WEBVTT

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Why they're in this position, you are playing the role of Mecca Hotel, the magician from Riga, a

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former world chess champion.

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Now, what would you like to play?

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Would you like to play a chank?

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Would you like to be a pawn?

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Or is there something even more powerful that you can do here?

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Clue it's a decoy style tactic, a decoy when you kind of drag and drop one of your opponent's pieces

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to a specific square, which you can then exploit.

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So you're really interested in where that piece goes, unlike like a deflection, the difference between

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a deflection and decoy and the deflection.

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You're taking a defender away from a particular square or defensive task and a decoy.

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You're moving one of the opponent's pieces to a particular square so you can actually exploit it on

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that square.

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So is there such a decoy move in this position if I give you five seconds for the video?

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Can you see a decoy storm, so you're interested in kind of dragging and dropping one of your opponent's

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pieces onto a particular square and then you can exploit that piece on that square?

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OK, I hope you also use the middle game processes of chacal checks as well, because there's an outrageous

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looking check.

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Look, one check, but it's actually a decoy by sacrificing on that square, you actually specifically

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saying the queen comes EF1 square.

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And now, look, the pieces are in alignment when pieces of their lines, they can fall off to the dreaded

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skewer.

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So here we're scouring because the more valuable piece is then the less valuable is there.

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And then we're winning the queen, which actually resigned.

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That queen would be lost, say her queen AF1.

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That's hopelessly lost.

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So the skua tactic, you're very, very interested in a particular piece going to a particular square.

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So, yes, a bit distinct from the fractions.

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You should know the difference between deflection and decoy.

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OK, so the flexion eyepiece is moving away from a defensive task force.

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Quite decoy.

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It's moving to a defensive to a particular square.

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OK, Brooke, AF1, Jack Queen, I want to ask how you got that bad so much.
