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Alright, in this video, we're going to create our newsletter our brochure.

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We're going to work on our margins,

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our columns, the gutters between it.

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We're going to look at things called spreads. It's going to be exciting.

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It's going to do it. Alright, so first thing we're going to do is create a new document.

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Either click this button or you can go to "File" "New Document."

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We're going to start with some of the presets print.

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Now, depending on the part of the world we're going to use

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A4 or "Letter," we use "Letter" in this case.

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You can see mine keeps defaulting back to millimeters.

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It's mainly because in between making videos,

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I have to do work InDesign and I work in millimeters,

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so I keep switching it back anyway.

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So there's my sizes, I'm going to work in

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portrait and we're going to have facing pages turned on this time.

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Number of pages we're going to have eight.

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Just consider when you are making, say,

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a newsletter or a brochure, often,

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you have to work in multiples of four.

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You can have two pages,

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front and back of a use letter.

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But often when it gets past that,

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it's actually big sheets of paper folded in half and stapled.

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So you can't have like say,

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six pages because you'll have one big I'm sheet folded in half.

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Then you have this kind of like one sitting in

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the middle and it becomes very hard to bind together.

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There's ways around it,

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but often you work in multiples of eight.

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If you go ever opened up and up the newspaper and pulled one sheet out of it,

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you've dropped it into pieces and you pull out one sheet,

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you'll notice there's actually four sides.

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Think of that when you are doing a newsletter,

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Definitely don't do five because you've got

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a back of a sheet of paper that you have to use.

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Starting number, this might be that you've

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got a really long document and you've got pages,

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and you want to start the page numbering on something different.

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We're going to keep our start to one.

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Very rarely will I change that.

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Probably it takes fine and we'll look at in a later video.

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Columns. We haven't used this before.

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By default, you have to have a minimum of one.

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What we're going to have is three in this case.

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The gutter is the space between these columns.

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Just leave it to whatever the default is.

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Let's have a quick look at why we use columns.

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In here, I've done a little search for magazine spreads.

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What you'll notice is that when people are designing magazines, professionals,

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they will start with a number of columns and consistently use that

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throughout the magazine and it gives a bit of consistency through,

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say, a really long document so that you're not going to

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every page switching out different columns.

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It's one of the things that are really easy to notice when you're looking at

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amateurs do work is that there's no consistency with columns.

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Often, it's two, three,

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four, or five columns.

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Let's have a little look at some of the examples.

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Now you can break these rules,

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but it adds a bit of consistency throughout.

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So let's look at, say this one here,

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it's an easy one, there's three columns.

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That's what we're going to be doing and that is keeping the three columns,

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let's have a look through, say this one here.

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This one's a little bit different.

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They are using three columns,

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but that kind of breaking the rules a tiny bit with a spreading across some of these.

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So there's still a one,

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two, three, and now you are thinking like,

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there's only two columns, but you can see

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this image here is actually spanning two of them.

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They're doing the same thing over,

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so still three columns.

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But this one is spanning two of them.

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Let's have a look at some of the ones that, say this one here,

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I'd say is maybe an amateur work because you can see there's no real columns in there.

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This is not even,

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so it should be one and then another one and then this one's spit [inaudible].

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I don't know, hope you can kind of see it.

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It feels like there's no consistencies here.

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This one here doesn't spin the columns like it should

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and so it's got all the right ingredients for a great magazine,

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but I think columns can really help lift an armatures work.

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This one here, two columns.

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This one here, still isn't there,

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I think in the amateur category,

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it's cool, it's nice,

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but it's columns I am just unsure about.

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See this one here, it's beautiful but crazy,

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but it's still using four columns.

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So one, two, three, four,

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this big giant number two spans two of them, and that's okay.

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You're allowed to break the rules,

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but only breaking the rules within the rules if you know what I mean.

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Alright, that was a long explanation let's jump back into InDesign.

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We're using three columns, and margins,

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we're going to use something slightly bigger,

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so we're going to do 0.8 inches.

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You'll notice that it changed all of them at

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the same time because this little linking icon is set.

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I'm going to break that now. So I want to do all of them

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except I want to do the bottom to be a little bigger.

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It's going to be 1.4 inches.

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Now if you're using millimeters,

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I'm using 20 all around except for the bottom,

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which I'm using 35 millimeters.

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Couple of things to note is often

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the bottom will be bigger than the rest of the document,

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it gives you a little bit of wiggle room to the bottom to

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put things like page numbers and document titles.

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It also just gives a nice,

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even if you're not going to put page numbers down there,

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it gives a document a set of grounding.

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It gives it a base at the bottom.

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It's just a visual footing.

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Not sure how to explain it, but it's nice with a nice thick bottom of the bottom.

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Well, you'll also notice is there's no left and right,

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there's inside and outside.

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If I turn facing pages off,

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can you see it becomes left and right, which we understand,

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but then facing pages on,

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it becomes inside and outside.

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That means if I jump back to my example,

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you can see here it just means,

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look at this example here.

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It's a pretty big example.

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You don't have a left and a right essentially,

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but you have an inside margin and an outside margin.

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What you often can do is you can have

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a slightly bigger inside margin if you've got something called crepe,

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if you've got a really big thick magazine and maybe

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these pages are disappearing into the gap here, they call that crepe.

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You can increase that,

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our magazine is not big enough to worry about that.

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Often as a designer,

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even if your magazine is really big,

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that is often the role of the printer,

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to stop playing around with the crepe and adjusting that for you.

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Talk to them about it if you are worried about

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it and often they'll help you out. Back to InDesign.

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Bleed. We're going to have our 0.125, okay.

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Unless you're in millimeters and then it's three mill and slug, we never use.

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We're going to click "Create."

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Let's jump to our pages panel.

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If you can't see it, it's got a window pages

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and just have a quick little look at what we've done.

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We've got eight pages,

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so page one here, and that's our cover and then it moves to spreads.

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I double-click page two and you can see here,

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I'm going to zoom out, come on minus,

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I am going to control minus on a PC,

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you can see they've put pages two and three together.

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You can't have them separate and that's fine,

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but obviously when you wicking on a magazine,

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it's handy to see them to get that.

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That's why we look at this word, spreads.

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We want to see you them together.

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Great work, let's go and save it, "File" "Save."

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Let's put it into our Desktop.

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We've got out InDesign class files,

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and let's call this one,

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GaH and this one's going to be our newsletter, V1 now final.

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Alright, let's get into the next video.

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Let's look at something called master pages. Exciting.

