WEBVTT

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Hi there.

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In this lecture, I would like to ask a theoretical question.

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Is accumulating advantages better for us or in some way more beautiful or funnier than prevention?

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What if we want to play our chess like tapeworm trees?

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And what would happen?

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Well, statistically, Petrosian did actually draw many, many games.

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It was very, very difficult to beat.

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So we might have a whole series of long, tedious, drawn games if we take prevention too far, because

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prevention does have a bit of a downside.

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Sometimes we're destroying our own counterplay as well as the opponent.

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Sometimes the positions are like fortresses, mutual fortresses.

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So okay, we don't risk losing.

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We've definitely prevented the opponent, but we've also prevented our own counterplay.

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Is that more beautiful?

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Is that funny?

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It might be funny.

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And why are we even considering these aspects?

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Surely, in chess?

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You know, we want to win.

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So we're looking for things which have advantage for us, which are better for us.

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Are we really looking at our own chess strategies and games like we might search for a partner?

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Like partner, We might want a beautiful partner or a funny partner or someone that fits us better for

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us.

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For us to be happy.

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Well, I do believe I truly believe, actually, that when we strategize in our heads, we don't want

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to bore ourselves to tears.

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I know that some chess books like Think Like a Grandmaster by cutoff, give the idea that we should

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be thinking like computer, you know, candidate moves, etc. and I detest that sort of stuff.

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I actually get most enjoyment for looking at the downsides of the opponent's position.

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So maybe I am treating my own chess strategies.

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My favorite chess strategies, my favorite way of playing the game as a form of entertaining entertainment

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as though it's a partner for me.

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I want to be happy with the way I think about chess and then switch cast doubt that the accumulation

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of advantages model is like some miser just accumulating money in the bank and maybe, you know, they

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die one day and they couldn't take all that money with them.

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Whatever too after.

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So we do.

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We want to act like misers.

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But the thing is, that's a really negative view on the accumulation of advantages model, in my view.

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Nimzowitsch himself argued.

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That on a different subject.

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The beauty of a move lies not in its appearance, but in the thought behind it.

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Can we not argue, therefore, that it might give the impression of being a bit like an accountant accumulating

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money in a bank account?

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But on the other hand, how do we actually do that?

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We might actually make use of prevention along the way.

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We don't want to give the opponent counterplay and we might have to play positional sacrifices to increase

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our advantage.

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We might have our pieces in optimal places, but to break through, we might need to do an exchange,

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sacrifice.

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We might need to do what seems to be anti position.

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We might need to decentralize the knight to reroute it, to improve it, to improve pieces.

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Sometimes sometimes we need to take a step back to go two steps forward.

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So the net gains.

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So there is a beauty in the kind of paradoxes, I'd say, of accumulating advantages.

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Sometimes we under able the opponents pawns to create more exploitable weaknesses that we can get hold

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of.

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So all the paradoxes, the creativity, and even the sacrifices which might need to be made to further

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increase the advantage in the position is part of the toolkit.

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And generally you could say if you want to win games, you give the opponent a bit of counterplay.

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Actually, you know, there's a prevention to an extent, but maybe you have to give them counterplay.

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So you have counterplay.

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So it's not like a fortress position in an extreme where you might as well just agree a draw.

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If neither of neither you, your opponent has no breakthroughs, no pawn breaks, nothing to do.

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That's a bit dull potentially, but I do like the idea that Nimzowitsch is not just in general what

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I do like about this.

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When Nimzowitsch casts doubt on the beauty of things, is yeah, we need to enjoy chess.

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We're not all professionals and it's very difficult to be a chess professional.

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So if enjoyment is a priority, then perhaps we should look at our chess strategies as our kind of partners.

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I like thinking about downsides.

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It does work for me.

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I win lots of tournaments online.

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I like the way that chess works for me, and I don't work for chess.

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You know, some grandmasters give you these prescriptions and what if you didn't enjoy their prescriptions?

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What if you didn't enjoy the openings that they chose for you or something like that?

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If you were having grandmaster training, it's, you know, you take control in a driving seat like

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in the driving seat positions in the driving seat of how you choose to even play the game conceptually.

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But for me, yeah, the accumulation of advantage model has a lot going for it and it's nice to have

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one way games where you weren't scared of being completely crushed because you limited counterplay to

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an extent.

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So it's definitely a very important part of the toolkit in general, restricting what the opponent can

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do.

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Prevention can be really very, very useful.

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And while we're at it, you know, partner traits reflected in our chess strategies, do we need our

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strategies to be funny?

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Well, Nimzowitsch certainly was very humorous in my system.

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You know, he talks about past pawns being criminals that needed to be kept under lock and key.

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You know, active surveillance was not enough through his humour.

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You know, the writings also passed the test of time.

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There's a lot of humor in his writing, so he obviously was quite funny as well.

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And in his games, you know, some humorous looking moves like Knight right to the corner to, to re

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centralize it later.

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So his idea is prophylaxis is quite a funny word nowadays for contraception.

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I think the word prevention is probably less funny and more useful to us to think about prevention if

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it's for a specific move or preventing the whole of the opponent's position not moving at all.

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So prevention seems to be a more functional word and more useful.

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So we've got to find our own balances of priorities.

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So yeah, you know, John Cleese, you know, he liked humor.

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He was editing things to make things more humorous.

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That was a priority.

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If you if you're doing a funny sketches, etc., or Fawlty Towers were checking if you've ever seen

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Fawlty Towers, because it's good to to smile and laugh.

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It induces positive hormones.

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So if your chest causes you to smile and laugh or your strategies, then that's great potentially as

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well as exercise generally.

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But anyway, so it's accumulating advantages really mightily.

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This is my question.

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If it involves creativity and paradoxical looking moves, or let's use them as Victor's own argument

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against them, lots of thought is behind the process.

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I would say it's great.

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Potentially you can make it a lot of fun.

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You can look at your opponent's downsides as a way of trying to increase your advantages.

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I absolutely love it.

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I absolutely am as passionate as chess as I ever was.

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And we can make use of or sacrifices, which seems to be, you know, rebelling against the laws of

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material.

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Or when you sacrifice a rook for a knight or a bishop.

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But the long term trend is good for you.

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You know, that's a lot of creativity and fun.

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Or you can do what seems to be anti positional moves, but you create a lot of pressure and play, you

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know, the creative conversion of advantages into more exploitable ones.

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It's creativity, it's fun, it's interest, it's enjoyment.

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Now, no counterplay, counterplay games have a lot of beauty.

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If we look through some of the masterpieces from Nimzowitsch, his opponents are left without any moves.

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You know these immortal Zugzwang games often in Nimzowitsch games.

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And can it be more entertaining to let opponents also self destruct?

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If you have restrain them out of desperation, they try and release the shackles of some positional

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binds and they self destruct.

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Maybe that's funnier sometimes if it's not more beautiful.

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Maybe it's just funny to let the opponents do that.

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But bad plans is, you know, it's argued in this course they can be much, much worse than no plans

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at all.

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And I want to give you an example of petrosian against caution in which korchnoi evicted caution in

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which in their early encounters in 1946.

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So they had this long hatred of each other throughout their careers.

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It seems, of course, being in the factor probably didn't help towards that.

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So so here you know we have c sex a Dutch stonewall was being played against Tigran Petrosian and it's

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a brilliant plan at the time.

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It's kind of kind of a modern plan for the time be free just to exchange off the bishops.

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So it seems there's an element of prevention here with this plan against the Dutch Stonewall.

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If we can eliminate the Dark Square defender and we can blockade on E5 and, you know, reinforce blockade,

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we can aim to keep the pawn on E six locked in and the bishop kind of just useless potentially, unless

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it tries to regulate attack, it might take a lot of moves.

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So the idea of restraining the pawn structure to in-turn restrain the pieces is evident here.

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So this is about restraint and prevention and prophylaxis.

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So Black Castle Bishop, a free the bishops came off course going on the attack with Queenie A We have

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90 C to Queen H five.

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But why is kind of being very calm here?

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Queen C one we have 94, C one so one just maneuvering to lock the E six pawn.

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So G 593 And these pool moves are pretty commensal pawns.

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Don't go backwards.

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90 795 So dramatic turn of events already.

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Why is e two offered?

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We have eight.

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So E two is offered because.

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Sure.

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Using the calculator a forcing sequence here.

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Can you see what we do if Queen takes E2?

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There's upsides here.

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For us, this apparent aggression is weaknesses around the King.

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There's a vacuum of weaknesses.

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So this is kind of funny how this backfires In this variation.

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Bishop takes E for eliminating the defender on G five.

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So that was also a kind of funny, you could say, funny weakness for the last movie The Queen coming

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to E to away from G five because now we're making inroads with the Knights and this is such a strong

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position.

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If this happens, this is just crushing and that's just completely lost here.

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This is just a completely lost position.

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And these pieces are still dead.

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They haven't gone out of bed yet.

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So yeah, a bad idea to take the pawn in a nutshell with Queen takes E2, just in case you're wondering.

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So King H eight, we have three.

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And for me, after E four.

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Yeah, it does seem a funny game.

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What happens here?

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It's been called like a case of jujitsu or something.

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What happened?

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How this magically transforms up to C takes D five.

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Like D takes E, five, D takes E five, C takes the five.

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We have e takes D, five, E takes D five an F four.

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And you can see that Black's game seems pretty bankrupt here.

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A lot of pieces on the back row D five is a target.

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White's pawn chain looks mighty strong.

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The Bishop.

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That's fantastic, you know?

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Wow.

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Rook D eight is played.

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We have Queen seven a terrible infiltration to deal with.

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B six we have F two, G five giving whites the F four square upside bishop a six and now have four and

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it moved 23 Korchnoi has to resign to be fair, of course, was just 15 years old in this game.

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A very talented 15 year old going on to become, you know, one of the uncrowned kings of chess, know

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potential world chess champion so close to becoming world chess and so black has to resign.

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If queen takes G five, Queen takes F seven, Bishop takes F, one rook takes F one.

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Petrosian was young as well, but a bit older than than korchnoi in this game.

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But this is just hopelessly lost.

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So we see here a case that prevention is very, very useful versus a direct attack.

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We see that it is kind of dramatic as well.

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That could be another attribute drama or the drama of this game through prevention rather than, it

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seems, actively searching for our own possibilities just to kind of take all the upsides from what

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the opponent is doing.

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So Petrosian had some beautiful games like this where he's saying, you know, come and get me.

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And it does create sometimes very, very beautiful games.

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This game against Boris Spassky world celebrated by Spassky, went for him and there was a beautiful

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queen sacrifice at the end so beauty can result from prevention.

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And the opponent trying to break the shackles of things, can overcommit, create new weaknesses, new

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downsides.

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And if you're dynamic enough, you can offer material and expose those weaknesses.

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So prevention can have a real sting to it.

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It can be done with a view of vicious counterplay attacks after where there are a lot more weaknesses

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than they ever were before the opponent started to attack you with only part of the army.

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You know, part of the army is just still in bad hair.

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So this is kind of an entertaining game, a dramatic game in my view.

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And many where Petrosian was saying, you know, come and get me.

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And he wasn't seemingly actively following his own plan, but rather preventing the opponent's pieces

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or part parts of the opponent's army of pieces.

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And the result, you know, weakness, creation, even more potential downsides to tap into.

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And if there's minimal risk, Petrosian will play super dynamically to expose those weaknesses.

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So, okay, I would say, you know, counterplay reduction, keeping the opponent's counterplay to minimal

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levels or ineffective counterplay, there might be counterplay, but it might be not not as dangerous

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as yours.

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Yeah, it's it's useful tools whether counterplay destruction of the opponent is more beautiful or funnier

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or useful than the accumulation of advantages model.

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Well, you can reason about that yourself.

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But I would say, you know, they're both very, very dangerous ideas in chess.

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Prevention is better than cure is a very, very powerful concept which applies on the chessboard, and

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it can lead to desperate measures from opponents to over weaken themselves.

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The accumulation of advantages is generally the scientific backbone of chess that.

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Ideally, we want these one way games where we gradually accumulate advantages with minimal hassle.

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I think there's beauty and entertainment and drama and even humor in both these models of playing chess.

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So it's whatever rock your boat rocks your boat, basically whatever entertains you and you get maximum

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enjoyment and pleasure from on site.

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But yeah, the positional viewpoint is worth integrating into our own chess so we can have that hat

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to put on.

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If circumstances dictate that we need to prevent the opponent's counterplay is good, that we're aware

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of positional players as well as the great attacking players.

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And you know, it was with great delight that I do have a course on Tigran Petrosian.

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I just chose his wins because I don't like playing through draws generally, and that's my bias.

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So you see a lot of particularly chosen shorter wins.

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They're quite dramatic, showing what a great tactician he is as well.

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Tactics is also beautiful in its own right and separate from positional play.

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Of course, in attacking chess, there are many beautiful aspects of chess.

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We can find beauty and maybe we should think more about nimzowitsch that the greater the thought behind

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something.

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Then we increase some things beauty, and maybe it's also its humour and the same that value as well.

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The more we think about the intricacies, it's like different aspects unveil themselves.

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So anyway, so I hope you find this for provoking this introduction lecture.

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I couldn't let it go.

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This question.

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I know it's like a question which might not have absolute functional value, but generally we do want

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to enjoy our chess and we want to be in the driving seat of our strategies.

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So I thought, it's interesting to compare.

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Do we need this accumulation of advantages model or can we just sit there, really strengthen our position,

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destroy the opponent's counterplay, let them self destruct, then pounce on them after?

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What's interesting is the way you want to play it.

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Och, I think it's good to be able to put on different hats in chess, attacking tactical etc..

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The range of hats increases our enjoyment of the flexibility of how the game can be played.

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Och, hence much.
