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In this video, I'm going to show you how to further control or adjust to your curves, but this time

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you are going to use the White Arrow or the direct election tool and using the anchors or the points

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of the curvature tool.

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So you remember that we created this or somehow this.

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I forgot.

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So I deleted it.

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So now we created the points and you can move around and adjust the course by moving the points.

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That's all you have here.

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Just move them around and see what happens.

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And notice when you move a point, there is quite some influence on the other side of the curves or

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the other points not to see what's happening.

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For example, I could do like this not working then like this working Bayway.

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If you want to further adjust, you will use the White Arrow, OK, this direction to actually this

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applies almost everywhere.

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If you select a point, for example, I'm going to select this one.

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Let me zoom in to show you better.

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OK, I selected this point not just now.

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I can see two hands that are parallel or tangent to the curve.

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The first thing you know is that you can click on the anchor itself and just move it around and, you

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know, is influencing the curves on before or after.

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OK, now you can use the hander's can click on the hand and just move it around.

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Notice it can move around.

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You know, I'm rotating it.

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You can make it longer influencing the curve or you can make it, you know, the other side, whatever

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you like.

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Now, also, you can bring it in.

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So you have more of an angle here, for example.

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That's an exaggerated version.

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Or you can take it out and make it more curved.

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You know how I'm influencing this one?

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Not as the previous one.

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This side is not being influenced by this and that this is the hand that will influence this side.

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And of course, by rotating OK, it influence both sides.

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So up and down or longer and shorter will influence only the curve where the hand is pointing to, for

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example, a shift.

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I go up.

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Notice this is not influencing the previous one unless I go to the other direction, something like

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this.

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OK, so if I want to adjust this one, just click here on its handle and just adjust it.

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So if you go further, it's smoother or somehow to go shorter.

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Now it is going to give you a hard angle or something like this.

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Now, something very important, you need to notice how long do this?

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OK, so I don't correct it again, I'm going to make this one a bit longer and bring it over here.

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Something like this.

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Good.

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Now, let me take this anchor point over here.

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And now I'm going to show you the difference between adjusting, using the White Arrow or the hand there's

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also and using only the curvature tool.

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So I'm going to take first the curvature tool and click on this anchor point and just lift it up.

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Notice how it has influenced, of course, the before after, but also the curve all around.

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OK, here we got one more because of the white altitude, maybe click.

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So notice the influence, OK, adjusting it the way it likes.

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Actually this makes a lot of sense when you're using the curvature tool, you know how you're drawing

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your curves.

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Return it to its position just over here.

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Now, the select the White Arrow or the direct election, if you click on one node here, you have the

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hands, of course, going to just click on it and go up.

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Notice it's quite different from the curvature it just focused on before and after.

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It did not touch these curves that are one more before or one more after.

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You just focus on what the hander's can handle.

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OK, so you move it up and down.

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There is no influence on the whole curve where the curvature tool has influenced quite a lot on the

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others.

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These are the handles, and they can help you a lot to smooth your curve.

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OK, and also to mess it up, but that's not all about the handles.

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When we're doing the pental, I'm going to explain further how to use it.

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It's more relevant with the Penta.

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Thank you.

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Let's move on for the next video.
