WEBVTT

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Hi there.

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In this lecture, I'd like to talk about the focus on attacking the opponent's king in this course.

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So the focus of this course is essentially how to get the attacking positions, which lead to very juicy,

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beautiful, iconic combinations sometimes in most games.

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So these are often based on checkmate combinations at the end.

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Some of the most brilliant games of all time are based on really beautiful combinations such as Paul

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Morphy's offer a game.

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The thing is about such beautiful, iconic games.

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Sometimes people just play them over for that beauty.

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It's good to actually take a practical perspective, in my view.

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If you are a player, a chess player, wanting to improve, to ask, you know, what are the details

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that which led up to the combinations, what were the attacking ingredients used?

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So in the pool Morphy opera game, which started off like this Paul Morphy with the white pieces against

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two players in consultation.

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Paul Morphy in the opening got very good position already.

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Here he has what I'd say is a bishop of our counterpart, and that forms a major section of this course

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where we have a bishop without a counterpart.

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That to me is a major ingredient, and it's also brought out to me in games of neural networks where

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sometimes a neural network has emphatically sacrificed pawns to amplify that ingredient.

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So we are when we when we want to do successful attacks against stronger and stronger opponents, we

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don't want to be too unsound.

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And in fact, we have to respect the accumulation of advantages model, which the first official world

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champion, Muhammad Steinitz, kind of viewed.

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So he viewed chess as a kind of science.

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There's a balance between the two sides.

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And what we are particularly keen on is emphasizing the attacking ingredients here.

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So what do the advantages specifically include?

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So this is, for me, an attacking ingredients, and it's already made use of with this concrete France

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here on F7.

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So this is just a a great example of an iconic game where now a very accurate move here is looking at

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B7 and F7 and it causes an issue for king safety.

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Another ingredient has been triggered.

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The king in the center and that is an entire section in itself.

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If you can encourage the opponent's king to remain in the center a bit too long, then you've got a

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greater basis for compensatory play.

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Later, we see C3 C6 and again, you know, this lack of development, peace development.

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So, okay, we have Bishop G5 B5 and you know, this leads to a remarkable combination here, which

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some of you may have seen before, but let's look at the combination as well.

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So we're all going to look at not just the ingredients, we are going to play the game and look at the

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combinations.

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Well, Knight takes B5, so it's exploiting the king and the sensor is exploiting actually also pieces

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that are kind of asleep, which in itself is another attacking ingredient.

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So the more we can appreciate the attacking ingredients, the better.

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I mean, this game has been analysed in much greater depth in this course, so this is not meant to

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be a detailed analysis.

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I just want to show you how some of the sections of the course relate to attacking gradients, which

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you can see in in some of the most iconic attacking games.

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So C takes B5, Bishop takes B5 check, so the king is still in the center and Paul Morphy castles.

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Queenside So these guys are kind of largely asleep and it facilitates now an amplification of pressure.

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Rook takes these seven exploiting the absolute pin against the king, and the other rook is brought

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in knowing that basically it's very difficult for black to influence these seven with a dot square bishop

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and a bishop and this rook still on H eight so ends up with a brilliant combination here of the bishop

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takes the seven check 967 and for the aspect of combinations, I do have a course called The Art of

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Checkmate and for the aspects of concrete tactics.

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I do have a course called, you know, the complete guide guides tactics, but this course is really

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on the ingredients build up, which lead up to the combinations because you might that might be a kind

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of jigsaw piece that you might feel is missing.

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How do you exactly get those positions where you get the combinations?

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You've got to carefully build them up through the accumulation of advantages you've got to.

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With.

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You know, good accuracy to get these advantages usually from the opening phase and make sure they can

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be used.

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You know, these ingredients can be used for amazing combinations later.

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So here, once play finishes off with a beautiful mating combination, so can you say, well, that

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is 100 points.

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Yeah.

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Queen Bee eight check.

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So nine.

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Thanks.

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Bee eight.

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We have the eight checkmates.

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So we're going to look at iconic games and you'll see in the sections I say C's mean number of collections

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are a very popular site called Chess games.

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Com which is one of my favorite sites for looking up most of the games.

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And we're going to try and reinforce the ingredient section so we can train on each particular ingredients.

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So it could be bishop of our counterpart, It could be things like Queen in Siberia, it could be,

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you know, pieces of sleep.

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There are ingredients we want to kind of focus and get our examples together and really train on the

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ingredients so we can get that going much more in our own games.

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So here, if we focus on the points I wanted to make in this particular lecture, so we really basically

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are focusing on KING Attacking versus general attacking.

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You could attack on the Queen side.

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You could be trying to win material.

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This is not really the main focus of this course.

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This is about attacking the king.

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It's not really about aggressive play as such.

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It's more about attacking the king.

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We don't need to play aggressively.

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We can kind of play scientifically.

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As long as we get a checkmate at the end.

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We don't have to fill ourselves with aggression or anything.

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No, it's about objective attacking chess, which has been seen at the highest levels of chess and past

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world champions, you know, notably Alexander Alekhine and Garry Kasparov.

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So these these were players who really love to attack the opponent's king.

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So.

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KING attacking for me is often much more attractive for the wins it can produce with beautiful combinations

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online.

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If you have a choice between attacking and defending, I would choose attacking most of the time because

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one defensive step in the opponent could be, you know, checkmate.

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It's harder to defend accurately, especially on the fast the time limits.

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Also there's the most popular format online is not a traditional Swiss stone.

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You have to wait for all the games to finish for the next round.

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It's these all you can eat almost.

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You can win a game and you get another game immediately.

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So if you study attacking plans, you're you're getting that mindset of kind of finishing off games

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quickly so you can rack up the points and win lots of tournaments.

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I'm one of the tournament, you know, top ten leaders, Li Chess for winning a record number of tournaments.

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And I just love quickly finishing off opponents through attacking chess in one day.

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Chess, the beauty agenda can make it worth it.

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So you're not just spending all of those hours just for a point on the scoreboard to increase feed rating.

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That's a very mercenary way of looking at chess.

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If you can create art as well as win, that's even better in my view.

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But yeah, we have to be practical sometimes.

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And if there is something like high risk, like sacrificing Ukraine, I wouldn't recommend that Generally,

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if there's an easier, much simpler way of winning.

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So you've got to balance, you know, the pragmatism of it to the art.

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But art can be a beautiful agenda if you can create a masterpiece.

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So there is a kind of downside of sacrificial attacks.

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The romantic era of chess had a certain element of what I'd call much more risky vein of attacking chess.

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This course is more on the solid, you know, the accurate and solid, but still attacking chess.

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If you imagine four quadrants, we really want high accuracy and high solidity.

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That's kind of synonym accuracy and solidity.

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And we want to be able to attack the opponent's king.

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And the greats like Alekhine and Kasparov demonstrated you could do that.

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You don't have to play romantic era gambits.

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But also Boris Spassky did actually literally play romantic era gambit, The King's Gambit, and he

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beat all sorts of players, including Bobby Fischer with The King's Gambit.

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So sometimes the romantic era isn't completely dead, but that's that's another subject.

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But yeah, we're focused here on on kind of solid, accurate, attacking chess against the opponent's

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king.

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That's really the focus of this course.

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So we want to be able to scale up to stronger and stronger opponents.

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I don't want to give you any like small like ceiling.

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I want you to be able to have confidence that you can beat anyone basically at any time online or offline.

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So, yeah, there's a you know, basically it's a it's a great mindset to have, in my view, especially

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for online chess.

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You know, you win on time sometimes or may because the opponent might even, you know, they have to

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spend time to find accurate defensive moves.

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So that's why this is not this is not the complete guide to defensive chess.

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I think there's a lot of perils for that.

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But if you do like defensive chess as a means of not losing, check out my my Tigran petrosian course.

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But I do pick out his.

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Wins rather than his draws in that course.

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But he really didn't lose much at all.

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Tigran Petrosian also Capablanca didn't lose much.

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That's another role model for more positional super solid, not minding end game transition chess.

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But in this course, yeah, we're taking that bias and running with it.

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It is a bias.

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And you might think, Oh hell, hold on.

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Isn't chess about playing the position in a scientific manner?

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Well, yeah, but when we're playing against humans generally with emotions and humans are not good

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at relentlessly playing accurately like a hundred moves in a row, like an engine can play.

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So when you wake in your opponent's king, the potential for slipping up it becomes like dancing on

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ice.

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I don't know about you.

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I wouldn't last more than a minute trying to dance on the ice.

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I would usually fall over.

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So the need for accuracy, you know, we're not we're not accurate creatures, basically.

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So if you can get attacks which give you great potential for winning through one slip up from the opponent,

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that's where you want to be, in my view.

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So attacking players also create a kind of independence of losing material.

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So losing material could be like just losing a particular battle, but you might still win the war.

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So that's like this classic book, you know, Win Friends and Influence people, which you may have

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read or may not have, you know, read.

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It's worth checking out.

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But basically sometimes, you know, in in win friends and influence people, you don't want to kind

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of win a little battle with with someone, a colleague at the expense of your future you know relationship

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with over like years.

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It's good to win friends and influence people rather than like get people hating you because you you

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did something to annoy them to to win some silly debates.

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So in chess, the silly debate could be like, well, we'll take this pawn, take this night, I'm going

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to make your king.

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You want to think about the overall battle, the the overall battle.

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The overall battle is called the war.

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You don't want to think about individual battles.

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You want to win the war.

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So sometimes it's acceptable to lose material in attacking chess.

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But of course, yeah, we do want to play soundly as well.

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There needs to be an element of great soundness.

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It's the soundness which will make us more scalable for stronger and stronger opponents.

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We want to play accurately from the opening accumulate advantages ideally and checkmate beautifully

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ideally in my view.

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So that's why we have a focus on this course On attacking the opponent's king in, you know, in a solid,

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generally accurate way.

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But we do give ourselves some slack when I say that there's some independence of losing.

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So if we did lose material, there's some slack.

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Because if we do have pieces around the opponent's king, it may not matter.

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We lost to Rook over here or a knight over here or your whole queenside, especially if you're a King's

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Indian defense player.

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You wouldn't mind if you lose your queenside because you're checkmate opponent.

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So there is an aspect of independence of losing material which is very attractive in my view.

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There's the aspect of putting the opponent for the need for accuracy and using lots of time potentially

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that's very attractive as well.

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So from a practical point of view, attacking chess, I found, is a formidable weapon and improving

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my enjoyment of chess considerably.

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And so I've even, you know, my nickname is King's Crusher.

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So there is a kind of bias in my nickname.

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And you could say, Well, hang on, hang on.

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Any bias is a weakness, right?

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That's true.

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But as I say, we're not computers.

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There are universal players in chess to study like, you know, more universal like, you know.

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Lasker.

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Capablanca Fischer The universal dream is a good dream, especially if you, you know, become a grandmaster

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or something one day.

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You don't want to have an obvious bias.

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It's generally a solid game, but this bias is useful for reaching the top as been as has been demonstrated

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by Alekhine and Garry Kasparov.

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I mean, Kasparov completely dominated his peers for a huge number of years as well.

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Champion in brilliant style, brilliant, attacking, you know, crushing style.

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So okay, I hope that introduces the focus of the course and I hope you really enjoy it.

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Thanks so much.
