WEBVTT

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Hi there.

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In this lecture we see Anatoly Karpov against Andrew Jonathan Masto.

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So this is in 1994.

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So Mestre, a British grandmaster.

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This was organized by Phillips Andrew and it's actually a company I kind of worked for actually for

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a while after a merger.

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So I was working for a fund management company and they got kind of merged in with Phillips and Drew

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to be part of UBS Asset Management.

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Just a bit of trivia there for you.

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So these finance companies did sponsor tournaments in the 1980s, and this was a very, very strong

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tournament indeed.

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So Anatoly Karpov invited to it.

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So E four from Karpov, E six from British Grandmaster Mesto.

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d4d5.

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So French defense 90 to the terrace variation.

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And these Karpov games may have been an influence on Michael Adams to play the Terrace variation.

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It is a very positional approach where you don't really get the double pawns in balance of, say, the

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winner, which suits perhaps more attacking players.

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You know, this structural damage, it's more about attacking in general because we have a bishop with

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our counterpart.

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So this positional continuation is very interesting.

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The Territory ation.

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And one key point about the parish is if Bishop before here we can just play the move C free.

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So there's no byte in bishop before.

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So nine of six we have a 5.57 C free C five and now bishop defray 9692 And yeah, this is a funny bit

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of opening theory where the knights have fancy maneuvers.

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So this knight going to E two, this one's free to reinforce D4 in a stronger manner that than is possible

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than if the knight had gone to free.

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You can see that Knight's not really holding up the four.

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But if we have our knights arranged like this with one knight on free and one on E two, they're both

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holding DD four, which is the base of the pawn chain, so that immediately undermines the pawn chain.

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E takes Knight six.

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We have white castling, Bishop dd six now Knight F3 so you can see this strong point DD four held by

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both knights and also there's a facilitation potentially of Bishop F4, which is to exchange off the

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dark square bishops to amplify the Outpost square E five.

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Now that is stopped.

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Quincy seven Here we have knight C free, so now takes up that C free square and there's an immediate

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threat of Knight B five that's stopped.

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We have Bishop G five and quite often the positional plan stereotypically is Bishop h42g3, perhaps

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one which will players like myself perhaps.

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Sometimes we use this to stereotypically we see black castling and now Bishop h4 as if the continuation

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will be Bishop G three We see Knight H five but now it's not really going to be an exchange of bishops

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if Black has an option of Knight takes G free.

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So this strategic bishop exchange is prevented basically.

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So Black has a number of prevention moves so far we have rookie 1g6, rook C one and now Queen G seven.

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So putting pressure on D four.

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So here the bishop drops back, so reinforcing D four, Bishop DD seven and four.

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For me this move is a little bit strange but can totally logical if you think about it.

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So sometimes Karpov is moving pieces backwards, moving one square back, one one step back to go,

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two steps forwards.

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But here it's like backwards from his own move, so it's not literally backwards.

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But didn't he just play the bishop to age four?

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It goes to G five.

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So what is this move?

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What is this about?

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Well, D4 support is still a priority.

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You know, Bishop, the bishop could come back to F3.

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There is the wrath of the F file the semi failed to deal with.

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If Bishop Jeffrey, it turns out here this bishop's exchange is not going to happen.

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You know, it takes g free is more likely to happen.

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And then g five with the idea of undermining d four.

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And this is not such a pleasant story for white, say, Queen D to, let's say, H six White's best

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might be to play 95 and with careful play black can actually get an advantage.

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So 96d takes bishop B eight not bishop takes E five because there's nine takes D five here with good

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tactics.

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If E takes D five, Queen D five check.

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And this is better for white.

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So this position is better for white Here White's dominating there.

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If any bishop takes G to white can actually even do this.

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The king is exposed somewhat and there's an idea of Bishop D Frechette picking up the queen.

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So there's lines where, you know, basically it's more prudent to play Bishop B eight here.

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But if Black does this with the Bishop Hare, Black is looking forward.

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To a significant advantage with Bishop.

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A seven black has that bishop without a counterpart.

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The same file does mean something.

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That's a great coordination point in F two black would be better.

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So all in all, the whole Bishop G free is going to lead to advantage for black.

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It's not achieving a strategic bishop exchange, it's just amplifying Black's activity and giving a

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dangerous bishop potentially looking from a seven to F two.

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So safety points.

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So Bishop G five starts to make a lot more sense.

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We have now H six, Bishop E three and now Rook have seven.

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So it seems logical that Black's piling the pressure on the file for potential exchange sacs.

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Sometimes that's often a thematic idea.

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If G five here, in fact, 95 is strong.

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First of all, it's looking at h five and what were black do might have six.

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We have a four that strong.

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If Knight takes takes Bishop takes.

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We have Bishop.

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Sorry we have an idea of Bishop C five but first Knight B six and actually black is in trouble here

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after Bishop C if I'm looking at the rook.

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So black's losing an exchange for not too much.

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If we look at this again, if Knight takes E five, D takes Bishop takes E five, we're just going to

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take on H five.

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That's simple.

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And if Bishop takes E five, takes like a four.

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Like a four is strong hair.

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These dark squares, now that the bishop's gone, is actually to White's advantage.

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So say Knight B 688, Bishop D four And there's nasty pin here.

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This knight takes D seven, Bishop D three This is looking very nasty for e five.

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So black's losing material that's going to be losing material by force.

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This position, you know it doesn't matter about Queen f2 Queen takes F two.

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White's got the advantage there so yes.

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So this looks as though Karpov wasted time, but he has provoked weaknesses around the king and we have

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now G three.

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Yeah.

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So basically after Rook 7g3 So it seems as though this is blunting the bishop a little bit.

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If you can't exchange it off, then just blunt it.

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And also the F file is being blunted.

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If Bishop G two and F two is kind of solid here as well, not just D four with that lovely bishop on

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E three.

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So it's interesting.

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So G three is an interesting move.

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A four was also interesting here, this situation with 9c5 if rook takes a free this doesn't do much

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for black.

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Why it should have the edge and if Bishop b4 rocky so this again it seems as though white has the edge

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if might be six happens 95 White's getting an edge here.

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There's a tendency to want to break down the CFO here.

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So Rook have six.

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Bishop takes a six trying to break down the C file.

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This is to White's advantage as well.

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So anyway, so 98 four is a good move as well.

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But g free we have rook a for Bishop G to have six h free.

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So just preventative here.

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So this seems a little bit unusual how this situation has evolved here, why it's super solid against

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that dynamic file.

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Black has that backward pawn.

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It seems very difficult to put it under lock and key, but defy would be perilously weak if if I was

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dead.

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Play.

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So we have g59h2.

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So that's preventing any G for dissuading any G for King H eight.

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Now A four here we have rookie seven now 9c5, Bishop E eight, Queen DD two So everything's really

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under control here.

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We have 97 knights 67 Rook takes d7a3.

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We have the rook going back to F seven, rook df7 knight G four rook and 5b4 Bishop Yates and now 95

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here.

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This is very, very interesting stuff.

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So Knight takes E five, D takes.

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So what on earth is going on here?

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We have Bishop B five.

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Well, it should be pointed out, perhaps if Bishop takes E five, we have Bishop C five tactics work

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out for white.

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The rook moves.

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Guess what?

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We would play here for ten points.

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The king is in a skewing line with the queen.

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We can play rook takes.

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So yes, if Queen takes, we pin the queen.

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And if Rook takes it, it's still pretty bad, this position, because we're just mounting up pressure

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and then playing G for winning material.

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So Bishop B5 was tried, but now Bishop C five.

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There's also let me point out something else as well.

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If look see seven here, the technical resources and we just take that.

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Yeah, we just piece up.

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It's not really a big deal.

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So Bishop five was tried.

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So avoiding taking on if that's a good idea.

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Bishop.

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C five Rook.

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F seven.

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Bishop.

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DD four But it seems karpov's getting control of the position.

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Rook f eight.

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If Bishop takes E five.

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Here, the same thing kind of holds.

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Rook takes E five and then Quincy free.

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This is just terrible for black losing material.

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So rook f eight we have rook c free.

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There is a tactic here which was a tactician might consider.

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Bishop takes D five to play 4e6 to pin the queen, but rook d A Yeah, white would get an advantage

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here.

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But the thing is, Queen D seven would need to be factored in.

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And in this situation with Rook takes F two with best play.

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White should still be doing well here.

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You know this kind of situation one is doing well with advantage.

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That is another way of playing it it seems.

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So Bishop takes D five does have something going for it, but Rook C free.

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We have King G eight Queen D one Queen of seven, Queen C two, Bishop C four.

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And this is a really funny move of the game.

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And it turns out there might be something technically better than what Karpov played, but it is a very,

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very funny.

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Conception.

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Indeed.

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Well, maybe not that funny, but can you guess what camp you've played here?

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And can you guess the tactical alternative?

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The rook doesn't have too many squares on a five.

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And given that F two is solid.

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This is very interesting.

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Bishop Fry was played by Karpov, luring the rook away to be able to get in a Queen G6 six.

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Eventually.

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The interesting tactical move is Bishop E4.

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If DD takes Rook, take C for Bishop takes E5, White can play G4, which forces the winning material.

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Bishop takes d4, g takes.

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It's not the end of the story yet.

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After E five, it's dangerous for white, but with best play.

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With absolute best play here after Queen takes F5, the only move for advantage is Rook E two.

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So looking at the Queen, reinforcing even more F two.

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And if say Queen takes H free Rook seven, you can see the error around the king is backfiring.

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There's entry points if Queen G check King F one, rook five there's queen for check.

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And here key move rook dd seven and one is threatening Quincy eight mating.

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So if Queen H free checking on black would have to get the queen's off.

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And this ends up being better for white.

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Just about black does have two pawns for the exchange, but it's better for white overall.

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So anyway.

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But Karpov's moves are very, very interesting as well.

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But technically yet Bishop E4 seems to be a way for forcing material gain with Bishop affray.

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It's very interesting.

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Rook takes a freight.

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So the point is Rook takes a free drawing the queen away from the king, so the queen gets into G six.

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So for a bishop, Karpov starts collecting pawns.

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So one pawn, the king is very exposed check, and it's all running with check.

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And so here Queen takes E six.

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So it's a funny situation, really funny situation.

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We have King H seven, which seems a good idea in principle to get off the bishop line, Queen E seven

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and now queen of seven.

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It seems maybe a slight inaccuracy.

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Rook Half seven here.

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And giving up another pawn should lead to a position where black has a resource coming up.

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If ever e six black has Bishop f one to threaten mate just before oblivion if the Queen is like checkmate.

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So just before oblivion, Bishop takes G, Queen takes F one, and White is forced into perpetual check

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situation.

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Yeah, there's fascinating variations, but Rook F seven is slightly more accurate.

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Queen F seven we have Queen six, G five, Queen E six King G two.

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Protecting the Free Pawn Bishop D three.

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Free Bishop G six.

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So there's a lot of pawns versus a Bishop G for Bishop C seven.

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Queen H four Check King G eight.

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Queen G Free Queen six.

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So if Bishop da head, this should be enough in a theoretical sense for black to hold the position should

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be equal.

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Butter Queen C six.

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Queen F two.

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Bishop E four.

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Rookie Free Queen E six.

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Queen H six Should be about equal with Rook C free Bishop D eight.

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But you know, time pressure is creeping in as well into these games.

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So a move 53 Queen one Bishop G six rook C4 in here.

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A big mistake, maybe a time pressure mistake.

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Rook F four So this turns out to be a very big mistake if Bishop dictates just keeping the pieces on

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the board.

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Basically.

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Queen E free King H seven White has a small edge, but it's something which if we start moving the pawns

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up, our kings can be exposed.

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It could be quite dangerous for white.

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There's work to do, but we've rook our four things.

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Just simplify with the black king exposed.

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So Rook, take C seven is looking across the king and we can see that we're going to get a tempo and

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switch across with very dangerous attack possibilities.

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So Queen E free here rook c4 rook takes B seven.

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So now with the threat of Queen H six, we have D four and this looks very nasty for King safety.

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Queen H six check.

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And here, King G one.

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So the queen is looking after the C one square is the kings.

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Not totally the white kings.

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Not totally in trouble here because of C one and Queen two.

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So we have Bishop F seven offering the exchange of queens.

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But first rook B h, check.

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Rook Kate are now taking the queens off, leaves black with a dreadful end game and black actually resigned

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here if Bishop takes Essex, the bishop is no match here for all the pawns.

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So this position we can understand why Black resigned because this other pawn is going to drop off and

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the bishops just no match.

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There's too much past pawn potential here.

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As example, the king marches up here and over stretches the Bishop 2220 pawn majority over there.

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And this is just far too much.

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The pressure's too much, the pawns crashing through, basically.

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So yeah, an absolutely fascinating game.

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There's some interesting mysteries of the French defense transformation which unveil themselves here.

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But for me, one of the mystery moves was Bishop G.

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Five.

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Just because we have this bias that we've played the bishop from G five to H, for we have a right to

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change our minds.

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If the strategic Bishop exchange is not going to happen, then change minds and just neutralize the

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foe.

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It's like the semi file was neutralized and neutralized nine G force.

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So it's kind of very solid now against face of peace, counterplay and again solidly controlling light

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squares against the face of G four.

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So preventative measures and then starting to work on the queenside.

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It's an absolutely fascinating game in many, many respects with the rook kind of awkward on air five,

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it turned out to be.

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But yeah, this fascinating concept of playing bishop and free to get a very interesting kind of imbalance.

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I say fascinating imbalance.

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So if you have like as in this case, swapping a bishop for lots of pawns are fascinating difference

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in material distribution between the two players.

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But yeah, it seems as though it wasn't in any big trouble doing this.

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And there is even a tactical option to have considered as well.

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But yeah, very, very interesting game.

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I hope you enjoyed this.

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Got some points from it.

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If not, you know, if at the very least the idea of switching where the bishop is going to go, just

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because you've implied A, you don't have to sing B, you have to look at the position A BCD, you don't

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have to follow your logical steps.

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You have to react to what the opponent's doing without bias.

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You know, we don't have to have that gravity of decision making that we've moved the bishop from G

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five to H for we can actually move it back.

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It's not totally absurd.

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It's depending on the exact details of the position, really not driven by past events.

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So it's about playing the position.

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Removing bias.

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Karpov is set himself.

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I have no style.

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When asked about style is play the position player primarily, primarily like all the greats, they're

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playing to the details of the positions.

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So unusual moves in this game, but seemingly justified the more you look into them.

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Okay.

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Have you enjoyed this so much?
