WEBVTT

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Hi there.

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And this I, I want to introduce you to a night, another night goes like an L shape.

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So this is a nice, sensual night and I really want to, in general, centralize the lights.

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The moves would be these.

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So it's like going to square one.

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It's like an L shape.

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And the incense is really, really powerful compared to, say, in a corner here.

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This light can only do this hour and this hour.

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So you can see the importance of actually a central light compared to a night here or night on the side.

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There's less options.

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If a light was here, you can imagine the options.

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One, two, three, four.

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But as soon as we go to a central square, it becomes eight, the maximum capacity.

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So the lights go in an L shape.

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Just bear in mind, you know, lights on the rim of them is a is a famous quotation and especially in

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the corner, even dimmer.

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It's like you just restrict your light to two L's.

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So ideally you want your lights in the center.

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They go in that all shape.

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And in the next lecture, we'll see some fascinating feature of the night, a fascinating feature of

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the night, being able to jump over pieces.

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But for the moment, just bear in mind this idea lights, all shapes.

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Try and keep them centralized in general.

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OK, that's a much.