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Hi there and welcome to Image Tracing in Adobe Illustrator.

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Now we're going to start from an image, a High-Resolution image for a cute dog and turn it into a path,

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which means we're going to trace it and then try to change the colors and maybe edit whatever is inside.

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It can do that with almost an image.

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I'm going to show you a couple of techniques here and what works and what doesn't work on your system.

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So let's start.

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First of all, we're going to find a place I'm going to go to image, it's called Dog.

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And we are going to places I'm going to place one over here.

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That's big enough and duplicated, just duplicated over here, because I want to show you different

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techniques.

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This image is high resolution, as you can see.

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As soon as you have an image and you click on it, you will notice that you have here image trees.

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I'm going to start by clicking over here and simply going to the default.

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Not much.

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And it's going to give me tracing may proceed slowly with this large image, would you like to continue?

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No, I don't want to continue.

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I want to rest tries to take down the resolution of the image.

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How do you do that?

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Well, you select your image and then you go to object.

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And over here you have an asterisk.

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This is similar to what you have seen in documentaries or effects you don't use surrounded by when you

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are working.

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Maybe you reduce it, as you can see, to 72.

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And later on, you hike it back when you want to print the same way for an image.

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After you trace the image, you cannot read the stories and go back and stories.

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So we got to do that.

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We've got to come to object and rationalize the image and take it to 72.

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Now, I'll show you the difference between 72 and 300 and click.

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OK, now there's the image.

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Resolution has changed.

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It is less perfect now or the pictures are bigger.

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Let's take the first image here and go to image trees and give it the default.

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The default here is black and white.

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Let's take now the image of the high resolution and go for default, and it's going to give me the story,

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I click, OK, because it's going to do it only once and notice the difference.

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This is high resolution.

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This is not high resolution at all.

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The difference is quite impressive.

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But now do not disregard the 72 PBI.

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It can really give you very nice results.

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Let's see, from the fourth year, I'm going to go for a six colors or even three colors to start with.

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That's the three color.

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It has even changed the background.

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Let's go for three colors here and you have to learn how to wait.

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And it is now in charge in pixelate clustering is going to do a lot of work.

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I'm going to speed it up for you.

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And you notice the difference, this is quite altruistic.

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And this is another one which is really quite artistic, but a lot of details here, if you want.

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You have had the option of the menu if you click on it or the trace panel, you have lots of options

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you can work with and are all very interesting.

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Most of them, at least the first one, is for the autocar, meaning you instead of choose the colors,

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I'm going to click on it because it's going to take time again.

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I'm going to speed it up.

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And you notice now the background is back to why there is a good precision here with the dogs that face

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the white on the dog.

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Let's do the same with this guy.

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We go to this and it's almost automatic.

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You notice two Treuhand 300.

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This one is quite speedy.

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I like this artwork a lot, by the way.

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You have several options that you can try here, some of them are really quite nice.

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I'm going to go for high colors and you'll notice the resolution is not bad at all.

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It's an art.

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It's something that you want to create and maybe you want to change.

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Now, if I go for the high colors here, they're going to take some time.

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Here you are.

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It's really a lot of this this is not the real image, guys.

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This is the image.

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There is practically no difference here.

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They can even expand this one now, make it all together and work on it.

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It's going to give you great results here.

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It depends on what you want to do.

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I'm going to go for the low color because it somehow gives us better results so we can believe this

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is not the real image.

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Much better now because we can see that is really racialized and somehow we can see the path.

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Now, within here, you notice the number of colors, if you like this one, it has 85 colors.

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This is high pass or high colors, if you like.

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This is now low.

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It has 30 colors.

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This one has 85 colors.

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You can reduce the number of colors, something that is, you know, not so advanced to do, and it

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will recalculate and gives you the colors.

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I like this one very much.

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Let's do this one, not high color, but we're going to take it to.

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And now reduce the number of callers I have only 16 callers I can reduce to 10 callers just to show

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you and is going to go again.

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Now, if you look at the difference in art itself, this is not bad at all, but I do sincerely love

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this one.

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It has more mysterious.

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Now, after playing here, playing with your cars and saying you have an infinite number of details

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you can play with, let's see what we can do with this image.

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Now, first thing you want to do.

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I'm going to use this one because I like it.

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Is to expand, expand means, turn everything into park or fields, if you like.

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It has expanded the image can do the same for here, I'm going to expand it, let's work on this one,

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close the image.

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We don't want any more.

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The first thing is to select the direct connection tool.

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Not just now, I can select the background, which is totally useless.

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I'm going to delete it.

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Same for here.

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This is somehow the control, not the background.

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I'm going to delete it.

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So I have only this.

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Let's start with this one, I can select a colour and I can change the color.

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Now, if I come over here, I can change the color.

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If you select everything and change the color, one feel is not going to give you any good results,

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just a silhouette or something like this.

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So it will change the color of this guy.

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I'm going to undo keeping my selection.

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I'm going to go select and ask him to select all the path that have the same feel.

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It's fit color here.

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So there are many then I can change them to a brighter color, for example, even more bright, something

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like this, not this, you changed all the image.

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That's pretty good.

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You can do the same here.

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I don't know if you're going to find colors because this one had a lot of colors.

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Select a seam fit colors.

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Not it doesn't have.

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There is a lot of color variation here.

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I'm going to do this, and now obviously you can come over zoomIn, if you like, and decide, OK,

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this year I don't want it.

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Let's go for this election to.

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Like this ship and go inside the group over here and delete it, for example, or, I don't know, change

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its color.

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We did that.

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And maybe to play this one differently, it's quite intense here for you to work with, but you can

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really work it out.

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Let's take this path and this path and maybe we can come to the shipbuilders tour and merge them.

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I might select this shape and shift, select the other one, use the ShareBuilder to just match the

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colors if you want to, and maybe I'll select also this one.

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I command you to do the selection of the plus and maybe this guy.

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And this guy and then use the selection tool to match everything, all the selected.

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And it is everything, it's about changing your artwork.

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Now let's play a game which I love very much so we can exit.

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Now I'm going to direct all of them and go to the color game in Ghasem Incontrol, plus actually put

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two of them at the same time and go to a recolour.

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And that's the number of colors that are here.

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Pretty impressive, right?

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And let's change from nine to corporate colors, for example.

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No color properties and take the cool.

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And this is pretty cool.

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I see the same here and select here, all of them and go red color and also select the same one that

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is color properties and cool take.

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The first choice is not the first choice, but I think it is.

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Yes, it's the first choice here, not is the difference, what's your art, what's your style, what

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you want to create?

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How do you want to play with it?

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How do you want to.

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Try something else.

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Going to make a copy of this, that's one single group I'm going to make a copy over here.

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Just put it like this and recolour, and now I'm going to take something very interesting.

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I hope so.

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Which is where all the good stuff.

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Yes, well, that's fantastic.

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I can assure you, if you change this one, you will not get a very good one going to select again and

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duplicate it.

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And from kids stuff I'm going to recolor go back to kids stuff.

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And change.

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Now it's changing, very nice.

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Somehow nice, that's very nice.

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That's even nicer.

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This is pretty cool, guys, actually, similar to this guy is go for the saturation or.

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And then she's more.

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Very nice.

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That's a very nice outlook.

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And now you have something awesome that you can work with and really blossom your creativity.

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I hope so.

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This to images and to play with them.

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I admit I have taken a very difficult example here.

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You know, this dog was a lot of refined things, but they end up to be quite cool on the other side.

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And you can now add it is removed.

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It is.

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And to your water.

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And, you know, creativity is very important.
