WEBVTT

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Hi there.

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In this introduction lecture, I want to head on talk about beauty versus accuracy.

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So head on.

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Okay, so we had a romantic era in chess.

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Which had things like The King's Gambit and the Evans Gambit as opening choices, leading to very sharp

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situations where often white, the play of the white pieces could end up absolutely crushing opponents.

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And Paul Morphy was one of the heroes of the romantic era and of Anderson.

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So the Romantic era had these gambits, which often did work because defensive technique wasn't that

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good at the time, and it was also full, ungentlemanly and cowardly, too, to not accept sacrifices.

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So maybe that's the opening gambit.

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Sacrifice or sacrifices later, maybe it was fought.

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It was like cowardly not to accept the sacrifices when maybe they shouldn't or they accepted them later.

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Or at least they should have done count the sacrifices.

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They should have put more of an effort into king safety and defensive technique.

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But in chess history, the evolution of chess style, there was an increase in the defensive style.

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And Steinitz is a remarkable character in the evolution of chess style.

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He started off his career as a romantic error kind of hack attacker, you know, playing all sorts of

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dodgy stuff.

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Then there was atonement.

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There was a change in his career.

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This particular tournament, he started playing in a more dull way, more boring way, accumulating

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advantages, for example, entrenching a knight outpost, accumulating the bishop.

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He was accumulating advantages.

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And when it came to the tactical clash, because he had installed these advantages in the position,

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you know, especially in more closed positions, where you can accumulate more advantages more easily

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rather than open, more chaotic positions.

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So he was accumulating advantages and winning in a more risk free manner.

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So his consistency of results shot up.

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So he kind of introduced the more scientific era to chess.

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So that kind of put an end to the romantic era.

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They stopped having so many heroes at the highest level.

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The world champion is basically a star, which is very attractive.

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He's like world champion and he's also a brilliant communicator in chess, magazines, etc..

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So he's communicating these ideas.

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You know, Paul Morphy wasn't a fan of the open game.

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He even went so far as to include stipulations in matches that at least half the games should begin

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with E4 E5 in open games, more open games rather than close games.

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So the idea of even default openings was like considered dull by Paul Morphy.

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So we have.

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So in the romantic era, you know, big names Anderson, Morphy, and also Spellman was considered the

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last romantic.

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So not British Grandmaster John Spell.

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No, this is Spellman esp I.

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And he was considered the lost romantic some really beautiful games of chess by Spellman.

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But anyway, so the scientific era started off by Wilhelm Steinitz and continued by Lasker, who made

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it into a formidable weapon.

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Factoring in also the context of games, who is actually playing the tournament situation.

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So Lasker took that scientific basis for chess and made it into a weapon to be used for chess as a sport

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as well for maximizing results based on the circumstances.

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So this scientific error had well and truly been established by these two world chess champions, Steinitz

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in Alaska.

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It showed that attacks only worked for, you know, generally for a person with the advantage.

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The advantage is like the kind of balance you have on the chessboard.

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Can you actually afford attacking chess?

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If you tried it, would it actually just be easy to defend it and.

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Yeah.

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Basically in our chess nowadays, though, we're not playing.

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We're playing quite a lot of casual chess online.

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So the Kings game, it remains a super dangerous weapon for most players online, but they're kind of

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put off playing it.

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Sometimes I feel, because we're looking at what the Grandmaster is playing one day chess to be respectable,

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but there's a whole different goal around that.

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Grandmasters in say close tournaments don't want to lose racing points.

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They want to be kind of stable and consistent and be invited to the next event without losing tons of

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rating points.

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In general, there are exceptional grandmasters that don't really care so much and have more shaky ratings,

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more of a spectrum of ratings.

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But anyway, the romance era isn't really that dead.

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You know, in the modern era of chess, where most people are playing fast time limits, it doesn't

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really matter if you play a crazy game.

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It's game.

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It's just fun.

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They put opponents under pressure.

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They give initiative.

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The initiative is very important.

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The faster the time control to be putting the opponent under pressure.

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So anyway, basically the case with this four quadrant diagram being made is we ideally were especially

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on the longer time limit.

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So let's quantify this on the longer time limits.

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We do generally want high accuracy and high beauty on the shorter time limits.

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Then maybe we don't mind lower accuracy, but also beautiful and of course would give us great results

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if we play for the initiative.

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On the faster time limits, we can also aim just to be putting all our efforts into accuracy and not

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caring about beauty is is kind of an optional thing if you want to play more scientifically or more

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artistically.

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It was Anatoly Karpov that said that basically chances aren't science and sports.

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So the art side, the beauty side, the science is like, you know.

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LASKAS You know.

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STEINITZ And the sport is about the actual results, getting the results in terms you fighting on relentlessly

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from seemingly tedious Jewish positions to get the results.

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So, you know, you have players that will just grind and grind and grind.

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For example, Magnus Carlsen can grind out lots of tedious and games to a win.

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So it's also a sporting element just remaining at the ball for hours on end, being physically fit enough

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to do that endurance.

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So there's that angle of chess as well.

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So we're talking about high accuracy.

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With high beauty is something to strive for in general.

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But the romantic era of relics in terms of concrete openings, we can use them without feeling too much

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guilt.

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In my view.

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If you check my phone numbers going to chess openings, I argue that, you know, you can choose openings

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based on the circumstances.

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If it's just casual online chess, a priority you might have is just to have a lot of fun.

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So gambits, you know, create that opportunity to have a lot of fun, especially the more you know

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about a gambling like the Smith Moran game against the Sicilian.

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Okay it might be potentially not not the greatest sometimes in terms of theoretical advantage but also

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the element of surprise with these things is another factor.

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So this is something to think about.

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Our romantic era in chess was officially squashed by Steinitz, the first official world champion,

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and Lasker after him.

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But that doesn't mean we you know, we can't play romantically.

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And players like Boris Spassky still played things like The King's Gambit with great success beating

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even Bobby Fischer.

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So the romantic era relics are still, you know, they're still playable and fun.

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You just need to give them a chance to experiment.

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And if you like having fun with chess, then fine.

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I might point out specifically as an example plan, there's Matador.

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So he's definitely of the romantic era.

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He played beautiful combinations, but he also had some problems.

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He was a restricted player for international tournaments.

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They didn't really give him a chance.

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And when he did play internationally, he got very good results, like, for example, ahead of Korchnoi

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in in one of his few international tournaments, he played in Macau Hotel, described as the happiest

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day of his life when he lost to his metamorph.

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So in matter, Matloff as a person who created lots and lots of artistic masterpieces on the chessboard

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and he just wasn't given opportunity, you know, for the for the international events.

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So sometimes, especially in those conditions, yeah, it's, it's tricky.

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There is a roof being put on you anyway, even if you, if you didn't, if you wanted to play scientifically,

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if there's a roof being put on you for not being given opportunity, that's a different story as well.

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The romantic era of the arts generally focused on emotional expression more than technical mastery.

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So that is analogous to the chess romantic era, the emotions that were evoked from a game in sacrificing

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pieces, the drama of it, the outrageous of event, the emotional expression the emotions evokes when

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people look at those games.

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Yeah, they they stand the test of time.

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These are mortal games.

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So there is there is a great argument for artistic play.

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So there's these priorities.

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You can call them priorities.

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But generally for me, even in fast time limit games, I like accuracy to a certain extent, but I do

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like, you know, fun attacking openings, which might not be that sounds because most of the time we're

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talking about most of the time it might be just acceptable to you, especially if the priority in a

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specific tournament is to win quickly to get to the next game that I like quickly, finishing off opponents

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to go on to the next game.

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So there's a bias to that as well.

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The sport sporting bias, you could call it when you factor in, you know, the tournament reward system

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as well.

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So these are just priorities to bear in mind.

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Basically, for me, accuracy generally is a priority and beauty is a secondary priority.

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But I do like to play beautiful games as well.

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Okay, food for thought here and so much.
