WEBVTT

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Hi there.

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In this lecture, we're going to introduce Anatoly Karpov.

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So just a very, very brief overview of Anatoly Karpov.

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His style seems to be quite influenced by Capablanca.

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It's a logical kind of risk free, elegant kind of style at times and in a couple of languages.

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Also, a big influence on Bobby Fischer as well.

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So still throwing away from complexity and unnecessary complications.

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He even has a quotation that if he can even get just a microscopic advantage without basically a hint

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of controversy, he'll choose that of something which is rather, you know, less clear.

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So he doesn't mind, even if you want is tiny, as long as it's non-controversial and with the style

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of play, you know, is very, very effective.

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He also himself, when he's been interviewed, is a big fan of Trigram.

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Chosen is like using to chosen style of play, but not to draw, but to win.

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That was his little joke, that people think maybe he's just trying for a draw.

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But as he's trying to win by this kind of risk free, non-controversial approach and, you know, it's

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from these players that I particularly like to kind of dampen down my own risk taking.

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So Bobby Fischer is a great role model, I think, for for chess.

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And Anton Chekhov, another one, if you want to sort of dampen down your level of risk and become a

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more universal player.

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So Karpoff had to win the world title by default, unfortunately, because phishers conditions for that

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match that should have taken place in 1975 didn't take place for you have a list of conditions and one

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or two were not met.

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So he was defaulted.

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As world chess champion and because of that, he really tried to prove he was a true world chess champion.

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He won kind of an unprecedented number of high level tómas, such huge domination, never actually been

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seen before in a world chess champion.

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So he really did prove he was champion of the world.

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So basically, he was the official world chess champion from 1975 by default to 1985 when he was defeated

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by Garry Kasparov.

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He played five matches against Kasparov for the title from 1984 to 1990 without ever defeating Spieth

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in a match, later becoming world champion once again after Kasparov broke away from Friday in 1993.

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So he held the Feet, a world title from 1993 to 1999 when he resigned his title in protest against

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Fidel's new world championship rules.

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So it's Tómas successes include over 160 first place finishers, peak elo rating of 27, 80 and 100,

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two months at world number one is the third longest of all time Behind's Magnus Carlson and Garry Kasparov

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since the set in the inception of the Phedre ranking less than 1970.

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So a really highly accomplished world champion who had something to prove to the whole world after he

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kind of defaulted was defo to the title, were able to, you know, beat Fischer.

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So there's huge speculation that remains would have been Fischer, would Fischer of crush them.

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I'm not going to say.

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I think Fischer was a little bit the favorite.

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I would say I think Fischer was a little bit the favorite in 1975.

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But OK, now here I have an iconic game.

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Well, in my view, which is kind of representative of anatomical, perhaps kind of Python's style of

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play, sucking the life out of the opponent's positions.

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And it's against John Lennon who awarded me, by the way, he's a British grandmaster who describes

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himself quite often as a coffeehouse player, so interested in tactics and combinations of dynamic play.

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But all the dynamism is taken away from his position in this game.

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No thanks due to the structure chosen, in my view, against Anatoly Karpov.

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So John actually gave me my my award, Lloyd's National and 18 award that was was actually given to

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me by a by John Lund.

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So I have an interest in John.

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And generally the King's Indian defense is a major exponent and very, very sharp dynamic player.

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You know, I kind of like those kind of players.

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So here we see Karpoff playing E4 and John Allen tries to create a sharp tactical game.

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So let's see what happens.

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So we see FDX, DFAC takes night, takes the form of six.

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So Commonwealth now plays nicely.

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Three, we see 96 and we head into after ninety five desex efore.

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We're going into the caecilians fashion kick off.

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And this is one of my favorite variations.

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It was when as a junior we see here in this position Bishop ESX quite often nowadays, you know, before

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B5 it is the major move to consider where White can play in and ninety five or bishop states have sex

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usually.

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But here we see Bishop Essex and structurally yeah there is a hole on DFI of the Ball's Lafsky holds

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it sometimes called it can be used as a kind of way of restricting blacks can't play with Kampo, you

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know, python style of play, these kind of pull structure holes.

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They can be very, very bad news for your levels of counterplay.

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John Allen is a great, you know, chess book offer.

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And in The Secrets of Grandmaster Chess, he has talked about how grandmasters in general kind of avoid

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situations without counterplay like her, like you'd avoid the plague in general.

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So here Knight CIFOR is played Rook's Yeats, Bishop takes off so of volunteers, the dance crowd bishop

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to kind of get a very iron grip over that.

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The Five Square and it's with tempo.

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OK Queen DHC Free seven.

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So can Black actually make use of this dance guayabera of our counterpart in this particular situation.

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We see Bishop see for both sides.

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Castle Bishop G five a four eight Queen E to G sex.

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So Black is trying to drum up counterplay on the Kingside King.

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Each one the bishop drops back before an hour five Commonwealth takes he takes five.

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Jiyu takes an hour before we see Bishop takes the five.

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So relinquishing the lights go choir bishop 1964 to actually make way for the dance choir bishop to

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be more significant on this diagonal we see a five to seven foot AC 197 rook after one and now Knight

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takes Bishop say so.

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White's bishop is pretty dominant, looking in the center in front of that backward pawn.

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There are certain I mean, there seems to be a chain, a kind of logical chain of the sequence of world

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chess champion.

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But if you do study them, it's almost as if the more static oriented world champions get replaced with

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more dynamic static, as in terms of the power structure suppressing counterplay, you know, sniffing

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out the company of opponents get replaced by dynamic, aggressive like players, more tactical in nature.

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So Karpoff with Kasparov, you know, Capablanca with Alexander Alkene.

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So when you choose well, champions try and reinforce.

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Strengthen your.

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Game, you know, maybe it's good to have that little pattern choose a more static world champion first

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like Capablanca, then choose Al-Hakeem, let's just go in sequence, actually, if you just go in sequence,

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because that's the sequence of seemingly the first in the first 13 more champions.

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Hell, the battles were it's like the stars put themselves in check, so to speak.

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But he can't have the kind of python as he's sometimes done.

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Trying to get rid of the life and activity of the opponent's position is in a dominant way already.

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So Roxxy, too, we have Queeny seven black is, you know, lacking a plan here when you have no plan.

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Generally, a common advice is to improve your best piece by how you know Black's pieces seem.

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It's very difficult to there's no bad piece to really improve.

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We see Queene three Republicans, CIFOR, Roxxy seven Jeoffrey.

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Yeah.

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So kind of is like playing like two game shows in reducing the risk.

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But he's actually playing to win, not to draw.

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We see rookie eight, Ruchi two.

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That's the difference.

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It's this it's this interview in Gibralter which was very revealing to me that conf actually literally

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said that that is a role model is actually taken, I'm chosen, but just to win and not to draw.

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So just bear that in mind when you study both, you know, competent and later sorry, Petrosian and

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later Karpoff.

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So we see Queen of Things and now Karpov does actually show he is interested in winning is opening up

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this GFR.

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So this is going to create common squares on like squares, for example, huge pressure potentially

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on Ja'far Quincy, Free Rook Jeoffrey and now B4 has been offered.

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It's taken.

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If Queen takes every have been played, this situation with one is actually just an advantage for White.

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So Queen takes before we see Rock the Rocks, Dublin Queen Bee to and now Rook G5.

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So is just you know, it doesn't that pawn loss.

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It's still a bind over here.

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This pawn is is singlehandedly locking down blacks Queensland anyway.

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So basically why it's just been given in practice quite a bit of time to intensify the GFR pressure.

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We see Queen of six rook 134, queen one checking due to queen bee to check cage free.

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Believe it or not, King, actually the king comes around to stop all the checks we see Roxxy seven.

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And yeah, I mean, this this is really interesting, you might think.

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You know, there are interesting options here in the possession, OK, but seven, we see a five and

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here is a critical mistake when he says it seems this makes things much worse, but it is a difficult

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position.

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I mean, look at this pressure.

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It seems here there is a move, a one if you're a supercomputer, yet you'll find this queen a one G

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one queen E five.

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And apparently this is OK.

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This is still black is imbalanced.

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The point is, you know, physics has been is one kept in lock and key, that possibility of things.

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So, yeah, if we look at Queen a one again, if Rook age five, her going for the right kind of attack

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style, then there is actually queen EF1 Chac.

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So the point of queeny one is to make sure that whites attack doesn't evolve too much and this apparently

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isn't even positioned.

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So queen of what a one might have been a missed opportunity technically.

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But things go really downhill now of the Queen of sex with Seabrooke H5.

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So and there's nothing to stop, it's evolving.

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Now, look, I have eight G.H. for this pressure on each sub ASX creating a fatal weakness of G pawns.

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Don't go backwards over this probing move, in effect, creating that fatal weakness on G six G four.

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Once the perch on G six, though, we see Rapke five.

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And here this is a real stunner.

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In fact, it looks as though Roxxy six.

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Well, that's what you're going to do, right?

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No, actually, RUGGIE five is played.

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Just saying, but, you know, what are you doing in this position, Ruchi six would actually be a welcoming,

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kind of forceful move and in fact, black could actually take care and then play rotates H5 check,

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G5 check.

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And this position isn't that black at all.

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So kind of avoids all this risk risk averse.

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And he plays this.

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He can improve the position before using that Jéssica Square slightly more to take out all risks associated

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with rookie sex to make it a lot more effective without any counterplay.

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So Rocsi ain't.

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But guess the Karpoff move here.

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It's crazy looking.

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I give you five seconds pause video.

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OK, it's Kingi for.

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Yeah, there's no tricks here.

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The king is actually supporting H5, there's no little tricks with sacking the queen and rotates, you

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find all the fun has been taken away and that's one of the static plans due to the dynamic.

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They take all their fun the way they take the toys away.

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The toys bring peace activity.

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You might think I'm going to have all these dynamic fun pools, structures to create my toys, my peace

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activity, my counterplay, that's all going to be taken away when you play a static flower and even

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Kasparov.

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To be fair, he was nearly whitewashed by Karpoff.

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This is the truth of the matter.

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I and it was nearly whitewashed and it's ironic.

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He says it would have been devastating for Kasparov if he had lost six nil.

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He was on the precipice.

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He was five nil down against Karpov.

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You see games like this and you see why Campath doesn't like even the tiniest risks.

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He doesn't like giving the dynamic players their toys to play with.

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So we see here seven now.

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Ruggie six.

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This is just crushing now.

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Queen of eight, Evolutis takes five is playing.

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Guess what won't plays her.

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This didn't happen, but why as a crushing combination here?

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Five seconds for the video.

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What does one player.

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OK, queen size 86, Jack.

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And this would be amazing.

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So, yeah, it's it's tricky, so Queen Efate was played and now a move which intensifies the pressure

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even more unbearable, like Heintz, believe it or not, this this next move unbearable.

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Heintz.

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John.

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And that move is queen you, it affords new opportunities like taking in and using sticks with the queen's

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crash through.

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You know, you can imagine like this we see Queen takes a fighting played.

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So if.

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For example, this then rock G takes a six queen G sex using that G six finally is just absolutely,

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you know, it's checkmate.

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So we see the desperate queen takes a five.

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Jack Queen takes routine's.

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But now, yeah, there's a snag.

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What does not play?

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Rook takes a lion King takes white in Jack's Route 67 Jack winning material.

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Bishop, thanks very much.

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And of game.

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So yeah, this isn't such a famous Anatoly Karpov game, by the way.

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It's just one of my kind of iconic style picks.

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Representative of style for someone, an opponent I know is a very dynamic, aggressive grandmaster

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that likes the combinations and tactics and lots of counterplay.

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But sometimes, you know, to to do that, you use a dynamic pull structure which does have Achilles

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heels in terms of the defender can try and neutralize your counterplay.

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Like this game shows, so taking a life out blacks position so we can, you know, out of pick, if

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you were sequencing your study, world champions, you can either go in the natural sequence of how

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they could see the evolution of chess style, or I would recommend actually perhaps considering, you

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know, choosing, as I say, a static world champion, static in inverted commas, more about pawn structure

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like camp, then going to more dynamic like Alako and then carrying on in that sequence.

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Static dynamic, static dynamic.

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So it was putting yourself in check stylistically that you don't want to be overexcited with one particular

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bias.

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Ideally, you want to iron out your biases.

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So you like Bruce Lee, you like water, you have a universal style without any biases, you know,

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mechanisms.

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So they could put on different hats of style depending on the situation, the opponents time control

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to maximize his win probabilities.

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So anyway, I hope you found some inspiration from this game that you can actually use chess to play

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professionally.

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And if you don't like losing, especially, you know, Karpoff style is like Petrosian, but just being

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used to win, not to draw.

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That's the hidden secret that I myself found out about not too long ago from this amazing interview

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in Gibraltar, which is actually on YouTube, if you want to see Karpoff interviewed.

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OK, that's very much.
