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Hi there, in this video 
we're going to make...
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this rather hypnotic repeating pattern
in Adobe Illustrator.
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We're going to look at some more
advanced features in this video.
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Also do things like this where we
get it to kind of map around.
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That's meant to be a pocket.
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It's a terrible pocket.
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This is where we're going to pull it,
and really kind of whoop it.
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We'll show you how to 
do that now in Illustrator.
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First up, open up 'patterns.ai'.
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They're in your exercise files.
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You don't have to, these are just some 
shapes we're going to use as an example.
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You can totally use your own.
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You can't use these particular ones
for any other work...
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 because they are stock library images...
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made by the handsome Robert Filip.
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Spelt F-I-L-I-P.
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So you can go to stock.adobe.com,
and buy those if you want to use them.
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What we're going to do is select them all,
and just move them off to the edge.
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We're going to build our very first...
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kind of repeating thing like you saw
at the beginning there.
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We're just going to 
make some sort of thing.
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Plain old Layer order, 
and just getting started.
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Now, my advice always is to...
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not spend too long kind of doing it here,
to jump straight into the Pattern Tool...
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because you'll find that
things just look different...
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once they're actually getting repeated.
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So get started here, 
get some sort of thing going.
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Once you're ready, select them all.
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You need to go to this thing here,
'Window'--
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This is the most insignificant name
for that most awesome tool.
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It's called Pattern Options.
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You never click it...
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but this option, this thing opens...
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and doesn't look it's usable, click on 
this option that says 'Make Pattern'.
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It's a bit of a weird one to get going.
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It says it's put a Swatch in my
Swatches Panel, over here.
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You can kind of see a tiny version
of it here in my Swatches Panel.
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Now, it's the Pattern making time.
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We need to give ours a name,
we're going to call ours 'Retro'.
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Couple of things before 
we start playing around...
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with sizes, width, and things.
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It's that I don't like it 
when it dims these extra copies.
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Let's turn that off, 
I'd like to see it, natural fact.
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Other things we'll turn off and on is,
we'll leave the Tile Edge 'on'...
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and we'll turn the Size Tile to Art 'off'.
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Move Tile with Art 'on'.
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Just follow me, I'll explain it 
when we get out of here...
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why we do all these things.
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Turn those on and off to match mine.
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Now we're going to play around with this,
the important part...
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which of these ways--
there's no right or wrong way.
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I end up always using Hex though,
Hex by Row or Column.
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Gives me the best kind of feel 
for what I want.
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Doesn't matter, just find something
that works for you.
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I'm going to start by 'Hex by Column'.
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Now what I want to do is, decide, kind of--
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There's two things I can do.
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Say I want it to come in tighter,
it's easy to use this tool here.
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'Pattern Tile Tool', click on that.
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And I'm going to grab one of the corners,
hold 'Shift'.
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Just kind of shrink it down, so that 
it resizes, and gets in tighter again.
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Up to you, I'm going to undo;
didn't like that...
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but that's the way to do it.
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What I'm going to do is
start rearranging this stuff...
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to kind of start maybe looking better.
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Start filling this gap better,
you can play around with size and scale.
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Just like you're working 
in Illustrator, okay?
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Now you can also bring other
new parts in.
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You don't have to really decide 
at the beginning.
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Let's say I-- 
what we want to do--
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It's kind of weird, right?
Click on 'Done' to get out of here.
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Couple of weird things happen as I--
it's all gone.
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These things here under Pattern
are just kind of--
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These guys are useless now, we're going to 
use this but we don't need them anymore.
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Let's say draw something else,
we draw an Ellipse.
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And we draw-- 
I steal colors from this.
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I'm going to draw a couple of them,
and just scale the colors.
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Pretty exciting, Dan. Nice work.
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I'm going to copy them--
they're useless now again.
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What I'm going to do is
jump back into that Swatch.
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You just double click it over here 
in the Swatches Panel...
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and it comes back to life.
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You're inside kind of 
no man's land in here.
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Now I can paste him in.
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I could have actually just drawn
him in here, couldn't I?
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I'm doing this.
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Why? Because I just want to fill it in 
with just some no man's land gaps here.
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Then I just want to put in--
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We can play with the Layer order.
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Kind of happy with that one.
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So once you're happy with everything
there's a couple of things we need to do.
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Let's click done.
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Let's apply it now, because that
actually doesn't exist anywhere.
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I'm going to go to 'Rectangle Tool'.
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I'm going to grab a nice big rectangle
to cover the background...
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and connect there.
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Mine by default has filled it,
yours might not.
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You might click on this as well,
you might be like--
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Yours might be filled with, say white.
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And you might click on 
the 'Swatch' to fill it, and you go 'Fill'.
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It does it all the time, can you see, 
it's actually filled the Stroke.
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There's a tiny pattern around the outside.
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So make sure the Fill here has no Stroke.
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Sorry, the Stroke has no Stroke, 
and the Fill is this guy.
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You probably do it over here, Dan;
just easier.
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Click on 'Fill', 'Stroke,
have no Stroke.
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So those .options I kind of
talked about earlier...
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let's discuss those, and what they mean.
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One of the option that says
Resize to Tile Art.
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It just means that when I resize this...
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it resizes, it comes along for the ride.
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If you have that ticked...
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it will try and stay the right size.
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That's fine, there might be
a reason why you want that...
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but it doesn't really matter
because you can do it afterwards.
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Let's have look at that.
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There's kind of two uses.
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Let's say this is a repeating pattern,
and say you're a Fashion Designer...
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and you want resize something down...
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say you're making a pocket, or an insert,
something smaller...
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but you donât want the pattern to resize,
because it can't...
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it's the fabric pattern, and that's done.
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You can't resize it, right?
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So what you can do is...
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you can turn it on and off 
by going to 'Window', 'Transform'.
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And in here there's some sneaky options
in the Burger menu.
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And it's this group here.
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By default it's on both.
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It means, when I transform the object,
which is the rectangle...
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it transforms the pattern as well...
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but you can say, 
actually I just want to transform...
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when I'm transforming, just the object.
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Now we scale it down.
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You can see, it just scales the object, 
not the pattern...
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so that might be useful for you.
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The only trouble with that 
is that it's on forever.
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So you've got to make sure 
to just turn it off.
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I go in and turn it off again 
because it causes--
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later on you get a headache,
and you're like, "What's going on?"
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So turn that back on.
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The other one is Transform Pattern Only.
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Say I want to resize the pattern, 
but not the box.
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This doesn't do what you expect.
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Does both again, and you're like, "Hmm."
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What that kind of means is that...
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you have to transform the pattern only,
you have to use this box here.
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So the height and width here,
let's say I want to divide it by 2.
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I'm going to click in this other box.
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You can see, I've divided 
the height and width by 2.
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The object hasn't changed, 
it's just the pattern.
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Make sure as well when you're doing that,
that it's linked.
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So does the height and width together.
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Same with the Rotation here, 
I might do 20.
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And because I've got that option
clicked on just the Pattern...
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it's only applying to that.
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So I'm going to click it back to 'both'.
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Another thing you might do is...
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at the beginning, we didn't 
put the background color...
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can you see, the white of the page 
filled the gap.
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You can see here, there's now
a space behind it.
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The gray's coming through.
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Now I find, instead of coloring it before
you get into it, all you need to do is...
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grab this, and put a Fill color, 
let's say a pink...
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and put it behind it.
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Have that when you create your Tile.
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That will add a background color to it.
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I find it's easier probably, not probably--
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I like to have a separate box...
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to kind of show the stock color,
or the color behind it.
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 Doesn't really matter, I guess.
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Another thing we want to do is,
let's have a little look at...
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I'm going to go 'Shift O'
to get my Artboard Tool.
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Hold down the 'Alt' key, drag out...
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or 'Option' key on a Mac,
to get a new Artboard.
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The Artboard Tool's there.
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What I'd like to do now is...
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first of all I want to get rid
of the pink background; goodbye.
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178
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I want to kind of start
distorting this panel.
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179
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Let's say you are doing it for a mock up
of your pattern on something...
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180
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or say you are a designer, 
a Fashion Designer...
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181
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and you want to move it around
the shape of the model.
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So let's look at a couple of ways
of doing that.
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183
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One of the easy ways.
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184
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Let's say you just want to distort it,
let's go to 'Object'. 'Envelope Distort'.
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185
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And we're going to--
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186
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One of the easy ones is
Make with Warp.
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187
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So if you've got kind of
a very simple shape...
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188
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it's going to stress your machine out
a little bit.
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189
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You can see, it's kind of
warped it this way.
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190
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If one of the shapes 
is going to work for you...
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191
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flags, and waves, and things like that,
then you can just use this option.
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192
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You can see, it's kind of destroying the--
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193
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not destroying, it's kind of changing 
your pattern.
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194
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If that doesn't work for you.
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195
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Let's say you want to really control
what it does.
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196
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Let's do two ways,
I can use my Curvature Tool.
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197
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So I'm going to create, say a pocket...
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198
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and I'm going to draw a--
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199
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Make sure your Fill is not in our panel,
else it's going to freak us out.
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200
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So it doesn't really matter what color.
Let's just double click for a corner...
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201
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click once for a curve, 
double click for a corner.
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202
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What we'll do, bit of a curve here.
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203
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Click once for a curve,
double click for a corner.
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204
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Double click for a corner, double click.
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205
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Click once for a curve.
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206
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Here you go, awesome.
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207
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So we've got our ugly looking pocket.
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208
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Okay, that's really bad.
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209
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Anyway, you get the idea.
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210
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You can do a couple of things.
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211
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Let's have the two options, so 'Shift 0'...
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212
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to get my Artboard Tool.
Make another duplicate.
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213
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The first option is -
you might get away with this.
213

214
00:09:44,598 --> 00:09:48,150
- it's selected the two objects,
your pocket needs to be at the front.
214

215
00:09:48,393 --> 00:09:50,557
So select both of them, go to 'Object'...
215

216
00:09:50,752 --> 00:09:54,471
go to 'Envelope Distort', and there's 
an option that says 'Make with Top Object'.
216

217
00:09:54,496 --> 00:09:56,572
Just kind of tries to jam it in there.
217

218
00:09:58,220 --> 00:09:59,377
Again a bit stressful.
218

219
00:10:00,408 --> 00:10:01,884
That might be enough for you.
219

220
00:10:02,058 --> 00:10:05,277
You just let the Shape do the work,
that could be quite cool.
220

221
00:10:05,683 --> 00:10:07,534
Say you want a bit more control.
221

222
00:10:07,567 --> 00:10:09,987
What you might do 
is select on this Background Shape...
222

223
00:10:10,198 --> 00:10:12,047
and we're going to go to...
223

224
00:10:13,300 --> 00:10:16,386
'Object', 'Object Envelope Distort'...
224

225
00:10:16,411 --> 00:10:18,331
and there's one that says 'Make with Mesh'.
225

226
00:10:18,356 --> 00:10:20,010
This is like full custom.
226

227
00:10:20,995 --> 00:10:21,953
3x3.
227

228
00:10:22,278 --> 00:10:25,487
The more mesh you have,
the more detailed you can control...
228

229
00:10:25,512 --> 00:10:26,738
but it's a little fiddlier.
229

230
00:10:26,870 --> 00:10:29,480
So, like a Gradient Mesh.
Looks exactly the same.
230

231
00:10:30,019 --> 00:10:31,839
So I'm going to apply it first.
231

232
00:10:32,495 --> 00:10:34,948
Again, quite a hard core pattern.
232

233
00:10:35,605 --> 00:10:37,951
If yours is even more hard core,
and your machine is old...
233

234
00:10:37,976 --> 00:10:38,955
it's going to take a while.
234

235
00:10:38,980 --> 00:10:40,820
Next thing I want to do
is I want to bring--
235

236
00:10:40,845 --> 00:10:42,466
weirdly I can send him to the back...
236

237
00:10:43,191 --> 00:10:44,159
and that's really fast.
237

238
00:10:44,184 --> 00:10:47,089
If I try and bring the pattern 
to the front, I'll spend ages doing it.
238

239
00:10:47,644 --> 00:10:50,558
What I want to do is actually 
just lower the opacity of this.
239

240
00:10:50,590 --> 00:10:53,120
Don't lower the opacity of the pattern...
240

241
00:10:53,145 --> 00:10:55,292
before you make it a Mesh.
241

242
00:10:56,644 --> 00:10:59,792
It's really hard to turn the opacity 
back up, it's easy this way.
242

243
00:11:00,308 --> 00:11:03,081
I just wanted to turn it down for 
a little bit while I play around with it.
243

244
00:11:03,106 --> 00:11:05,691
I'll use the White Arrow tool
when I'm working with a Mesh.
244

245
00:11:06,300 --> 00:11:08,906
What I might do to get started
is I'm going to select these three points.
245

246
00:11:09,218 --> 00:11:11,253
It's really hard, 
because I picked the blue.
246

247
00:11:11,417 --> 00:11:15,010
I've got a blue kind of pocket,
and I've got a blue Text Style.
247

248
00:11:16,257 --> 00:11:19,089
There's also blue on this layer,
so it's a little bit hard.
248

249
00:11:19,114 --> 00:11:20,620
You'll have to work it out.
249

250
00:11:20,808 --> 00:11:22,730
So I selected just these three guys.
250

251
00:11:24,586 --> 00:11:26,128
And I drag it in a little bit.
251

252
00:11:27,667 --> 00:11:28,846
Give it a second.
252

253
00:11:31,495 --> 00:11:33,870
You can see, it's kind of getting
scrunched a bit at the side there.
253

254
00:11:33,895 --> 00:11:35,277
I'll do the same for this side.
254

255
00:11:35,302 --> 00:11:37,558
So this is just giving you
the kind of customized shape.
255

256
00:11:37,583 --> 00:11:39,956
You can kind of see what's happening,
I can drag it out here.
256

257
00:11:40,097 --> 00:11:41,137
So I'm going to drag it in here...
257

258
00:11:41,162 --> 00:11:43,808
and there's just a little fiddling
around now to kind of push it...
258

259
00:11:44,027 --> 00:11:46,394
the way you want the fabric to fold.
259

260
00:11:47,698 --> 00:11:49,542
It's going to be a lot of messing about.
260

261
00:11:49,753 --> 00:11:52,378
So, say I grab just this one point here,
and drag it in...
261

262
00:11:52,769 --> 00:11:54,043
watch what affects here.
262

263
00:11:57,503 --> 00:11:59,042
I'm going to zoom in,
so you can see it.
263

264
00:11:59,067 --> 00:12:01,145
You got these handles
that control it as well.
264

265
00:12:03,215 --> 00:12:04,330
A little fiddly.
265

266
00:12:04,355 --> 00:12:07,183
I'm going to drag him around,
there's this guy.
266

267
00:12:07,995 --> 00:12:10,042
It's taking a little bit of time now.
267

268
00:12:11,805 --> 00:12:14,438
My machine's pretty hard core,
and it's still taking a lot of time.
268

269
00:12:14,751 --> 00:12:19,266
So we're kind of doing two things
that are really kind of extreme.
269

270
00:12:19,476 --> 00:12:25,328
One is the Pattern, and the other is
using an Envelope Mesh.
270

271
00:12:26,813 --> 00:12:28,173
I'm not going to spend 
too much more time...
271

272
00:12:28,198 --> 00:12:30,680
but there's a lot of-- 
just grab these Anchor Points.
272

273
00:12:30,853 --> 00:12:33,455
It might be that the Mesh is too complex,
I brought 3x3.
273

274
00:12:33,520 --> 00:12:36,174
Maybe if you're doing this now,
try just 2x2.
274

275
00:12:38,110 --> 00:12:41,079
It might give you just enough control
to be able to--
275

276
00:12:41,104 --> 00:12:42,838
watch this, I'm going to really distort it.
276

277
00:12:43,829 --> 00:12:45,071
Breaking it, but...
277

278
00:12:45,181 --> 00:12:48,110
say if you want a bit of a pinched fabric,
or you're matching--
278

279
00:12:48,135 --> 00:12:50,563
you've got kind of, like stock images...
279

280
00:12:50,588 --> 00:12:53,095
and you want to match the
roll and folds of the fabric...
280

281
00:12:53,120 --> 00:12:54,455
you can start pushing this around.
281

282
00:12:54,696 --> 00:12:58,008
When you're done, grab it 
with the 'Black Arrow', have it selected...
282

283
00:12:58,251 --> 00:13:00,649
go up to 'Opacity', and crank it back up.
283

284
00:13:01,024 --> 00:13:04,024
The last thing we're going to do is
'Send to Back'.
284

285
00:13:06,728 --> 00:13:09,251
Again, I should have brought the shape 
to the front, some reason--
285

286
00:13:09,798 --> 00:13:11,345
I'm going to make sure he gets cropped in.
286

287
00:13:11,692 --> 00:13:13,634
So now with them both selected
we're going to hit...
287

288
00:13:13,666 --> 00:13:16,954
'Command 7' on a Mac,
or 'Control 7' on a PC.
288

289
00:13:17,892 --> 00:13:20,821
That just kind of sticks it in the Shape,
and that's my Fabric thing.
289

290
00:13:21,384 --> 00:13:23,040
One last thing you might do is...
290

291
00:13:23,065 --> 00:13:24,715
let's say that you're
actually a designer...
291

292
00:13:24,740 --> 00:13:26,830
and you want to change the
colors that are used in here.
292

293
00:13:27,070 --> 00:13:30,478
A nice way to do it, 'Black Arrow',
I've got it selected, go up to 'Edit'.
293

294
00:13:30,688 --> 00:13:32,014
Go down to 'Edit Colors'.
294

295
00:13:32,039 --> 00:13:34,094
We did this properly in
an earlier tutorial...
295

296
00:13:34,119 --> 00:13:36,095
we're doing the short version here.
296

297
00:13:36,351 --> 00:13:40,493
So, 'Recolor Artwork', 
and jump to 'Edit'...
297

298
00:13:41,142 --> 00:13:44,688
Link all the colors, then you can 
kind of drag this around...
298

299
00:13:44,713 --> 00:13:48,384
move it in and out, kind of expands them
richer and cooler.
299

300
00:13:48,969 --> 00:13:51,083
And you can see, down the back,
in the background there...
300

301
00:13:51,108 --> 00:13:52,899
I'm changing the colors,
make them look terrible.
301

302
00:13:53,329 --> 00:13:54,353
Good work, Dan.
302

303
00:13:54,728 --> 00:13:57,313
You might have some color options
once you got it in here.
303

304
00:13:57,338 --> 00:13:59,969
Maybe just some few changes,
or you get the fabric, and you're like...
304

305
00:13:59,994 --> 00:14:04,024
"Man, it's not quite reflected well 
in my design, I might have to adjust it."
305

306
00:14:05,110 --> 00:14:07,289
If you want to go into more
recoloring art work...
306

307
00:14:07,314 --> 00:14:09,657
I got that in a full earlier tutorial.
307

308
00:14:10,017 --> 00:14:12,173
All right, that is Patterns.
308

309
00:14:12,438 --> 00:14:14,039
Hope you learned something new.
309

310
00:14:14,922 --> 00:14:16,617
Let's get on to the next video.
