WEBVTT

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Hi there.

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In this lecture, we see an amazing game between Boris Spassky and Bobby Fischer in 1960.

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Model Settlements.

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Round two.

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We see E4 from Boris Spassky, E5 and now the very attacking, opening The King's Gambit.

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So a relic from the romantic era.

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But Boris Spassky had some great games of it in the sixties, so this is one of the great games.

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So Bobby Fischer accepted the King's game night.

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F3 We have g5h for G4 and now Knight E5, we have 96 and now Spassky plays D4.

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So this is a very interesting move.

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If one's an even possession, it seems Knight takes G4 has something going for it.

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This situation is interesting.

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So for example Knight see free hair 94 Knight size of six Czech queen takes f6 D3 This should be about

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even.

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But anyway D4 was played.

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We have D6.

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If Knight takes E for Bishop, takes F for this position, once going to be actually with advantage.

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There's a nice similar an epfl.

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Yeah.

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Y it's kind of up in development in a way.

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So we have d69d3 now nine takes E for Bishop, takes that for Bishop G seven.

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We have Knight C three and now Knight takes C for his plate, which appears to strengthen white center.

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But if Knight six this shouldn't be a problem for white Queen D two and this situation with h5869f2

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should be fine.

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It's an even position.

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So knight C Fredo was plate B takes a Now the point is to undermine white center so fish are trying

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to undermine the center of control.

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Bishop E two and LC thanks D for and Spassky plays as always, playing very casually, just letting

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pawns go.

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Just castles we see 96 Bishop takes G4, Black castles, Bishop takes Saint Rook, St K and now Queen

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G4.

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Here there's a major and direct threat of Bishop H six which needs to be addressed.

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So for example, if Black played dc3, Bishop H six it appears that there is a resource for one moment.

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Queen B six check and Queen D four.

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However, four and Black is in huge trouble here.

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So for example, King H eight Rook 8125 Rook F one, Queen F six.

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And in this situation, Bishop G five funny enough, traps the Queen and it shows if you look at the

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central authority of white hand, even though White's material down white hands, this kind of central

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authority in this game, this foreshadows later what happens in the game trapping the queen so queenly

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five here you know we're just winning here with white So it's funny that White does have what seems

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to be amazing central control demonstrated there, but F five is played.

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The queen drops the G three and now D take C free.

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So here the royal resources like Queen f6 or Rook have seven against Bishop H six to consider.

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So we have rook e one.

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So this is kind of getting a central authority in position and there is that nasty pen.

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But technically, yeah, black should be better.

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We have king H eight if D five.

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Interestingly, H five is very dangerous for H six.

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So King H eight Knight's E5.

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And funny enough here, after Knight takes Bishop takes Queen b6jy should be absolutely fine.

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Actually, here this is an even position.

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The Royal targets one It has no central control.

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Black has to look after loose pawn.

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So for example here with f five dropping as an example, it should actually be okay for white Queen

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F six is interesting as a test just dropping the D six pawn.

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This should be a small edge for black.

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So anyway, King H eight King H one rook gangs.

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So who's attacking who?

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That G5 seems dangerous for White if the five Bishop G5 Queen C seven.

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This position within 94 is very nice.

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It looks like White's actually getting an advantage.

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This H six resource is very nice.

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The knight's kind of better than Black's knight, so h six form pawn is an attacking ingredient.

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And from here.

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Yeah.

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Y it's got a strong attack potential.

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If, for example, I move like rook gates, we can play moves like this.

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Rook takes E5 potentially.

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So here Bishop f6 back end of game because of the form --.

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So that's that's pretty nasty stuff.

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So.

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Let's say black plays D3 here.

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Queen takes D3, Bishop takes her for Rook, Take C six is possible, and then Queen D for check.

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And again this form pawn in the background.

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White's frightening mate is very, very dangerous and that holds the form pawn that be very clever.

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This position is just winning for white.

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So some dangers on D5.

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Funny enough.

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So Rook Ehnes Bishop takes d6 bishop offense and now bishop e5 check.

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So Knight takes e5, Queen takes e5 so that rook is now pinned and white seems to dominate the centre.

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However, what about H for being loose?

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So interestingly.

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Boris Spassky doesn't defend H4 but takes from their five welcomes Queen S.H. for Czech.

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So black is a pawn up.

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But there are central issue central authority issues here of the Rook F2.

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The centre does mean quite a lot.

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It does mean the ability to use key central squares and hit other targets quite rapidly and also factor

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in this pin.

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Black has to tread very carefully.

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We have Bishop E7 and our rookie for the Queen goes the G5 and then we have Queen D4.

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So this maintains not only the pin on G7 but the pressure on C free.

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So kind of tying down the rook.

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Ruka Fei is played, which is a terrible mistake if Rooks ain't.

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This should be okay.

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For example, here, just the eight.

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It should be fine if B thinks as example this position where you just give up C free.

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Just don't worry about C free and it's still equal on pawns.

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And this position should be about equal if rook d eight just giving up C for a yes, this position should

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be quite tenable as no problem here should be even if h six then rookie find for example, this position

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is a bit funny.

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Queen D five Bishop thanks 9/10 y.

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It has big frets here, but with rook d87 check and actually peacefully resolves itself in inspiration

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for an equal position.

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But rook effect is a bad idea because funny enough, Boris Spassky plays rook E5.

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And it's very difficult for black.

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Yes, that's central rook hitting across the fifth rank.

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Now rook D is played if Queen G4.

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Then queen thanks g4 Rook takes g4 weakness of the last member rotates e seven if Queen H four then

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rotates f8 check Bishop takes f8 weakness of the last move Queen change four If Queen H six then just

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rotate E seven Exploiting the pins.

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Rook So yes, this is problematic now.

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So rook D eight is played, but now with the Queen attacks, Boris Spassky doesn't mind relinquishing

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the pin because he's now using the battery to kind of double attack G five and E seven.

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What does black do if Queen H six head then just rook takes E seven.

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So Queen H four is tried, but now the next pope just ends the game.

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Can you see what that is?

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But at some points.

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Yeah.

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It's just real careful.

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Blank resigned.

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Fisher is Bobby Fisher is losing material.

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Look at the mass centralization that's occurred here of all of these pieces and the flexibility and

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the power that they represent.

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So if Queen Geoffrey just rook tanks e seven.

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And this is just crushing.

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Yeah.

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It's.

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Yeah, just winning material.

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The knights holding the rook.

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There's no time to do anything clever here in this position because the night's holding the rock.

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This is just rock after eight check and an example.

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Amazing.

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So no time for anything clever.

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So yes, a crushing game showing the King's gambit is a really attacking opening, but it can also have

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this central authority implication, not just central controller.

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It seems to be that Boris Spassky had an authority in the center, although down in pawns, and that

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authority is very, very useful to have in chess for creating threats, for reacting quickly to events.

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So exploiting the tiniest of mistakes.

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So an interesting game I thought I'd show you, even though it's not a game ending in checkmate, it

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shows that The King's Gambit, even in 1960, in the hands of Boris Spassky, was a formidable weapon.

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Attacking weapon of choice.

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Okay, I'd say match.
