WEBVTT

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Hi there.

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In this lecture, we see an absolute masterpiece.

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This is a game which has been nicknamed Light Square Symphony.

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So this is Anatoly Karpov against Garry Kasparov, 1995, their world championship match, round four.

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So D four from Karpov we have D five, Kasparov, C four, E 6/9, C three.

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Bishop E 7.3956.

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Bishop g5h6.

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And now white volunteers the darts square Bishop.

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So mathematically on the light squares without the knights on f6 white could actually get a superiority

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on the light squares with these pieces just mathematically, because this is not going to help on the

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light squares.

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That's something to point out.

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Here we see e free black castles, Queen C two knights, a six.

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Wrote one.

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So this means that if any night before the queen can tuck away now without blocking in the ruck so it

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seems pointless to play night before we have c5d type C five queen a5c takes thee five might take five.

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And now Queen D to.

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Wrote the eight and now 94 E.

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Takes the five Bishop e to Queen B six White Castles Knights E four.

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We have Queen C to night.

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Take C free, Queen, take C free.

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So black has the bishop hair white has this nice blockade.

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Well, good looking blockade.

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We have Bishop E six, queen, C2, Rook, AC eight, Queen B one Rook seven.

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Now to Rook DC eight.

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Now here.

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So how to proceed against the isolated Queen's pawn?

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This is a very interesting move now, in my view, and it's something I've always remembered as a treatment.

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I say at Queen's pawns that sometimes the challenge of trying to exploit the isolation of this Queen's

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pawn is just too much.

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It doesn't seem to get anywhere in this position.

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Black has very active pieces and pressure on DD for and cop offs.

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Decision I believe is worth 500 points for my quiz to you.

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What do you think White should play in this position?

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Should White build up somehow?

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What move would you play?

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Okay, so you might find this very strange, but nine takes E six was played.

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If we proceed with Bishop friends, they're trying to target the D five.

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I say Queens born black could play bishop thanks d for this possession.

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Blacks very active.

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What do we do about B to be free this position?

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How are we building up pressure?

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There's too much pressure here on the CFO if Bishop takes Bishop.

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Rick.

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Thanks.

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We can try this trick, but Rook takes F two, and then we're going to get just an equal position.

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So this treatment transforms the isolated Queen's pawn into something else, trying to weaken black

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on the light squares.

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And in fact, engines suggest this is a slight inaccuracy.

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F takes E six.

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If Queen takes E six, which leaves the isolated Queen's pawn, Of course, Bishop de Freeze should

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be about even.

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For example, Queen B sex g three Black can play queen b4 and to show the resourcefulness of black black

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Queen takes d to her and use that C to simplify further.

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And it should just be about even only the tiniest of advantage.

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Maybe for white, but generally it's just about even with vertex E six.

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Yeah, it's ever so slightly inaccuracy.

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Bishop G for now is played.

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So we see rook C4 and the bishop is protected with H free.

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So looking at that, bishop is protected.

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Okay, so we have Quincy Sex Queen dd free.

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And you'll notice actually one very interesting statistic about this game is that a lot of the white

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moves are actually literally on white squares.

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It's like away from the other side of the road.

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So the bishop is like White's moves are all on the other side of the road now to the dark square, Bishop.

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So.

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If we look at this note.

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So that was on a like square.

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This is on the light square.

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This is on the light square.

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And yeah, things are being put on the light squares and away from the bishop potentially.

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So this is a light square.

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This is a light square move moving away from the bishop on that side of the road so it avoids any kind

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of traffic accidents, so to speak, on the chessboard.

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This bishop is less influential.

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Okay, so here is a light square.

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Move, Rook.

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Another light square move.

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And you'll notice also there's opportunity.

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It's not just avoiding this.

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There's opportunity on these.

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We can light squares around the king.

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This is one of the main problems.

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It's strengthened black's d five pawn, sure, but it's borrowed from the king side.

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And Karpov now does an absolutely amazing maneuver of this.

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Bishop, It's not so great on G4.

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So where is this bishop ideally placed?

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Well, we see B five.

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Bishop G six is coming back on this diagonal.

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Rook Sorry, Bishop the Bishop de Fray, so nicely central and all on the light squares again, a light

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square move.

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That's why this game is actually nicknamed Light Square Symphony.

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So here there's a concrete front and also to mace on the light square.

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So Queen G six is a threat.

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So Queenie parries that now E for one could carry on without pawn moves with G six.

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But you know, there's work to be done here.

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That's an advantage point, but there's work to be done.

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So e four we have Bishop G5 Rook, C2 Rook take C to Bishop, take C to Quincy six.

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So here Bishop D eight might actually be more accurate.

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So for example, E tanks, e tanks, White should play Queen D four with even position weights.

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Pretty tight down here.

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Tactically, if rook tanks d5 that's a disaster.

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Queen E one Check King H two.

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Bishop C seven check and then mating.

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So yes, it seems as though Bishop Da was very interesting here.

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But okay, so Queen C six, then we have Queen E two, Queen five.

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Now black is frightening.

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Rook takes F to hair for Bishop E three just to show that Freda if Bishop B one rook takes F to Queen,

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takes F to Bishop E free.

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So Rook f one defends F to Queen C free E takes E takes Bishop B one Queen to Queen E, five Rook D

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eight, Queen F five.

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So now there is a made concrete made from King.

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The king has to evacuate.

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King G eight Queen six checking age eight, Queen G six or another mate for it.

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King Jack, Queen E six check.

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King H a now bishop at five.

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So here, how is White making progress?

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Well, the bishop now is trying to get on this key diagonal.

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So we see Queen C three, Queen six King Jane.

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So why is making progress?

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Bishop E six, check.

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King eight.

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So if king for queen of sevens, mate.

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So here, Bishop at five, King Jane now G three so slightly improving the position.

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King of eight, King G two So putting the king on light squares, you know, it's away from the dark

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square potential of the black position.

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Queen F six and now Queen eight.

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Seven.

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Yeah.

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Using the H seven square to avoid the exchange of Queens, Queen f7h for Bishop D two And now this rook

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is also improved.

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Now that the bishop's in a great place, how can we improve this?

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Rook Well, it's with tempo Rook D one Bishop C three Guess where we want the rook Yeah, we're improving

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the position relative to the opponent's king here, Rook d free.

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So we're going to the free square.

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So setting up big dangers for black.

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So King E, seven Queen, eight chains.

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Yes, That kind of tapping into.

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It's difficult for black to do something here.

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It's getting very tricky.

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We have D four if rook d eight, then there's rookie free check and then taking on D a very, very dangerous

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position.

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Yeah, this is very handy.

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Rookie free check.

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So we have the four Quincy Saints rookie Saints, Quincy, five, Jack King Saints and now improving

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the attacking potential further.

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Can you see what Commonwealth plays here?

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Ten points.

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Yeah.

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Rookie for yeah bringing in rookie form.

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So the kings in the center.

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It's starting to look horrible.

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Queen Bee seven check now rookie for check So check with a check handled with a check.

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King of seven.

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Quincy full check for eight.

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And now what would you play here for?

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Ten points.

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The king is getting restricted more and more restricted.

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We have Bishop 87, a killer, common square G eight.

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So that's my friends.

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We have Rook have seven parrying the main threat, Queenie six.

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And the mate for Queenie ain't for Queenie.

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Seven Powering the mate for Queenie eight.

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So Queen E five here and in this position, Black actually resigned.

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There's a Queen B eight make four as many people being confused why Black resigned.

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I can give you some examples why Black would resign here.

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So rookie seven, there's rookie have four.

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And the problem here is.

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Well, there's one or two problems.

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If King E eight, we have at least Queen Bee eight checking an F check to win the queen at least.

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If Rook have seven, queen bee ain't shank.

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And here we have Queen Bee six check Queen bee seven rook tanks F seven check King tanks, Bishop G

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six check King of eight.

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And we're going to mate on the Lion square.

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Funny enough.

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So that's one or two variations there.

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And also, if we look in this position at Queen DD eight, Quincy five, check rookie seven.

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This is more fascinating, actually.

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What would you play here?

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Black's really pinned that up.

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What would you play?

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Yeah, that's kind of paralyzed.

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Bishop G.

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Six And what can Black do now?

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Blacks are really stuck if d freight This is almighty pen if dd free rook tanks, e seven Queen taxi,

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seven Quincy, eight check.

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And then we're meeting like that.

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So yes, a very, very powerful game indeed.

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And for me made me rethink how we tackle the Queen's pawn and basically transforming advantages in general.

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This key position has made me think a lot about chess generally, how Karpov is known as a player that

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likes to attack, you know, pawn structure weaknesses generally.

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But here it's like he did a favor for Black's pawn structure.

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But the advantage was translated into light square weaknesses around the king.

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So.

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Yes.

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And, you know, it's like a light square based positional attack.

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So it's not like a sacrificial attack, like towel.

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It's a length square based accumulating and voltage attack until black is run out.

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Moves to defend the king.

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But yeah, the important thing is when we accumulate advantage or transform advantages, sometimes we

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want to make them more exploitable.

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So the notion of exploitable advantages or exploitable weaknesses on the chessboard is an all important

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qualifier.

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We can't just think of things in theory, in a theoretical sense, like the estate Queen's pawn.

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We need all our pieces, the exact positions to give us concrete advantage.

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So we must think in terms of is actually exploitable in a given position context.

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So yeah, this decision seems paradoxical, but it's about transforming advantages into more exploitable

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advantages.

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And in this particular case, we have a slight advantage already on the light squares, and that's amplified

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when black is borrowing from the kingside and weakening squares on the kingside.

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But who would have thought that the white pieces from their current positions can transform to exploit

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these white square weaknesses?

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So yeah.

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A light square symphony, indeed.

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I hope you like this game as much as me.

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And so much.
