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Hi there, this lecture is a kind of two in one, I'm going to tell you something about relative pens,

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and I'm also at the same time going to be using that as part of an opening track that you might want

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to use on unsuspecting opponents.

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So this lecture could actually go in two places in the opening transaction and also about relative pens.

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It's one of those very, very instructive opening traps.

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So for the Queen's Gambit of the D5 CIFOR, we have the Queen's Gambit.

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So you might have seen, I hope, the Netflix series and have lots of questions there.

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And any questions you have from that series, please do ask them.

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And I can set up new lectures if needed, by the way, to answer those questions about having covered

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any key concepts in that amazing series.

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But here we have what's called the Queen's Gambit, declined Lightsey Free Night of Sex and our Bishop

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G5.

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So bear in mind, this is just a relative pen.

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It's only relatively penning the noise we have now.

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Our trap, it seems as though.

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Hold on, this is quite dangerous, isn't it, for this poor?

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And sometimes the trap involves Knight Beedi seven and it looks as though hold on a sec.

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Can't quite take care.

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So they take her etext now can we actually take on D5 you might think.

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Well.

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Maybe they can, because, you know, what am I to the night pens the queen, right?

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This is where sometimes looking a little bit further ahead in chess gives you a bigger truth.

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And even, you know, the powerful chess engines and losing games, you sometimes you need to give them

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more time for them to establish a bigger truth.

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Sometimes they will even label even challengers will label movies as mistakes.

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And they're actually brilliant moves.

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So depth of calculation.

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You don't want to have this kind of horizon.

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The facts raise an issue.

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So sometimes you need to look further.

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Can we actually take care what you think Black could play?

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If Knight takes the five, can you work it out if I give you five cents for the video?

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OK, OK, this is setting the trap.

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It's actually a trap it takes now you can actually take, believe it or not, offering your queen up.

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This doesn't seem like a fair trade, does it?

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Queen's worth knowing.

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You've just taken free.

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Your mind is sinks, however, chacal checks, captures and friends of mine.

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One and two, one or two.

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You know, you want to check those forcing moves and they enable you to get the bigger truth about positions.

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The bigger truth here is that there's this check here.

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And what can we do about this check?

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They end up in an absolute pen now of absolute pens.

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You can either exploit them immediately or you can celebrate them.

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In fact, there's two very, very strong moves.

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And one is fractionally better than the other, and that's actually celebrating the pen on this occasion,

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sometimes it might be the other way round.

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You don't have to even take the queen immediately.

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So there are two key moves.

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You can take the queen immediately.

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And if we look at the material situation, we essentially going where a piece up.

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For a --, so we're actually winning now on material and you could have also just celebrated the pen

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because actually the law is protecting the bishop, that penpals is not going anywhere and nothing's

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coming in the way.

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So you can actually even play King takes the eight, which is fractionally stronger in theory.

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And that's kind of celebrating the pen.

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And during your games, you'll notice this division actually between a major exploitation event and

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celebrating and sometimes celebrating is doing much, much more for you.

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But I have both of these possibilities.

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Leave black.

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Absolutely winning, you know, of takes, you know, which is the piece up of every year.

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We should take, though, at some point we can say here and we're pace up.

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So this is the so-called elephant trap.

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So I hope you remember this one by elephants.

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Yeah.

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Have a good memory for Trappes.

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The elephant trap.

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They're supposed to have a good memory, right?

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So no FCX Bishop G5 we play this sneaky might be D7, so we don't immediately rush to kind of unspin.

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We get our opponents excited about this relative pin.

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So yeah, on this occasion we're creating a temptation and it doesn't actually compromise our position.

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It's one of those traps which are kind of good in that you want those traps which don't actually damage

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your position.

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So that makes them more scalable.

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The stronger the opponents you get later, you're not going to be obliterated because you've got all

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these rather cheap, nasty traps.

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You want the good traps, so.

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If they a sensible move, you still got a decent position here.

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If they don't play like it takes, you still got a decent of the referee, you know, maybe, you know,

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seven now and your position is fine, or C six.

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But the elephant, if they fall into it, you just winning a piece, basically, you know, you're essentially

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going to be a piece of.

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OK, I hope that's like two birds with one stone, kind of two ideas that an opening track for you with

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the black pieces against the Queen's Gambit.

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And also how to use a relative pin as part of the lure of this trap.

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OK, and so much.
