WEBVTT 00:00.810 --> 00:07.800 Either in this position, the great Michael Tull played something very, very special, it looks as 00:07.800 --> 00:14.220 though, you know, it's Michael Tull in trouble because isn't this neutze without too many squares, 00:14.340 --> 00:15.410 they can't move us. 00:16.410 --> 00:17.880 So it's kind of stranded there. 00:18.660 --> 00:19.740 So why play here? 00:19.770 --> 00:28.560 What do you think Michael Malthouse played in this position, which is a deflective type move, taking 00:28.560 --> 00:29.880 away a key defender? 00:32.130 --> 00:42.420 OK, and actually a point of note, there might be one or two points of defense which this card offender 00:42.420 --> 00:43.450 is lured away from. 00:43.920 --> 00:48.550 So you're kind of saying to the defensive, please, please go on holiday, OK? 00:48.550 --> 00:53.940 I hope you can spot it and maybe see a little bit more after ideally. 00:54.360 --> 00:57.750 OK, if you'll pull the video. 01:01.540 --> 01:09.250 It's Bishopsgate C5, so we're trying to lure the queen away from FCX, but also, you know, F7 is 01:09.250 --> 01:11.800 of great interest, essential interest. 01:13.900 --> 01:22.010 So Brooke takes this on his plate, rotates queen, takes five, and the point is of the queen takes 01:22.030 --> 01:27.780 five, sex isn't black just going to be a piece of taking five. 01:29.260 --> 01:36.070 So we have another situation, which if it doesn't do anything special, why, it's just a piece down. 01:39.220 --> 01:50.210 By the way, if black, a black queen is seven, there is a kind of defender here, the C six, not 01:50.350 --> 01:52.340 defending the queen. 01:52.360 --> 01:55.440 Can we try and deflect the night away from the queen so we can say the queen? 01:55.990 --> 01:58.390 Can you spot move, which does that? 02:01.570 --> 02:08.020 Some puzzle, if you want to think about this position, yeah, there is a deflection tactic in this 02:08.020 --> 02:13.010 version of the AIJAC, so if takes we take the queen out. 02:13.150 --> 02:19.090 So if Queen takes we've just deflected the queen from F7 so we can play Queen takes F7 and Queen. 02:20.830 --> 02:26.360 So essentially our Queen 87 is insufficient because of this amazing the behind the scenes. 02:27.280 --> 02:30.090 So this is what lurks behind the scenes of a mega hotel game. 02:30.670 --> 02:34.100 Tell the magician from Riga as he as he was known. 02:34.660 --> 02:38.590 So Black actually just took on GFI piece. 02:38.750 --> 02:41.450 We're back to this main line of the game. 02:41.800 --> 02:48.490 So is there a kind of diagonal of death going on or has it been just too casual and just blunder the 02:48.490 --> 02:48.850 place? 02:50.650 --> 03:01.540 Well, it turns out here that the queen has kind of neglected F7 as well whilst on holiday here on C 03:01.540 --> 03:01.990 five. 03:02.560 --> 03:04.870 And so Tau plays Bishop, be free. 03:05.920 --> 03:08.350 So the immediate threat is queen size. 03:08.350 --> 03:10.570 And if the king moves queen checkmating. 03:11.500 --> 03:14.170 So Black attends that were rugby seven. 03:15.640 --> 03:21.520 If Queen is seven instead, then actually the power of the pin piece of is illusionary. 03:21.970 --> 03:30.010 We can actually hope you can spot it, we can actually take on sex, check and then check here. 03:31.210 --> 03:35.560 And Rudy's sex is even more strong than Queen takes. 03:35.560 --> 03:38.470 It brings the firing squad to the black king. 03:39.760 --> 03:41.470 So that's absolutely crushing. 03:43.380 --> 03:53.550 And if Queen Efate, you know, Queen 66 bishops have seven Queen takes is winning because Queen, these 03:53.760 --> 03:55.960 picks up the loose rock on B eight. 03:56.490 --> 04:00.380 So, yeah, there's a load of magic behind the scenes, but Black chose Rokeby seven. 04:02.700 --> 04:06.340 So can tell justify being a priest down. 04:06.360 --> 04:09.540 Yes, it seems Queen takes G sex. 04:09.540 --> 04:12.960 Jack Canfield and the Queen aged six. 04:12.960 --> 04:16.170 They had enough how the game actually ended here. 04:16.770 --> 04:17.500 So why. 04:18.030 --> 04:28.890 Well if King is seven then rook the five forces the Queen away from desex. 04:28.890 --> 04:37.110 So kind of deflection without any price to wait just to get the Queen to go away from desex and then 04:37.110 --> 04:43.680 actually hear Rook desex his strong, pinning the knight to the Queen as example and queen of six Jack 04:45.540 --> 04:46.440 and have rook. 04:46.560 --> 04:50.550 You know the eighth is crushing. 04:51.180 --> 04:52.020 It would be winning. 04:52.200 --> 04:56.790 The Black Queen was much better than so. 04:56.790 --> 04:57.180 Yeah. 04:58.710 --> 05:01.020 And also you might think. 05:01.030 --> 05:01.520 Hold on. 05:02.010 --> 05:04.920 What about instead of King seven, Kinkaid? 05:05.670 --> 05:07.050 Well, Queen takes G five. 05:07.050 --> 05:12.690 Jack is strong and the king's kind of bare laid bare here. 05:13.230 --> 05:17.250 So sometimes these situations are a lot of fun. 05:17.250 --> 05:24.930 You know, when there's no --'s around, the king is like you can get a really vicious attack going. 05:25.140 --> 05:29.670 It's like there's no shields, you know, around the Star Trek Enterprise if you're a Trekkie, as they 05:29.670 --> 05:36.570 shields the shields down, rook, the rook left bringing the rook in for the kill and could even go 05:36.570 --> 05:38.820 to Africa to highlight F7. 05:39.420 --> 05:48.560 And this just gets huge, you know, huge compensation, crushing compensation. 05:48.650 --> 05:49.830 Whites just easily winning. 05:50.550 --> 05:52.440 It's absolutely crushing. 05:53.700 --> 05:56.310 So, yeah. 05:58.020 --> 06:10.830 So it just shows how basically if we go back to the core of the point of this whole thing, we have 06:11.040 --> 06:13.110 what seems to be a tricky situation. 06:13.110 --> 06:19.860 But maybe it has calculated all of a sudden arrival of this position that he's going to run deflections 06:19.860 --> 06:22.680 to get access to have sex. 06:22.680 --> 06:28.440 In that F7, he's going to ask the queen, please go on holiday like we've seen some other examples. 06:28.770 --> 06:31.410 And he's doing that request with Bishop 65. 06:31.740 --> 06:38.340 So once the queen's out of the area of the book takes the one take, then, you know, there's a huge 06:38.340 --> 06:43.800 pressure on the black position had there's huge compensation, that title of death, the default position 06:43.800 --> 06:44.400 of the king. 06:45.030 --> 06:46.200 We want to celebrate that. 06:47.550 --> 06:50.400 Yeah, it's just really, really vicious here. 06:51.630 --> 06:57.390 It seems, you know, black is actually technically losing challenge for the modern engines towers. 06:57.390 --> 06:57.750 Right. 06:57.750 --> 07:01.650 With this sacrifice, sometimes sacrifices are a bit murky. 07:01.650 --> 07:03.000 But he was right on this occasion. 07:03.360 --> 07:08.490 But anyway, the key, you know, basic point, the deflection tactic, very, very important idea. 07:08.790 --> 07:13.380 You want some pieces to step away from, key squares, key defensive responsibilities. 07:13.500 --> 07:16.710 You want to ask them, please go on holiday, go on holiday. 07:17.040 --> 07:18.240 So Bishop takes five. 07:18.240 --> 07:21.930 Does that OK, that's so much.