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Hi there and welcome to this studio where we are going to see how to put text on path, you know, curve

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the text on a certain path and also we're going to do this.

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Awesome.

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I hope you find it awesome.

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It's a barge where we have vintage style and it's guaranteed it's an original premium product.

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So let's start to put the tax on a path.

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You can actually use all the shapes and the brush and the pencil, whatever you like.

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I will play with the spiral tool here.

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If you click on the line segment, you will find the spiritual.

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Tourism is very easy to use, just click and drag.

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With the Aparo, you add more spiders until you don't see them or with a down arrow, you can, you

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know, make less spiders.

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Simple.

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So I'm going to take this path.

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I find it quite nice.

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Good.

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Let's take it and just drop it over here.

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And immediately, guys, take the habit of putting text on a path to duplicate the path.

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I am sure you are going to use it.

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Actually, we are going to use it now.

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We select the path and to put the text here, we go to our text to simple.

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You can use the type of tool, but the text tool, the type tool no one will do.

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Just come over the path and when the mouse pointer is changing, OK is going to change to a path writing.

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You click and gives you the lorem ipsum, the gibberish that is required now, you can start typing

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your sentence or your characters, whatever you like, and I will type do your best.

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OK, I would go for the selection tool.

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Now, the Phantom in using is a bistro script.

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I like it.

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It is under the cloud.

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So if you open the document and you don't find the font, all you have to do is to sing it from the

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cloud and it will work.

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So let's see what we have here.

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First of all, let's look at the paragraph alignment.

34
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OK, so I'm going to put it to the left.

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When you put it to the left, you have these two bars, one on the left and one on the right.

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One the alignment is on the left.

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For paragraph, you can click on this bar.

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Be careful.

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Don't click on the square.

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If you do, it's going to give you some funny thing here.

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To avoid that, just go back to the selection tool so you find the line here on the left.

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You click on it and you can start dragging and adjusting the text.

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On the left side if you are just to match the text would disappear and then you're going to have to

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link it to some other path and stories.

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So keep it just on your path just like this, OK?

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Now, if you align right, you can use, of course, the right one just like this.

47
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Now, if you use the left one, not nothing's going to happen.

48
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Just eat up your text until you find another path to put your text from over here.

49
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OK, so I'm going to move this one up to here, I was just a text with the right one.

50
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Spread over here.

51
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Now, if you center your text, this becomes more interesting, it recentre the text between the right

52
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bar and the left one side move.

53
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One of them is going to keep the text centered in between the two bars.

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Notice if I take this one down.

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It will just center it between this guy and this guy on the path, so I'm going to put it at the beginning

56
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and here at the end, OK?

57
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And now my text is 100 percent centered.

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But let's say this is here and this is here because I forgot to tell you something, there is one in

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the middle here.

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OK, so make sure one point not is the mouse pointer.

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It gives you kind of a bar, OK?

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Or not always a bar under.

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You can click on it and move your text left and right and both the left and right bars will move with

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you.

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OK, I don't know what they call these bars, so let's put it over here and just take this one over

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here.

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The last one and this one over here, the first one.

68
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And then you can increase your font the way you would like to fit.

69
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OK, I forgot something I want to put here.

70
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Just here, there are exclamation marks and they are important because you're doing a remarkable truth,

71
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but it was.

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This is all there is to it.

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You can use almost any path you would like and use even you can use a line segment.

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All these ones can be used, including the brush and the pencil.

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Let's look at options here, if you want to change things, you can do it through the type of path you

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come to type and there is the option type on path.

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And here you have type of path options.

78
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OK, gives you this small dialog box.

79
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You have several.

80
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Let's preview a rainbow and you and all the rest that don't give you nice results, OK?

81
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Feel free to use them to be very creative.

82
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For me, I will stick to a rainbow.

83
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OK, it's a bit straight and readable, but also there is a line to path line to the baseline.

84
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The baseline now is the path you have drawn.

85
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OK, you can move it from the baseline to center it on the baseline.

86
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So not just now.

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This font is center it in this way.

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You can also do the Ascender, OK, it means the highest point.

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The B, the T, the D is aligned to the path.

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This is how the front is behaving is not abnormal.

91
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It's the way it behaves.

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You can choose another font and you will find that the behavior is almost the same.

93
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You have the descender, which means the lowest in this case is the Y is on the path.

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Simple.

95
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So I'm going to keep it.

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For example, on the baseline itself, I only have the spacing here, which is exactly like this spacing.

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So forget about it.

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OK, actually we have a lot of spacing here.

99
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Let's remove the spacing, put that zero, OK, and then try to increase the.

100
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Sorry, sorry, sorry.

101
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Can I use it the way you would like.

102
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I'm going to push it up.

103
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It was 123.

104
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OK, that's enough.

105
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Fine.

106
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Now let's take this guy.

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We'll put aside this is our original path.

108
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Let's try to put it over here, OK?

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And then let's go for the withdrawal, of course, so I'm going to click on it, press option and write

110
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it down, OK, because I want one side only and of course, you know me very well.

111
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Now, I want to have this profile because I like it very much.

112
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And it's a bit because I'm going to use the shift an option to make it a bit smaller.

113
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OK, so it fits nicely.

114
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Could actually be a better design.

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So now you have done it.

116
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Let's change the colors and select the path and go to the stroke and give it a darker gray or something

117
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like this.

118
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That will do.

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And I'm going to select them all.

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I'm going to show you here.

121
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I think that's very important.

122
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Notice I have checked scale strokes and effects.

123
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I will uncheck it because I never told you to check it and select both of them and make them smaller.

124
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Notice that the stroke of the path here is not scaling down, is staying the same size.

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So it's somehow, you know, this forming the path.

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The way to avoid this is to make sure that you check the skin and stroke effect, Sakhnin, both, for

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example, and just skip them now.

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So now you notice the stroke here has changed.

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It has scaled down with the scaling.

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Let's do this and make it a bit reasonable and put it over here.

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Actually, we did a better job than before.