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Just when you thought the last video of
our Shape Builder was long, there's more.
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There's a few special tricks
we're going to do...
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to complete some of the
previous drawings we've done.
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Like this guy we did earlier.
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We're going to run a line from the middle,
and split them up into Gradients.
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Over here I'm going to show you
how to expand some of these lines...
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so that you can add the feet and stuff...
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that we started earlier on
in the tutorial series.
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First thing you need to do though is
go and open up the file called--
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'File', 'Open', and it's
in your 'Exercise Files'.
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It is called 'Shape Builder Extra'.
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Go do that now, and I'll see you
later in the video.
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So some extra Shape Builder goodness.
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I like it that much.
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There's a couple of things
we haven't covered, one is...
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the first one is like a bit of a shortcut,
so I've got three circles.
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Just happen to be circles,
we have lots of circles.
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I'm going to select all three,
jump to my 'Shape Builder Tool'.
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So over here, in my Tool Bar...
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I can join these up by clicking
all through, that's fine.
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Three circles is no big drama...
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but if you hold the 'Shift' key,
and click, and drag...
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you get kind of a rectangle marquee tool.
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Just kind of does that
all in one big go...
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so if you've got lots of objects,
instead of trying to drag across them...
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and scroll through them all, 
just hold 'Shift'...
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drag across all three, and that kind of
uses the Shape Builder...
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where it kind of flattens them all
into one solid object.
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Next little thing that's
going to happen is...
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remember this from earlier exercise...
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if I select all of this, and grab
the Shape Builder Tool...
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you'll be like, "Why can't I
fill the center bit?"...
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and you might be like,
"Oh, because this is a gap."
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It's not because of that gap.
If I fill that gap...
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it still won't work, so 'White Arrow'...
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drag it right across.
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A bit exaggerated there,
but grab the 'Width Tool'...
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it's still a big hole.
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And you can kind of see why.
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If I select it all...
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you can see, blue lines here,
indicating that's the path...
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the kind of spine of the art there.
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You can see, this is more in effect.
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It's not a Fill around the outside.
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There's actually a massive gap
between this line and this line.
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This here is just like a pretty effect.
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So what you need to do is to fix that.
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There's two things I want to do.
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I'm going to copy and paste this,
so I've got a version of it up here...
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because I never want to--
I hate destroying stuff that I've made...
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because I'll come back and be like,
"I want to adjust it."
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I can't, because I've smashed it
into pieces.
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So with it selected here,
we're going to go to 'Object'...
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and we're going to go to this one
that says 'Expand Appearance'.
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Just kind of expands it.
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So it's no longer an effect, it's actually
a shape running around the outside.
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So now, I'll do my Fill.
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The gap's pretty big over here,
but let's grab our 'Shape Builder Tool'.
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And it does it fine.
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Another thing I want to show you
before we move on.
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If you double click
the Shape Builder Tool...
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you can have Gap Detection.
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By default I think it's medium,
you can crank it right up...
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to large, or you can custom...
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where you say, I want to fill
and join all these holes.
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So you might have an artwork
that just needs like that.
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You've done some hand drawing...
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and you want to fill it up after
a Live Trace, or something like that.
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Everything else in here is--
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what I turn off, is this one here,
Cursor Swatch Preview.
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Just gets rids of the colors
above my arrow.
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We'll align it, that annoys me so much,
but it does.
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Let's look at two things.
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I want to fill this with a white.
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White, I'm going to fill this
with a random green.
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I'm going to fill it properly in a second.
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And I want to kind of split that in half.
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I want it to be a line
running down the outside.
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So Iâve got kind of two colors
within here.
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It's going to be this tool here basically.
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I'm going to make another duplicate of him.
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With my 'Black Arrow'...
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holding down the 'Alt' key on a PC, 
or 'Option' key on a Mac, get a duplicate.
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And what I want to do is,
actually go to 'Stroke' here...
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and go 'Profile', 'Uniform'.
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I don't want any of that
Width Tool goodness.
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I want to turn the Weight down
to something really tiny.
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It doesn't really matter
what size it is.
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I'm going to drag it down now.
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What I want to do is, I'm going to
click off, grab this end part of it.
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Can you see, where it says Anchor...
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I'm going to try and jam it,
then hope for the best.
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Feel like I might have got that.
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I'm going to select both of these.
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'Black Arrow, drag along both.
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What I'd like to do is,
back to my 'Width Tool'.
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You can see, it's kind of
carved that into two little pieces.
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You might have to go play around
with Gap Detection to fix that...
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but I'm just going to put him around
in colors.
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I'm going to do Gradients in a second.
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That's kind of where I wanted to start.
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I'm going to select it all,
say 'Stroke', 'None'.
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I kind of have to stop myself there,
I'm going to go and add Gradients to this.
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Gradients aren't particularly exciting,
I'll do that at the end...
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because there's more important stuff
like this, over here.
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What I'm going to do is...
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whenever I'm expanding a line,
I'd like to have a copy.
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Just stick them up here, 
it goes in later on.
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And what I'd like to do
is add the feet.
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We're going to kind of join
the two bits and pieces.
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So what I'll do is, I'll draw--
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What should I draw first?
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113
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Let's grab the Curvature Tool.
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I click off in the background,
so it doesn't select it.
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You'll notice every now and again...
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that my cursor changes from
the crosshairs to the pen.
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117
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That's just your Caps Lock key.
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Just happens sometimes.
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You can kind of see, my keyboard
tells on the screen what it's doing.
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So what I'm going to do is zoom in here...
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121
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and I'm going to double click.
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Double click.
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Holding 'Shift', so it's a perfect line.
Double click.
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124
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Double click.
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125
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That curve in there.
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126
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I'm going to double click here
for another corner.
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127
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So that's one side.
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What I might do is turn
this Stroke Weight...
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129
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down to something hairline, which is 0.25.
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130
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So that's one side.
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131
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Again I want to start on this side.
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132
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What I might do is just kind of
overlap it here
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133
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And get it close.
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Double click it, so it's a corner,
not a curve.
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Click once for a corner.
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Clicking once to kind of 
tidy it all up at the end.
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137
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So I've got my kind
of rough guides.
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138
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I'm going to just tidy this up
using the White Arrow.
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139
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Get it kind of how I want it to.
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140
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I'd love to spend a lot more time 
fixing these up.
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I'm going to do that while 
you're watching; sorry about that.
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142
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So we've got this, now we want
to kind of join these two up, right?
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So I'm going to-- I'm going to 
leave some of the badness in there.
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144
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What I need to do is expand this one,
we kind of looked at it before.
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145
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So we're going to 'Object',
'Expand Appearance'.
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146
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Now it is no longer--
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147
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I can't use the Width Tool to fix this now,
so I've got a copy at the top there...
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148
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but now, I can grab these two,
grab my Shift Tool...
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149
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sorry, 'Shift M' for my Shape Builder Tool.
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150
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I'm going to join these two,
and delete that bit.
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151
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Probably join these two.
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152
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And have a look how bad it is.
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153
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That's not too bad.
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154
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I'm going to grab my 'A' for White Arrow.
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155
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This guy here needs some corner love.
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156
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Same with this guy.
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157
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Corner Love, I love those guys.
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158
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When you first see these targets,
you're like, "Oh, what to do?"
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159
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You can do corners, that's okay.
It's kind of cool...
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160
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but it's when you get to this,
and you start joining these...
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161
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that we've run into trouble before.
161

162
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That's a terrible Serif, Dan.
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163
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I'm going to leave it.
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164
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I followed my drawing without thinking,
"Wow, that's bad."
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165
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It's kind of run down here.
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166
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But you get the idea, right?
166

167
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Learning principle.
167

168
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We had to outline this,
and we kind of drew this separately.
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169
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So there's a lot in this document where--
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170
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that, I will draw with the Width Tool...
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171
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but this bit down the bottom
here, and the Serif...
171

172
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I will draw separately.
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173
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That's where I should end it,
and you can carry on.
173

174
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I'm going to show you
what I probably do with these Serifs...
174

175
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rather than what I've done currently...
175

176
00:07:49,900 --> 00:07:51,854
and I'm going to go add Gradients to it.
176

177
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I'll show you what I do with these Serifs.
177

178
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You probably can do it.
178

179
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I'm just going to draw this straight up.
179

180
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I'm going to say...
180

181
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that's going to be my Serif,
and I'm going to copy, paste this.
181

182
00:08:07,585 --> 00:08:08,854
I'll align these both up.
182

183
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Go to center, center.
183

184
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No, click center once.
184

185
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I'm going to use the Shape Builder Tool 
to join them.
185

186
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I use my sneaky shortcut...
186

187
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'Shift', drag a box across them.
187

188
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And I'm going to grab my 'A' tool.
188

189
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I'm going to click on this guy.
189

190
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You can grab more than one.
190

191
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I'm holding 'Shift' to grab both of
those two inside ones, and drag them up.
191

192
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This guy here...
192

193
00:08:35,098 --> 00:08:36,426
I want to skew across.
193

194
00:08:36,582 --> 00:08:38,528
Up here, my Transform window--
194

195
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you might not see it, it's under 'Window',
go down to 'Transform'.
195

196
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I'm going to use 'Skew',
I'm going to use this to get started.
196

197
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Nice little trick for--
they call it Shear...
197

198
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is, because I've got kind of really
per-defined ones, you're like--
198

199
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you're not going to probably
find it in there.
199

200
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So if you just click in here,
and use the up and down arrow...
200

201
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I find that's a really easy way.
201

202
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I'm just kind of tapping my up arrow,
and it's going up a degree at a time.
202

203
00:09:00,270 --> 00:09:03,957
A little slow, but I'm going to get this
kind of working.
203

204
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That's going to be my Serif
for rest of the job.
204

205
00:09:08,090 --> 00:09:10,887
What I'll do is, I'll just
use it for lots of things.
205

206
00:09:11,739 --> 00:09:13,051
Am I happy with the weight of it?
206

207
00:09:13,122 --> 00:09:15,238
Probably a little thick,
but you get the idea, right?
207

208
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So, I'm going to make a duplicate of it,
and use it a good few times.
208

209
00:09:19,543 --> 00:09:20,629
It's actually way too thick.
209

210
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I'm going to use it here,
I'll use it again.
210

211
00:09:24,298 --> 00:09:27,361
Where else? I can use it here.
211

212
00:09:28,319 --> 00:09:31,162
In this case, I want to split it up,
and open.
212

213
00:09:31,187 --> 00:09:35,795
So I'm going to move it out,
grab my 'A' tool, and select that guy.
213

214
00:09:36,117 --> 00:09:38,210
Hold 'Shift', grab all of these fellows.
214

215
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I've got everything on the right hand side,
I'll use arrow keys to tap them across.
215

216
00:09:42,437 --> 00:09:46,061
This is how to build that.
That's going to be, say, my main Serif...
216

217
00:09:46,086 --> 00:09:47,612
and this is going to be my thin one.
217

218
00:09:47,637 --> 00:09:48,992
I deleted that one, come back.
218

219
00:09:52,054 --> 00:09:55,804
I'm going to use these two guys
to start building out that rubbish one.
219

220
00:09:55,829 --> 00:09:57,007
I'm going to remove.
220

221
00:09:57,265 --> 00:09:59,619
You can see, I can...
221

222
00:10:01,158 --> 00:10:02,429
do it for--
222

223
00:10:03,643 --> 00:10:05,596
there's lots of times I can use that.
223

224
00:10:05,971 --> 00:10:08,026
All these kind of use a version of it.
224

225
00:10:08,065 --> 00:10:11,017
I can use that as my starting,
I probably have to lob that bit off.
225

226
00:10:11,945 --> 00:10:13,991
I can use him, and I can kind of--
226

227
00:10:14,387 --> 00:10:17,341
I guess, use it for lots of things 
to get started...
227

228
00:10:17,366 --> 00:10:18,604
to kind of smooth things up.
228

229
00:10:18,901 --> 00:10:20,377
I'm rambling now.
229

230
00:10:23,330 --> 00:10:27,542
Gradients, I'm going to do that,
you don't need to be around for that.
230

231
00:10:27,567 --> 00:10:29,666
I'll get the editor to 
speed it up actually.
231

232
00:10:30,377 --> 00:10:31,588
I'll see you in the next video.
232

233
00:10:56,942 --> 00:10:58,734
That's it, don't judge me.
233

234
00:10:58,914 --> 00:11:00,054
Those are the colors I've picked.
234

235
00:11:00,679 --> 00:11:01,742
See you in the next video.
