WEBVTT

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Hi there.

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In this lecture, we see an amazing game of Mikhail Tal.

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So this is Jurgen.

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It's against how in 1957, USSR Championship, round 18 D4 from Gurgaon.

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We have nine f6 six from Tal c4 c5.

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So it's how was making use of the modern Benoni with great success up until 1960, which actually matches

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the peak popularity of the modern Benoni.

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Nowadays it's not so popular, it's thought to be a little bit unstable.

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The pawn structure we see E 693 and in particular Black accepts basically a backward pawn on D six So

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there's quite routine ways of trying to exploit this pawn, which puts many players off actually playing

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this opening.

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Nowadays, more solid things like the Slav defense are often preferable at the grandmaster level.

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But okay, in this game, let's have three.

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We see G, six, E, four, Bishop G seven, Bishop E to both sides.

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Castle Rookie eight Black does have perks.

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In this opening, the semi-open foul pressure the poor majority on the queenside free two to the E5

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square.

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There are perks for black.

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It's not all about just this square weakness, this pawn which is potentially vulnerable and thematic

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plans for tapping into D6 include often nightly two to C4 and Bishop f4.

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So it looks as though the thing is there is a cost associated with a Knight movement because Black has

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a key E5 square.

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Sometimes the knight is neglecting a soft spot and until is amazing with king soft spots.

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So basically if this pawn is acting as bait for positional maneuvering, it could come at slight costs

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to king safety.

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In this kind of scenario.

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So we see 92 and actually instead of trying to use the queenside poor majority with a six, so say A6

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white could clamp down with A4 that's the problem and say Knight 87.

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White should step carefully here.

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There is pressure on E4 so H3 B six Queen C2.

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It looks as though White should be getting an advantage keeping C4 in mind when it's appropriate to

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do that to hit D6.

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But White at this moment would have a slight advantage.

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But that whole plan is not used instead of A6.

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And this is actually rather interesting.

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Basically, yeah, it's it's in a way potentially about this diagonal of the bishop.

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It can come to A6 later.

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It could play a role in a kingside attack.

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So this is a really interesting alternative.

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Rookie one is played if A4 here Black could indulge Knight b4 as well.

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This situation, although technically with Bishop B5 trying to take the fun out of the five square,

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this situation should be in White's favor.

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But anyway rook e one was played and we see 97 A4 and now we can see B6.

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So there is potentially if this bishop wasn't on this diagonal, potentially this bishop on C might

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actually find a use on this diagonal if A6 was played here, it would deprive that possibility.

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And White's best, it seems, is for example, h free this situation.

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This is possible.

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And in fact here in this scenario, White does have a small edge, but maybe it's not huge if White

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tried a5 There are resources for black here.

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Bishop D7 Just because B6 is marked doesn't mean there's a problem here.

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This Bishop B5 to make use of.

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And you can see that actually this problematic bishop sometimes in this structure, if it's taken out

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of the equation, if it takes it a night out, this position could result in equality.

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It's fascinating stuff to investigate.

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But anyway, B6 was played and Black is ready for any A5 now because B5 or taking can be considered.

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There's pressure on E4 which is also interesting.

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So yeah, this, this situation is a little bit different.

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Okay, so we have Queen C two and now how actually leverage is the bishop still on C?

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He plays Knight G4 and White actually responds here with a mistake is looking at soft spots White actually

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tries to kick the knight with H three better and maybe this is a little bit paradoxical, but to give

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up the point square bishop on this occasion and then knight C for let's actually this backward pawn

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be probed without lurking soft spot issues.

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That's what really white wants to do to somehow hit this backward pawn without having the king in danger

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here if the bishop goes back.

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Bishop F4, This is a dream scenario all of a sudden against the backward pawn, which explains why,

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you know, baloney.

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Sometimes it's a little bit suspect nowadays.

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So this situation like starting to get in a passive position because there's no other pawns to support

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the bank pawn.

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So the pieces are starting to fill the strain.

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So, yes, that's that's the stability aspect of this.

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It's a little bit less stable than than other openings quite often because of the d6 pawn.

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But Bishop takes yeah, that would be a fine move to play with this plan if Bishop.

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F.A. Yeah, again, you know, this, this we get this scenario but.

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If bishops see saints again, we get the story.

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You know, we're getting tortured on these things, basically.

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But in this game, we see age free.

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And now the magic of Black's position is revealed, actually.

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Guess what Mikhail tell plays here.

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So it's not really about this point.

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It's about the neglect, slight neglect of this maneuver.

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The Knights not on their free.

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So they're actually it's interesting is why it's king that safe here What does black playing this position

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you think so on balance revealed 200 points at least.

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Yeah.

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Takes six F2.

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There is also this diagonal to play with right now because that has locked in the bishop for a moment

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and this diagonal is sensitive.

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King takes F2, makes things worse.

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Why it should have just played Knight F3 and the knight is looking stranded so black would have to resort

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to something like Bishop take C free, which in principle isn't a good idea because it weakens key squares,

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but it does rescue the knights.

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That's the thing going for it.

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Knight G Free black would be under potential attack.

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This is a key variation where what is going on here?

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This is very, very dangerous if F6 Bishop takes G6, but it seems as though Black might have resources

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to survive here.

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So this position is about equal.

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It's crazy stuff.

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But yeah, it seems as though Knight, if he was about to move, King takes F2, bringing the King out

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to play.

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We have now Queen H for check.

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And this is super dangerous.

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KING If one is played, if king.

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G one.

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Then we're just taking that rook.

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Thanks.

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March check.

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And this is vicious.

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We're threatening, mate, on G one all of a sudden as well.

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So, yeah, this is.

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This is g free.

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Doesn't look at all helpful because the bishop did four check and h three being loose.

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So King F one is played Bishop D for threats then Checkmate D one defending F two.

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But guess what?

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All plays now and this shows it's not it's not really about D6 anymore.

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The subject has massively changed.

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It was about the technicalities of king safety that weren't incurred.

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And the attack now is in full flow.

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So I wonder if you can spot this next movie for 200 points.

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Okay.

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Queen sites age three.

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Yes.

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Magic if G takes.

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There's a Bowden chap mate Patton.

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So one bishop is covering the escape squares here and the bishop is mating beautiful bird and make there

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if that occurs.

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But White wants to stay in the game and doesn't take the Queen.

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So bishop free.

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But now the bishop has left this key.

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It's kind of weakness of the last move.

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This diagram is available to this Bishop.

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We have tho first Queen H to.

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And this keeps lots of friends now going in this position.

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We have 93.

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And piling on the pressure on the e-file.

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Wonderful move.

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And five.

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So keeping this in hand, this Bishop eight six resource just piling up the pressure while the bishop

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is still on scene.

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Eight knights DC four and now F takes E4, Bishop takes E4 and finally now Bishop a sex.

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So there's a big frat here of Rook Takes E for the Queen is overloaded here.

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So with the idea of taking on C4 after or rookie as well, the night supports even a recharge square

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of replacing other work.

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So this is a fascinating position.

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We went under huge pressure Bishop F3 is played.

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Let's see concretely if say rookie rook B one rook takes e4 queen takes e4 we can play rook e here.

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Amplifying the pressure even more.

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Queen F3 Bishop takes C4 check and you can see that there's a problem here.

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The rook now controls king escape squares.

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So that makes Queen H one or Queen G one mating.

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If B free, then we just take on a one.

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If Bishop D2, then rook takes E4.

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Let's see here, Rookie eight again.

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Queen D3 We can actually, yeah.

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There's so much pressure we can actually play.

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Knight takes D5 here.

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So any time the night takes, there's Queen one on one meeting and F King E two night at Four Forks.

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King Queen.

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It's just a vicious position.

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Indeed, this is a truly vicious position to be in.

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Okay, so.

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We have Bishop F3 and now Rookie five Rook Avery and now the pressure just pulls up so the pieces are

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working like an absolutely dream team.

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Every piece is gunning for the king or tying stuff down.

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We have Bishop D2 and the Knight, which is playing what seems to be well, not not such an aggressive

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role as the others actually shows.

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It is actually helping the whole team now with this next move.

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If I give you 5 seconds pause video, what would you play here?

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Yeah, 1965.

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It's dismantling once we have Bishop 65 and now Route 65.

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So the knight still pens because of Queen's.

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You want Queen H1 one knight can't move.

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So we have King E two.

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Just to put a few things on the board here, if Knight takes the five, Queen's U one is champ mate.

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If be free Queen A for Chuck King you one rook have a is really strong.

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Actually, yeah.

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This is a bit of a shift in attention and you might think, what on earth is this about?

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So the thing is that Knight's pinned to the king, so there's no rook f one.

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We just take an F one.

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And the other thing is, if, say, Queen D1 to try and stop using H five, I'll show you that at the

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moment.

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The Queen F two check.

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Yeah.

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At minimum we can just play this and get the Queen, but otherwise it's going to be amazing if Queen

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D one isn't played.

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So Rook two we've played check and we we get a checkmate like this.

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So it's a truly vicious position here.

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So once, twice King E two.

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But now Bishop takes e free, rook tanks, e free.

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And what would you play here for?

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100 points.

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So the game ended on this next move.

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The game ending move is.

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Bishop, S.C. For Check Creating a weakness of the last move.

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Basically, D2 is loose.

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So one had to resign because if Queen tank C for queen tanks G Czech King B one.

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Queen 62 is Chapman.

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Yeah, this is absolutely a bruising move, but hold on.

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There are the questions about this position, why it doesn't have to take the bishop.

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Right.

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So this is absolutely fascinating in its own right.

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King D one, what are we play here and why is it so crushing this position?

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Is it because we're just several pawns up actually the wrong king safety issues to tap into it?

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It's not just about future end games.

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We can finish soon in this position by playing.

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Rogue tanks e free.

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What actually does y at play here?

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If Queen.

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It take C4.

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Okay, so that looks like a nasty pin here, but there's rook takes E one shank.

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King tanks and here queen.

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One check.

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So it's all running with check to pick up the bishop and protect the rook.

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So that's a total disaster.

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Queen, take four.

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So what we left with rook takes forever.

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But this is fascinating now.

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Queen G one check.

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Brooke e one And now there is a key move and whites are pretty helpless after this next move.

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What do you think that would be, this position?

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We've got basically a bishop without a counterpart and it's sometimes makes the attacks much stronger

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when it's obviously a couple of bishops like this, when the king's kind of unsafe, there's a move

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which amplifies things dramatically.

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Okay, so in Brownsville here, Queen F two, we're looking at D two.

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So we're actually looking at Bishop Beefy to get the queen away from D2 for inmates on D2.

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So say Queen C for queen takes D2 is mate, but say here, King C one.

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There's still a beautiful finish in this position available.

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Believe it or not, it is very, very interesting that blank has an absolute cross your hair.

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It's not even just about the extra horns, but black has for 100 points.

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What would you play?

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There's a kind of opera style.

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Might finish with Bishop be free.

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So basically here, if Queen St's be free, we're running with Shaq, we're winning D2 with Shaq.

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Thanks very much.

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And we can take the rook, but also if Queen C for the opera Stalemate rebels.

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What would you play here?

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Check all checks and it shows how dangerous opposite kind of bishops are.

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Yeah.

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Queen.

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Thanks e one check.

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Bishop Thanks.

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D One is checkmate.

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So, yeah, all of this stuff hidden behind the scenes of White's resignation after Bishop takes C4

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check.

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Yeah.

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It is basically a hopeless situation in various ways.

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Whatever way it's sliced or cut here, y ends up massively worse off.

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It's a completely lost position with best play from black.

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So a fascinating game.

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It shows there are kind of subtle upsides of what seems to be a depressing, potentially depressing

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pawn structure.

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So the Benoni, you know, for club players, the Bononi, if white is a bit too complacent, too generic

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with these plans and not factoring in the subtle changes and weaknesses incurred to their king, you

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know, they could be blasted off the board.

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But how was the ones prove how strong the Benoni was?

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One of the big reasons actually, which has emerged for restricting at least the modern baloney move

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orders in particular.

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I'm going to just point out to you something about this.

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There is a very dangerous system which doesn't block in the f pawn.

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It's called the flick knife operation, which Garry Kasparov introduced against John Nunn.

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So this this variation with a quick A4 and Bishop B5 check is very, very dangerous.

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But that's another kind of theoretical subjects.

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So John Nunn had written a book on the baloney and was blasted off the board in one of the Olympiads

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by Garry Kasparov, playing with the way he says that's an instructive attacking game in its own right.

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But in this classical approach to Bononi, yeah, it's it isn't so absolutely critical for black as

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that situation in that relation.

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So 96 we see it has some very interesting dynamic perks going on and tells in his element when he's

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looking at soft spots around the king.

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He's a major attacking player.

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One of the reasons I've weighted more Alexander Alekhine compared to Tal is that often times games are

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very, very complex.

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He uses complexity quite often as a weapon.

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Whilst Capablanca might use simplification as a weapon with Alekhine, basically there's better in my

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view, attacking clarity quite often without tons of complications which don't just confuse opponents,

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but also generally ask when we try and look at our games.

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But the short and sweet tell games like this one are more approachable.

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There are some which are just astronomical in nature.

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It's like mazes, a maze of variations which I don't think would be instructive as the major undercoat

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of this course to look at key Alexander Alekhine games, which have greater clarity.

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Basically, we want clarity, we want contrast.

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We want to understand the key ideas without too much confusion with millions of variations.

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So this is a short and sweet one.

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We see certain key attacking themes being demonstrated basically.

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But yeah, White had who, you know, a key mistake here was H3 inviting all of this stuff.

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It's fascinating to consider.

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It's like this plan was half in construction for D6.

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But yeah.

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KING Safety implications have been for one moment being neglected.

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And black doesn't just have the five squares, the D4 square axis as well.

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There's basically resources to attack the king here, which are delightful, delightfully demonstrated

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in this game.

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So I hope you enjoyed this one.

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That's very much.
