WEBVTT

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Hi there.

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In this course, we do talk about control a lot.

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So I noticed an emphasis on control.

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And one of the Lloyd's masters, where I saw a lot of the top players and, you know, 2500, they they

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came and they kind of manage the counterplay of opponents.

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They kind of crush the counterplay, especially of a lot of British players.

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Just didn't have any counterplay to go with.

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So even though British players were very strong tactically, they just couldn't get the games, which

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could show their tactical skills.

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And in general, positional play is largely about control.

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When we say about counterplay crushing opponents, we're keeping control of the position and that has

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many advantages.

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We can take time then to accumulate advantages or take time to let the opponents make mistakes.

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So waiting moves just let the opponents self-destruct or make commit or pull moves.

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Karpov had this quotation, which is very, very famous.

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He basically said, Let us say the game may be continued in two ways.

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One of them is a beautiful tactical blow that gives rise to variations that don't yield to precise calculation.

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The other is a clear is clear positional pressure that leads to an end game with a microscopic chances

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of victory.

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I will choose the latter without thinking twice.

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So in one respect, this implies, you know, maybe the game is going to be boring, but quite often

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the games are nothing but boring.

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It's the notion of keeping control is behind this quotation, in my view, because we don't want to

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have this maze of variations where we could miscalculate and things get out of control.

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Keeping control is vital and we can make tradeoffs for control.

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We don't need to find the absolute best moves in positions, and that might be very impractical.

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We might spend a lot of time finding best modes and being time trouble later.

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So good moves, economical moves is the hallmark of many classic positional players.

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Capablanca was often playing games very, very quickly and he could also play huge, simultaneous,

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very, very effectively because his style was clear and the positions didn't require sometimes huge

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amounts of calculations.

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He kept things pretty simple and simplified where he had an advantage.

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So keeping things simple and clear and keeping control, trying to nurture even tiny advantages is a

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hallmark of the great positional players.

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And and another hallmark is often they are able to play moves quite quickly without huge amounts of

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calculations.

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They're not like the more dynamic, aggressive players like Kasparov or players that are investing large

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amounts of time because they're doing huge amounts of calculation.

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We're talking about, in a way, a simple view of chess that we if we can keep control, we can gradually

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accumulate small advantages.

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And it's very economical, it's very practical in many ways to do this, especially if we're playing

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faster time limits online.

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Do we really want these mazes of variations which we can't possibly calculate in time?

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So keeping things more simple with control is a great philosophy and an integral part, in my view,

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of incrementing advantages.

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Sometimes we we might need to play waiting moves while keeping control, hopefully waiting for new downsides

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the opponent to be created that opponents beat themselves.

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Then you have a great scope for winning rather than only winning based on your brilliant attacks.

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What if there isn't a brilliant attack?

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So this idea of keeping control sometimes waiting for mistakes, it's a great hat to put on a great

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playing style hat to be aware of.

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And managing counsel is about control.

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Blockading like Nimzowitsch is about extreme control.

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If you think about blockading a pawn, then that pawn can't move.

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It's in a form of extreme control.

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But the whole of what Nimzowitsch calls prophylaxis, which you could just call prevention and not just

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preventing moves, but preventing the opponent's half of all or half of their pieces not moving or a

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lot of the pieces not being able to move.

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That's all about control.

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And if we look at the engine graphs of positional player games, they're not turbulent.

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They're often just just this, you know, mountain climb, gradual but crushing mountain climb one way

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games.

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So do not rush is also a kind of trait quite often calmness calmness under pressure and sometimes positional

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players are soaking up when the opponents try and attack them or play dynamically.

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They're soaking up the counterplay.

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So being able to.

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And resourcefully and later counter-attack great skills like Petrosian especially.

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So we see in this example, I've got an example for you, an absolute classic Karpov game, which you

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may have seen before.

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So in this position it's a closed position which actually makes the control aspects of this game even

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more emphatic in my view, because Black's pieces didn't really have much to do.

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And Karpov avoids simplification first with this iconic move Bishop a seven, so actually prevents simplification.

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He doesn't want that just yet and it gives the top of the option maybe of moving that bishop later if

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he wants an a foul exchange or to get into the file.

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We have 98 bishops E to 90 C seven and now the rooks behind the A seven bishop Queen E seven.

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We have Bishop B one, Bishop E and now 9298.

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So black's not able to move too much.

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This pawn structure is restraining on Black's counterplay.

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We have Knight H two, Bishop G seven and now playing F4, knowing that it's not really an exploitable

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weakness.

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The e five square black plays E takes the knight's not well placed to exploit the E five square here,

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so this is a risk worth taking.

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We have F six.

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So just to show if E takes a four line, takes a four, we have f six.

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This game is examined in detail in the course, by the way.

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So this is just a lighter version.

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I just want to emphasize the control aspects.

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So here, for example, White's going to get a good advantage like this.

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Just maneuvering, looking at C six and E six.

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It's a very pleasant position indeed, and B five could be under pressure.

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So anyway, we have F6 being played, so more weaknesses to work on based on the light squares.

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F five we have G five.

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So these are potential light square weaknesses.

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If only we could play a strategic bishop exchange to weaken and amplify these weaknesses further.

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So Karpov aims to incrementally try and have this little goal, this positional goal of exchanging off

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the loin square bishops.

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So this is a beautiful plan.

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It would leave black with this kind of imprisoned bishop.

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You can see it's a kind of prison in its own pawn structure.

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So this is really great control of the position here where one is carrying out small improvements and

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Black's just the spectator here at the moment.

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Very passive game from black.

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So Queen de one.

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So this strategic bishop exchange is an option for whites, but we have this rook free waiting for a

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moment's patience.

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We have Knight G four and this is afforded tactically to be able to play this.

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We have King Fe if Bishop.

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So this is practicing now.

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Bishop takes H five, the bishop takes H five immediately.

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This is not working for black because of Knight takes F six check because it's check.

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We're going to be winning the Queen after.

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So King Fe threatens the bishop.

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But now Knight E three, King G and now Bishop's come off.

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And now another small plan infiltration on the light squares.

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So this is kind of poetry in motion on both sides of the board that black really has been devoid of

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counterplay.

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So really one way game positional players love their one way games with minimal counterplay.

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And now White has achieved another improvement in the position a juicy knight coming to F5 and that

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dangerous pawn on G six but no one else.

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It was a very, very difficult position.

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So here black's on the way out now.

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95 Black actually resigned here and we see many games of Karpov where, you know, the opponents aren't

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even material down.

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They just resign positionally.

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They've been positionally, you know, stuffed like a turkey hare for Christmas.

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Yeah, It's just, you know, there's nothing really black to do to try and defend.

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White has various infiltration options and various ways of dismantling the position now.

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So.

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Okay.

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You know, for example, night takes a nine of six after.

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If Black tried to defend the bishop, it's just a horrendous position to be in or just moving the bishop

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back to infiltrate on the file.

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So Black just resigned.

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This is an epic example of Anatoly Karpov with an iconic move, you know, Bishop 87.

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And it shows that, yeah, if we can destroy the opponent's counterplay and gradually improve our position

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and improve our position, sometimes even if the opponent isn't material down, they could be resigning

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just out of being so sad about their position not being able to move many pieces.

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So positional play has this kind of almost zigzagging goal on many occasions of the classic games.

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Nimzowitsch did it back in the day.

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He sometimes restrained all the opponent's pieces until, you know, literally they just couldn't have

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any decent moves left.

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So positional players, you could say it's like a slow form of strangulation or sadism, but whatever,

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it's it's a very important hat in chess to be aware of positional play, making small improvements.

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But control we see in this course, I like to call them patterns because that's less prescriptive than

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saying kind of laws or principles or methods or small wins.

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We have to bear in mind we're applying patterns to our games and they might be appropriate or might

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not.

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So by calling them patterns rather than principles, I hope you're more flexible in their use, saying

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that up and down sides and seeing if they're more appropriate for your position that you get in your

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games.

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But yeah, there's a lot of control patterns, there's a lot of structure patterns about pawn structure

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because it's where pawns that we can more easily accumulate advantages because they're the slowest moving

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aspect of the position.

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And there's other patterns we'll see.

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So basically at the end of this course, you should be able to be motivated to play positional games

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where you're kind of restraining opponent's counterplay and slowly kind of removing their good moves

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and you might get wins just based on huge positions more and more as you increase your positional mastery.

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So I would say, yeah, control is one of the most important patterns given in this course you know

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about.

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It's related to counterplay removal, it's related to increasing advantages gradually.

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So I hope you enjoy this style of play or enjoy witnessing the positional games with this flavor in

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this course.

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Okay, So much.
