WEBVTT

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Hi there.

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In this lecture, we see Ernst Grunfeld.

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Yes, the same name as the Grunfeld defense is named after him against Alexander Alekhine.

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This is a 1923 goals battle.

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Round two.

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So D4 from Grunfeld We have knight f6 from Alekhine c4 e6 knight c free d5.

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Just in case you're interested, the greenfield defense would have been with C4 G6 90 3d5.

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Just in case you're wondering.

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So anyway, this opening is just a Queen's Gambit declined Orthodox defense.

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So Bishop G5, Bishop E7, Knight's F3 and now Alekhine plays Knight Bd7 E3 from Grunfeld Alekhine Consoles

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Rook.

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C1 c6 Queen C2 A6 So there's a plan to kind of liberate this bishop potentially through the mechanism

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of D tank, C4, B5 and Bishop Be7.

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At some point we see a free H6 Bishop h4 rookie, eighth Bishop D3 and now that the Bishop's on D3 gaining

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a tempo with D2 C4 Bishop take C4 b5.

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So kind of trying to solve this problem through tempo gaining of that D2 C4, we have Bishop A2 it seems

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here this might actually be an inaccuracy.

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Funny enough, it seems Bishop E2 might be more solid.

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So if black tries c5 y could actually take on C5 and you can see that the structure is symmetrical here.

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So there should be theoretically less dangers for both sides and Y could take out F6 for this tactic.

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Knight takes B5 to hit C5 and this should resolve into a fairly peaceful situation, even situation

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here.

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So.

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Bishop E2 Yes, it seems as though Bishop E2 is kind of a safe bet if Bishop b7 Y could still take on

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F6 actually here.

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And this position is kind of it should be equal.

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Okay.

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So interesting stuff, but with Bishop, too.

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So why is this so bad?

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We see C5 Rook one and now Black really has a comfortable position.

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C 64 964 Queen B six The C eight Bishop issue is largely resolved.

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Bishop is going to come to B7.

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It does so.

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Bishop B1.

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Maybe this is the intention of Bishop A2 just to wrap around here from some for some potential tactics.

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But Black's pieces are quite, quite great here.

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Bishop b7 White Castle's Rook ACA and you can see that.

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Hold on.

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Why is it that White seem to be on fire now on the C file?

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This looks like a dangerous fall for whites with the queen on C two.

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So the queen kind of waste time, but a lot of damage has been done.

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95.

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Kind of implies night C four and sometimes night takes a free for rook type C for f y.

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It's not careful, but white actually makes things a lot worse here.

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Giving up the dance where bishop voluntarily.

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So this dance queen, bishop of our counterpart is really for me a very important ingredients for successful

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attacking chess.

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It's an extreme imbalance.

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And what was the option, though if Queen E2 that say Bishop ain't broke?

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C One knight C for this position is is nice for black.

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It really is comfortable.

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The pieces are great.

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But anyway, this actually makes things a lot worse.

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So we'll see why Now Bishop takes f6 Queen C two.

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Okay, The Queen is threatening to come in so G six, Queen two and now 94.

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And you can see actually Knight takes a free is threatening Faruk take C free bishop E4 is a kind of

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tactical trap being set and now Bishop G seven so not Knight takes a free can you see what White would

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play in this event?

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It's important to be aware of the opponent's nasty traps.

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What would you play as white hair if the knight takes a free?

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410 points.

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We've got.

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Yeah, there's a loose piece liability.

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We don't want to have these sources of danger.

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Queen Every hits F6 threatens.

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Bishop takes P7 as well.

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And if Bishop takes E4, the knight comes off the firing line.

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So F6 is hit as well as a free.

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So this would be a disaster.

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Bishop 60 for Rook thanks to E4 is still a disaster because of F6 Czech winning an exchange that we

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clairvoyance for one.

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So I'm going carefully sidesteps this by simply putting the bishop on G7 renewing the France of 1980

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A3.

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Okay, so we have Bishop 67, Queen P seven, Rook C one addressing nine six A3 by lending support to

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C free E five might be free, but why is getting positionally outplayed here after E4?

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In fact, now with the bishop looking at C free again is saying it's a free with pressure on C free

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there.

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So D for at least shields C free.

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But there's another target now.

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D for just to put it on the board.

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If King H one knight takes a free.

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Yeah, you know, this is great.

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Just take out that knight and a pawn.

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So.

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94 rook ain't rook.

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4195.

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We have 92.

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And this is now an unrelated piece, which, again, you know, it's a major source of liability potentially.

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We have different nice kind of octopus knights looking in all directions now.

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Yeah.

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One is in big trouble because of this amazing position that Black has transformed.

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So Rook takes the Queen tanking pressure on D4 and White in desperation plays F3, which is a disaster

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move.

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It's an absolute disaster move, as it turns out.

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Interestingly, if White plays before we get into F3, I mean, fundamentally it's weakening Dot square

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as the King's on dot square.

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So if you weaken dot squares, you're asking for trouble sometimes.

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If see free F5, the knight remains on D3.

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And here, for example, Bishop takes fall.

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This variation is just in Black's favor.

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Queen C5 Fretting Rook takes and winning the Queen.

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This position is just so it's just clearly in Black's favor.

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But Black has to play accurately here.

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Not Rook takes E4 because the Queen takes the queen.

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That's equal.

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But Queen E seven and there are big threats including.

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Queens.

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Queens have to check.

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So if nine have six, the best is king of seven, not Queen Sykes six because of Group Tasty three,

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but King of seven leaves Black in a winning position.

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This is just a winning position in the end game.

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So yes.

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So that's looking at 93, essentially this position.

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Is great.

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If King H one Queen D seven is powerful with the entire hair St st nine C getting out of the firing

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line, can you see what Black would play in this position?

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At some points.

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Yeah.

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Black would take out C three to weaken D one and now it takes F to checkers, basically winning the

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exchange to winning possession H free again Queen D seven and still this idea of bishop take C for L

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for if rook takes there's nothing takes e to check and black's the one exchange g free.

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Yeah this is just pain taking out d4 and this is just better for black.

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So.

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So in the game, though, Africa is a truly epic disaster incoming now for whites.

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So in this position, guess what?

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Altcoin plays, which really exposes don't square weaknesses and other liabilities.

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There's a liability here.

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There's a downside here to mix into the combination of ingredients.

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So is this of is this the science of attack attacking chess or is it about brutal tactical combinations?

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Well, this is related to the king, though, intimately, this next move as well.

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So we could say it's like attacking chess as well.

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It's just brutal.

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So black plays for 200 points.

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What does that play?

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Yeah.

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Route 64.

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Now, this needs to be calculated carefully.

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F tanks is F takes, E4 is played.

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If it takes the E4, Bishop takes the full, you might wonder.

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Okay, this variation is clear enough.

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We win the rook with check.

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But what about King F1?

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What happens here?

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Why is this dangerous?

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This is actually very dangerous for White's king.

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The bishop is controlling escape squares and it's like almost a taboo.

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Bishop make pattern with the queen substituting itself for a bishop emerges here because of what's.

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What's the key move?

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Yeah.

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Look forward tempo.

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And now Quincy for check.

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You can see that the queen is acting like a second bishop here.

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And this is just crushing because in particular, we need to nudge the queen from E to her E free.

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That's crushing Queen 60 for Queen E to checkmate all nine takes, G2, if you prefer.

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That's checkmate.

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So, yes, these are all pretty crushing considerations.

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Made her so white played F takes e4 instead, but now a beautifully crushing finish is played really,

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really nice.

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We have knights have for.

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And now he takes her fort.

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So you might think, okay, is this is it just to win a pawn with Rook takes and Bishop takes, what

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would you play here?

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Which is brutal, to say the least.

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So for 200 points here, blacks play.

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Okay.

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It's Queen C four.

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It hits E two.

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It hits A2 Quincy for Take C for his plate.

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If Queen E one.

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Yeah, we're just taking out A2.

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Thanks very much.

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So Queen St C4.

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And the point is, Rook takes D one check.

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Now, if the King moves, we're just taking the Queen rook up.

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So Queen f one.

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But now.

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Yes.

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Ten points.

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What are we playing?

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We celebrate the pin, we don't take on everyone.

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We play Bishop the four check to get maximum extraction of advantage from that pinned queen and white

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has to resign.

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If King H1 rotates, F1 is champ mate.

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This is a glorious game.

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Indeed a highly celebrated iconic game playing a classical opening and showing that the bishop problem

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isn't such a problem.

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Sometimes with this detailed C4 mechanism, it seems as though in the game, just because of Bishop

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A2, in fact that Black has a very comfortable game after Bishop A2.

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This is super comfortable.

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It seems the queen is in the wrong place on the C file here because Bishop B7 is going to be followed

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with Rook Kate, the Queen having to waste time moving plants, getting such a gorgeous position from

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this, opening the rook move and okay, it's a symmetrical pawn structure here as well.

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So why is black better?

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It's magical, isn't it?

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But the thing is, what makes things a load worse?

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Is this giving up of the dot square bishop?

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But yeah, the pain is setting in.

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This A3 is also, you know, it's kind of asking for Knight takes A3.

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It's like there is a target for the knight to be loose on C free sometimes if it's undermined.

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So yeah, it's just a positional accumulation of advantages.

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Sidestepping a key trap with Bishop G7.

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Yeah, loose pieces, unprotected pieces spell trouble creating a dominating knight on D free and this

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beautiful combination rook text e4 absolutely gorgeous stuff.

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I hope you've enjoyed this game as much as me.

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Wow.

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Let's just follow it through again.

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Queen C fall.

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What a wonderful finish.

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Wow.

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End of game here.

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Pets are much.
