WEBVTT

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Either the three principles I like when calculating weakness of the last move, telecom and squares

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and the in effect clause that can hold position for discovery effects, liberation or effects is very,

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very important.

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But the undertone say this is on the patents that you're painting the on the patents to keep your main

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patents color intact over the longer period is your love of winning squares.

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Now here it looks as though blacks kind of solid and this love of winning squares can often make what

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seems to be solid, not so solid at all.

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So is there a chink potentially in Black's armor here?

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What would be the first move, do you think, which needs to be investigated?

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If I give you five seconds to pause video, there is a very, very powerful forces move in this position,

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which gives us access to a square.

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OK, that move is Reluctancy five, and if we look at offtakes, if there's a natural weakness of this

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move and neglected G5, it was controlling J5.

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So we created a chink in the armor, this G5 square.

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Now, how to exploit this G5 square?

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How do we actually exploit G5?

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So this is the next question.

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Maybe we want to square, but we need to expertly use it now.

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There's two key modes.

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One seems to be quite tempting and forcing and seems to be kind of very, very dangerous for black.

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But it creates what I would call a micro upside, a little tiny benefit given to black, which you didn't

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intend.

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And that forcing move here would actually be Bishop, thanks, G-7, because you might be looking at

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95 to kind of attack 86 and 87.

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That looks on the surface pretty attractive.

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But if black plays, King takes, the little upside you've given them is that you let them vacate that

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gate square.

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So there's now another option.

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There's a kind of liberation or a fact on the bishop going in reverse.

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You've given the bishop a kind of reverse gear possibility it didn't have.

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And unfortunately for you, 95, although you've won that square, it's not an effective kind of usage

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of that square because now Bishop Gate, so instead.

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But you were on the right track.

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We actually have won the G5 square, but it's not with Bishop takes G7.

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You've got to be very, very careful when you become aware of forcing moves.

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You've got to be aware of the slight or micro upsides and downsides.

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You don't want to give any little benefits, any liberation thanks to the opponents.

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So here actually we just immediately use that square with that.

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We've actually won hitting that bishop.

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And it's a very difficult position for black indeed.

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This position, it's actually fairly lost.

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Black tried and have sex, but here there's a key move which actually wins this material and basically

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will win the game.

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Black actually resigned after this next move.

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Can you spot what that is?

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OK, it's actually 1986 hitting the queen and after Bishop Tate's age for, I mean, black resigned.

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But if Bishop Tate's age for gas one, we take their queen and this is a penned piece, a so-called

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pen piece.

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It's pen to the king.

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It cannot legally recapture.

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So we've ended up winning material.

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We've got four minor pieces and one rug.

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That's quite a lot.

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We've got a material advantage here.

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So, yeah, if we look this kind of will to win squares is it's kind of on the paint, we need that

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underlying motivation to win squares and that will give us a keen interest in these mechanisms, you

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know, looking out for the weaknesses of the most move, looking out for those kind of common squares

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and the liberation of facts on this occasion.

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On this occasion, actually less when that square.

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But be aware, have the possibility of being aware if we notice the slight liberation of facts of Bishop

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Eighty-seven that were actually kind of liberating the bishop by vacating on obstructing the bishop

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from a square location is a kind of form of liberation, even liberating.

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Square one square is potentially extending the scope of a piece by a single square, which could be

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the difference between winning and losing.

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Yeah, that's Chess's sometimes a fine line of Threshold's.

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If you ever do badly in a tomb, you know, maybe it was only a little fresh out away from actually

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turning a lot of those losses into wins.

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Chances of Threshold's game.

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Just bear that in mind.

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If you ever get down haunted, just think if I if I go the extra mile the actually winch, it could

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change your your losses into wins.

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Chess is a game about Threshold's, but if you can see the liberation with facts or square vacation,

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which is an example of a liberation of facts.

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Yeah, you won.

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That's quite a G5 and you get to celebrate it in style by winning material.

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So if we count, by the way, let's do an official count of the material here.

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So let's say the minor pieces, let's just make them free instead of three point five three six nine

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twelve plus five, the rook.

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So that's seventeen black has free six.

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And then we add the rooks.

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Ten, sixteen, look at the --'s three, four, five, six, one, two, three, four, five, six.

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OK, but yeah, this is very, very advantageous position for us.

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And in fact.

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What is actually black doing to not lose further material, because given that NetSpend, if we look

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at this even further, if the rook moves to Efate, yes, we're going to take that out and be even more

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TearLab.

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So that's even more convincing.

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And if they say, like, there's even more material up, we take on D5 we not being a clear clearly

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mitsuo up a whole piece up, that's much clearer if we take it a bit further.

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But even at this stage we throw up after 97, so they've got to move that rock, you know, so it's

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actually a rather crushing game.

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And but the key point I wanted to make, the key fundamental point is like your underpants, your underlying

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motivation tactically is like winning access to key squares is like you're hacking into the opponent,

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seemingly solid position, proving the lack of solidity.

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If you play the right moves, you can find a chink in the armor like hair winning a key square, and

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this will win you games.

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But it's those move mechanics.

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When you're calculating that you've got to bear in mind they will help you be aware of winning squares

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and the liberation of facts.

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And through the liberation of facts, you'll make sure that you're not playing a forcing move and accidentally

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giving the opponent an advantage that they didn't have before.

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So, OK, I hope you've got some more the more fundamental points from this example.

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OK, that's a much.
