WEBVTT

00:00.730 --> 00:01.660
Hi there.

00:01.750 --> 00:04.520
In this election, I have an amazing Paul Morphy game to show you.

00:04.810 --> 00:07.390
He actually gave his opponent here real cards.

00:07.750 --> 00:09.020
So that's why the rookie is missing.

00:09.040 --> 00:10.840
No, I haven't set the ball up incorrectly.

00:11.800 --> 00:13.840
He was such a strong player, Paul Morphy.

00:13.840 --> 00:19.690
He would do a lot of kind of exhibitions and fun games where he'd offer odds.

00:20.140 --> 00:22.000
So on this occasion, Queen's Rugg.

00:22.390 --> 00:28.470
So this is his game against Charles like a carpenter here in 1849 in New Orleans.

00:28.990 --> 00:33.070
So if from Paul Morphy we see five motor free nights, he says.

00:33.580 --> 00:37.740
So so far both sides have kind of equally developed Blancs players.

00:37.750 --> 00:45.430
Fine, but Paul Morphy starts trying to trade off -- for peace, development and peace.

00:45.430 --> 00:52.300
Development like this is probably more necessary than usual because one has to make up for the odds.

00:53.110 --> 01:01.570
It has to somehow amplify a certain factor and P7 as a great factor to amplify because it can lead quite

01:01.570 --> 01:03.520
quickly to King safety issues.

01:04.330 --> 01:10.960
And if Paul Morphy can actually knock out the opponents, especially before the end games, then losing

01:10.960 --> 01:14.520
one or two pawns won't be such a big concern.

01:14.800 --> 01:20.710
And yes, you can play like this as well in your early repetoire opening repertoire, which is like

01:20.710 --> 01:21.970
the sort of opening's you might want to use.

01:21.970 --> 01:23.660
You might want to try DeFore.

01:23.710 --> 01:25.150
It's called the Scotch game.

01:26.500 --> 01:30.190
So it's a way of opening up the position a little bit more, kind of activating queen.

01:30.700 --> 01:35.410
We see ETECSA now, Paul, if it doesn't even capture he plays Bishop CIFOR.

01:36.070 --> 01:44.170
He's working another piece the opponent seems to want piece by the intention here after Sifry is just

01:44.170 --> 01:45.100
to take this form.

01:45.280 --> 01:52.270
And whites, just castles and hair black actually takes this form, which is a little bit dangerous

01:52.270 --> 01:55.480
now because it's actually helping develop this piece.

01:55.480 --> 02:00.070
So we've got a real difference in peace development emerging for both sides.

02:00.340 --> 02:07.840
There's free pieces out for white and this bishop now actually scurries back just to protect G-7.

02:08.440 --> 02:14.620
So actually the relative peace development is also increased, even more so in this kind of situation,

02:15.100 --> 02:19.210
you can start to expect some real disasters to occur.

02:20.020 --> 02:22.120
So E5 is played by Paul Morphy.

02:22.120 --> 02:28.960
We see now Ruki one the rookies now develop towards the center, whereas Blackshirts they're still disconnected

02:29.230 --> 02:29.950
at home.

02:30.490 --> 02:32.800
Everyone's on holiday in the black position.

02:32.800 --> 02:34.180
No pieces have been developed.

02:35.440 --> 02:37.870
When you develop pieces, you stop them being on holiday.

02:37.870 --> 02:40.090
They are participating and the battle.

02:40.630 --> 02:44.320
We've got lots of lots of pieces participating here already.

02:45.610 --> 02:51.850
We see details five and now it looks as though hang on, this is a bit worrying exchange of Queens.

02:52.990 --> 02:54.940
But Paul Morphy welcomes it here.

02:54.980 --> 02:59.590
After 1965, things are actually getting together on Kether Common Squares.

03:00.130 --> 03:08.470
We see Queen 61 and here, instead of recapturing on Daewon Polymorph, he plays Bishop takes F7 Check

03:09.010 --> 03:10.090
after Kingi seven.

03:10.090 --> 03:11.860
Can you see what Paul Morphy plays?

03:12.410 --> 03:14.000
I'll give you five seconds to pause for the.

03:24.680 --> 03:36.260
OK, 96 check and it's double check, so the king has to move the double check now the king unwisely

03:36.620 --> 03:39.770
takes on F7 to play on in this game.

03:40.850 --> 03:46.970
King Desex was needed after which one can actually take the queen with Chag and still be in a very good

03:47.210 --> 03:49.100
position of the taking.

03:49.430 --> 03:53.270
But the opponent played a major disaster move.

03:53.540 --> 03:59.270
King takes F7 as positions get more and more hard play, you can expect disasters.

03:59.690 --> 04:02.840
Guess what one can play in this position which ends the game.

04:03.320 --> 04:05.240
I'll give you five seconds to pause video here.

04:10.550 --> 04:13.070
OK, nighttime's Aints.

04:16.970 --> 04:21.170
And look look at this lack of peace in the final position, these peace is still at home.

04:22.520 --> 04:30.230
This is a vivid story now in this story, when I told you the basic nature about the pieces, I didn't

04:30.230 --> 04:38.270
say about sacrificing forms that I the concrete examples show how you can actually achieve a huge differential,

04:38.480 --> 04:42.600
a huge difference between your peace, the woman and the opponents piece of armor.

04:42.620 --> 04:44.090
So this is a vivid example.

04:44.510 --> 04:50.690
Paul Morphy is one of those model players that in your early stamp's as a chess player, it's actually

04:50.690 --> 04:55.250
better to look sometimes at Paul Morphy, Anderson Grecco.

04:55.430 --> 05:02.270
If you look at those three players from the past, there wasn't so much opening theory as is today.

05:02.660 --> 05:05.870
There isn't so much, you know, computer analysis.

05:06.410 --> 05:11.960
And you can look at their raw openings and extract really great principles for your early steps in the

05:11.960 --> 05:12.170
game.

05:12.170 --> 05:15.340
They are like the early evolution of chess style.

05:15.350 --> 05:21.320
In any case, there was the so-called romantic era of chess where people used to sacrifice pawns to

05:21.320 --> 05:29.270
maximize the peace, pressure and initiative, the ability to coordinate pieces quickly, to create

05:29.270 --> 05:30.320
attacks quickly.

05:30.740 --> 05:36.910
And this is like a devastating example where the gambits of pawns maximize peace development.

05:37.250 --> 05:40.210
There is a trade off, though you are losing some pawns in general.

05:40.460 --> 05:42.020
Some of these governments are a bit dodgy.

05:42.530 --> 05:47.420
But actually also in your early repertoire, you do.

05:47.420 --> 05:54.680
You might want to include some gambits which take the opponent away from their opening period and maximize

05:54.680 --> 05:55.640
your peace development.

05:56.300 --> 05:59.570
And I'll talk about those, you know, later on, of course.

05:59.570 --> 06:04.980
But briefly, you know, if you wanted a gambit selection, you could play like Morphy, you know,

06:05.000 --> 06:12.110
with the rook, by the way, all sorts of games, you know, after E5 there are all sorts of interesting

06:12.380 --> 06:18.200
gambits to consider, but I will mention those later in the course.

06:18.200 --> 06:24.830
But here, just just take in the the lesson from this game that even if you're down on a whole rook,

06:25.700 --> 06:31.060
if you can maximize your peace development relative to your opponent by by trading off some pawns,

06:31.070 --> 06:36.740
so training off material peace, development and peace pressure, that peace pressure can yield huge

06:36.740 --> 06:37.280
dividends.

06:37.280 --> 06:40.730
And you can, you know, whip up a very, very dangerous attack.

06:40.970 --> 06:46.940
And he slips up here with this king takes F7 going straight into a checkmate.

06:47.210 --> 06:49.550
The rookie is controlling those escape squares.

06:49.550 --> 06:51.770
The knight is playing Czech King can't escape.

06:51.770 --> 06:53.840
The king can't go back to that bishop.

06:54.020 --> 06:54.730
This is checkmate.

06:56.450 --> 06:57.830
So a beautiful little game.

06:58.250 --> 07:05.120
So I'm hoping to reinforce any concept I say in this section about opening principles with Morfe or

07:05.120 --> 07:07.130
ANSO, other players examples.

07:07.490 --> 07:09.440
So have you got something from this example?

07:09.590 --> 07:12.890
And it does also introduce a very concrete thing that you can do.

07:13.340 --> 07:18.290
It's all very well someone saying, you know, one, how much better a piece of the opponent.

07:18.290 --> 07:19.520
How do you actually achieve that?

07:19.700 --> 07:21.410
You might have to trade off some points.

07:21.650 --> 07:22.610
You might have to play again.

07:22.610 --> 07:27.200
The game itself may have served me extremely well, especially in online chess.

07:27.500 --> 07:29.000
I've used a variety of gambling.

07:29.480 --> 07:32.510
It's like against the Sicilian defense, the Smithburg game.

07:32.840 --> 07:34.010
But we'll get to those later.

07:34.010 --> 07:39.890
OK, just bear in mind the lessons from this example before we go on, OK?

07:40.130 --> 07:40.670
Thanks so much.
