WEBVTT

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Hi there in this venture, I'm going to introduce Bobby Fisher now, I am a big fan of Bobby Fischer.

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I've done three courses on Fisher from different sections of his career.

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And for me, even, you know, many, many years ago, I actually won quite a significant amount of

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money as a junior by winning the Halifax with a perfect score, the Halifax north of England.

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And one of the inspirations for like the final round was this Knight Sacrifice, which I got from Bobby

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Fisher game.

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But even years before that, I remember in a gentleman's eye being one of the strong juniors and which

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which caused caused the stir.

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But I remember, you know, my 94 in a sentence was also inspiration from Bobby Fischer.

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So throughout periods of my own personal chess, if you study Bobby Fischer games, it will enrich your

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chess.

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So, yeah, I do recommend checking out my Fischer journey on on his key wins.

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Now, here is one of my favorites.

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Bobby Fischer wins.

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So in a nutshell, though, let's just mention Bobby Fischer was an American chess grandmaster, so

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he interrupted the Soviet domination for years and years and years.

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You know, Russian grandmasters at the top of the game.

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He interrupted that for a brief moment.

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And so a chess prodigy at the age of 13, he won a game which was dubbed Game of the Century.

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At age 14, he became the youngest ever US chess champion.

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At age 15, he became both the youngest grandmaster upon to that time and the youngest candidate for

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the world championship.

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At age 20, he won the 1963 64 year championship with 11 wins and 11 games unheard of in history, the

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only perfect score in the history of the tournament.

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He won the 1970 in the Zone tournament by a record three and a half point margin, and he won twenty

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consecutive games and lost seven rounds of the zonal and in the candidates matches.

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So the latter, including two unprecedented six nil sweeps.

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So one against time and one against Lawson.

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And it was only Petrosian which put up some resistance.

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And then he went on to play Boris Spassky in 1972 to that epic match was dubbed Match of the Century,

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as opposed to game of the century when as a kid, anyone that brilliant game as a little kid.

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So I find him a remarkably instructive, universal style player free of any real controversy.

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In fact, so much so that he's actually one of the most accurate world champions.

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Even if you check his game with modern engines, you'll be shocked at the accuracy levels.

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So is kind of universal.

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There's there's not such an evident bias if you have biases.

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You know, I mentioned I'll mention again that each world champion, you know, usually has a set of

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biases, preferences, but a bias can be a weakness.

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The more universal a player is, like Fisher, you know, it's like they're flowing like water.

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They don't have these biases, which could be weaknesses.

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So for me is an absolutely brilliant plan to study.

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And he certainly ignites my game and supercharges my results.

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And in fact, I have to say, in all honesty, since doing a thorough investigation of his wins, if

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you check out my courses, my confidence in online chess at least as well, skyrocketed.

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Skyrocketed, which is why, you know, this whole section, we can learn from all the world champions

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and I'll go through them all and learn what you can, because it's only going to improve all the skill

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sets when opening the game and game.

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It's going to improve your knowledge of pawn structures, tactical ideas, positional ideas, psychology.

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And also, I have to say, you know, a win probability, the world champions, except for Petrosian,

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we're very, very good at winning games.

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I mean, tourism's very good at not losing, actually.

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Yeah.

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If you want to know about not losing.

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But other than that, most of them are very, very good at maximizing their win probability.

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If you do a detailed investigation, navigate through that Thomlinson, who they were actually playing,

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you'll see that this adaptation occurs or even first time, which was that sometimes switch towards

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anything to maximize their win probability.

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But you need evidence and reassurance and you need reassurance of your own ideas sometimes.

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And if you go over Fisher games, I think it's a remarkable learning experience.

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So anyway, so this is one of my favorites, Robert Byrne.

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So the two brothers, very, very good chess players.

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So Fischer plays 96 to Robert Burns.

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Defoe So this is in the.

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In 60, for us to sit around, Frank, see for at least six Jeoffrey C6, so Fisher is not constructing

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his usual kings' engine setup.

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He actually doesn't mind going in for a symmetrical structure.

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And you might think, how can there be that many winning chances here?

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King's Cross.

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You talked about winning publicity about why has he then he elected asymmetrical pawns, trying to show

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quite often in world championship matches, the symmetrical pawn structures often end in drawers.

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That's true.

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But Fischer is about to do an amazing, remarkable trade off in its own right from a pawn structure

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perspective.

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He plays six and there are old differences in possession.

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It's not as if the piece placement is identical.

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So Winesap -- is free.

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It's there.

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It's not blocking in the form.

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And on this occasion and we have actually this bishop going to that diagonal and want mirrors that and

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we see rookie AIDS.

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And now, quickly to now, things get very, very interesting, it seems White's whole setup is designed

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against Fisher being active and being active here.

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If I would result, surely in the dreaded isolated Queen's born in this position, surely White's in

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a great position to dissuade, discourage E5.

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Nevertheless, Fisher uses very fine judgments.

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There's very fine judgment needed.

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Sometimes when you make poor structure decisions between how weak a pawn structure is, how effectively

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weak can actually be exploited by the opponent or not, and the dynamic potential in terms of the activity

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of pieces it generates.

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And some people have argued, you know, chess is all about activity.

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Not necessarily.

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So if you look at both champions like Anatoly Karpov, you know, great structuralists of the game,

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Karpoff, someone said, you know, if you create weaknesses, they will often win games just based

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on your weaknesses by slowly but surely and slowly reducing your counterplay.

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But here, Fischer takes a risk and he accepts the isolated queens form and he generates a surge of

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peace activity so detainees is played.

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If Rook FC won instead he takes he takes.

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This situation is interesting and black can use that hook, which is a part of the Ice Queen's phone,

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to get a position which should be a small edge for black as an example.

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So if we look at that again, a branch or two.

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So here sort of Bishop Taizé, one official before then again, black is also in an interesting position.

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So Rook takes a one, you know, rookie once this gets to be a very this is all a bit crazy.

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This is crazy stuff.

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So anyway, details is played.

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So we have an isolated Queen's Ball emerging 1965.

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So you can see structurally this doesn't look entirely, you know, solid.

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So the notion of solid, if it's not, it's something I've always wondered about.

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But sometimes you can balance solid looking pawn structures versus peace activity.

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You know, sometimes you just want peace activity, not necessarily a solid looking position.

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We have Rook at one and this is the wrong rook.

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It kind of weakens after after is not entirely solid.

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If the other rook had been used, then, you know, this would be very, very interesting if the other

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rook had been used Rook 81, for example, this position.

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But even so, you know, even if Blatt loses that, the five, you know, it's not that clear cut at

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all.

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Things are not that clear cut.

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You know, things can get dangerous like this.

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For example, this is just a fictional variation where black might actually have a small edge.

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So things are not entirely clear how we work any one.

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But in the game, there is a kind of weakness for the last of this rook is used that is kind of weakening

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F2.

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So bear that in mind.

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Ninety three and we see now Quincy too.

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And this was literally an inspiration for one on one, you know, many, many years ago.

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Halifax, this next move is that final round that I mentioned.

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So Black's play here plays a real dismantling move.

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I wonder if you can guess.

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So it's been a pawn trying to take out its base, its nine Saints F2, and you might think, OK, but

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where is the war?

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Exactly what exactly is going on here?

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We see 94 check on its sacrifice.

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The Knights sacrificing a night for two pawns, hitting queen and bishop and rook.

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And surely Black's intention is to take the rook.

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So the staggering thing about this game, and this is what gives you no games of high drama where you

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hear about the reaction of grandmasters during the actual game really have a profound impact on me.

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And in fact, you know, this is one such game where we hear that the commentators at the time, the

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grandmasters in the commentary box, but this game was being played for, you know, sure was absolutely.

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Bustan would be resigning very, very shortly because he was absolutely busted.

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They were expecting 1961.

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So this is the whole beauty of chess.

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It's like many great even grandmasters were just kind of tourists.

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We don't really understand the true resources of possessions, the true dynamic potential.

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One of my three golden rules, which, you know, weakness of the last movie square liberation or facts,

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you know, Liberacion or Fang's a shortcut to it is imagining perhaps certain pawns are missing if you

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imagine certain pawns and missing.

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Then what would be the impact of that, you know, here this tribunal could be sensitive, right?

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And in fact, Fisher takes out instead of taking the rook, he takes out a key defensive bishop.

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If he takes out the rook, sure, he's going to be worse.

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The grandmasters, Roy Black, is simply worse in this position.

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You know, this position is not great.

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You know, it's going to be difficult, it's going to be far, far more difficult than what was paid,

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if default is actually an interesting move to offer the exchange like this, because, again, if one

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ever takes, then there's one square weaknesses in one's camp and black could end up getting an advantage

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like this, for example.

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So this is an exotic variation, by the way fish played.

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It's just it's just absolutely divine, you know, in my view, 1962, we have king tides.

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So Liberacion, think about Liberacion.

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Think about what states as pawns and pieces really are the fundamental constraints on the pieces.

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So this is actually a constraint, this pawn.

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Fisheries maximizing peace activity, relevant peace activity for these weaknesses around once King

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and plays the magical move for unleashing the power of this bishop without a counterpart.

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Now on those late squares and in fact, of the 1964 Bishop seven Jack King, Antwone Fisher plays a

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quiet little move and it causes weight to resign.

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I wonder if you can guess what that is if I give you five cents for the video.

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OK, it's Quinsy seven, Frattini's Queen H3 with devastating effects, there's actually no way to kind

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of handle this.

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The game ended here if ninety five.

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The point is Czech and here there's a key move.

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Can you see what the key forcing move is?

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Which would be absolutely devastating, because if we look at this, the king's escape squares will

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be taken out, which is a very, very bad sign, especially with Bisher, without any counterpart.

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Bishop, it's a very, very bad sign.

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So you just need some time to find the killer check.

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And it comes from Bishop Eighty-six hitting the queen with tempo and wanting to come into the fray.

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So it's Quincy to Bishop.

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If this is just going to be, you know, checkmates, forget winning the queen.

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But if we look at this again, there's other beautiful variations.

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If Queen F2 to her queen is retracting Jiwon, there's an absolutely amazing magical resource here which

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Fisher himself was keen to see played out at the board.

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I wonder if you can see it if you check all charts.

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So five seconds, pause, video.

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What would you play in this position?

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You want to sort of gain access when access to squares, which is a lot of what chance is about winning

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access to squares, being a hacker on the chess board, how can you gain access to G to her as a common

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square?

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OK, rookie one check, it's beautiful, it's absolutely beautiful if Queen takes then queen due to

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his charm.

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And the point is on Route 21, we playing Bishop 64, penning the queen to the king.

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So the queen takes queen due to his checkmate through Kifri, which is going to take there.

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And you know, it's going to be Chien-Ming instead of queen.

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After we look at King Jiwon, then queen entering.

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Right here, Washbasins, again, you know, I mean, we've had to look at that.

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Instead of throwing instead of 95, 95, that's but that's just taking five, we just take you know,

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it's going to be willing to overlook how it's a very, very desperate scenario.

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So it's just shocking that this little move caused his resignation.

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And whilst the grandma was just like two or three minutes before or thinking, you know, she's going

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to resign.

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But we see in this game also that debate between the balance, the fine balance between pawn structure

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and its solidity versus the peace activity can generate.

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So sometimes even sort of ugly looking pawn structures like, you know, I like Queens wall double pawns

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back because they all can have these functionalities to give them the pieces activity.

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And if that activity is very directed towards King's safety issues in particular, that can often be

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a knockout blow.

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So we do get big letters, big lessons about peace activity from phishers, dynamic use of pawn structures.

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He doesn't mind if his pawn structures are sometimes seemingly non solid.

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He's looking at the functionality.

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He's looking at the peace activity and the commendatory possibilities that could result.

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OK, so I hope you enjoyed this iconic game example from Bobby Fischer and maybe check out my other

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courses on Fischer if you want more detail.

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I think, you know, he's one of the most instructive world champions and definitely has supercharged

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my confidence, being more systematic and strict and looking at all of his key wins.

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OK, pretty much.
