WEBVTT

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Hi there.

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In this lecture, we see an absolutely amazing, amazing combination.

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I wonder if you can sponsor if I give you five seconds, pause video.

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So check all checks, pronouncements, the forcing moves, try and visualize in advance and.

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Just make sure it's absolutely checkmate, that there's no defensive resources, sometimes you might

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be thinking of another mating pattern, but if there's defensive resources, then it really doesn't

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work in your current position.

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The expression it all depends is very important in chess.

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It really has got to relate to your exact position, not some other position.

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So, yeah, OK, I hope you've worked out this amazing checkmate sequence, 10000 points of it, because

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actually it's quite tricky.

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Queen G-7 Chank Night takes rotates g7 chac.

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And here is the key points.

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A very, very important key point.

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There's something you must not be tempted by, especially if you've seen another baiting pattern, you

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must make sure the opponent doesn't have any defensive resources available.

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There is a way of doing that in this position.

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So which checks do you want to use?

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Check all the checks.

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Some checks are far less controversial than others.

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It all depends, as they say.

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Yes, I once asked Firuzan, a koban in Gibralter, the secrets of chess, and he just said, You know,

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it all depends.

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It wasn't very helpful but OK, we have here a killer move and it actually is a double check.

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This is a double check.

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It forces the king to move.

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And we'll know here that the bishop comes across this tigerland cutting across all the escape squares.

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And that is something in itself one should be excited about in the process of calculation for the availability,

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the probability of making use of a mating pattern.

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If you've got escape squares, covid, you're just looking for a can of CHAC.

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And here we have that with rooked one Chac.

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There's only technically 25 afterwork do 25.

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That is checkmate.

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So this happened in the game and of Ansen brilliant player, one of the best players of his time in

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1860.

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He was white against Berfield, silly, silly, not silly.

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And he didn't play in a very silly manner did he.

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If he played, you know, for example, you might be tempted by the mating pattern for mating patterns

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sake.

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But no, you know, black has resources.

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Our late night takes me two.

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It really doesn't work.

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So you need to find out what works and your obsession.

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And sometimes you need to check out even the most ridiculous checks, especially double checks, are

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always worth checking out in general because you're really fine tuning the opponents responses.

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You're limiting them to a king move.

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So once you investigate that situation, when you've got the escapes most covered, you know, this

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is the art of checkmate generally.

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Even if you're not, I don't think it's recommendable that you can go through 2011, make patterns your

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head.

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The fundamentals of mating patterns is essentially the art of taking Artscape squares and delivering

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the killer check on top of that.

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So in real games, the excitement level, your excitement level should go up once you see any escapes

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was taken up even in the process of calculation.

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So it's an interesting one to see this queen sack.

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This is a really beautiful combination.

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It's really fantastic if you start seeing this kind of thing.

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And fundamentally, if we look at this, we've got this semi open phone.

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I have a lot of fun and entertainment generally with Salmiya out and phones where you have a pawn missing.

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It's like one way traffic.

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It's like a one way road or motorway.

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And these are often very dangerous.

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So fundamentally, the position seems to me here to have some downsides for the black position in general,

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that focal point on G7 massively leveraged with this lovely double check from the bishop and the rock.

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It's a pattern well worth reinforcing, maybe even just playing for this example, just to make sure

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you reinforce these patterns at the back of your mind, they add extra kind of mating awareness when

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when when you're calculating variations, OK, and so much.
