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Hello wonderful Illustrator people.
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In this tutorial we're going to learn
how to make a Linocut like this.
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It's super simple, let's get started.
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To get started, we need to draw
the two sides of our petal.
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Now I've just made a green background
and locked it, nothing fancy.
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You can use any drawing tool you like.
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I'm going to use the Pen Tool,
with no Fill and no Stroke.
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It's kind of like this one, super simple.
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Just so it's nice and clear,
real kind of nice.
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White Arrow, just to make some
slight adjustments.
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Pen Tool again.
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Now, it can't be one solid shape,
it needs to be two separate ones.
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So I'm just going to kind of
draw them separately here...
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and not spend too long
trying to fix it up.
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Now, there's two things that make this--
well, two things that can mess you up.
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If you try and align these up now
to make them perfect...
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you can make them perfect...
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like, you might be here,
you really want to.
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When you start blending
it does weird stuff.
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So what we're going to do is
match them up...
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then pull them back apart.
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I've got my Smart Guides on,
so it's snapping.
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It's not snapping away.
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Come on, petal.
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There you are, snap at this, buddy.
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Don't worry too much about the Stroke yet,
we're going to go and fix that.
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But before you hit Blend,
just move them apart.
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Now we've done blending
quite a few times in this course.
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Let's just use the shortcut,
'Command-Option-B', or 'Control-Alt-B'.
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And now we can blend them both,
now we can move them back together.
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To get them back together, double click
the outside to get inside the Blend.
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Now I can grab one of these guys
and just kind of align them back again.
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Let's go back out, smash that arrow
until it comes back out.
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And with it selected,
double click your 'Blending Tool'...
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and increase your steps.
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Now it will all depend on the size
you've drawn yours.
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8.
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I practiced this, can't even remember
which I picked.
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That will do for the moment,
maybe let's come back to that...
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 because what we want to do is--
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You could leave it like straight lines
like that, that's cool.
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We are going to go to Stroke,
and play around with the Profile...
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and just pick this first option here.
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Then increase the weight of the Stroke
until we get something we kind of like.
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Kind of like it in there, but I probably
need some more steps.
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I'm going to just go into Steps real quick.
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That's basically it, you got two sides...
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just lines kind of connecting up.
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Using Blending now, I'll show you
that kind of effect where they, kind of--
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It's more just kind of what
other tools you can use...
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to make this kind of full petal.
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It was like more of a flower bud.
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And I'll show you
some of the pros and cons.
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Now one other thing is...
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if I start duplicating this, and start
kind of messing around with it...
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it does weird stuff with the Strokes.
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You could fix it afterwards, say you
do decide to kind of bend it around...
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and these kind of end points
don't work good.
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Go to 'Stroke', and just turn this
on and off again.
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Just kind of reset it, which is one way.
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Another way you might do
is just to outline it.
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So that's what I'm going to do...
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because the next step
requires me to do some...
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some cutting a bit.
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To outline it, or to kind of expand it--
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the way that you normally do is
you go to 'Object', 'Expand', right?
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Don't do it that way.
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Go to 'Blend', and go to 'Expand'.
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Same sort of thing...
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but now it's all those lines.
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I'm going to--
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I should have gone to Transform Flick.
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Reflect.
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I'm just kind of doing something else.
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What am I doing here?
Just trying a new size.
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Now what I'd like to do is,
I want--
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I should have saved a version of this,
I'm going to save a version.
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Like this other version of this side.
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So this guy here, I want to
get back to my shapes.
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I can go inside, copy it, and paste it out.
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I can just go 'Blend', say...
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'Release', release my lines.
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Thank you.
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We're just going to use one of these,
actually I'll show you both.
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I'll make it green, so it makes it...
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makes it obvious what
I'm doing for this guy.
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It's going to be like a cutting path.
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We'll make it a little bit bigger,
bring it to the front...
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just so I can use that, I want to use
that slice, the chunks of this.
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Move it to V field, I'm using
my arrow keys on my keyboard.
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That's nice.
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I'm going to grab both of these guys now,
and just move them out...
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because that's just hard to work in there.
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Now we need to delete all these.
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The best way is the Shape Builder Tool.
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I'll hold down the 'Option' key on a Mac,
'Alt' key on a PC..
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and just kind of drag across them all.
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And then, this guy here,
I'm going to delete.
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That's kind of it, we're going to do--
I'll do the top bit with you...
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but if you want to carry on, you can...
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 because that's kind of 
what I do to get this.
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Now, that guy there probably needs
the Stroke Weight taken down.
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So we can see a bit more of it.
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Now this other one at the top here,
I could use that thing again...
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or I could just draw one; let's draw one.
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So skip ahead now if you're keen...
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otherwise let's do this together.
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I'm using my Drawing Tool.
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Now what I'm going to do 
is make sure they over lapse.
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So even though I've drawn 
those two little shapes...
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I'm going to kind of have it, so--
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Goes under here, so I can slice it off.
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Now remember, keep them separate.
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 Actually you've done your Blending.
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Remember, 'Command-Option-B',
or 'Control-Alt-B'.
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Let's zoom back in.
Let's go to 'Wireframe Mode'...
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which is 'Command Y', 
or 'Control Y' on a PC.
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Theyâre joined, double click
to get inside them.
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Now I can grab one, actually I can
grab the Anchor point up there.
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Just make sure they're tippy touching.
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Come back out.
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Right click in there a few times.
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'Command Y', or 'Control Y'.
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And with them selected, 
let's add that Stroke...
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and just change the Profile.
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Happy enough with the size at the moment,
let's increase the Blending.
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Double click the 'Bending Tool'.
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Let's do the specific steps, 
and we're here.
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Click on that.
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Not enough.
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20.
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If I zoom out, I actually can't, 
well that's there, zoom out.
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Yes, itâs getting there.
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Kind of like it. Maybe it's the 
Stroke Weight that's not quite working.
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This maybe Stroke Weight.
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Yes, that's fine.
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I increase it up again, 
oh, don't increase that up again.
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As long as it's-- this is enough.
Down the bottom there to slice off.
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So now I'm going to grab
the thing that I've duplicated.
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You can freak out too.
Keep a copy of it.
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Geez Dan, come on.
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'Release'.
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I'll make it a bit bigger.
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This side here as well.
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I'll 'ungroup' that.
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Now I just want you, my friend,
to be a piece.
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Make it a little bigger.
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If you just use the same size it doesn't 
tend to follow the curve as you'd hope.
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That was probably just a little big.
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That's my plan.
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You know exactly what I'm going to do now,
it's exactly what we did a second ago.
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This guy here needs to be expanded
because I can't use...
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the Shape Builder Tool to delete it,
because it's still that Blending mode.
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So, you grab this.
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'Object', 'Blend'.
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'Release'.
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Not what I wanted.
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It's 'Expand'.
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Let's select these ones,
I'm using my Shape Builder Tool.
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Shortcut for that is 'Command M', 
'Control M' on a PC.
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Just deleting the bits I don't need.
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Come here.
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'Black Arrow', and you guys are gone.
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Move it.
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The crowning glory.
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Ah, it's awesome.
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Cool man
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That is how to do kind of 
a Linocut effect in Adobe Illustrator.
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All right, let's get on to the next video.
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Hold on, one last thing.
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Drop Shadows.
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You may or may not like Drop Shadows,
I'm going to select them all.
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I'm not sure why I've paused the video
to come back and show you Drop Shadows...
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but here we go.
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I like the little ones, little baby ones.
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Kind of makes it more, maybe 
from a distance, a bit more lino cut
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Now we can skip on to the next video.
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All right, see you there.
