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Hey there, it's Shadow time.
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We are going to do
three kinds of shadows.
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We are going to do Lane Drop shadows,
we're going to do Flat shadows...
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then we're going to do 
some Fady shadows.
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All very technical names.
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Let's go learn how to do those now
in Adobe Illustrator.
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You can use, obviously, any object
if you want to play along.
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Open up 'shadows.ai'
from the 'Exercise Files'.
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There's three kinds of shadows, right?
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There is this, just typical Drop shadow,
so I've selected it all.
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Over here, under 'Effects',
there's one under 'Stylize'.
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There's one called 'Drop Shadow'.
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If you're using an older version 
of Illustrator...
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it's under 'Effects', 'Stylize'.
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Turn Preview 'on', and you get
amazing Drop shadow.
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It's not amazing. Often I turn it 
right down when I'm using it.
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Kind of something really small and low,
just to give it a bit of depth.
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Let's say we want a Long shadow.
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We'll just do a long hard shadow,
then we'll do a soft shadow.
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I'm going to make a duplicate down here,
so I can come back to him.
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What I'd like to do is,
I'm going to pick a background color.
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Actually I'm going to use
the 'Eye Dropper Tool'...
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and pick the background...
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so use the same color.
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Then we go to 'Fill',
and just darken it down a bit.
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You can see, I'm using the 'HSB'.
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I find them easier to use,
just going to make it a little darker.
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Next thing we're going to do is
move it down a little bit.
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So we're going to go to 'Object',
'Transform', 'Transform Each'.
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This means I can move it down 1 pixel,
across 1 pixel.
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This means it's going to go
to the right, and down.
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You can go negative 1, '-1', 
and negative up...
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and it will go up and left.
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So do that, click on 'Copy'.
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We got two versions of it now.
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I'm in Wireframe Mode.
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'Command Y' on a Mac, 'Control Y' on a PC.
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I'm going to go back up,
'Command Y'.
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I'm just going to repeat that.
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The shortcut is 'Command D'.
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The long way is somewhere, there it is,
'Transform Again'.
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So just do that thing I just did again,
you can see, it just slipped it out.
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You'll see that there's a little bit
of an edge on it.
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So if you want there to be less edge...
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there's just no way around other than 
drawing it to get an edge.
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Now what you can do is,
we did 'Transform Each'.
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We did 1pt, you can do 0.1
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The only trouble is that
it's going to take a while.
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I'll show you what I mean.
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'Command D' is repeat,
remember, 'Control D' on a PC.
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I'm holding that key down,
and it's even taking a while.
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I'll get the editor to speed it up.
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All right, didn't take that long,
but long enough.
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So that's our shadow, right?
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I'm going to grab this. 
I'll show you how to fix it up...
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but this is basically what we do.
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You do them in small increments
if you've got the time...
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and you're more worried about the edge.
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I'm probably worried about it enough
to maybe turn it down to half a point.
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Next thing we want to do is
probably trim it all up...
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because at the moment it's--
if I go to 'Command Y'...
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it's a bit of a mess in terms 
of its vector.
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So what I'll do is, grab this, undo him...
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you go back to where you were,
just join this all up.
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We've been using the Shape Builder Tool 
throughout this course.
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If you click on the Shape Builder Tool now,
it's going to have a seizure.
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It just doesn't like so many shapes.
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So we're going to use
the more traditional Path Finder.
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If you can't see it over here,
you got to select all of this...
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with the 'Black Arrow', you go to
'Window', 'Path Finder'.
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I'm going to click on 
this first option, 'Unite'.
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It's still going to take a while.
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Not as long as Path Finder.
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And if you've got more,
say you've done 0.1...
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to get it really nice and smooth 
on the edge...
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it's going to take forever.
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Go get a coffee.
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Oh yes, let's speed this up.
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Barely needed to speed that up.
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Other thing I might do is...
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I'm going to grab this,
grab my 'Rectangle Tool'.
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Drag it out so it matches
the Place Board.
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And I'm going to now--
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because this is all united,
now I can work with my Shape Builder Tool.
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'Shift M', remember?
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And I'm going to delete that chunk,
that chunk, and that chunk...
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and just kind of make it
look a little nicer.
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I drew a bad rectangle,
but you get the idea, right?
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Send him to the back.
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That one was with the hard shadow,
let's do a soft shadow.
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We'll look at Blending Modes.
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We're going to kind of just
touch on Blending Modes now.
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We're going to look at Blending Modes...
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in its full entirety in another section 
in this course...
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but for the moment let's do it
for the shadows.
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I'm going to make a copy of this guy
down the bottom here.
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Copy, even.
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Holding 'Alt' while I'm dragging it.
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There's a couple of things I need to do.
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I need to change the color
of both of these...
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then group them before I start moving on.
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So first of all I want to
grab my Eye Dropper Tool.
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The background color, I want it
to be a slightly darker version, right?
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I'm going to now hold down 'Alt' key 
on a PC, or 'Option' key on a Mac...
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and drag this second version.
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But I want him to actually be
the exact background color.
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So it's not going to really fade out 
with opacity, that doesn't work.
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We need to just match
the background color.
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So next step is-- I got them the 
right colors, but they need to be groups.
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So they're all separate, so I need to go,
you my friend, is a group.
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'Command G' on a Mac, 
or 'Control G' on a PC to group them.
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The other thing is that
this guy needs to be at the front...
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because it's going to be heading backwards.
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At the moment he's the
second guy that got made.
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So he's at the front,
and it looks a bit weird.
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So, you my friend, 
'Arrange', 'Bring to Front'.
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So they're grouped, the right colors,
and they're in the right order.
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Now we just blend them.
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So under 'Object', we go to 'Blend',
we say 'Make'.
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By default, you're just getting
one guy in the middle.
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You need to increase that blend.
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So we're going to go 
to 'Object', 'Blend'...
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and we're going to go to
'Blending Options'.
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In here, I'm going to go to
'Specified Steps'.
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How many steps in between?
At the moment we got one.
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And the higher it is,
the kind of nicer the edge...
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but they're more stressed out,
you're computer's going to bleed.
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So play around, this will
really depend on...
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your Artboard size, and how 
far apart things are.
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Turn 'on' Preview, and let's test '100'.
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You can see, it's quite jagged at the edge,
like we did here.
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How high?
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300's looking pretty smooth.
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Let's click 'OK', 
let's click off in the background.
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And there's our Shadow.
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Let's add this guy back on.
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Move him to the front.
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And yes, that's it.
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Couple of things you might want to do.
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At the moment this is like
an active Blending Mode...
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which means I can do things like this.
I can double click it to go inside.
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I'm in Isolation Mode.
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Click on this one guy, the bottom one,
I can just move him around...
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depending on how I want
this thing to look.
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And to get back out,
I just double click the background.
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Next thing I might do is expand it,
because this is like an active effect.
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I can go to 'Object', 'Expand'.
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Well, 'Object', 'Blend', and say 'Expand'.
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They just kind of turn into
all those shapes.
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We can't swoosh it down
like we did this other one...
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because they're all different transparency,
so it's a little bit problematic that way.
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152
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But let's say I want to trim it now.
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You could trim it using Blending Modes...
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or expanding like we did here.
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I'm going to select you, grab you.
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I'm just going to hold 'Command 7' 
on a Mac, 'Control 7' on a PC...
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and just send it to the back.
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There we go.
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So it's all trimmed up and nice...
and ready to be exported for whale stuff.
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Let's move on to the next video.
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That's it for Shadows.
