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Hey there, in this video we are
going to use Illustrator...
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to make this kind of semi flat design.
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We'll use these icons on the left
to get started.
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Then we'll do some more interesting things
with the App Design on the right.
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Let's go and learn how to do that now
in Adobe Illustrator.
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First up, open up the icons document
in your exercise files.
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What we're going to do is,
we're not going to--
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these icons here,
we're not going to kind of...
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3D rotate them at the same time
as these guys.
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We want these to have an extreme depth.
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We want these guys just to
kind of plaster to the top.
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So first of all I'm going to
select all these circles.
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So I can hold 'Shift' and keep clicking,
so I'm going to do that.
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I got them all selected.
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What we're going to decide now
is the effect you want.
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So if I go to 'Effect', '3D',
and go to 'Extrude & Bevel'...
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when they're not grouped...
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turn Preview 'on'.
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What ends up happening is,
these guys rotate, but kind of...
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irrespective of the kind of total group--
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let's have a little look.
I'll switch it this way around.
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They're just kind of doing their own thing.
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I'm going to do a little screenshot here
so you can see what I mean...
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because if I hit 'Cancel'...
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and say I'm going to group them first,
and go to 'Effect'--
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 Actually I'll bring in that graphic,
that's my screenshot.
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We could use the magic of editing, Dan.
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No, must do it all here.
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So I've got this background,
I've grouped it, the difference is...
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if I go to '3D', and go to
'Extrude & Bevel'...
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and I do the exact same thing;
turn Preview 'on'.
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Can you see, they are now...
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there's more of an Isometric group.
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I'll rotate you around.
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Can you see the kind of...
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know where eachother are in the world, whereas these are all individual.
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Hopefully you get the idea.
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So decide where you want to do it,
where you want these things to lay down.
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Decide on the depth, I'm going to
have mine quite thin.
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Try to forget looking at
all the random circles everywhere.
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I'll kind of try and steer through them.
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So once you got a kind of how you want,
you can decide as well--
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At the moment I'm going for this
kind of linear flat, semi flat...
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Isometric kind of drawing,
where there's no perspective.
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You could though go into here, and say...
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actually I want Perspective,
and crank it up.
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So there's this kind of full depth.
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You can play around with the lighting
as well, and how this works...
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but at the moment I'm going to
turn 'off' the Perspective...
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and have them like this.
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I'll move mine right back to the top.
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So we're kind of there.
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Now we need to do the same thing
with the icons...
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but the icons use a different mode,
so not using Extrude.
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What we do need to do is,
remember, these angles.
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I'm going to take a screenshot
of this, again...
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using my, if you're on a Mac,
it's 'Command-Shift-4'.
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You can drag a box around that.
Ends up on your desktop.
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On a PC I think it's just 'Print Screen'.
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You can just paste it into Illustrator.
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Either way, let's click 'OK'.
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We need to make sure these guys
are grouped as well...
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if you've grouped the background.
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So we've grouped the circles,
so we also need to group the icons...
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which I've already done for you.
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So, the slight different effect is...
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'Effect', '3D', we're
going to use 'Rotate'.
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Turn Preview 'on'.
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What we need to do is
match what we had before...
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and I didn't bring in
that extra screenshot.
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Let's grab a screenshot.
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You, 'Effect', '3D'.
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'Rotate'.
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Preview 'on', and just type out these,
this one's '36'.
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'-35'.
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'18'.
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If you had Perspective, which we don't,
you can match them as well.
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I'm going to click 'OK'.
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You can see now, they match
the background stuff.
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We might have to do just
a little adjustment...
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to get them right in the center there.
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That's how to do semi flat icons.
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Now, what I'll quickly do though is...
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we'll do a Shadow on it,
then we'll get into...
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that thing you saw at the
beginning of the application.
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So skip over here if you don't
want to learn how to do a Shadow.
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So what we're going to do is,
I just want the circles.
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I'm going to make a duplicate of it,
because I don't want--
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We're going to fake a shadow.
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You could use the Drop Shadow Tool.
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I find I never get good success with that.
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So 'Effect', 'Stylize Shadow',
if you want to do that.
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What I'm going to do is, first of all
expand these, because the--
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they're driving me mad,
so 'Object', 'Expand Appearance'.
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Now I want to join them all up.
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To join them all up we need to
make sure they're not grouped...
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so I'm going to click off
in the background.
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And you are all grouped,
so I'm going to right click, 'Ungroup'.
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They're ungrouped, these guys are grouped.
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So I'm going to select them all,
ungroup them again.
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What are we left with?
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Now it's a kind of a testing.
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So they're all ungrouped, I know
this is probably not going to work.
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So grab my 'Shape Builder Tool',
and drag a box around them all.
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It meant to join them all,
if it doesn't do that...
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it just means some of the parts,
like this guy here is--
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right click, 'Release Clipping Mask'.
There's some--
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3D ends up with some artefacts,
so I've got all these guys.
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If you're doing it with squares...
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I tested this before,
it didn't have this problem.
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'Release Clipping Mask'.
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You might have to do some ungrouping,
releasing Clipping Mask.
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Now I've got them all,
Shape Builder Tool
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Fill color, I'm going to pick black.
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I'll hold the 'Shift' key down,
just drag them all, and hopefully...
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it's going to stem into one giant thing.
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So now what I want to do, I want
to group them, just for no good reason.
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Grab the right tool, the Black Arrow,
I'm going to put them just underneath.
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This is what I'm doing for Shadows.
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And with them selected, under 'Effect'...
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I'm going to go to 'Blur',
and I go to 'Gaussian Blur'.
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Turn Preview 'on', and just adjust
this radius until you feel happy.
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It's going to be too dark to start with.
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I want kind of a light one there.
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You can either play with the Fill color,
or the Opacity...
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and just turn it down, so it mixes well
with the background.
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What you also might do
is play around with...
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under 'Opacity', under these Layer Modes...
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you might find one of these that works
better with the thing underneath.
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Ours is going to work just fine
under 'Normal'...
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because we have a really
flat background color.
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How much do we like those?
Not sure.
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I'm going to try and find these guys.
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We don't mind, we just want
to get on to the next bit.
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Let's get on to the next one.
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The next one is...
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I've made an Artboard, and I've kept it
quite far apart from the first one...
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just because, remember,
flipping things around...
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we need a little bit of extra room.
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I'm going to bring in the App mockups.
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Now I've mocked these up
in a program called Adobe XD.
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You can mock them up in Illustrator
or Photoshop, it doesn't matter.
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But I've done this job,
now I want to kind of...
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make this Isometric laid down thing.
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So I'm going to bring in all four images.
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It's in your 'Exercise Files',
under 'XD Mockup'.
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Bring him in, click once, twice,
three times, four times.
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Now, 'Black Arrow', click off.
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I want you, I'll use him later on.
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These three guys I would like
to lay out now.
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I'll use my shortcut, remember,
I'm selecting all of these.
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'Command-Function-F12'
is my 'Distribute these Centers'.
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So to get started, I want to group these...
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 because I want them to be kind of
operating together.
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Then we go to 'Effect', '3D',
'Extrude & Bevel'.
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Turn the Preview 'on'.
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Because we're using images now,
and not just vector...
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it is going to freak out
your computer a bit.
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So if you're finding it really slow...
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you might have to go and close down
every program you can...
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to kind of try and facilitate this.
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So I'm rotating it around...
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I've got a little bit
of Perspective in this one.
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How much?
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Cursor in there, just using my up arrow.
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Little bit of Perspective.
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See, it's taking its while to catch up,
because it is--
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168
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I'm just going to type it in.
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I'm trying to record using 
screen capture software as well...
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which is stressing everything out,
3D, it's all going nuts.
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So that's what I really want to do,
a little bit of Perspective...
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172
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and get the angles how you want them.
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I'm not sure I'm happy with them yet.
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Yes, looks good.
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So don't want more Perspective.
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176
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So let's click 'OK'.
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177
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Next thing to do is, either Drop Shadows.
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178
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We'll now as well do the Drop Shadows now
before we do this thing.
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It's essentially the same as this first up.
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I'll show you a couple of extra tricks
as we go.
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181
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It's worth hanging around for.
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182
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So what I'm going to do is
duplicate these guys.
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Duplicate these guys, so I've got
an extra copy. Get that guy out of the way.
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184
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And we're going to-- remember, exactly like
we did before.
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185
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And I go to 'Object', 'Expand Appearance'.
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186
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So they're no longer editable 3D.
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187
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And what we'll also do is, 
right click, ungroup.
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188
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We want to use the same trick 
as we did before.
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189
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I'm right clicking, ungrouping.
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190
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There's probably going to be some
tricks we need to do.
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191
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I've ungrouped them a few times, 
let's give it a whirl.
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192
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Let's go to Shape Builder Tool.
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193
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Hold 'Shift', and say, 
"All of you fellows join up."
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194
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And all undid, except for the one
I didn't select.
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195
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Awesome!
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196
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This, I'm going to give them all
a Fill color of black.
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And what we're going to do is...
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198
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there are some bits underneath.
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199
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It's kind of weird when you work in 3D...
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200
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there's all sorts of Clipping Masks, 
and bits going on.
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201
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I don't need you, just want you three.
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202
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And I group them, then I go to
my cheap Drop Shadow trick.
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203
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'Effect', 'Blur', 'Gaussian Blur'.
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204
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'Preview'.
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205
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It works for me.
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206
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And I'm going to stick them underneath.
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207
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And what I'll do is lower
the opacity in a second...
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208
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once we get the other image underneath.
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209
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So now this guy, I need to work out
what angle to put him on.
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210
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I didn't take a screenshot,
so I can go back in...
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211
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select it, click on '3D Extrude & Bevel'.
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212
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Now, screenshot.
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213
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'File', 'Place' that screenshot.
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214
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You're thinking, "It better be
worth me hanging around."
214

215
00:10:23,683 --> 00:10:25,940
Because it's the same thing over,
kind of is.
215

216
00:10:26,308 --> 00:10:29,128
There's a gem at the end, I promise;
skip to the end.
216

217
00:10:29,815 --> 00:10:31,276
So we're going to go to 'Effect'.
217

218
00:10:32,386 --> 00:10:34,073
We're going to go to, not that one...
218

219
00:10:34,698 --> 00:10:37,800
'Effect', '3D', and we're going to 
go to 'Rotate'.
219

220
00:10:38,323 --> 00:10:41,331
And in here, I'm going to copy, '59'.
220

221
00:10:41,886 --> 00:10:44,026
'-26', '8'.
221

222
00:10:44,308 --> 00:10:46,339
And the Perspective was '25'.
222

223
00:10:46,714 --> 00:10:48,674
I'll leave Preview off,
stop it freaking out.
223

224
00:10:48,699 --> 00:10:49,932
I'm going to try and adjust it.
224

225
00:10:52,026 --> 00:10:54,477
All right, you, done your job.
225

226
00:10:54,579 --> 00:10:57,547
And you should be the same Perspective
as this stuff.
226

227
00:10:57,915 --> 00:11:00,204
What I might do is just scale it up.
227

228
00:11:01,111 --> 00:11:03,266
I'm going to crop it at the end.
228

229
00:11:03,430 --> 00:11:05,229
Scaling it up freaks it out.
229

230
00:11:09,508 --> 00:11:12,703
If you're wondering how to speed up,
if you're doing a lot of this...
230

231
00:11:12,728 --> 00:11:15,735
there's a whole video series
on how to speed up Illustrator.
231

232
00:11:15,760 --> 00:11:19,117
In this case it's going to be 
'Effect', 'Rasterize Settings'.
232

233
00:11:19,391 --> 00:11:20,500
That will--
233

234
00:11:21,047 --> 00:11:23,657
At the moment we're doing it too high,
they're 300dpi...
234

235
00:11:23,969 --> 00:11:25,477
but I'm just dealing with it.
235

236
00:11:26,697 --> 00:11:29,719
I'm going to push this to the back.
236

237
00:11:30,766 --> 00:11:33,766
What I might do with this is,
I'm going to crop it all out in a second.
237

238
00:11:34,377 --> 00:11:35,680
There's a couple of things I want to do.
238

239
00:11:35,938 --> 00:11:39,570
One is, I want to move these guys
so they're kind of just off screen.
239

240
00:11:39,595 --> 00:11:43,352
So you, plus--
it's a little hard to grab.
240

241
00:11:44,258 --> 00:11:46,282
So you fellows, I want 
to be a little bit bigger.
241

242
00:11:47,290 --> 00:11:48,641
Prepare for freaking out.
242

243
00:11:50,735 --> 00:11:52,821
Scanning is the worst offender.
243

244
00:11:53,813 --> 00:11:56,594
I want to come off. It's really even hard
to see my Artboard now.
244

245
00:11:56,836 --> 00:11:58,969
I wanted this kind of effect,
you saw at the beginning.
245

246
00:11:59,352 --> 00:12:00,547
Cool, my Shadows.
246

247
00:12:01,076 --> 00:12:02,725
A couple of things we didn't do.
247

248
00:12:02,943 --> 00:12:05,006
One was, in my Shadows here...
248

249
00:12:05,031 --> 00:12:08,787
I just left-- so I'm trying to get
a hold of my Shadows underneath.
249

250
00:12:09,584 --> 00:12:10,771
There they are. Cool.
250

251
00:12:12,357 --> 00:12:14,263
I'll lower the Opacity,
or you can go--
251

252
00:12:14,288 --> 00:12:16,935
because there's something underneath it now
we can go to 'Opacity'...
252

253
00:12:16,960 --> 00:12:19,607
and have a look at some
of the Blending Modes.
253

254
00:12:21,169 --> 00:12:22,709
Soft Light's probably going to work.
254

255
00:12:25,779 --> 00:12:27,654
Maybe not what I wanted.
255

256
00:12:28,357 --> 00:12:29,318
Overlay.
256

257
00:12:31,623 --> 00:12:33,318
Dan, you should have practiced this first.
257

258
00:12:33,615 --> 00:12:37,395
I'm going to go back to 'Normal',
and just turn the Opacity down.
258

259
00:12:40,274 --> 00:12:41,266
Yes, looks good.
259

260
00:12:42,998 --> 00:12:44,600
You're waiting for the secret trick.
260

261
00:12:44,867 --> 00:12:48,453
So what I'm going to do is
draw a big rectangle out the back here.
261

262
00:12:48,547 --> 00:12:50,406
I'm going to lower the opacity,
because I want...
262

263
00:12:52,094 --> 00:12:55,695
I want this background image to be
not as strong as these.
263

264
00:12:55,720 --> 00:12:58,492
So I'm going to send it backwards until..
264

265
00:12:59,671 --> 00:13:02,535
I've kind of--
maybe it's a bit too dark now.
265

266
00:13:07,067 --> 00:13:09,426
If I've lost you with this 3D mess here...
266

267
00:13:09,473 --> 00:13:11,005
it's okay, I'm a little lost myself.
267

268
00:13:11,030 --> 00:13:12,528
Basically I wanted this gray box...
268

269
00:13:12,560 --> 00:13:17,245
to make this big shape at the background
just a bit darker...
269

270
00:13:17,270 --> 00:13:19,566
so that these apps which
are that kind of focused...
270

271
00:13:19,591 --> 00:13:21,271
seem a bit more in focus.
271

272
00:13:21,598 --> 00:13:22,739
We'll speed this up.
272

273
00:13:24,402 --> 00:13:25,308
Hates it.
273

274
00:13:25,333 --> 00:13:29,583
So, the trick that I was holding
at the end here...
274

275
00:13:29,608 --> 00:13:32,051
it's kind of a nice trick when
you've got really busy stuff here.
275

276
00:13:32,076 --> 00:13:34,294
We were all confused,
what's masked, what's not.
276

277
00:13:34,319 --> 00:13:36,161
I wanted to just clip it down 
to the Artboard.
277

278
00:13:36,364 --> 00:13:37,811
There's a cool trick in Illustrator...
278

279
00:13:37,836 --> 00:13:40,108
if I draw a box the same
shape as my Artboard...
279

280
00:13:43,005 --> 00:13:44,005
that was pretty close.
280

281
00:13:45,222 --> 00:13:46,510
If we go to our Layers panel...
281

282
00:13:46,535 --> 00:13:49,198
what we'll do is select
everything on this Artboard here...
282

283
00:13:49,223 --> 00:13:51,708
and we'll put it on its own Layer,
so I'm going to make a new Layer...
283

284
00:13:51,895 --> 00:13:54,294
I'm going to drag this blue dot,
the green dot...
284

285
00:13:54,473 --> 00:13:57,208
and now I want to have three,
let's lock this old Layer.
285

286
00:13:58,145 --> 00:14:00,481
That's these guys that we're
working on over here.
286

287
00:14:01,012 --> 00:14:03,044
Now if I twirl down this Layer...
287

288
00:14:03,153 --> 00:14:05,903
and I make sure that new rectangle I drew
is at the top.
288

289
00:14:06,145 --> 00:14:09,606
Here he is, along the top,
if he's not, just drag him up.
289

290
00:14:10,044 --> 00:14:13,106
And the cool thing about it is,
if you click the word 'Layer 3'...
290

291
00:14:13,131 --> 00:14:14,908
you donât click anything else, 
click 'Layer 3'...
291

292
00:14:14,933 --> 00:14:16,122
and there's an option here.
292

293
00:14:16,147 --> 00:14:18,356
This is 'Make Clipping Mask'.
293

294
00:14:18,474 --> 00:14:21,817
Just a cool thing where it makes
everything on that Layer...
294

295
00:14:21,849 --> 00:14:24,816
it takes that first object,
and turns it into a Clipping Mask.
295

296
00:14:25,691 --> 00:14:28,770
My box wasn't quite ready there...
296

297
00:14:28,803 --> 00:14:31,090
but this might be something--
it's quite useful...
297

298
00:14:31,145 --> 00:14:33,681
 because you might have seen this in--
298

299
00:14:34,396 --> 00:14:37,840
What's really nice as well, they're all 
still kind of individuals in there.
299

300
00:14:37,903 --> 00:14:40,106
So I can grab the Shadows
in the background here.
300

301
00:14:40,131 --> 00:14:40,963
I'm not going to move it...
301

302
00:14:40,988 --> 00:14:43,200
because that thing there takes
forever to move around...
302

303
00:14:43,403 --> 00:14:45,801
but they're all kind of just hiding
through this window.
303

304
00:14:45,826 --> 00:14:47,450
We're not having to do it
for every shape.
304

305
00:14:47,482 --> 00:14:50,551
If you're like me, in the past you would 
have just drawn like...
305

306
00:14:50,730 --> 00:14:54,160
you would have five boxes, and then
Clipping Masked all at separate parts.
306

307
00:14:54,185 --> 00:14:56,333
So this way is just a 
nice little extra trick.
307

308
00:14:56,358 --> 00:14:58,051
Worth waiting for?
308

309
00:14:58,333 --> 00:15:00,903
I hope so, but anyway...
309

310
00:15:02,044 --> 00:15:03,583
I'm not super happy with my layout...
310

311
00:15:03,608 --> 00:15:05,277
but you're all watching me 
the whole time...
311

312
00:15:05,309 --> 00:15:07,457
so I can't even get a chance to kind of...
312

313
00:15:07,661 --> 00:15:10,505
stick the tongue, and go,
"Yes, I want a bit more of this."
313

314
00:15:10,530 --> 00:15:13,488
And the patience with the 3D Revolve...
314

315
00:15:13,723 --> 00:15:15,794
I guess, because we're videoing.
315

316
00:15:15,819 --> 00:15:17,044
I don't need that anyway.
316

317
00:15:18,211 --> 00:15:21,289
That's it for this one,
let's look at the--
317

318
00:15:21,438 --> 00:15:22,703
Let's go on to the next video.
