WEBVTT

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Hi there.

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In this lecture, I want to talk about the course structure and the game selection.

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So it is important to see that the course is organized in terms of patterns.

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Patterns?

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For me, they're less prescriptive.

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They're not saying, you see to you, you must do this or you must do that.

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They're not laws, they're not principles which you must follow.

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Basically, if we think about patterns, we keep them as general advice, and it's up to you whether

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to apply a pattern or not.

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Is it actually appropriate for your game sessions?

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So advice needs to be taken as general guidance.

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You are the driver of your game positions.

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You need to work out what is truly exploitable.

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Just because the opponent has double pawns doesn't automatically mean you're going to win.

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Maybe they're not that exploitable.

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Maybe you've got to distinguish between what looks bad, positioning, what is actually bad.

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You've actually got to do the work in your game positions and you need to work out the overall advantages

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which determine who is actually better in a given position.

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So we give examples for the patterns in the first three layers of this course feature, Michael Adams,

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who's been over 2700 for many, many years, was nearly an official world chess champion because he

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was organising these knockout times.

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He nearly won one of those.

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There's Anatoly Karpov, who has been a world chess champion.

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There's Aron Nimzowitsch, who wasn't really given the chance to be world chess champion through Alexander.

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Alexander Alekhine chose Bogoljubov instead to play twice instead of Nimzowitsch.

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Even in a particular year, Nimzowitsch had fantastic results coming first in certain Tillmans So anyway,

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so we're not biased necessarily to just world chess champions and the players after this will be from

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other great positional players.

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Again, we have players like Rubenstein.

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He wasn't a world chess champion, but he's definitely worth looking at for his positional examples.

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And we can look at these players most celebrated games quite often, or their most important tournaments

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where they did really well in.

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Now, the idea of looking for games which are really collected sites like chess games com is really

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nice in principle, but positional games, by their nature, they're not as sparkling or brilliant as

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tactical or attacking games in general.

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So we can't really be led by looking at the most collected games that might not serve our particular

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goal, which is to examine how the truly great positional players often manage their positions.

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They often manage their positions in a fairly quiet, relatively quiet, unspectacular, low risk manner.

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Low risk doesn't usually link up too well with being in lots of people's game collections.

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People are dazzled, for example, by Queen sacrifices.

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If you want to put chess on YouTube, usually it's the titles which have queen sacrifice in them and

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this is a positional course.

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We've got to look at the other side of the coin to have a more holistic view of chess.

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It's nice to be good at chess with its various skill sets, and if we're just biased by looking all

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the time at the most brilliant games, we're going to lose insights, valuable insights into chess.

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But positional games do have their own beauty, and it's nice to feature the classic positional games,

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which are still in many people's collections.

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Often people like a good Zugzwang for example, and Nimzowitsch is immortal.

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Zugzwang is in a lot of people's collections and it's usually the more historical games have had time

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to soak in into chess culture and be celebrated.

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So they often have more game collections.

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But we can't be driven by this.

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We want to look at modern positional players and for me it was exceptionally important to look at Michael

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Adams because for me I've had first hand experience of how he's dismantled players so elegantly and

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calmly that I just had to make him a key player, even though he wasn't an official world chess champion,

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even though many of his games are not yet in many collections, relatively speaking, to, say, Anatoly

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Karpov or to say Nimzowitsch.

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And the further we go at, you know, especially the world chess champions, people often bias their

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selection of games to the past official world chess champions.

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So Capablanca.

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There's going to be a lot more game collections generally than Nimzowitsch because Nimzowitsch was never

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an official world chess champion.

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Lasker.

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Because he was world champion for so long, perhaps a lot of his games should be in more game collections,

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but maybe people just took less for granted.

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He was just so long as world chess champion.

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So anyway, the key point I wanted to make here is that we need to get the positional insights.

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And if those positional insights are from games which are hardly in any game collections, those games

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will still be chosen.

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It still could have been, for example, in a notable tournament of a great positional player.

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So I like looking at Adams's notable tournament, like his British championship victories.

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And we get a lot of positional insights, which otherwise, if we had that bias for looking at the most

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celebrated games, we wouldn't get get those insights.

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So we don't want to throw the baby out with the bathwater.

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As the social scientists favorite expression goes, we want to show the gritty games as well, which

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maybe not.

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They're not so celebrated at all.

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They show the importance quite often of being extremely resourceful.

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When you're faced with dynamic compensation as a positional player, sometimes you do want to let the

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opponents self destruct or have dynamic positions.

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We've got to see how we handle that because we're going to be in those situations quite often.

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So concrete games, concrete analysis of games, rather with modern engines like Stockfish, with the

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neural network capability, really help appreciate more the more profound moves of positions which in

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the past may be engines which are more analytical in nature, only prioritized tactics well, and combinations

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not so much the longer term aspects of possession.

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But now with neural networks, we can learn a lot of positional play and a lot of opening theory more

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than ever before from modern engines.

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So it's a delight to actually put these games through the test of modern neural network based engine

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technology and to see what really happened with potentially best play from both sides, to see the kind

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of scalability of the play with greater scrutiny.

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Would there still have been the same game results?

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We also explore not so fashionable patterns of positional chess.

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And for me, it was an early delight to see and be reminded that, for example, Michael Adams would

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often imbalance from the opening were things like the Marshall Gambit, which is, you know, since

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his and other players use become one of the most respected gambits going with the black pieces, so

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much so that a lot of modern grandmasters they play anti Marshall Gambit lines or they avoid the royal

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affairs altogether.

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So yeah, this is trying to be a more modern view of positional chess and, and often looking at relatively

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uncelebrated games, but games which we can really learn this particular kind of you could say more

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secret arts than the art of dazzling sacrifices and combinations.

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So now the example I'd like to show you here is the imbalance pattern.

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This is a marshall Gambit game position.

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Vasily Evans was playing against Michael Adams in 1991.

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Tarrasch went round six and from this position Adams played F five.

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So a positional player with Gambit.

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Are you outraged?

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Hopefully not, because, you know, if you're playing a player like Vasily, eventually you need to

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get every advantage going.

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And if you can get an advantage for playing the Marshall Gambit.

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Or very pliable possession where you've got no bad pieces.

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You know, from positional perspective, we actually have got a great position.

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We're just the pawn down there.

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But as Alphazero has indicated in many games, you know, sometimes material can be sacrificed for authority

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in the position.

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So here I've played Bishop Tex G.

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For we have Queen G for Bishop D two and now Rook G six.

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White is under severe pressure here already.

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King G2 f four This looks very natural to play a free queen.

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H five and now g four is played.

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And you might think, Well, isn't this asking for some tactical combination if Rook 81 The thing is,

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Black has that F4 square to use with bishop and four So for example here then it's a disaster.

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94 is happening.

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The extreme example for winning the queen or winning the rook.

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If the queen had moved.

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So it's under pressure.

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So G four was played.

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Rook Sorry.

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And now Queen H four is played.

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So here we have rookie two and Adams is invited to play rookie Tex G for in effect, which he does play.

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So he sacrifices a rook and plays a free check.

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Now positioning things have been altered here, although still white is a pawn up from a positional

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perspective.

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Black's authority on the possession has slightly increased.

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We have King H a a great preventative move.

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Well, taking out the sting rather you could say, of Queen E six Check if Rook have to, Queenie six

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check.

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This is a disaster.

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The knight's holding h two.

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So King H eight is an initial precaution.

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And now another precaution move prevents the move for back row issues.

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H six And here now the time is ready for a more attacking move.

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Bishop f for we have bishop e one.

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If Bishop takes F 496 F for this position, Queen takes G four check and Queenie two is very dangerous

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for white and not just for being mated.

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Basically there's great scrutiny on the queenside as well.

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Black could undermine the pawn chain with Queen.

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Text B two with advantage now overall.

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So Bishop E one was right, Queen G five.

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So it's quite vivid that at first the man shook.

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His pieces are largely on the back row.

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So we have H three, Queen, G six, Rook D one and Bishop B eight.

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Rook D2 and now Queen Bee one.

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So this is setting up painful pins potentially with this invasion to the ape.

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Frank Bishop f22.

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The night being pinned.

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This doesn't look good for King G.

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Eight.

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A nice waiting move, saying what White is doing, why it's approaching.

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It seems a kind of zugzwang If the rook moves to e two, we've got nine and four forking queen and rook

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as example.

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What does why actually do?

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Why?

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It's kind of stuck here.

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So b four is played.

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This doesn't look like a great move because it weakens C free.

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But what else?

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It's very difficult to.

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Do something, do nothing.

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Rather like King H one, for example, F for and Queen takes F one.

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That's devastating.

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The King's got to hold on to the F one night here.

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So why is under great pressure with this nine and full front?

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So be free.

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And we see now first bishop and for.

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Rookie to are now taking out C three.

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So now it's equal on pawns but still black has huge pressure rookie six and now is even a pawn up equal

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on pawns again if Bishop E one.

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Looking at the Queen, the simplest is just to take be free here with advantage.

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So Rook takes C six.

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So Adams has used the martial gamut to gain advantage.

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Now after queen tanks be free, Rook takes a six so again equal on pawns.

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But the qualitative value of the pieces is much better for black.

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92.

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Check King H one.

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Bishop B eight.

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We have Bishop e one and now this paralyzing move, Queen RD one and Emergent resigned here.

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So if he plays, for example, the kings away from the knight so if Bishop F2 we have.

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For example.

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And four.

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And how does one play this?

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It also stops any check that I have for.

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But say Queen G, free Queen takes F one check.

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And if king if the queen goes to G 196 H free is nasty.

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And look at the pressure on F two.

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So yes, off the Queen d11 is really paralyzed and resigned.

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So I do like the imbalance patterns, imbalances, giving up material positional gambits.

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Adams Also a bit of a fan of the Benko Gambit.

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That's fun for me.

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And by having another player like Adams, we see some very fun openings compared to Anatoly Karpov and

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maybe stayed away from some of the imbalance patterns we see from other positional players.

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So this course is a little bit on the spicy side as well for a possession, of course, showing sometimes

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some dynamic games as well, showing basically positional players aren't totally averse.

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For dynamic sacrificial play.

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If there's fairly low risk in playing such a way, it's often about risk appetite.

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In general.

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And it's just nice to see the meat in potato games as well as the more celebrated games.

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So I hope we're going to learn a lot about positional chess together and some surprising revelations

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as well.

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OC.

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I hope you really enjoy this journey of exploration of positional patterns.

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In this course, which largely you'll see is about control and pawn structure.

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But there are other interesting patterns as well to to explore how so much.
