WEBVTT

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Hi there.

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In this introduction lecture, I want to talk to you about central control and attacking chess.

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So the center of the board is very important.

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We usually think about the four key central squares because, for example, if a nine mathematically

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is on a corner, it can only influence two squares.

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It can only influence, for example, these two squares here.

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Well, if a knight is in the center, then it can occupy.

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It can control rather a lot of squares.

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We don't need to literally occupy the four central squares with pawns.

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We can just influence them.

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You can see that this bishop is influencing that square.

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This one, that square, this rook, that square.

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And we've been influencing D6 as well.

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And there's also the notion of the extended center.

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So mathematically, it's great if our pieces in general are in the center and we don't need to literally

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occupy the center, we're pawns.

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And also there's a kind of extended center concept where we can extend the center a bit like this.

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So, for example, these central squares.

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So, for example, a night if we have a night here, it's still in a kind of it's in the extended center

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square.

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A night on F4 would be hitting quite a few squares.

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If you imagine mathematically, the mathematics of a night on F4 would still have quite a few squares.

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It's not that restricted.

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It's still a pretty active piece.

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And also quite often the night on F4 or F5 is is good for king attacks because it can often help the

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queen.

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So you can see that's not a bad square for for example with a knights or that square with the knight

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the bishops, when they're pointing to the center, when they're like this.

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I mean, that's a very good scope here.

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This this diagonal for that bishop and this diagonal for that bishop.

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So you can see the central control here in this position.

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So this is from a famous game, Karpov Kasparov, one of my favorite Garry Kasparov games, and I'll

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show you that soon, but let's just have some points about the center to make as well.

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A few more points.

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Basically, you can see that central pieces.

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They are more flexible to react in general, and it could be to the opponent's plans or to help your

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own king attack.

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So is it taking place?

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We do value flexibility.

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We should value the accumulation of advantages.

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We should value the center.

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The center is like in a real battle.

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It's like the hill having the high ground.

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You can see a lot more.

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You can see what's coming.

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So it's good to have the high ground.

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There's even an expression that, you know, having them, the moral high ground, there's expressions

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based on the notion of the center in other kind of domains like battle in general.

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So we need to respect the central influence and we need to respect accumulation of advantages.

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And both mathematically, you know, if you look at games with post mortem analysis, you'll see your

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accumulation of advantages or not from certain grants.

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For example, if you play only chess, you'll see that these are the accumulation of advantages, is

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very is very measurable with modern science.

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So you see how advantages were changed, shifted from one to the other, but also central control has

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a maths to it and that's it's just vividly demonstrated with a night on on the corner example, because

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nights are particular pieces which really do benefit from being in the center.

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If a bishop's on the corner, it's still got a few squares.

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You know, if a bishop hit, you can imagine a few squares that's going across.

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But the knights in particular like to be centralized.

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That's why.

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Yeah, this example I like to show you soon.

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So basically central influence is the key thing, not literal occupation, necessarily central influence.

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And think about not just the classic four central squares, but the extended center as well, so we

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can extend the center in this direction, in this direction like this.

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So you get an extended center where pieces generally might be quite good.

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And basically we're not we don't really want to be off balance.

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We want to have that notion of stability.

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So like attacking moves in karate, we need stability balance and the center helps our pieces have balanced,

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not too committed.

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So they can't react to changing circumstances on the board.

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So it's a notion of flexibility.

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So here is an interesting high level game example.

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Let me show you this without further ado.

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Karpov makes mistake Queen D two.

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You can see already there's a problem line on a free.

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It's not really in the center.

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Karpov could have played Knight C for here instead of Queen D two and for example Knight de phrase The

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impressive Knight's from Black D6 Bishop takes D6 93 and it would have been worth Karpov doing that

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because you can see that the knight in the center is very, very useful there.

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It's participating in things and it's helping attack.

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He swears it's hitting the bishop at the moment.

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So this kind of possession, why would even have arguably a small edge?

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So Karpov perhaps uncharacteristically plays this Queen D2, which is a mistake.

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It allows now B5 you can see that Knight's not very central and things get worse.

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I mean, kind of dramatically worse for these Knight's and knight's all creatures which really enjoy

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central control in particular.

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So Rook 81 we have Knight the friend and people describe this knight.

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Raymond King described this as an octopus.

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Knight You can see in that central square, it's not the classic central square, but it's in the extended

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sense.

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And you can see it still has a powerful influence.

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It's looking at F2 in conjunction with this bishop.

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It still has a very, very powerful influence on the possession.

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And so it's part of the extended sense of notion, if we remember the extended center.

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So we've got the sense and we've got the extended center, it's one of the extended center squares.

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So yes, it's a very, very interesting square to have an eye on.

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D3 We have AB one, so this knight is not looking too good.

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H six You can see very detailed analysis of the game in the course.

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So this is just to get an example from a central perspective.

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So B4 Knight A4 you can see this knight is also a knight on the rim is dim as they say.

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There's an expression in chess for that knight on the rim is dim.

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Generally speaking, sometimes it's useful to put a knight on the roof.

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It really depends on the position.

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Of course, in chess things depend on the position.

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But Bishop D6, we have Bishop Geoffrey Rooks, the eight and you can see the knight in the center is

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controlling key squares.

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It's stopping the use of the rooks on either C1 or E1.

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It's doing a good job there on D3.

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So imagine, you know, one of the greatest.

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Attacking players of all time actually kind of prepared this position.

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And he's basically maximizing the notion of central influence, not central occupation, but central

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influence and seeing the big contrast of the knights here.

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You know, blacks knights are more towards the center.

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So G5 is played here.

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This is a great positional move, which means things like King G seven and G4 might be threatening to

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dislodge the Bishop away from that central control.

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Bishop takes these six Queen takes these 6g3, giving them Bishop G2 to run to in the case of King G

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seven and G4 Knight D seven you can see this lovely expression in bets for chess.

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There was a lovely expression which I remembered ever since, like mass centralization.

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And it's good to be interested in such things mass centralization or contrasting centralization levels.

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It's good to be interested as an attacking player.

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If you have positions like this as a prelude to your attacks, that's absolutely wonderful because you've

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respected positional play, you've respected the accumulation of advantages, you've respected central

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influence, and it's the numbers back there up to two there.

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If the knight in the corner, just remember the simple examples help reinforce the concept of central

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influence.

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The numbers are huge here for that Knight.

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It's on full pelt.

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It's, you know, eight squares, basically.

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So.

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So Oxford's knight still for those squares.

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So that's a really great knight.

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Let's count the squares.

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One, two, three, four, five, six, seven, eight.

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So, you know, we're talking two versus eight, four Central nights.

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And look at the opponent's lines here.

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So a three is played a five, eight, six, eight.

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So this night's kind of stranded on B1.

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So is this one.

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They're both stranded.

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Queen two What a ridiculous looking move.

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So a variation shows the power of the centralization.

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If it's easier to react to circumstances for a weakening move, it's easier to react to weakening moves

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if we have pieces which could exploit that.

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So Queen D four check here, for example, and here G four and why it's really getting run out of moves

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here.

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So for example D six,

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F six and where is won't going now might be two.

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It becomes a hopeless position kind of zugzwang here in this variation.

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If Queen a2 nine e4 and you can see that without going out of the way, just centralizing, they have

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influence on F2, which has influence on the king.

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Just naturally they naturally attack the opponent's king because of their amazing central control.

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And F2 check is fractions here.

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It's win material.

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So if one has to do something desperate like this, then compromises to the king.

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And, you know, black is absolutely crushing it here because there's this big threat now of bishop.

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So, again, through the sense of just through the opponents.

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KING So if de seven, that's pretty desperate, this is going to happen.

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You can see how it's a total melt down of the opponent's king through the central influence contrast

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in that variation.

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So Queen A2 was played in the game.

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Bishop G6 d6 G4 And then we have Queen D two, King G seven protecting H6, and now F4 is played here.

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There's not much to do here.

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So in this main line of the game, if King H one Rook KDA, for example, this position is going to

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be very, very strong.

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You can see the Knights in particular, such a big contrast here and we can start getting our close

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in the opponent's king So Knight going to E1, for example, taking out G2 again will be weakening the

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light squares.

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The absence of the King Catto bishop, in effect, is going to be it's absolutely devastating this position.

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What is White doing?

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So, yeah, I mean, there are so many crushing variations.

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So every in the game Queen takes d6, f takes G4, Queen d4, Czech King H one and now yes in centralising

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this knight to that key F4 square.

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So in terms of pawns occupying it wouldn't be that significant as a knight because a knight on E4 is

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quite a monster in this particular position.

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Quite a lot of squares in sports, especially F2.

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So annoying.

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Going to E4 is pretty nice in general.

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So 94 here.

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So big frats are emerging.

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We have Queen takes to E3 Knight have to check Rook takes after him and Kasparov wins the queen and

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he spectacularly now aims at the back row weaknesses.

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So Queenie Free rook takes D3 he plays actually rook c one here trying to exploit the back row weaknesses

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now offering the Queen Knight B2 is played.

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If rook takes F3, then rook takes the one check.

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This position is great for black.

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Black's getting lots of material there back.

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So Knight B2 is tried and we have Queen F2 with the great idea of Rook E one.

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So white's completely tied up 90 to rook tanks.

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D one check knight 61 rookie, one check and White has to resign her if if one for example Rook st someone

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bishop takes queen size of one is checkmate.

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So this game example shows to me quite vividly this notion of mass centralization, especially Knight's

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really enjoy the sense of the long range pieces do have squares.

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Even if they're put in a corner, they're not totally like useless.

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And that's also, you know, a thing.

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Catto Bishop is a classic tool from the hyper modern era, hyped up know Catto bishops are not bad just

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on G7, so they're kind of away from the central classic centre.

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But I think Catto Bishop, for example, on G seven or B seven or G2, you know, they still have influence

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around the centre.

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It's knights in particular which are the creatures which really benefit from the centre in this game

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for me is like a vivid demonstration of relative Knight's placements.

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Knight influence around key central squares or the extended centre and how that can really impact King

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safely, just naturally, very naturally as a perk.

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And if we build our attacking game on naturally good positional play, we have great flexibility for

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attacking all other stuff, defending it against the opponent's attacks.

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Just generally flexibility is to be valued, so the maths of it is important to consider for various

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pieces.

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You know, central the central influence implications just, just work out the maths of knights, bishops

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and other pieces.

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You know, Rook in the sense has flexibility, but rooks often like to have juicy targets.

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So it really depends on the position.

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This is a guiding principle of central influence, but some players consider, oh, it's central occupation.

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No, the hyper moderns also had that major thing that you could sometimes swap out your pawn sensor

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for piece control.

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They successfully demonstrated the ideas.

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So Nimzowitsch, for example, in my system had variations in the French defense where he played the

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advance variation and he had example games where he wasn't.

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They're interested in, in maintaining the center with pawns.

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You know, sometimes he'd, for example, swap out data, C-5 and experiment experiment with these ideas

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and then taking control of these squares later.

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So literal occupation in the center with pawns.

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You can see that mathematically, the pawns show they control like some squares, but it's piece pressure

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in particular, which is, which is great to have.

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So, you know, these variations are kind of given an open mind where you don't literally have to maintain

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the pawn chain as an example in the French defense.

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So I hope you get the idea that we're respecting positional chess principles in this course.

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And you'll see in the attacking game examples.

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Quite often the master attacker has got certain advantages to play with, has got great central control.

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Does also consider the extended attacking center quite often nights on five or F4 help attacks, especially

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with the Queen's help.

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So yes, we need to respect the center.

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That's our attacking friends quite often.

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So the general principle there is central influence, basically, not central occupation.

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Central influence.

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Okay.

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Have you enjoyed this?

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Got a few points reinforced has so much.
