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Hi, and welcome to this Ribbon making class
in Adobe Illustrator.
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We're going to use an Envelope Distort...
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and particularly a Mesh to make this
pretty rainbow ribbon.
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All right, let's jump in.
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First up, I haven't forgotten this time.
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Open up 'Ribbon' from
your 'Exercise Files'.
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Again, it can be anything, you can use
rectangles that have Gradients in them.
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They don't have to be anything
other than that.
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It's quite nice with just lines,
looks quite cool.
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But first thing we need to do is
we need to go to 'Object', and we need--
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Actually make a duplicate first,
real easy to backup.
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Go to 'Object', 'Envelope Distort',
and go to 'Make with Mesh'.
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Now by default I think it's at 3x3.
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The more detailed it is
the more control you have...
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but often it doesn't look as natural.
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So for a ribbon or something like this,
just 1x1 is perfect.
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Now nothing really happens
except, when I grab...
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the Direct Selection Tool,
the White Arrow...
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if I click on any of
these corners now, watch...
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Cool, huh!
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It's a little hard to see,
there's a red dot there...
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and there's a handle out here,
so Anchor Point the handle.
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We're just going to make it
into a ribbon like you saw earlier.
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It's just kind of free hand.
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Now one thing you might notice is that...
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red dot's on this red thing...
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it's quite hard to see, the colors, right?
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Generally rainbow is probably
the worst one.
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Just so you know,
there's an advanced trick.
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Double click your layer
anywhere above the name...
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and you can go in and
pick a different color...
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if that kind of suits what you're doing.
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Sorry, it's still not going to work,
but hey, rainbow life.
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I'm just going to fiddle
around with it now...
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and try and turn it into something
that kind of looks like a ribbon.
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You can hang around with me
for a little bit...
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but again, it's just,
I'm just winging it.
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You might have a special project,
and you kind of want a special shape...
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I'm just kind of making something,
maybe I'll just balloon it away.
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Maybe, Illustrator.
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41
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What I'm going to do now is
I'll fast forward it because--
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Fast forward time.
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All right, you're back.
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One thing that I kind of did
while I was fast forwarding...
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is I turned off the Smart Guides.
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They were just kind of jumping around,
snapping to things, and causing...
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just making a little bit tough.
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'Command U' on a Mac, 
or 'Control U' on a PC to turn that off.
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So I've got this thing here, I promise
I'll stop fiddling with it.
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I thought I would.
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So you've got this,
now I want another option.
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The one that kind of runs underneath.
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Now what I might do is go back
to this beginning one and use this again.
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So I'm going to make a duplicate.
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What I might do is-- because if I start--
I've practiced this before...
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when it's underneath,
and you're trying to make the ribbon...
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it's actually really hard to know
where the other one starts and finishes.
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So what I thought I'd do
is do the Recolor Artwork...
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because I wanted it to be
a bit darker anyway...
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so it looks like it's in the background, 
casting a shadow, maybe.
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So I'm going to go to 'Edit',
'Edit Colors', 'Recolor Artwork'.
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And the best option is to go to 'Edit',
the first one is really confusing.
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So go to 'Edit', and down the bottom here,
I'm going to link all of the colors.
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Just make them a bit-- play around
with the brightness.
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Just kind of lower them down.
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Click 'OK', and I'm going to use
this one to get started.
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Just kind of get it close.
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Not too worried about it.
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Now I'm going to go to 'Object'.
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I'll go to 'Envelope Distort',
and make another 1x1 Mesh.
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It's okay for me.
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I'm going to turn Smart Guides back on.
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 'Command U' on a Mac,
or 'Control U' on a PC.
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Why? Because, like one of
the things I wanted--
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I'm going to grab my Direct Selection Tool.
I want this corner Anchor Point to be--
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Watch this, it kind of snaps to that one,
so at least they're kind of joined up.
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It's kind of the first thing I wanted.
I'm going to turn them off in a second.
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That's lurking around.
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Bye, Smart Guides.
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Now we're going to fast forward it again...
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because I am just going to fool around
with this until it feels like a ribbon.
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All right, fast forward time.
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All right, jump back in.
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One of the problems, I can't click on 
this thing because that guy's in the way.
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So what I'm going to do, 'Black Arrow',
select on him, and hit 'Command 2'...
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or 'Control 2' on a PC,
that just locks him for a second.
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You can go up to 'Object', and lock.
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Means now I can click
on this guy in the background...
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and he's not messing about with me.
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All right, back to speedy version.
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All right, so you're back.
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I really want to adjust this stuff.
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I don't feel like we got it
across there, something weird...
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but I'm going to leave it...
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 because what I want to do is--
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That could be it, 
you might be happy with that.
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I'm going to add a bit of shading,
and shadows.
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It's going to lose it's kind of,
like, I don't know, flat vector style.
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It's kind of like semi flat,
but that's okay.
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So what we're going to do 
is I'm going to grab my 'Artboard Tool'...
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and I'm going to make a duplicate
by holding down...
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the 'Option' key on a Mac,
'Alt' key on a PC.
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What I want to do is
unlock all our objects...
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because I locked that top guy, right?
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What I'd like to do is...
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there's going to be two of them.
I'll do the top one first to show you.
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Then, might as well do the 
bottom one with you as well...
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but what I want to do is
make a Gradient on top of this.
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So I want to do two things.
I want to go to 'Object'...
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'Envelope Distort', there's one
called 'Expand'.
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Basically it's no longer used
in that Mesh anymore.
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I can't do those adjustments,
but it's okay.
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Next thing I want to do
is kind of stick them all together.
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I can do that using my Shape Builder Tool.
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I can hold down my 'Shift' key, 
just drag a box around them all.
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It's going to lift the kind of gap 
in the middle there.
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I'm okay with that, 
because what I want to do...
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is just fill it with a Gradient.
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Remember what the shortcut was 
for filling Gradients?
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It's the full stop, period key.
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So we got a Gradient, what I want
is this into the Gradient.
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So I double click the little white house...
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I want the Transparency
or the Opacity down to  '0'.
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Click off, close him down...
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 because what I want to do is this,
kind of want to stick it over the top.
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126
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Now white at the end here
is probably not a great idea.
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127
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It's probably best having black at the end.
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It's not going to matter
for my application.
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It's not snapping, so I'm going to
turn on my Smart Guides again.
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It's under 'Window', 'Smart Guides'.
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And now it's about playing around
with the Blending Modes.
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I'm going to click on 'Opacity',
and 'Normal'.
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Darken, it's okay.
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Multiply.
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I think I like Multiply the best,
Color Burn too.
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So go through them all,
and pick out which one you like.
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I'm guessing Multiply
is going to be the nicest.
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What I might do is, 
with my Gradient Tool 'G'...
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is I'm going to drag out my Gradient
to be just a bit smaller.
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Just kind of dragging it across.
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Yes, kind of cool.
Does it look good?
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Looks okay.
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I'm going to do the same thing with this,
the same process.
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If you're happy with that, you can 
stop the video, go on to the next one.
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If not, you can follow me again,
just do it twice.
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'Object', and let's go to 
'Envelope Distort', 'Expand'.
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I'm going to use my shortcut to 
my Shape Builder Tool, which is 'Shift M'.
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Holding down the 'Shift' key,
drag a box around them.
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Period '.'
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It's remembered my last green,
which is awesome.
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151
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It shouldn't be on your Shape Builder Tool
when you hit the period key, didn't work.
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Be on your Black Arrow.
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The reason I didn't do white--
I should have done white before...
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watch this, if I change it to black...
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it's going to give me 
a better kind of effect.
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You, my friend are going to 
snap down there.
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And then we're going to probably
hit the 'G' key.
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Maybe more.
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I'm going to find a Blending Mode 
that works...
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and maybe turn down the Opacity as well.
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Darken, Multiply, Color Burn.
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I'm going to go back to Multiply.
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Here he is, Multiply, he's the only one.
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All right, that is our 3D ribbon thing.
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165
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You can obviously see
its application for fabrics...
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and lots of other things, 
but that Mesh is quite cool.
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It can be done with--
you can put Type into that Mesh.
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We'll do the ribbon 
because it looks nice.
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169
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You can use it for lots
of different applications.
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170
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Last but not least, it's Class Project
homework time.
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171
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All I want you to do is
do some sort of 3D.
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172
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Doesn't have to be using this Gradient.
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It can do, you can just do
slightly different shapes even.
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Amazingly different shapes.
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 Different colors, you may or may not use
that kind of Gradient to color it.
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176
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I'd love to see what you make.
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177
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Make sure you publish it on this website
so I can see it...
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178
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and send it to me on Instagram,
I'm bringyourownlaptop.
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179
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On Twitter, I'm danlovesadobe.
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180
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All right, I love to see what you've done.
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181
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Yes, Class Projects, go do it.
