WEBVTT

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Hi there.

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In this lecture, we see Alexander Alekhine playing against Mme Prat in 1914 and simultaneous display.

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So we'll play like a prince.

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Let's see what happened.

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Default Alekhine.

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We have D five, nine, ten, three and now Chigorin Defense.

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See such a Korean names after the kind of font of the Soviet chess score.

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Very creative player scoring defense making scoring.

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Anyway, so we have e6 knight C free D take C for every 95 six Bishop take C four and now Bishop b4

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Black is winning.

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It seems to volunteer the dot square Bishop but overall this position seems passive.

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Sometimes both bishops are given up in scoring and in the engine world the scoring doesn't do very well

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for black whites, usually winning.

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Now here, yes, we do have this dangerous bishop without a counterpart, and Black's central pressure

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is kind of minimal here.

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So Queen C 297 In fact, Bishop, a free black, is tied down, Can't move the knight to G six now C

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six Dalton square weaknesses just basically feed this bishop we have here E4 and you might think E5

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is coming.

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This is an interesting point we have actually Rook 81 Bishop D7 So would you play E5 or something else?

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Although the special hasn't got a counterpart, this one has got a passive counterpart.

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And in fact, we're X-raying f7.

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And in fact, it seems as though we'd be letting black off if we moved the rook to make them look cute

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in the center.

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Because the rook is kind of good by default here.

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It's also X-raying f7.

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So in fact 95 is played rather than E5.

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For example here 95 Bishop b3 b5 one has a big advantage.

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Now I mention this because there's an absolutely beautiful combination coming up and it's really good

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if we can see the intricacies of how this was established.

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So yes, making use of defaults here, establishing that as a of common square through the x rays.

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This is a good tactical sense we can develop, I believe.

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So the move is what do you think Alekhine played for 100 points.

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And why once play, you might want to pause.

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Then the video.

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Yeah, we play.

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If I were exploiting the default rook on F1 and we've got a ripping plan of F for F five to try and

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rip open both the file and the diagonal on that F seven point.

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So I believe 95 is quite instructive.

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We have Rocky eight, if not G six.

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Yeah, we can just, you know, take on G six, take on our faint.

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Thanks very much.

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So rookie eight I'm pinning from the relative pin but it weakens.

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In fact I have seven which is great.

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Now f four is even greater Queen C seven and now just F five we have 88.

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If it takes F five, we're just going to take 1f7.

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And then it's also like probing F seven as well.

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Bishop takes E seven is the most accurate, leading to a tactical disaster because of 9g6 check and

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96e7 So rook 88 and now here, guess what Alekhine plays in this position.

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400 points.

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James.

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He just plays.

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He plays Night Takes F seven, bringing the count F seven, and now just E five.

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So night really can't move.

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There'd be big trouble if the night moved.

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F thanks was also like possible and bringing the king out like this, it's going to be very, very dangerous

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for the king.

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I mean, this situation is intolerable to take it further.

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D five check C tanks, Rock takes the king's to expose, and we're going to win the Queen here.

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That's just a fictional example.

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So anyway, but the tension is actually kept here even more E5 e.g. Bishop D6 putting the Queen on a

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bad square and Queenie two giving various options to why sometimes Queen H five will be possible.

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We see b five if Knight's H seven that does weaken H five and in fact Queen H five check G six.

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Queen 6g6 is a crisscross kind of mate, the Queen substituting the bishop as kind of Boden's mate pattern.

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So anyway, we see B five bishop b3 e5 and now rook d14 and now and the Queen actually announced a mate

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in ten and the engines do actually indicate this is a made ten.

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He was right in 1913 he announces maintain it is actually a mate in ten funny stuff so just to point

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out you.

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Alaska was born out of the combination.

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Alaska said Alekhine was born out of the combination.

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Now, for me, you know, Checkmates are really beautiful.

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So if you've seen the checkmate course upon me, if you've seen the Art of Checkmate course, then.

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You know, you see the beauty of Checkmates and we're really in this course kind of trying to work out

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exactly how to get those ingredients we need.

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So we want to build up our combination of mastery, and we also want to be able to reverse engineer

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to get those positions in the first place.

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And here there's a concrete mate in ten, which is absolutely stunning.

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And for me, you know, that makes a good story that imagine that he's based his play on beautiful attacking

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combinations.

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So it's going to be interesting.

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The king you know beautiful chap mates to work this out if you want this good exercise in visualization.

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So I'll give you time to pause the video.

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There's actually a mate in ten.

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So how would you do this, mate in ten?

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It's really wonderful stuff.

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It brings the king down the board.

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That's my clue to you.

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Okay.

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The first move is Queen H five.

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Check.

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This leverage is now up to 9/10 because once the choice G six, we're just going to play Queen STS g6.

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Checkmate.

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So night six, and now we leverage a double check.

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So it doesn't matter.

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The bishop's attacked.

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It's a double check from the pawn and the rook.

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So the king has to move to G6.

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And now the bishop is used to bring the king down the board.

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Bishop C to check.

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There's not too many choices.

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Rook have five check.

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And now King G thinks if King G4, we have h free check, King G3.

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And guess what?

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We can play here, which is simple and strong.

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In this position.

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If at some points.

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We can cover escape squares.

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We don't have to check immediately.

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We can cover the H4 escape square, which makes rookie free much more effective without the four square.

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And so here rookie free king of four is available, but rookie free is checkmate.

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So that's on King G4, but we have King G six in the game and now another double check bringing the

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king down the board.

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So you know the bishop and rook double check Rook G6 check Bringing the king down the board.

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Rook e4 check for rook.

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Thanks for checking Range five.

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And now there's two ways of mating quite quickly here.

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Can you find one of them here?

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Okay.

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G phrase is one way for H for it's actually funny enough, blacks are not in any position to actually

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defend the H four square.

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So, you know, Black has to resign her.

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Any move basically any move.

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There's rook H for checkmate.

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There was also for the record in this position, we could play rook G free, which does actually mean

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there's various threats which can't be parried like Bishop G6, Bishop D1 and if G5 in fact.

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Gee five looks as though well, Bishop D1 is King G6 now, but we switched to rule change free hair.

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Checkmate.

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So yes.

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And if Rook have a we have Bishop D1.

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Checkmate.

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Yes, the rook is covering G5 or Bishop G6 is checkmate.

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So anyway, the ingredients.

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How did this occur for me?

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You know, giving up a bishop in the opening like this is a recipe for disaster with it's not quite

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a main line scoring.

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This looks as though it's just a big, big, juicy advantage for why.

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The instructive point is don't just be quick to put your rooks together.

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You know, sometimes Capablanca did that, but Alekhine is concerned more about attacking combinations

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and having, you know, this pressure on F7 Yeah, this 95 seems really like appropriate and you know,

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it's putting pressure on F7 in its own right.

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So really ripping open issues after 9/10 have some bringing the king out and not being content with

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just f takes e6 plain vanilla.

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This beautiful position here.

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Black's really in big trouble with the king, but the rook move rook d one makes sure that.

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The combination works even better than Queen H five immediately.

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So Rook D one.

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Then it's definitely a mate in ten.

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So the rook is controlling some key squares which are useful for this mate in ten.

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So yes, in particular coming up for using the E4 square.

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Yeah, it's better than on its position.

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So you can see, you know, he's optimised for this mate combination.

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If the rook wasn't on E1, it wouldn't be so fantastic.

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So the rook can sometimes use these squares, especially the E4, in the combination.

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So a really, truly beautiful combination.

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I'm really.

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I really love this one, actually.

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So bringing the king down the board and controlling care squares.

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So.

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Geoffrey.

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Yeah.

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End of game.

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Hope you enjoyed it as much as me.

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And so much.
