WEBVTT

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Hi there.

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In this lecture, I would like to introduce the modern era issues in positional play after Steinitz.

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So having looked at many games in the Steinitz era because of the Laska course, which you might want

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to check out, in particular, it's apparent that modern players, because we have greater communications,

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greater technology and that vast central kind of community database, we can look at all the past historical

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games.

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We stand on the shoulders of past generations, basically.

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And it seems in the Steinitz era, players were not so dynamic.

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They weren't playing pawn sacrifices, for example, as much as modern players to create counterplay.

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They often played commit or pull moves and pawns Don't go backwards.

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That idea is much better understood nowadays about not making commits or weaknesses.

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So chess is always evolving.

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There's new games and useful exceptions to look at and we're so privileged nowadays compared to the

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past that we can look at thousands and thousands of games very, very easily and the up and coming juniors

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can become gems much more quickly nowadays.

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So things are really ramping up in terms of managing counts, playing and complexity.

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Nowadays prevention is just as important as ever before, especially against dynamic, aggressive players.

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And the seeds of that might be set up in positional opening choices opponents are not making well at

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the classic time controls many mistakes.

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They're very, very solid.

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There's so many grandmasters at a very high level today.

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And so we need to well, at the high level, grandmasters need to sometimes have a lot of determination

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and grit.

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So it's no accident Magnus Carlsen is succeeding in today's climate.

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He can grind and grind and grind until he wins sometimes.

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So there are so many openings which offer counterplay generation in general.

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And the positional players are often navigating this vast amount of opening theory and often choosing

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second or third or even more engine moves.

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Not not the best engine move because some of those would be less explored and some of those might offer

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less counterplay to opponents.

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So getting an edge and being quite crafty about it, not just going for the obvious best, you know,

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choices of of engines is often helpful to positional players.

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So positional openings, I mean, we see this in the games of Michael Adams and, and Karpov to some

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extent, but more so more modern play, especially where position players do treat the openings very,

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very seriously to try and avoid sometimes very, very sharp opening theory just to get those positions

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where there's not much counterplay.

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So that is a great tradeoff to think about When you're preparing in the modern technology context,

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do you need to actually choose the top moves of an engineer?

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What about if you customize your repertoire just to make sure that you might have an informational advantage

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as well and a possession which is playable and you're happy with the levels of counterplay from the

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opponent.

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One E4 Nowadays, because of Vladimir Kramnik a great positional player, he neutralized Garry Kasparov

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with the Berlin defense.

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So the Berlin defense has been rising as a very solid, reliable weapon with the black pieces.

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And because of that, a lot of grandmasters nowadays they've taken up the English opening more Catalan

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systems, more and other non one E4 systems.

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And even the London system has become a great weapon at all levels with especially Bishop F4 this move

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order, which you can see in my London system, of course if you want a positional opening, you know,

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previously in certain opening manuals like bats for chess openings, this was only given, you know,

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a side note.

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And now so many players are playing at all levels.

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So this is an example of a positional opening which sidesteps the vast amount of opening theory, which

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won't be associated with one E4.

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And we can see a lot of positional plans from such openings are available.

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So as an example, let's have a look at Magnus Carlsen versus Wesley.

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So but to be fair, this was actually a blitz tournament.

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A blitz is also hugely popular nowadays with games.

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And it's interesting still in Blitz to try and manage the opponent's counterplay.

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So Magnus Carlsen actually did play Bishop F4 against Wesley.

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So and we see C five, e39, C six, C three.

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So this position in the.

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This hasn't been widely celebrated, but it's it's a position to play from.

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And this is sometimes what we need in a modern context, just a solid position, reliable position without

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too much hassle.

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And here we have Bengals playing 90 2c4 and this is quite a comfortable decision for the pawns to be

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potentially undermined.

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Later, we have 95 and our Bishop G five trying to probe some light square weaknesses with pawns coming

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on dart squares and Bishop Ito, a crafty move here, hitting the knight, not moving the bishop.

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So we have G seven and that bishop is now preserved and it's a bit of a torture piece positionally.

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So you can see how the London system is an example of an opening which is getting an annoying edge for

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four.

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So we name five, we have E four very dramatic to hit that pawn chain, Bishop H seven and now White

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Castles.

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Bishop E seven, Rookie one Black Castles are now 95.

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So white with this opening choice has kept the position relatively closed and there are weaknesses to

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try and make use of here.

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Nine takes e five bishop takes e five.

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We have f six.

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This is weakening more light squares.

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So you can see that if we can exploit the vulnerabilities of this pawn chain, there are gains to be

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made potentially.

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Bishop G Free Rook.

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Cathy eight We have H four, B five, B four, Quincy eight and now A four.

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So hitting the pawn chain here, as well as putting pressure on D five, we have a five.

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So if a six was played, then Bishop three looks at the D five pawn and it actually this situation after

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9f1 it's going to come under extreme pressure.

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A bit of maneuvering here to intensify the pressure and why it's definitely getting a big advantage.

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So a five was tried.

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We have eight hp five eight HP for rook takes eight, Rook takes eight, he takes the five, he takes

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the five.

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And this is an unfortunate configuration for black.

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So why a success of these sides that stepped a lot of mainstream opening theory to reach a very, very

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decent, very, very pleasant position here.

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Francine Knight take C4.

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Now, I'm not saying the London system is a top recommendation for all positional players.

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It's just the spirit of it being able to choose openings which are solid and reliable, which might

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not be the engine's top choice, and where there's an element of pawns having an influence on the game,

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a profound influence on the game rather than very sharp one E4 games.

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So it's the principle here of the London system to sometimes play quieter openings which get positional

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advantages, which we can use our positional skill set more easily.

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So here we see B6 trying to learn the Queen away from D five.

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B take C free, Queen t c free.

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We have Queen takes B six and now black's been dismantled and off the bishop takes D five.

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Check.

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We have 9c4, Queen b59e3.

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Protecting the Bishop D eight.

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Queen seven.

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We have Queen D seven, Queen a59.

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Sage five.

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Now Bishop C seven.

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The rook moves, the bishop goes back four and now Bishop takes her four, G six and now nine.

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C four.

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So why?

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It's ramping up things.

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The structure is damaged.

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This is just such an annoying opening nowadays for players at all levels because you black might have

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had, you know, a lot of opening theory behind them.

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But when players play the London system, they can sometimes it's just torture.

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So Queen a seven looking at E seven, Queen 65.

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This is a desperate situation.

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If the bishop moved, there's Queen F seven.

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Checkmate.

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So Queen takes the five, Queen takes E seven check King J And now after 9b6 black resigns.

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So systems like the London system are all the rage nowadays at all levels.

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But also players can play C four with a view sometimes of English openings or Catalan.

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So sometimes playing Catalan systems with a vignette of the bishop later.

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So there are all sorts of positional openings which can bypass a lot of sharp opening.

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The theory of E four.

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So I guess I'm saying that it's good to consider other options other than E four because that could

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lead to sharp games where it might be difficult to enforce a positional undertone.

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So opening free does have a role for a positional player to choose carefully.

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But there are some positional players like Michael Adams, and this is absolutely fascinating that he

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finds positional lines within E four.

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So sometimes for example, the so called anti anticipation to keep things quiet rather than an open

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Sicilian.

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So there are options even within E four if you're a positional player once play E four you can.

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And so Michael Adams is a great role model.

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And also we see some type of games with 1e4 as well and two of the main heroes of this particular course.

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So we do see 1e4 with a positional kind of navigation to quieter lines which manage counterplay more.

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So it's fascinating how modern chess is more dynamic.

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We've obviously got more game examples that go on so we can find the useful exceptions more we're standing

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on the shoulders of.

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Previous generations and positional play is always evolving.

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So I hope this is an interesting food for thought.

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This introduction lecture has so much.
