that, so once that have been activated.

00:33:30.250 --> 00:33:34.190
Let me go through and pick one from the ones you've downloaded from Typekit.

00:33:34.190 --> 00:33:37.140
Another handy feature that they've updated in here is this option.

00:33:37.140 --> 00:33:39.615
I'm going to turn off my activated fonts

00:33:39.615 --> 00:33:41.970
and I'm going to turn on the ones that are recently added.

00:33:41.970 --> 00:33:44.730
This is just really handy if you've installed fonts.

00:33:44.730 --> 00:33:48.415
You can see here, at the top is the recently added fonts.

00:33:48.415 --> 00:33:50.950
You might have installed them through InDesign or Photoshop,

00:33:50.950 --> 00:33:55.045
or you might have gone through and done it with Font Book or Suitcase,

00:33:55.045 --> 00:33:56.380
embrace so you use Suitcase.

00:33:56.380 --> 00:33:58.300
However you've installed a font on your machine

00:33:58.300 --> 00:34:00.355
it'll just be like show me the new ones, please.

00:34:00.355 --> 00:34:03.880
Go on, make sure you turn them off when you're filtering them and one last thing they've

00:34:03.880 --> 00:34:07.810
done is that they've gone and moved a couple of things that were handy,

00:34:07.810 --> 00:34:09.565
that were along the top here.

00:34:09.565 --> 00:34:12.175
These two little icons, they used to be up here.

00:34:12.175 --> 00:34:13.660
Now if you hover above the ticks,

00:34:13.660 --> 00:34:18.100
can you see this is next to the type and it show visually similar and make a favorite.

00:34:18.100 --> 00:34:19.930
If you're using komu to new fonts,

00:34:19.930 --> 00:34:21.640
you want to edit to your favorites, click it there,

00:34:21.640 --> 00:34:24.085
and add that one, I'm going to add this one,

00:34:24.085 --> 00:34:25.855
I am going to add that one to my favorites.

00:34:25.855 --> 00:34:28.855
Instead of having to scroll down your giant font list,

00:34:28.855 --> 00:34:30.805
what you can do is you can say,

00:34:30.805 --> 00:34:32.995
just show me the ones I'm allowed to use.

00:34:32.995 --> 00:34:35.560
Really handy if you're in a corporate environment where you do

00:34:35.560 --> 00:34:38.890
have two different weights and two fonts.

00:34:38.890 --> 00:34:40.540
It's no point scrolling,

00:34:40.540 --> 00:34:44.380
just set favorites on them and then click this little "Star" up here,

00:34:44.380 --> 00:34:46.120
turn it off by clicking it again.

00:34:46.120 --> 00:34:47.680
One of the little feature that have moved,

00:34:47.680 --> 00:34:49.120
and it's just cool like say,

00:34:49.120 --> 00:34:52.480
like this one, you actually show me the visually similar ones.

00:34:52.480 --> 00:34:55.570
That's just a little double wave is pretty clever, I don't know how it does it,

00:34:55.570 --> 00:34:57.610
but you can see we had great vibes,

00:34:57.610 --> 00:35:02.845
but look at all these fonts that are very similar there on my computer.

00:35:02.845 --> 00:35:04.840
That is a visual font browsing.

00:35:04.840 --> 00:35:08.425
It's updated in Adobe Illustrator this year as well.

00:35:08.425 --> 00:35:09.685
You'll see the same thing in there,

00:35:09.685 --> 00:35:11.530
the one thing with the visually similar one,

00:35:11.530 --> 00:35:12.940
you need to go to this little back button.

00:35:12.940 --> 00:35:14.485
Does say get out of there please?

00:35:14.485 --> 00:35:19.330
Next feature, the next feature is more just a thing that happens, that's quite handy.

00:35:19.330 --> 00:35:20.920
When I go to File Export,

00:35:20.920 --> 00:35:25.690
what happened in the past was let's say this thing here needed to be an indirective PDF.

00:35:25.690 --> 00:35:28.600
I'm going to click "Save" and zoom through it all,

00:35:31.460 --> 00:35:34.980
so I exported it indirective PDF and then I went to

00:35:34.980 --> 00:35:37.560
a completely different document that had nothing to do with the first one,

00:35:37.560 --> 00:35:40.250
it's not meant to be a PDF indirective,

00:35:40.250 --> 00:35:43.300
but InDesign, just removed the last thing you did.

00:35:43.300 --> 00:35:45.190
But now what happens, let's say in this case,

00:35:45.190 --> 00:35:48.295
this guy is meant to be print or might be

00:35:48.295 --> 00:35:53.395
preferable EPUB or fixed layout might be JPEGs. What are you doing?

00:35:53.395 --> 00:35:56.660
It's going to remain the pit document now,

00:35:56.730 --> 00:36:00.415
so that was indirective PDF.

00:36:00.415 --> 00:36:03.460
The old version, if I went to export again now aided say "Hey,

00:36:03.460 --> 00:36:05.859
do you mean look, it's remembered."

00:36:05.859 --> 00:36:09.430
Remembered that this guy was indirective pdf and this guy was a PDF and you

00:36:09.430 --> 00:36:13.240
can have another thing that's EPUB and other one that does JPEGs,

00:36:13.240 --> 00:36:16.000
so it's per document now, which is really handy.

00:36:16.000 --> 00:36:18.460
We've all got it right you got like ten different documents open that

00:36:18.460 --> 00:36:21.085
need to come out and they have all their own different formats.

00:36:21.085 --> 00:36:24.760
Now they're going to remember, and the crazy thing is that they remember across

00:36:24.760 --> 00:36:28.660
a life facing this to a different computer or colleague or my home computer,

00:36:28.660 --> 00:36:33.610
it's going to remember the two and it saves into another option, Let's another feature.

00:36:33.610 --> 00:36:35.200
If I got a file export,

00:36:35.200 --> 00:36:37.360
there's this thing that wasn't there before.

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What I'm going to do is on my desktop,

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I'm going to export this one,

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so that's using key six using the exact same name I've got my InDesign document,

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whereas in the past what would happen is,

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if I turn tick that I would call this one maybe

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V1.1 or low less or something else and I exported it.

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When I went back into Export,

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it remembered the last thing I called it.

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With this option on, it's going to always default to whatever the document name is.

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It's on by default and you can see here it says it's

00:37:09.880 --> 00:37:11.950
only going to work the next time I do this,

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I'm going to skip through this.

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The reason I show you that is because you might rely on it because that's the way it

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used to work and it's going to differ key sets defaulting to the name of the file again.

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If you like the old way where it edited,

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because sometimes you have a working file and it's going to terrible name when

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you've got a rename it for a specific job or something,

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and it's great that it remembers it,

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it's not going to know unless you turn that off.

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It's a solution to a problem I never had,

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but I'm sure obviously somebody had it because Adobe is going to edit it there.

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But just know you can uncheck and go back to the way it was.

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Next feature please.

00:37:49.120 --> 00:37:52.660
Actually the next feature is the last feature and before you run away,

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take a quick little requests from me if you enjoyed what I've done here,

00:37:56.395 --> 00:37:59.355
could you give me a like consider subscribing to the channel,

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