WEBVTT

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Hi there.

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In this lecture, we see the immortal Zugzwang game.

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This is Friedrich Simek against Aron Nimzowitsch in 1923, the Copenhagen tournament round six for from

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Samish native six, C four with ce6 ninth, F three.

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So we're in Queens, Indian territory.

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B six.

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We have G free.

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Bishop B seven.

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Bishop G two.

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Bishop e79.

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C free.

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Both sides Castle and now D five.

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We have Knight, E five and now C six.

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So this may be a slight inaccuracy and BD seven is interesting as well.

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Four.

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C six.

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Now, for example, this possession black could take on E five and simplify.

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So this would be a way to limit White's potential advantage.

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Okay, But see, sex is played.

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We have C takes D five, which doesn't exploits the slight move order issue.

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It seems as though in this position White could have played e four but opening theory wasn't so evolved.

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So d d take c four here, take c four.

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Why?

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It should be better here.

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This position would be free.

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Why?

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It has quite a nice sensor and if B 492 this is still going to be quite interesting.

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Even if D four drops, there's a lot of compensation here for white, so this would have been a very

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active continuation and there aren't that many active continuations in this game for white.

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So this is something to be celebrated here before we get into the game.

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More so C tanks, D five, C takes D five.

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We have a four and now a six.

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So this is an interesting 4b5 and try and use the outpost square on the on the file.

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The C four square could be a useful outpost for a night.

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So we have C, one, B five now Queen B, free.

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This is a slight inaccuracy.

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Might be one would have been a good move the night to improve itself.

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It's not really doing much at sea free.

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This would have been a kind of Carpathian move the knight retreat and here for example, why it should

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still have a small edge.

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So queen bee free 9c69 take C six.

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This was another opportunity just just to be even with E free.

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Just just play the solid E free.

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This position should be about even.

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Old, 1935, 1935.

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This position one has a small edge here.

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Okay.

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So if we look at this, if we took on CSX, this position, it's going to have a small edge.

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So that's interesting as well.

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Nine takes the five looking at C six.

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But anyway, note take C six now Bishop, take C six and H three.

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This is quite passive play.

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Four might.

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The unprotected piece on C six could have been used with 94.

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So hitting C six here D details.

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This is just even.

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And if we continue a little bit.

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Queen takes the form white gets play hair.

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And could even claim potentially a small edge with careful play.

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Up to 9/10 rotators a small edge for weight.

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So anyway, h three we have Queen D seven and now the have the bishops protected but also be force of

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France and maybe bishop a four after you can see that actually that queen on be free is rather silly.

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We have king H two.

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And although b4 is super tempting, Nimzowitsch here has a very interesting, interesting alternative

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attacking plan.

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So King H2 kind of walks into a little bit of danger actually, if a free a five, this is an interesting

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way of playing things.

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And then this shows that black is already in the driving seat.

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This this has a there's a target on B to back home and that could be pressurized later and fixed.

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So yes, black is in the driving seat in this variation.

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Even if a free had been played, this is starting to be quite comfortable for black as an example,

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with a torture point, the be2 pawn on that same file.

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But King H two was played and we have now even stronger than before night H five trying to potentially

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attack the King on this diagonal with moves like Bishop D six and F five and F four potentially if B

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four.

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I mean, this is interesting as well, and we could just flick in night.

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H five here as well.

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We don't need to chase the queen or anything.

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This, this will be interesting.

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Well, we could chase the Queen now if there's no E square and here if you know a five, it's just very

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comfortable for black.

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So 95, though, and we have a very interesting plan F five.

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His plate for hair is also possible for a five hair.

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It's just a nice advantage and we can retract the light.

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But it's not as fun as the game continuation.

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What happens in the game is super fun.

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With F five, we have Queen RD one, so it's looking to try and exploit the unprotected piece.

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Might be one looks very passive, but this way of playing it might be much safer.

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So the one we have before the light goes back and it should be five.

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So here there's a penalty for playing E for two the night.

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Black will play.

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Bishop takes South one, so the rook moves.

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But now this is fantastic imagination.

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And perhaps looking around at the quality of pieces.

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Can you see this next move?

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So it looks as though White has this frat of E four.

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But can we turn a frat and its execution into a kind of position where we're tying the opponent in knots?

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How do we do that?

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Turn that to our advantage if evil is going to be played.

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Okay.

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The thing is, Rooks, we've talked about Rooks in this course, liking open files to be able to get

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on to the ranks, especially the seven Frank.

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There's a lot of juicy targets.

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So Nimzowitsch comes up with for 500 points.

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This idea of getting a rook to the seventh and it could end up pinning things and tying white down.

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He plays Bishop dd six.

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So we have basically a positional knight sacrifice.

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In fact, after E four, guess what nimzowitsch is idea is the thing is if he goes back now with like

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he doesn't want to create dance square weaknesses.

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And if he goes back.

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Then there's E five.

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So he's kind of forced to play a brilliant part for brilliant continuation.

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Really.

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And he does F takes E for it's a positional sacrifice.

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So we're getting this very juicy rook on the seventh rank, and you can see that white's it's already

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kind of tied up, but this bishop's now pinned and the queen hasn't got that many squares.

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This bishop cuts through the position.

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This knight hasn't got many squares, the rook hasn't got many squares.

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We're controlling f one as well.

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So it's a position where we've got a lot of compensation here.

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For the ninth.

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So it's a fascinating position.

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So it's also, you know, it's two pawns as well.

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So we've got two pawns plus a gigantic pin and pressure on the seventh Frank.

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We have Queen G five.

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If King H one, then Black could just reinforce the AMP file.

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And that really has authority on position.

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Bishop E to hit the Queen.

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And E five would create some difficulties here for white.

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So, for example, here h six and we're going to soon trap the Queen with Bishop F six.

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The Queen is not very well placed on H four.

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And that echoes the game match.

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The Queen goes to the G five in the game.

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We have Rook, af8 and our King H one.

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And now Rook eight.

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Five.

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Queen E three.

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Bishop de Frey, which carries the threats of winning the Queen now with Rook e two.

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So this is passive move is played and now Nimzowitsch just plays a quiet move.

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H six.

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And so Mitchell looks at his position and just feels it's completely lost.

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So he's a piece up.

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But Black has real authority here in the position.

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It just move 25.

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This is amazing like knight positional positional knight sacrifice just to tie white down.

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It's not quite a zugzwang yet, but white really doesn't have any useful moves.

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So white resign if Bishop f won.

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Let's have a look at this.

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Bishop f one We're just going to take on F one because we've got enough controlling f one.

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If g four we can play rook five to F three and this position is quite nasty.

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Bishop takes her free.

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There's rooks to this rook on the seventh is really a bit of magic going on with so many targets.

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That is a rook dream quite often to be on the seventh rank as Nimzowitsch has highlighted in an important

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part of positional play.

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A goal.

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It's a very important goal to get rooks on, especially the seventh Frank.

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There are other ranks, but statistically there's a lot of things to target, especially here.

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If H4 we can play this.

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So Rook five to F three of Bishop takes, Rook takes.

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Where is the Queen going?

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Queen's We're going to win the Queen with advantage.

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If a free we can actually just play a five.

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So it's not technically a zugzwang yet because there was a free but after eight takes 8/8 be free Queen

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F seven.

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Now what on earth does White do without compromising the position?

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So this looks more technically like a zugzwang if g for we're just going to play this rook five to F

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and again the queen stranded in the center and Bishop takes We have to mate.

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So yeah, a fascinating game, a fascinating concept of a positional p sacrifice.

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So if we can try and use this in our own games, where do our pieces ideally want to be?

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Rooks ideally wants me on the seventh rank.

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We can entertain the opponents France here.

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So Bishop DD says entertaining a threat, turning it to our advantage.

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So it's a night for two pawns, but also this aspect of just running the opponent out of useful moves.

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It's almost as if it's not just we're not just looking at the downsides of the opponent's position we're

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trying to see coming to destroy their ability to even move their move interface, so to speak.

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And if we get the impression our rook is on the seven frank pinning things, we should be able to look

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out for that really tiny opponent in knots.

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So this is an absolutely beautiful game and it's called the Immortal Zugzwang game.

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I hope you really enjoyed this idea.

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So embracing the opponents against a loose pace, turning into a massive positional advantage.

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So wonderful stuff.

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And so much.
