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Hi there, in this video we're going to
make this kind of effect...
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2
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where it's kind of 3D
and Gradients happening.
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3
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It's very retro, very in.
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4
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I don't even know what to call it.
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We'll do a couple of things...
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we'll look at some of
the more advanced usage...
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7
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and we'll add kind of a cool Grain
to it as well to kind of grunge it up.
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8
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All right, let's go do that now
in Adobe Illustrator.
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9
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Let's get started.
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10
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I've opened up 'Blending 2'
from the 'Exercise Files'.
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11
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You really don't need to open it
because it's just a grayed background.
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I have added some Gradients,
which you might want to do.
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13
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Regardless, let's start.
We need two kind of things.
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14
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We need our Gradient kind of line...
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15
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and then, the shape that it's
going to follow.
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So let's draw the Gradient first.
We're going to draw an Ellipse.
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And I'm going to fill it with
one of the Gradients I've got in here.
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Make sure it's got no Stroke;
looks a bit weird with Stroke.
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19
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So a Fill, any kind of Gradient,
doesn't have to be this one.
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20
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I'm going to make a duplicate of it,
then I want to blend it.
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21
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We'll be using different tools
in this course.
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22
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Let's go out for a shortcut time.
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23
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'Command-Option-B' on my keyboard.
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24
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If you're on a PC, it is 'Control-Alt-B'.
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25
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They will do the blending
just automatically.
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Let's double click the 'Blending Tool',
and switch out the steps.
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Don't worry too much about
how many steps you do here.
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We'll go high enough, let's go to '80'.
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29
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That looks quite nice, you can
start to see the banding, it's okay.
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Don't worry too much about it
at this stage because...
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when we attach the line, we're going to
have to adjust it quite a bit afterwards.
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So don't worry too much about it.
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33
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And I want a couple of copies.
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34
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I have a little copy over there,
maybe a couple of copies.
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Now we need the Shape for it to follow.
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I'm going to use my 'Pencil Tool',
it's underneath the Shaper Tool.
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I've double clicked my 'Pencil Tool',
cranked up the Smoothing...
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38
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and turned 'off' Keep Selected.
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Let's click 'OK'.
Just helps with the flow of it.
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40
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You could use the Curvature Tool,
the Pen Tool, anything you like.
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41
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I'm going to draw a squiggle.
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42
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I have no Stroke on.
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43
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So whatever Strokes you can see,
my amazingness.
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44
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Now I'm going to get this to follow,
I've set to select both of them.
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Go to 'Object', go to 'Blend'.
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Let's go to 'Replace Spine'.
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It's kind of cool like that, right?
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48
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All you need to do is increase the steps.
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So double click the 'Blend Tool'.
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50
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And we're going to have to go quite high.
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51
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We may have to play around...
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with how much you want, or don't want
of these little dots.
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If you want it to be super smooth
you have to go quite high.
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The only trouble with that though...
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is that you do run into potentially
stressing your poor machine out.
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56
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How high can I go,
and what my machine does?
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57
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A thousand, it turns out.
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Let's click 'OK'.
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59
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So you probably, maybe--
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60
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I drew quite a long line.
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What you might do is draw shorter lines,
so those 1000 steps work fine.
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I've practiced loads on this one...
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and it always comes up better than that.
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64
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Felt like we failed there.
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65
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You can also do hand drawn Type.
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So let's' quickly do that...
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and we'll look at some of the extra
options like we saw at the beginning.
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So 'Pencil Tool', 'Stroke',
I'm going to pick white.
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It doesn't have to be
one continuous line.
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70
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I wish I had my Wacom with me today.
I'm stuck at home, it's snow day today.
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71
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So that's why the audio
sounds a little different...
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72
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because I'm stuck inside.
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73
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Or stuck in my home office.
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That's as good as this is going to get
with a mouse.
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So there is one, two, three,
four different ones.
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So for this to work we need
four of these in total.
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Come here, fellas.
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And I'm going to go--
I'll keep a backup.
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I'm going to pick a different Gradient.
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80
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At the moment it's really hard to adjust,
because they're kind of stuck in a blend.
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What you can do is you can
double click these guys to go inside.
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Inside this blend, and I'm going to pick
the first and last guy.
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You don't have to have the same things,
they can change over time.
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Let's see what that looks like.
So we'll change this first one...
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to this kind of bluish green one.
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We'll see what these two
different changes do.
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To come out, double click
that arrow a few times.
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88
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Now I don't want you guys,
I want this new fella.
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So I'm going to duplicate one,
use our shortcut.
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It's 'Command D', or 'Control D' on a PC,
to duplicate it.
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Now you--
doesn't really matter where they are.
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And you...
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let's blend them.
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Go to 'Object', 'Blend', 'Replace Spine'.
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Now, also what you might do,
this guy here is a bit big maybe.
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So you can change it now,
and he can have a--
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So this is kind of like your Stroke Weight.
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Let's go again.
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'Replace Spine'.
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Also what we're going to have to do,
is with this guy selected...
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let's go to, double click
the 'Blending Tool', and 'Specified Steps'.
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You can go Specified Distance...
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and go-- actually I want this to be
just 1pt away, click 'Preview'.
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Freak it out a little bit, and it will
just kind of keep them 1pt away...
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rather than the amount of steps.
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Do make sure you expand this at the end...
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 because it's an active effect,
and kind of stress everything out.
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It's already. My fan's already come on.
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A few things that we can do to make this--
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Actually I'm going to fast forward now
to have the whole Dan thing done.
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So let's go fast forward it now.
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All right, you're back.
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A couple of things I want to show you...
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to kind of tidy these things up.
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Is with this selected, often you
want to play around with...
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'Object', 'Blend', and who's at the front,
and who's at the back.
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If you reverse the front and back--
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118
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that's kind of more what
I was looking for.
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I'm going to select all of these guys.
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Do I like that?
I'm not sure.
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These are all kind of trial and error here.
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So 'Object', 'Blend',
'Reverse Front to Back'.
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Bits of what I like, bits of what I don't.
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Other things you can do
is you can edit it.
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I like to go to 'Command Y',
or 'Control Y' on a PC.
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You can edit a couple of things,
the Splines...
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and the kind of circles
we're using for blending.
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I'm going to grab my White Arrow,
my 'Direct Selection Tool'.
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And let's say that I want this kind
of work to be a lot bigger.
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I want maybe a Pen Tool,
I'm getting a little bit--
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131
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The curvier, I know,
the curvier the better, but...
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you can spend a bit more time here
fixing these up.
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Also, these guys here.
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Now I've got a beginning
and ending shape, right?
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135
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So actually let's go 'Command Y'.
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So we've kind of fixed that one.
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You can play around with
the beginning and ending shape.
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I'm going to zoom in.
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I'll grab my 'White Arrow' tool,
I click on him.
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140
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I'm going to try and click on
one with my 'Black Arrow'.
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141
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I'm going to double click on him...
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till I go inside of him.
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143
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And that guy can be a lot bigger.
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144
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Let's have a look.
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145
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'Command Y'; they don't have to be
the same size there.
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Kind of--
let's say it's clever.
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147
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Looks like a neon kind of color.
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148
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What else can we do?
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149
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Sometimes what I like to do is...
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150
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see this bad one here,
like it's not my favorite...
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151
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but what I'd like to do
with the Gradients--
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152
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Let's go inside this one,
so I'm going to double click the edge.
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153
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Double click it, and come back
inside the Blend, I can see the Fill here.
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154
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What I'd like to do is,
go to 'Fill', 'Gradient Options'...
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155
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and maybe just tuck that in
a little bit, right?..
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156
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and add another one, so just click...
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157
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Just drag that one, then click somewhere
down here, that makes a new Swatch.
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158
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I want to double click that Swatch...
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159
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and go to my favorite,
Hue, Saturation, Brightness...
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160
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and just drag down this a little bit.
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161
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See this happening here, it gets rid of--
I find, sometimes it just...
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162
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needs a little bit of that,
to kind of get the depth right.
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163
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Is it better?
It's not much better...
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164
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but it's got a bit more 3D
shininess to it.
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165
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You can add a little bit
of highlight on one side...
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166
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just a really slim bit of white.
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167
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That can look quite cool.
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168
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When you're finished...
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169
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double click this arrow here.
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170
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My machine is struggling.
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171
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The fans are going.
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172
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Now, the other thing, 
I'll just talk about it.
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173
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Doesn't have to be circles, right?
We can use squares, triangles, stars.
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174
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Better if they have to be
the same at both ends...
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175
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one could be a circle,
one could be a star.
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176
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We get some really cool effects.
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177
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One last thing I want to do is,
I want to show you...
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178
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some kind of Grain.
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179
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This one here.
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180
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Now, if you're finding, 
like mine is stressing out...
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181
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and you're happy with it...
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182
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you're like, "Man, that's the kind
of thing I wanted to do"...
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183
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You can select it all.
Can you remember where to go?
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184
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'Object', 'Blend', and we're
going to go to 'Expand'.
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185
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And is it better?
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186
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What happens is, it's lots of shapes...
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187
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but it's going to be less stressful
on this computer...
187

188
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than the Blend mode trying to do it.
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189
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The only trouble is it's not
kind of editable like it was before.
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190
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It's just zillions of little shapes. Cool.
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191
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So adding a bit of Grain height
to some of the bending.
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192
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This looks kind of cool,
it's the Film Grain type of thing.
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193
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And we do it this way.
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194
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So I'm going to grab
the 'Rectangle Tool'...
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195
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and we're going to draw a rectangle
over the whole thing...
195

196
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because I wanted it
to go across the gray as well.
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197
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I'm going to fill it with white.
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198
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I'm going to have no Stroke.
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199
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And it's an effect up here
called 'Effect'...
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200
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down to 'Texture', then go to 'Grain'.
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201
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Mine is kind of set from when
I was practicing before.
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202
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Mine's 40 x 50, it really depends 
on the size of the box.
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203
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You can use like, what
kind of Grain you want...
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204
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intensity, I'll crank it up.
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205
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You can see, kind of gets 
a bit more grainy.
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206
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Depends on the kind of look
you're looking for.
206

207
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You can play around, what kind of Grain,
there's all sorts of stuff you can do.
207

208
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Let's click 'OK'.
208

209
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 Doesn't quite work, right?
You've got just this big white box...
209

210
00:10:05,192 --> 00:10:07,581
but remember, our Color Blending modes.
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211
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Remember, pop quiz
Where is it?
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212
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Click on 'Opacity'.
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213
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Or if you're on an older version,
go to 'Window', 'Appearance'.
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214
00:10:16,480 --> 00:10:18,198
Click on 'Opacity', and here, 'Normal'.
214

215
00:10:18,223 --> 00:10:20,613
Probably we'll do Multiply;
everything works on Multiply, right?
215

216
00:10:21,550 --> 00:10:23,628
Play around with this for once,
but this just gives--
216

217
00:10:23,831 --> 00:10:25,535
I've overcooked it, I totally have...
217

218
00:10:25,769 --> 00:10:28,776
but you get the idea there.
218

219
00:10:28,801 --> 00:10:30,284
I really want to go back and change this.
219

220
00:10:30,309 --> 00:10:31,319
The cool thing about it...
220

221
00:10:31,344 --> 00:10:33,402
it's in Active effect, 
so I can click on 'Grain'...
221

222
00:10:34,113 --> 00:10:35,261
and go back and say--
222

223
00:10:35,433 --> 00:10:38,238
Actually Dan, what if it was kind of cool,
so I'm messing it up.
223

224
00:10:39,105 --> 00:10:40,105
Let's have a look.
224

225
00:10:40,863 --> 00:10:42,620
I feel like that's kind of a happy medium.
225

226
00:10:42,980 --> 00:10:44,050
Maybe you're still a bit much...
226

227
00:10:44,075 --> 00:10:47,285
but adds a little bit of texture
to your really strong vector.
227

228
00:10:47,925 --> 00:10:50,089
So it is class exercise time.
228

229
00:10:51,034 --> 00:10:52,753
It's going to be a pretty 
easy one to understand.
229

230
00:10:52,778 --> 00:10:54,597
I want you to make your own name...
230

231
00:10:55,269 --> 00:10:57,120
and add all the shapes.
231

232
00:10:57,589 --> 00:11:02,073
I want to just see some 3D blobby goodness.
232

233
00:11:02,098 --> 00:11:03,284
Maybe some caterpillars.
233

234
00:11:04,269 --> 00:11:08,808
I'd like you to share it 
on this website here as a project...
234

235
00:11:09,331 --> 00:11:12,581
but I'd love to see it
on Twitter and Instagram.
235

236
00:11:15,050 --> 00:11:19,456
Instagram is bringyourownlaptop,
and Twitter is danlovesadobe.
236

237
00:11:19,481 --> 00:11:21,761
You've probably got this
burned into your heads now.
237

238
00:11:22,125 --> 00:11:24,828
All right, I will see you 
in the next video.
238

239
00:11:25,031 --> 00:11:25,789
Bye now.
